TLNovelas To Debut Long-Awaited Series "A Shelter For Love" In 2025 Across Africa Alongside A Rebroadcast Of "Road To Destiny"

A few years ago, TLNovelas was slated to air A Shelter For Love known in Mexico as Un Refugio Para El Amor for consumers in Africa before it was removed from its release schedule. Now the channel is set to be revisiting the 2010 era in 2025 with the launches of the series alongside a rebroadcast of Road To Destiny.

Based on the Venezuelan telenovela La Zulianita, A Shelter For Love follows Luciana, a joyful and beautiful girl, manages to evade the clutches of Don Aquiles, an evil man, after the death of her father in order to save herself from his sexual harassment. She meets a handsome guy named Rodrigo who holds a reputation as a lady-killer.

Zuria Vega and Gabriel Soto star as the main protagonists, while Laura Flores, Jessica Coch, Humberto Elizondo and Frances Ondiviela star as the main antagonists.

Road To Destiny follows Luisa Fernanda Pérez, a beautiful, 18-year-old student, has two passions: mastering the violin and gardening, a skill she learned from her father, Pedro, the former groundskeeper of the wealthy Altamirano family's estate. A chance encounter with destiny alters her life after she is injured in a car accident caused by Luis (her biological father).

Based on the Mexican telenovela La Hija Del Jardinero, The series stars Paulina Goto and Horacio Pancheri as the main protagonists with Ana Patricia Rojo, René Strickler and Lisette Morelos as the main antagonists.

Canal+ Is Set To Become A Standalone Company After Shareholders Of Its Parent, Vivendi, Overwhelmingly Approved A Spinoff Plan

More than 97.5% voted to separate Canal+, ad business Havas and publisher Louis Hachette Group. They will begin trading on the London Stock Exchange, Euronext Amsterdam and Euronext Growth Paris, respectively, on December 16. About 72% of Vivendi shareholders were present at the vote.

Canal+ is known for its European pay-TV operations and is also the owner of Paddington in Peru‘s Studiocanal. It has been aggressively investing in international streamer Viu and Africa’s MultiChoice, and can now look forward to a more independent future, albeit still within the Vivendi group.

“We are delighted with the very high adoption rate of our spinoff project,” said Vivendi chairman Yannick Bolloré, whose family has led the demerger plan. “This indisputable result confirms this strong support of our shareholders for this transformative transaction.

“The Supervisory Board would like to warmly thank Arnaud de Puyfontaine and the whole Management Board, all the teams involved in this project, our different advisors and our shareholders for their trust. We are convinced that this new chapter for Canal+, Havas and Louis Hachette Group will be very promising and create value for all stakeholders.” 

Vivendi’s board gave the split the go-ahead a month ago, as part of a move to tighten finances and give its verticals more flexibility. Despite floating on the London Stock Exchange, Canal+ will remain incorporated and taxed in France, and will not be required to follow mandatory stock market regulations on public offers in either its home country or the UK.

The initial spinoff plan was to leave Canal+ with virtually no debt, but it is set to begin trading with debt of €400 million ($433 million), of which about €225M will be related to the company’s investment in African content giant MultiChoice, as revealed last month. Former Paramount Global CEO Bob Bakish will take a spot on the Canal+ board next week once trading begins.

Canal+ launched in 1984 and was acquired by Vivendi 16 years later as part of a transaction that saw it grouped with Universal. Vivendi sold its Universal assets to General Electric, which formed NBCUniversal by merging the production biz with broadcaster NBC.

JP Morgan estimates Canal+ to be worth €6 billion ($6.3 billion).

Could Nicktoons Expand To DStv Access Consumers In South Africa If It Lives Through Another Year?

During the week, MultiChoice added the last remaining premium kids channels Nickelodeon and Nick Jr. from Paramount Global to DStv Compact consumers in South Africa. This means even less consumers would depend on the scraps from Nicktoons as they get further access to later seasons of SpongeBob Squarepants and DORA.

This would also give them further access to live-action series such as Henry Danger, Tyler Perry's Young Dylan, The Really Loud House and The Thundermans.

