How FilmBox Africa, FilmBox Family And FilmBox Action Could Surface On MultiChoice's DStv?

For those who aren't familiar with Canal+ offering within Africa, FilmBox Family and FilmBox Action form part of this lineup alongside FilmBox Africa. Part of which can already be viewed on On Digital Media and StarTimes' StarSat through a separate agreement. 

FilmBox Africa is a basic tier film channel dedicated to a wide audience of movie fans. It offers more than 300 premiere titles every year, and features the best directors’ films, television series and miniseries, as well as high-budget television productions.

FilmBox Action is an adrenaline pumping channel which offers a range of premium movies and series. It is home to the leading stars of action cinema including Bruce Willis, Jean- Claude Van Damme, Steven Seagal, Jet Li and Jackie Chan.

Lastly FilmBox Family offers fun for the whole family with content appealing to both children and adult viewers which include family movies, comedies, fantasy, adventure and more. All the content from the channel is rated G for the general audiences. 

If you take into account the current structure for these channels getting these brands onboard wouldn't be a simple walk in the park. This could lead to some restructuring with the existing DStv offering or in particular brands like M-Net Movies.

Seeing as Canal+ would own MultiChoice basically M-Net Movies would therefore be the English counterpart to the current Canal+ Cinema in the region. This offering comprises of two channels while M-Net Movies consists of 4 channels.

M-Net is basically streamlining its portfolio and recently this lead to the closures of Me and 1Magic. Taking those matters to account would it seem that far fetched if similar endeavors were to await M-Net Movies with Movie Room and TNT this lineup is already bloated.

M-Net is going similar endeavors as SABC 3 where it's viewership has experienced immense losses. This is due to the likes of streamers like Netflix and Disney+ so if whatever happened to Audience in America awaited M-Net there wouldn't be an M-Net Movies. 

A restructure to the current M-Net Movies wouldn't be shocking to say the least. Maybe the offering will merge into one channel seeing as Movie Room exists both of which reside in SA maybe without black owned channel this offering would have doubled. 

It's even possible that this offering would cease to exist to its entirety as seen with Me and 1Magic as the latter integrates with M-Net.

SABC Unveils Revamped SABC+ Streaming Service

The South African Broadcasting Corporation (SABC) is proud to announce exciting new launches and features on its Over-The-Top (OTT) platform, SABC Plus. The revamped SABC Plus went live today, with the following launches and features:

SABC Plus Launches:

• SABC Plus Website

• SABC Plus Mobile

• iOS

• Android

• Huawei

• SABC Plus TV Apps/Connected TV’s

• LG

• Set-Top Boxes

• Apple TV (TVOS)

• Google TV/Android Box (The update will be slightly delayed)

New Features:

• New and Improved Interface

• Personalised Recommendations

• Catch-Up Services

• Video on Demand (VOD)

• Voice Command (for content search)

• TV Schedule and Radio Now Playing EPG

• Vodcasts

• Download features available on mobile only.

• Podcasts

• Unlimited Access on Multiple Household Devices

• Display Banners and Video Ads

• EPG Reminder

• The new features are designed to enhance the user experience with a seamless, intuitive interface and personalised content recommendations, ensuring that every viewer finds something they love.

 

In addition, audiences can also enjoy Channel Africa “The Voice of the African Renaissance”, which brings programming in the languages of Chinyanja, Kiswahili, English, French and Portuguese and is broadcast to communities in the African diaspora across the world. Furthermore, the public can access Springbok Radio, Radio Bantu and the youth-based radio station 5 FM extra as well Radio 2000 extra.

Users are urged to re-register with new credentials to easily access the newly revamped SABC+ platform in order to comply with POPI Act.

The SABC Group Chief Executive Officer (GCEO), Ms Nomsa Chabeli says, “The SABC has been at the forefront of fostering diversity and inclusivity through its extensive catalogue of television, radio, and news offerings in the country’s official 12 languages. SABC Plus is our latest innovation, reinforcing the public broadcaster’s commitment to providing the best programming. This platform houses an impressive array of content, including groundbreaking comedies, spine-chilling horrors, and captivating dramas, reflecting the rich cultural tapestry of our nation”.

Chabeli further states, “SABC Plus will now be accessible across multiple devices, ensuring that our audiences can enjoy their favourite content anywhere, anytime. Our most beloved brands, including our top-rated radio stations as well as exciting new range of podcasts, will now be just a tap away”.