Nicktoons in recent years has moved away from being a mirrored version to Nickelodeon's late 90s to early 00s to now serving as a promotional window to most of their fresher shows. For the past 10 years, Family and Compact consumers had been reliant on the channel to get most of these titles from Nickelodeon.

Now that Nickelodeon is no longer a premium channel this only means that while it and Nick Jr. would garner more exposure less attention is going to be poured onto Nicktoons. MultiChoice Africa already distributes Nickelodeon alongside rivalled platforms which sort of widens the reach of the channel.

Nicktoons doesn't have exposure within Africa as MultiChoice distributes it under the Compact bouquet which to some extent can be considered premium. Even with Nick In Your Language, my point still stands who would want to watch weekly episodes of Transformers: Earthspark on Nicktoons if you can get it for more hours on Nickelodeon.

In South Africa, there is a bit of hope for Nicktoons if MultiChoice moved it to DStv Access as Play Room offers a rivalled offering to Nick In Your Language. Then there's CBeebies which very similar to Nicktoons has also been dubbing some of their preschool in local languages.

Skydance Media is currently in the process of acquiring Paramount Global by the first half of 2025 which is awaiting regulatory approval. According to Bloomberg, the plan is to merge MTV Studios with CBS Studios while reducing linear spend which could lead to the closure or merger of various TV channels.

Month Of Witches. Disney Channel Will Debut Wizards Beyond Waverly Place In January 2025 Across Europe, Middle East And Africa Alongside A Rebroadcast Of The Owl House

Last month, Disney Channel expanded their feed seen within Eastern and Western parts of Africa to most Southern African countries (excluding South Africa). This led to further additions with the launch of Marvel's Moon Girl And Devil Dinosaur after being made available on Disney+ when it launched in South Africa by 2022.

Now most parts of Africa are likely to miss out on the final season of The Owl House as rebroadcasts to the first season are aired on Disney Channel in South Africa. But alas, Disney Channel as seen with most other kids channels are distancing themselves from their edgier shows by moving them to late nights or early mornings.

The Owl House will broadcast daily at 06:00 CAT as a double bill from January 7th and also joining Anne and the rest of the gang on her journey to the new year will be a brand new series Wizards Beyond Waverly Place from January 28th at 17:00 CAT.

Wizards Beyond Waverly Place follows an adult Justin Russo (David Henrie), who has chosen to lead a normal, mortal life with his family. When Justin’s sister Alex (Selena Gomez) brings Billie (Janice LeAnn Brown) to his home seeking help, Justin realizes he must dust off his magical skills to mentor the wizard-in-training while also juggling his everyday responsibilities — and safeguarding the future of the Wizard World.

The series also stars Alkaio Thiele (as Roman Russo), Max Matenko (as Milo Russo), Taylor Cora (as Winter) and Mimi Gianopulos (as Giada Russo). Gomez will guest star in the first episode, and Henrie has already confirmed she will appear in later episodes as well.

Based on Wizards Of Waverly Place, the trailer of the sequel series had amassed 69M views across Facebook, Twitter, Instagram, TikTok and YouTube in the 10 days post-launch, making it Disney Channel’s most-watched trailer for a comedy series ever. The first season is set to consist of 21 half hour episodes.

e.TV Acquired Broadcasting Rights To Canadian Animated Series, Total Drama Island

Total Drama Island is the first season of Total Drama series, a Canadian animated television series created by Tom McGillis and Jennifer Pertsch. The series premiered in Canada on Teletoon on July 8, 2007, and ran for 26 episodes, each 22 minutes in duration with a special 44-minute season finale. 

Internationally, Cartoon Network held rights to the first 6 seasons for consumers in Africa and some parts of the world including The Ridonculous Race which served as a spinoff. Play Room is currently distributing Total DramaRama in South Africa which is second spin-off to the franchise and in some way skewed toward a younger audience.

Now more South African households are going to garner access to Total Drama as e.tv introduces the first season to consumer's screens every Wednesday at 15:35 from 18 December. This would join Open Season: Call Of Nature and Angry Birds: Summer Madness as the many shows looking to launch on the channel.

Total Drama Island is set in the fictional titular reality show, which follows the competition of twenty-two unsuspecting and unwitting campers at Camp Wawanakwa, the most rundown, insect-infested, disgusting island in an unspecified area in Muskoka, Ontario. The campers participate in competitions and challenges that get more insane and dangerous each week to avoid being voted off the island by their fellow campers and teammates. 

At the end of the series, the winning contestant will receive C$100,000 (US$73,129.00). The competition is hosted by Chris McLean, assisted by the camp's chef, Chef Hatchet, who is also Chris's best friend despite being mistreated at times. 

SURPRISE!!! Paramount Africa Is Making Nickelodeon And Nick Jr. Available To DStv Compact Customers In South Africa

 
Get ready for a playful and fun festive season filled with joy, laughter, and one last 25th anniversary hurrah from SpongeBob SquarePants! From 6 December 2024, Nickelodeon (DStv 305) and Nick Jr. (DStv 307) will both be available on DStv Compact permanently, gifting more children and families across South Africa access to the very best in family entertainment.
 
As part of this exciting move, Nickelodeon, the number one entertainment brand for kids, invites everyone to celebrate SpongeBob SquarePants’ 25th anniversary with a festive extravaganza like no other. From exclusive new episodes and Nickelodeon favourites in isiZulu and Afrikaans to Zee Nxumalo’s Amapiano remix of the SpongeBob SquarePants theme-song! This holiday season promises something for everyone.

Nickelodeon (DStv channel 305) December Highlights

SpongeBob SquarePants Christmas Special – 21 December | Saturday at 12:30

The Loud House Christmas Special – 21 December | Saturday at 14:10

Young Dylan Christmas Special – 21 December |
Saturday at 18:30

The Patrick Star Show from 2–13 December at 15:00

Tales of the Teenage Mutant Ninja Turtles from 23 December, weekdays at 19:45 

Nick Jr. (DStv channel 307) December Highlights

Rubble & Crew (new episodes) from 02 December, Monday-Friday at 17:30
DORA (new episodes) from 09 December, Monday-Friday at 18:00

Nick Jr’s Holiday Stunt Premiere episodes: Paw Patrol, Rubble and Crew, Hamsters of Hamsterdale, The Adventures of Paddington, The Tiny Chef Show from 21 December at 12:00

Nick in Your Language Continues to Shine

Nickelodeon’s commitment to inclusivity continues with the Nick in Your Language initiative, offering local language episodes of beloved shows like SpongeBob SquarePants, DORA, Rubble & Crew, Tales of the Teenage Mutant Ninja Turtles, and PAW Patrol in local languages. Catch these dubbed favourites on Nicktoons (DStv channel 308), weekday mornings at 7:30–9:00, and afternoons at 15:00–16:00. 

January 2025: Start the New Year with Nickelodeon and Nick Jr.!
  

Transformers: EarthSpark S3 (new season) on 11 January at 11:00 on Nickelodeon (DStv channel 305), Baby Shark’s Big Movie! 5 January at 12:20 on Nick Jr. (DStv channel 307), Baby Shark’s Big Show S3 (new season), weekdays at 16:30 on Nick Jr. (DStv channel 307), starts 6 January. 

Dance in to the holidays with SpongeBob and Zee Nxumalo

To make this holiday season even more exciting, Nickelodeon has partnered with Amapiano sensation Zee Nxumalo for a special Amapiano remix of the SpongeBob SquarePants theme song, soon to be available on Spotify. Fans can join the #DanceLikeASpongeChallenge on TikTok and be part of the fun.

Follow @Nickelodeon_Africa for more information.
“At Nickelodeon we put kids first and we believe in the power of fun to bring families together. What better time to celebrate fun than during the holidays? As we mark SpongeBob SquarePants’ 25th anniversary, we’re thrilled that Nickelodeon and Nick Jr. content is now accessible to even more families, solidifying our mission to provide inclusive, world-class entertainment.” says Monde Twala, Senior Vice President and General Manager at Paramount Africa.
 