The SABC has a proud history of being a pioneer in the broadcasting industry, introducing South Africa’s first comedy, horror, and drama series in indigenous languages. With SABC Plus, the organisation is taking this legacy into the digital age, offering a modern, accessible way to enjoy high-quality content that reflects the diversity and vibrancy of our nation. The SABC invites the nation to join us in this exciting new chapter. SABC Plus is more than just a platform; it is a celebration of who we are and where we are going. Stay tuned for more updates and prepare to experience the best of SABC like never before!

Development Alert: Ajooni, Delayed Indian Series Gets A New Release Date On eExtra

After announcing that eMedia Investments had acquired rights to Indian drama Ajooni for the eExtra channel in May. The series failed to make its premiere on the channel with its timeslot taken up by a rebroadcast of the Telemundo series, Pasion Prohibida.

Now Ajooni presents itself in another timeslot with the series replacing This Is Love at 14:35 from 12 July. Similar to Broken Bonds, it will also be distributed in a 30 minute timeslot while Razia Sultan retains 45 minutes. 

The story Ajooni is set in Haryalipur, where the titular character and Avinash are to be engaged but then she accidentally meets Rajveer in the market and he falls for Ajooni - love at first sight. He starts stalking her and breaks her engagement with Avinash.

It starred Ayushi Khurana as Ajooni Bagga, Shoaib Ibrahim as Rajveer Singh Bagga, Drisha Kalyani as Meher Vohra, Pankaj Dheer as Ravindra Singh Bagga and Shraddha Singh as Harman Ravindra Singh Bagga.

Ajooni aired from 26 July 2022 to 23 August 2023 on Star Bharat with 316 episodes filmed each with a 22 minute duration. It was met with positive feedback by viewers with some for the casts stellar personality and others for the storyline. 

Tyler Perry's Young Dylan Renewed For Season 5 At Nickelodeon

The kids’ comedy series will enter production on July 8 in Atlanta, Ga., at Tyler Perry Studios. Season 5 will consist of 13 episodes and will kick off later in 2024 with a holiday episode premiere.

A multi-cam sitcom created by Perry, “Young Dylan” stars Dylan Gilmer as a rising hip-hop star who moves in with uncle and their affluent family. Season 5 will follow Dylan and his cousin Rebecca (Celina Smith) as they “try to expand their fledgling hip-hop record label, while the whole Wilson family tries to deal with Dylan’s mogul dreams,” per Nickelodeon.

“’Young Dylan’ has been such a fun series for families to watch together, and we’re looking forward to continuing the story of the Wilsons and Dylan as he strives to reach his dreams,” Perry said in a statement to Variety.

“Young Dylan” also stars Hero Hunter, Jet Miller, Mieko Hillman, Aloma Lesley Wright and Carl Anthony Payne, II. Perry serves as executive producer, while Mark E. Swinton and Will Areu are producers.

The show launched in February 2020 and scored the highest ratings for a series premiere on Nickelodeon since 2017. The fourth season kicked off in fall 2023.

Perry is keeping busy with a slew of other projects on the way, most notably the thriller “Divorce in the Black,” premiering on July 11 on Amazon Prime Video. The movie stars Meagan Good as a young bank professional who is fighting for freedom against her husband.

No Money: Generations: The Legacy On SABC 1 Might Be Eyeing Potential Cancellation As DA Proposes A Major Overhaul To SABC's Current Business Structure

Through a booklet obtained by local legislation, the Democratic Alliance had put up several proposals on what could most likely be the future of SABC. One of which includes SABC 1 and 2 possibly being positioned like Soweto TV or e.tv with SABC 3 sold.

Few years ago, it was alleged that the public broadcaster would be selling SABC 3 alongside radio stations Metro FM and 5FM. Contributing factors to this included a drop in viewership and the SABC's lack of cash flow but this had been disregarded. 

According to the SABC, the board has approved comprehensive assessment criteria for determining “core media assets”, noting that this includes not only channels which contribute to the public mandate but which also help to fund the SABC’s public service obligations. 

“The Board has already identified noncore property assets and has drawn up a list of properties for disposal, as required by National Treasury preconditions,” the SABC said. 

“The potential disposal of any of the SABC’s media assets involves a much more complex decision matrix, with factors such as the public interest, the public mandate and the future financial sustainability of the SABC being central to any decision.”