“We’re thrilled to make Nickelodeon and Nick Jr. available to DStv Compact viewers,” says Melusi Sibisi; Acting Head of 3rd Party Channels and Partnerships for the Multichoice Group. “This move underscores our commitment to ensuring that more families across South Africa have access to premium kids’ entertainment. With Nickelodeon’s rich line-up and beloved characters, this holiday season will undoubtedly be one to remember.”
 
This holiday season, Nickelodeon promises a Nicktastic Festive! Soak up the fun! Join SpongeBob, Patrick, the Ninja Turtles, and more as they bring endless joy and adventure to your screens.

StarSat Remains Silent Following It's Raid By ICASA

A few months ago, StarSat shuttered it's doors in South Africa after operating illegally for over a year with ICASA alongside SARS confiscating several equipment for the company. This had left at least half a million households without access to SABC 1-3 alongside international channels from Disney and Warner Bros. Discovery.

Since then, consumers who had paid for its services have been waiting anxiously for further updates on how StarSat would compensate them with the brand that promised to share further details in the past months. Now they're completely unreachable for those looking to contact their headquarters or use their socials.

I know it's the festive season and a lot of companies give their staff some time off from their jobs to travel and visit loved ones but StarSat can't afford such luxury especially when it involves money. The only other option now should they continue to remain silent through the new year for some would be taking legal action.

Some theories do come in mind over the continued silence.

Firstly with their doors shuttered, employees are likely being retrenched (unknowingly) as StarSat relies on consumer's monthly fee to generate part of their revenue and without it they can't keep up to expenses. So December would be a perfect time for them to let people go as they wouldn't be much productivity by then. 

But MultiChoice still has operators on standby for those looking to make payments and report a problem with their services especially in the festive holidays. What I'm saying here is that these type of services can't minimise their operations to such extent all they can do is reduce work hours or find people that are willing to work in those hours.

Even if they do come back, the trust has been broken how is anyone sure this offense won't be repeated again especially those who turned to StarSat as their go to destination. StarSat knew what they were up against and I think they should have informed consumers ahead of time and mention their attempts in securing a license.

Paramount Global Plans To Wind Down On TV Channels, Looking To Merge CBS And MTV Studios

David Ellison plans sweeping changes at Paramount Global, including cuts at the company's TV networks, billions of dollars more for streaming and an overhaul of top management, according to people familiar with his plans.


David Ellison who will take over as chief executive officer of Paramount when it merges withhis Skydance Media next year, is exploring combining all of Paramount's TV networks, including CBS and MTV, into one unit.


Those businesses are mostly run by two of the company's co-CEOs, Chris McCarthy and George Cheeks. While Cheeks is expected to stay, McCarthy's future is less certain.


The company’s third co-CEO, Brian Robbins, who leads the Paramount Pictures film studio and the Nickelodeon kids channel, is expected to leave around the close of the deal, said the people, who asked to not be identified discussing plans that are still being formed.


A movie fanatic who has co-financed most of Paramount's biggest films of the last decade, David Ellison was initially interested in the company's namesake movie studio.


While David Ellison and Robbins have worked together on several titles, they are said to have both conceded it's unlikely Robbins will stick around. No final decision has been made, however.


David Ellison has discussed putting Dana Goldberg, the head of production at Skydance, in charge of the film business, at least for the time being. Spokespeople for Paramount and Skydance declined to comment.


Since agreeing to merge Skydance with Paramount in July, Ellison and his deputies have been meeting with their future employees, seeking opinions about what is working and what isn't. David Ellison told employees at Paramount that he hasn't made any decisions about personnel.


David Ellison agreed to the deal knowing Paramount would require a major overhaul.


The company still makes almost all its profit from pay-TV networks such as Nickelodeon, MTV (DStv 130) and Comedy Central (DStv 122) that defined an era in pop culture. 