Now the public broadcaster faces the risk of possible liquidation as government failed but still ongoing attempts at moving away from analogue would not only leave millions of households without SABC TV signals but a drop in revenue. 

SABC is struggling to retain most of the content viewed on their platforms with Muvhango being the latest soap to have got axed with rumours swirling around that Generations: The Legacy could suffer a similar fate.

After SABC 2 had axed 7de Laan in 2023, the public broadcaster with no replacement in site aired repeats of Vetkoekpaleis with Muvhango airing from the 1st season. Should Generations: The Legacy take the fall consumers might expect a similar fate for this soap.

This would leave SABC 1 as the only channel to offer a long format series with Skeem Saam and Uzalo as Isidingo and The Estate got the boot on SABC 3 years back. Since then, the channel had undergone numerous restructures with no luck viewership wise.

Paramount And Skydance Are Said To Reach A Deal To Merge

Just weeks after Paramount’s controlling shareholder and Skydance abruptly ended merger talks, the two sides have reached a preliminary deal to create a new Hollywood giant, four people familiar with the negotiations said Tuesday.

The agreement will still have to be approved by a special committee of Paramount’s board of directors, said the people, who spoke on the condition of anonymity as talks resumed.

Paramount — the parent company of CBS, MTV and Nickelodeon — and Skydance, the up-and-coming movie studio that helped produce “Top Gun: Maverick,” called off talks in June just before a scheduled vote on a merger. While the two sides had agreed on economic terms, Shari Redstone, Paramount’s controlling shareholder through its parent company, National Amusements, had clashed with Skydance in the final weeks of negotiations.

But the two sides have continued to talk, and now the Paramount board committee will evaluate whether new terms will be sufficiently palatable for shareholders, some of whom pushed back significantly against the last proposed deal. One likely point of focus will be the extent of protection offered to National Amusements in event of shareholder lawsuits.

In this latest deal, National Amusements’ equity would be valued at $1.75 billion, up slightly from $1.7 billion in the transaction’s last incarnation, three of the people said.

Muvhango Reportedly Cancelled After 27 Years On SABC 2 As The Public Broadcaster Fails To Renew The Venda Soap

After an impressive 27-year run, “Muvhango,” the beloved South African TV soap opera, aired its final episode yesterday. The show, known for its compelling storytelling and rich cultural representation, has been a staple in households across the nation.The decision to end “Muvhango” was not made lightly.

According to insiders, a combination of declining viewership and shifts in audience preferences led to the conclusion that it was time to bring the long-running series to a close. Another contributing factor was the public broadcaster's financial constraints. 

Producers expressed their gratitude to loyal fans who have supported the show throughout its journey.”Muvhango” has made a significant impact on South African television, providing a platform for numerous actors and addressing important social issues.

As “Muvhango” bids farewell, its legacy as a groundbreaking and influential show in South African entertainment history will be remembered. Fans were encouraged to tune in tonight for the emotional final episode, marking the end of an era.

SABC 2 will be airing a rebroadcast to the first season in place of the final season as we await details on what the broadcaster's next move will be in accommodating this timeslot. News of its demise was sort of last minute to most media outlets. 

Paramount Global Is In Exclusive Talks To Sell BET For $1.6 Billion

Paramount Global is in exclusive talks to sell its Black Entertainment Television network to buyers that include BET Chief Executive Officer Scott Mills and Chinh Chu, who runs the New York-based private equity firm CC Capital.

The group has been discussing an offer of $1.6 billion to $1.7 billion, people familiar with the matter said, asking not to be named revealing information that’s not public. 

Last year, the same group had discussed an offer of a little under $2 billion, Bloomberg reported in December. Chu and Mills are rekindling discussions with Paramount for BET after Shari Redstone, who has a controlling stake in Paramount, walked away from a proposed merger with Skydance Media, the company led by David Ellison. 

Representatives for Paramount and Chu declined to comment. Mills didn’t respond to a request for comment. The shares jumped on the news and were up 4.2% to $10.56 at 2:28 p.m. in New York.

Paramount, which owns CBS, MTV and other networks, had also previously received an offer from media mogul Byron Allen, who put together a $3.5 billion bid last year for both BET and the VH1 channel, and emphasized that BET should be Black-owned. Actor and filmmaker Tyler Perry, who is an investor in the BET+ streaming service, also held discussions about purchasing a stake in the larger enterprise.

The sale process last year was “disrespectful,” Perry said at a Bloomberg event last year. “Don’t try to get me to pay for something that’s not worth anywhere near the value” Paramount said it was, he said at the time.