But those networks have hemorrhaged viewers and advertisers to technology companies such as Netflix and YouTube. The company's namesake film studio isn't expected to show a profit for 2024, according to analystss estimates.


"The business needs to be transitioned," David Ellison told Bloomberg shortly after the deal was announced.


When Donald Trump won the presidential election, David Ellison and the team at Skydance began preparing to take over Paramount even sooner than they once thought. They now believe the deal could close as soon as the end of March or early April.


The Federal Communications Commission, which approves the transfer of broadcast licenses, still must bless the deal. Petitions from those opposing the transaction are due 16 December, according to the commission. Final responses from the parties are due 13January 2025.


Two areas requiring David Ellison's immediate attention are TV networks and streaming.


David Ellison is looking at potentially cutting hundreds of millions of dollars in costs by folding the company's TV networks into one group, consolidating teams across departments like programming and marketing. The amount of original programming produced for the cable networks will decline, as will the staffing.


David Ellison will combine two groups, one that currently reports into McCarthy and another into Cheeks. While McCarthy was a favored son of former CEO Bob Bakish, Cheeks has a good relationship with Jeff Shell, who will serve as Ellison's number 2 at Paramount. Cheeks and Shell worked together at NBCUniversal.


David Ellison stated plans to streamline the company's operations in an investor presentation earlier this year, without getting into specifics.


Paramount will also explore strategic partnerships involving pay-TV networks that could result in a divestiture of some of those businesses. 


While David Ellison may not formally explore the sale of any of these networks, as was done under the previous regime, he is open to selling almost any network in the portfolio other than CBS.


David Ellison plans to cut back on the company's real estate holdings and will look to sell facilities like the CBS Broadcast Center, a production facility used for 60 Minutes and Last Week Tonight with John Oliver. CBS also owns the Ed Sullivan Theater, the home of Stephen Colbert's late-night show.


"We're not going to sell Paramount, we're not going to sell CBS, but we're looking to maximize value," David Ellison previously told Bloomberg.


The transaction has already led to negotiations between David Ellison, Paramount and the NFL.


The league is able to opt out of its broadcasting agreement with CBS as part of a provision in its contract. While the NFL doesn't plan to do so, it has talked to Ellison about turning some of its stake in a joint venture with Skydance into an equity stake in Paramount.


It has also discussed selling some or all of the NFL Network to Paramount.


The cuts in TV will help pay for a greater investment in streaming.


Paramount+ has grown to 72 million customers and has made money two quarters in a row. Yet it ranks last in viewership among mass-market services and is still much smaller than competitors such as Netflix, The Walt Disney Company and Amazon. 


Cindy Holland, who's serving as an adviser to Skydance, is consulting on the streaming strategy and is seen by many at Paramount as the person likely to take over that business.


David Ellison is particularly concerned with the poor user experience in the app and has talked about making it easier for viewers to find shows to watch by improving the recommendation algorithm.


David Ellison, the son of Oracle Corp. co-founder Larry Ellison, grew up around technology luminaries such as Apple Inc. co-founder Steve Jobs. He speaks often about marrying technology and art at Paramount, and more quotidian changes like improving Paramount's use of enterprise software.


David Ellison will also more closely integrate Pluto, a free streaming service, into Paramount+.


A free service like Pluto can serve as an on-ramp for viewers to use Paramount+ more often while also benefiting from the marketing around Paramount+ programmes. 


Paramount+ is one of three services, alongside Peacock and Max, that are seen as too small to survive independently.


Paramount's current leaders have talked to both Peacock and Max about strategic partnerships to leverage their shared resources. The company has also spoken to Amazon and foreign streaming services.


While Paramount will continue to pursue those deals, Ellison sees less urgency to do so. He believes the company has a solid foundation upon which it can build.


Paramount is much smaller than most of its competitors, even those struggling like Warner Bros. Discovery.


But, after this transaction, it will have a healthier balance sheet. And, unlike most of these other companies, it will have access to the bank account of the Ellison family. While David oversees Paramount day-to-day, his father - one of the world's richest men - financed much of the transaction.


This article was originally published by Bloomberg