Founded in 1980 by businessman Robert L. Johnson, BET was sold to Paramount’s predecessor, Viacom, in 2001 for about $3 billion. The network has strong ties to some of the most successful Black entertainment creators, including Perry, Kenya Barris and Rashida Jones, who are investors in the BET Studios production company.

Paramount has said it’s working to cut $500 million in costs to boost profitability. 

Barry Diller's IAC Is Exploring A Bid To Take Control of Paramount Global

Media mogul Barry Diller is taking a look at acquiring National Amusements Inc., the company owned by Shari Redstone and the controlling shareholder of Paramount, CNBC reported on Tuesday.

Diller's IAC, an internet media and publishing company, has signed a nondisclosure agreement and is looking in the data room of National Amusements, Faber said Tuesday. IAC could make a decision in the near term to place a bid on National Amusements, which would give it a controlling stake in Paramount, he said, citing sources.

These discussions come weeks after National Amusements stopped talks with Skydance on a proposed merger with Paramount.

Following months of deal talks with a consortium that included David Ellison's Skydance and private equity firms RedBird Capital and KKR, the deal was called off as it awaited signoff from Redstone. National Amusements, which Redstone controls, holds 77% of class A Paramount shares.

Prior to calling off the proposed merger, National Amusements had agreed to financial terms of the deal. The proposed deal would have seen Redstone receive $2 billion for National Amusements, with Skydance buying out nearly 50% of class B Paramount shares at $15 apiece, or $4.5 billion. Skydance and RedBird had also agreed to contribute $1.5 billion in cash to Paramount's balance sheet to help reduce debt.

Terms of IAC's potential bid are unknown, but it would likely have to be more than $2 billion, Faber reported Tuesday. The New York Times first reported Diller's interest in Paramount.

While Diller, 82, is currently the chairman of IAC and Expedia, he has a long track record in the media industry, including serving as chairman and CEO of Paramount Pictures in the 1970s and 1980s. He followed Paramount with his post at the head of 20th Century Fox, where he greenlit Fox network programs including "The Simpsons."

Diller has been vocal about the need for legacy media companies such as Paramount to give up on chasing Netflix in the streaming wars and focus on their broadcast and pay-TV networks.

During the Hollywood strikes last summer, he said that despite cord cutting, traditional pay-TV is still profitable — unlike most streaming businesses. He called on legacy media to build up traditional networks again.

Diller tried to acquire Paramount Pictures in the 1990s, but went toe-to-toe with Sumner Redstone, the father of Shari Redstone, who now controls the company.

Since then, Paramount has changed and grown in various ways. The company now comprises the movie studio, as well as the CBS broadcast network, a portfolio of cable TV networks such as MTV and BET plus streaming services Paramount+ and Pluto.

While other suitors have reportedly been interested in owning Paramount, the company has been focused on restructuring its business.

Now led by the so-called Office of the CEO — CBS CEO George Cheeks, Paramount Media Networks CEO Chris McCarthy and Paramount Pictures CEO Brian Robbins — Paramount has concentrated on exploring streaming joint venture opportunities with other media companies, slashing $500 million in costs and divesting noncore assets.

Pending Court Verdict Keeps Kuiertyd And The Rest Of eMedia's Offering On DStv Until August 2024

Since 2022, eMedia Investments and MultiChoice have been embroiled a carriage dispute regarding eToonz, eMovies, eMovies Extra and eExtra. These channels were initially slated to go dark by the end of March of that year but got an extended stay on DStv for 2 years.

eMedia Investments had accused MultiChoice of anti-competitive behavior resulting in the removal of the channels. MultiChoice on the other based the removal on transponder constraints and also the load of DStv content viewed on eMovies and eToonz.

These offering was supplemented by DreamWorks and Movie Room as KykNET&kie launched its rival offering to eExtra's Kuiertyd. Other channels that formed part of this expanded offering to select DStv consumers include PBS Kids and KIX.

As seen in the start of the year, MultiChoice had removed at least 11 channels in under 4 months. These included People's Weather, B4U Movies and WildEarth with M-Net's Me and 1Magic that merged to form 1Max and was the only channel to be replaced.

If there's no further delays this time, the number of channels to have departed DStv would increase to 15 should no other channel exit prior. Of course, with the rate of TV channels to have exited without a replacement MultiChoice could lose more DStv customers. 

Despite these channels residing on the Openview platform with eExtra on StarSat in a separate agreement. eMedia Investments would see a reduction in revenue for these channels and viewers as e.tv, eNCA and eNuus on KykNET remains on DStv.

After eMedia Investments Fails To Acquire T20's Cricket World Cup Final On Openview Runs To Competition Commission To Remove Ban By SuperSport And The SABC

Last month, SuperSport and the SABC came into agreement to televise the ICC T20 Men’s World Cup final live as well as two Springbok Test matches on a delayed basis. The final two Springbok matches are scheduled for broadcast on Saturday 6th and 13th July. 

According to eMedia Investments, the agreement restricts the SABC from airing the matches on its channels that are carried on their free-to-air satellite platform Openview. The SABC is also restricted from making the matches available on SABC+.

eMedia Investments has filed an urgent application with the competition appeal court, alleging that the SABC and SuperSport entered into a “contemptuous” sports sublicensing agreement in contravention of an April ruling by the Competition Tribunal.

Described it as a “sham tender process”, alleged that MultiChoice withheld crucial information such as its intention to split the rights between terrestrial and non-terrestrial broadcasts or that the bidding process was competitive.

SuperSport in a separate statement had mentioned that the SABC’s proposal was 50% higher than eMedia’s proposed fee. Having failed to acquire remaining matches run to the Competition Tribunal to force both parties to give up the rights freely. 

If eMedia were to be successful, the result would be that no SABC viewers at all would be able to watch the Irish tests. eMedia therefore seems to take a scorched earth approach – which says that if it cannot transmit the Irish tests free to air, no one can.

Cartoon Network Africa Partners With E-Waste Recycling Authority To Tackle Growing E-Waste Challenge In South Africa

Cartoon Network Africa, the leading kids' TV channel in South Africa, is partnering with the local E-Waste Recycling Authority (ERA) as part of its Climate Champions initiative. The collaboration aims to educate and empower children about the increasing challenge of electronic waste.

 

As a registered Producer Responsibility Organisation (PRO), ERA is dedicated to improving e-waste recycling in South Africa and is a leader in electronic waste management. The organisation facilitates and implements the country’s regulations on the proper disposal and management of electronic waste, as laid out by South Africa’s Waste Electronic and Electrical Equipment (WEEE) Extended Producer Responsibility (EPR) Regulations, which came into effect in 2021.

 

The partnership comes at a crucial time as South Africa grapples with an escalating e-waste crisis. With only 10% of e-waste currently being recycled, it contributes to landfills quickly reaching capacity. E-waste is the fastest-growing waste stream, growing three times faster than general municipal solid waste.

 

A research survey undertaken by Cartoon Network found that 70% of children aged 6-11 across the EMEA region had not heard of e-waste or were aware but not sure / had no idea what it means. Results from the study show that:

• Majority of kids aged 6-11 yrs. Claim to have heard of e-waste, but in reality, few (30%) know what it means

• Kids in Poland (47%), Turkey (37%) and South Africa (28%) are more familiar with e-waste than peers in the UK (19%) and France (17 %)

• Polish kids (81 %) are notably more likely to link e-waste with the correct definition vs other markets; South Africa (33%), the UK (26%) & France (19%) under-index

• Most kids (87 %) have at least one e-waste item at home, with South Africa being above the index at 97%, with kids’ toys, headphones, and tablets among the top three items

• 64% of kids in South Africa say they store e-waste items at home or throw them away, highlighting the need for education

Through the partnership with ERA, Cartoon Network will use its beloved characters and engaging storytelling to teach children about e-waste, its problems, and how recycling can be a solution. The aim is to inspire children to become e-waste warriors, advocating for recycling in their homes and communities.

 

"Understanding what happens to rubbish is good to learn from childhood. Technology is such a big part of kids’ lives these days and it’s crucial that they understand the importance of recycling e-waste from a young age,” says Ashley du Plooy, CEO at ERA. “Electronics can have a second life - even broken toys with cables or batteries can be transformed into something new! That's because they often have valuable materials. Recycling them correctly also safeguards the environment for future generations."

 

By combining education with entertainment, Cartoon Network Africa and ERA hope to cultivate a generation of environmentally aware children who comprehend the significance of responsible e-waste management.

 

Cartoon Network Climate Champions’ new e-waste video content will air on the Cartoon Network channel and includes a ‘Guide to E-waste’ video that explains what e-waste is, why it’s an important issue and the basics of how we can help tackle it. Cartoon Network will also air e-waste promos, explaining issues around e-waste with a call to action on how kids can get involved in tackling it, and share weekly uploads to its social and YouTube channels to help broaden the reach and drive key e-waste messages home.

 

Monika Oomen, VP of Brand, Communications, and Digital Content Strategy for Kids EMEA at Warner Bros. Discovery, expressed, "In our efforts to engage kids into climate action, the partnership with ERA is a vital addition to our Cartoon Network Climate Champions campaign, by combining Cartoon Network's commitment to engaging storytelling with ERA's expertise in e-waste management, we can reach kids on a platform they love while empower them to become environmental champions.”

 

This comes as annual electronic waste generation is on track to reach a staggering 82 million tonnes globally per year by 2030, including items such as mobile phones, laptops, MP3 players, plugs, and batteries.

 

Cartoon Network’s Climate Champions initiative empowers and inspires young people to act and help the environment. Kids aged 6-12 can become Climate Champions by taking up daily challenges and making a world of difference together. Among the many e-waste challenges available are the ‘Device Rescue Mission,’ where children check their homes for old electronic devices that can be recycled, the ‘No Crossed Wires’ challenge, which involves taking care of chargers by preventing damage from wire tangles, and the ‘Phone Numbers!’ challenge, where kids count the number of mobile phones in their homes, including unused ones.

 

In addition to helping kids understand the extent of the e-waste problem, ERA has a comprehensive list of e-waste recycling drop-off points around the country. Living sustainably with technology means ensuring all ageing and failed electronic products are discarded using trusted e-waste recycling points that prevent the materials from ending in landfills.

For more information on how to become a Cartoon Network Climate Champion, you can visit the Climate Champions website or download the Climate Champions app and discover facts and trivia about e-waste, new quizzes, new voting cards, and new videos featuring real kids talking about the issue of electronic waste, and new e-waste challenges that can ‘Make a World of Difference.’

Paramount Global Is In Talks For A Streaming Merger

Paramount Global is currently in discussions with other entertainment companies about merging its Paramount+ streaming service with an existing platform. If successful, this could trigger a wave of similar partnerships across the media sector and strengthen the industry as a whole.

The leadership at Paramount Global is actively exploring potential structures for merging Paramount+ with another streaming entity, potentially leading to a co-owned platform. These discussions, which are private, involve various media and tech company executives.

Warner Bros Discovery Inc has shown interest in such a deal, which could strengthen both services by allowing them to better compete with Netflix Inc and Disney’s suite of platforms (Disney+, Hulu, and ESPN) for audience and future content.

Earlier this year, preliminary merger talks were held for a complete deal with Paramount Global, but these discussions did not progress.

Paramount Global is also considering a potential partnership with a technology platform, as revealed by the company's co-CEO Chris McCarthy at an employee town hall on June 25.

A merged streaming service could offer more diverse programming, reducing customer churn and potentially removing Paramount+ losses from Paramount Global’s balance sheet by introducing new ownership.

While the structure for a potential joint venture with Warner Bros. Discovery hasn't been discussed in detail, it is likely that ownership wouldn't be evenly split due to the current nature and finances of the streaming assets.

Max, Warner Bros. Discovery's direct-to-consumer business, boasts about 100 million global subscribers, with 52.7 million based in the U.S. Meanwhile, Paramount+ ended its first quarter with 71 million subscribers.

NBCUniversal, owned by Comcast Corp, has also shown interest in a joint venture with Paramount+. However, these discussions did not progress significantly.

Since late 2019, traditional media companies including Paramount Global, Disney, NBCUniversal, and Warner Bros. Discovery have all launched streaming services, resulting in billions of dollars in losses. The industry consensus suggests there are too many streaming services relative to the number of total paying customers.

If Paramount finalizes a joint venture with either Max or Peacock, it could put pressure on the remaining service to seek a similar deal.

Media companies are now focusing on better monetizing streaming content through bundles and partnerships. For example, Disney and Warner Bros. Discovery have recently become more willing to license some of their content to rival streaming services, such as Netflix, to better monetize shows that aren't adding a lot of new subscribers to their streaming services.

Important Notice Dated 1st July

We're currently reviewing our offering and after much consideration we decided to infuse both Regular Nick: Games (70%) and DStv Flex (30%). From this point on, Insidus Plus will be more mobile with its offering as we look into more content to the site.