Showing posts with label Canal Plus. Show all posts
Showing posts with label Canal Plus. Show all posts

Could Canal+ Afrique Also Be Looking To Add Base Pulse Soon?

During the month, MultiChoice added Base Pulse which serves as a Pan-African based brand operated by Pulse Entertainment. It serves as a replacement to MTV Base broadcasting African music ranging from Amapiano, Gqom and Kwaito.

Questions making the round now is whether Base Pulse could be looking to debut on Canal+ Afrique as a test card for MTV Base had also been inserted on their platforms.

Considering Canal+ Afrique's parent company also owns MultiChoice it wouldn't seem far fetched to think Base Pulse could be included on their platforms. Seeing as they already distribute M-Net Movies and Zee World as part of an add-on. 

It could also be another TV channel seeing as MultiChoice caters for English speaking markets while Canal+ Afrique manages French markets.

Maybe a French version to Base Pulse seeing as the channel is distributed across MultiChoice markets and not only in South Africa. It could also be the same feed seen in MultiChoice markets as Canal+ Afrique also offers Anglophone content.

Rumour: Canal+ To Rebrand The FilmBox Channels In Poland To FilmBox+

According to unofficial information from satkurier.pl, six TV channels from the Kino Polska Group portfolio will soon undergo rebranding. The changes will cover the stations: Kino TV as well as FilmBox Action, FilmBox Arthouse, FilmBox Family, FilmBox Extra, and FilmBox Premium – i.e., all five FilmBox family channels currently available on the Polish market. 

The biggest change will be the transformation of the Kino TV channel into FILMBOX+ one. For the remaining stations, the "FILMBOX" part will be retained, but a "+" symbol will appear in their names. The second parts of the names will also be modified – for example: "arthouse" will be replaced by "festival", "family" by "comedy", "extra" by "emotion", and "premium" by "hits". Only the Action channel will keep its current second name part.  

Planned new channel names:
• Kino TV → FILMBOX+ one
• FilmBox Action → FILMBOX+ action  
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• FilmBox Arthouse → FILMBOX+ festival
• FilmBox Family → FILMBOX+ comedy
• FilmBox Extra → FILMBOX+ emotion
• FilmBox Premium → FILMBOX+ hits  

The name changes will be accompanied by modifications to the programming schedules of the individual stations, but their film-and-series profile will be maintained.  

The planned date for implementing the rebranding of all six channels is June 10, 2026. According to our information, the decision to change the names stems from the need to more clearly differentiate the programming offer and to strengthen the visual recognizability of the FilmBox brand. The goal is also to better reflect the character and scope of the content broadcast on each channel.

Currently, 66% of the shares in the Kino Polska Group are held by SPI International B.V., a company fully controlled by the CANAL+ Group. The Kino Polska Group is one of the leading media groups in Poland and also operates on international markets. It deals with the distribution and production of content for television, VOD platforms, streaming services, and cinemas, as well as the sale of programming licenses. It is also the broadcaster of thematic TV channels. In addition to the mentioned stations, the Group's portfolio includes channels such as Stopklatka, Zoom TV, Kino Polska, Kino Polska Muzyka, and Gametoon.

The article is published by satkurier.pl

Canal+ And PPF Considering Viaplay Takeover After Building Up Stake At Pay-TV Company

Canal+ and PPF are considering a joint move that would bring Viaplay into private ownership, according to a Bloomberg report.

The move would mark the next stage in the Nordic streaming group’s post-recapitalisation reshaping. The two companies already hold roughly 29.3% each of Viaplay following the Swedish broadcaster’s 2024 rescue recapitalisation, meaning they already control close to 60% of the company between them.  

Neither Canal+, PPF nor Viaplay has commented publicly on the report. Viaplay has spent the past two years rebuilding after its near-collapse, with Canal+ and PPF emerging as cornerstone shareholders through the SEK 4 billion (€0.36 billion) recapitalisation completed in early 2024.  

Any deal would come against a backdrop of a sharp recovery in Viaplay’s market value from distressed levels, even if the stock remains far below where it traded before the crisis. 

Viaplay’s footprint today centres on the Nordics, the Netherlands and Poland, while the company has been focusing on profitability and simplification. It withdrew from a number of territories, including the UK, where it sold the former Premier Sports business back to its original owners.

Its latest full-year results, published on 19 February, also reflected the acquisition of the remaining shares in Allente, underlining that the group is still in active portfolio and ownership transition.  

BBC Studios Expands It's Footprint With The French-Language Launch Of BBC Earth With Canal+ In Africa

The launch will bring world-class natural history programming and premium factual storytelling to a wider African audience, providing 22 French-speaking sub-Saharan African countries access to the channel.

The new French-language feed will bring BBC Studios’ award-winning factual catalogue to millions of additional viewers, offering a breathtaking window into the natural world, pioneering scientific documentaries and extraordinary human stories.

At launch, BBC Earth will present a standout line-up of landmark natural history series and powerful documentaries from BBC Studios’ acclaimed factual library. Viewers can expect celebrated productions from BBC Studios Natural History Unit, including Seven Worlds, One Planet, The Green Planet, Frozen Planet II and Blue Planet II, all narrated by Sir David Attenborough.

The channel line-up also features a wide selection of specialist wildlife documentaries such as Natural World: Giraffes – Africa’s Gentle Giants, My Congo, Cheetah Family and Me, and Natural World: Cheetahs Growing Up Fast offering intimate portraits of remarkable species and the people working to protect them. Global series including Africa, Earth, Universe and The Planets will also be available on the channel, providing perspectives on the natural world.

Adventure and exploration are also central to the channel, with titles such as Where the Wild Men Are, Life Below Zero, Arctic with Bruce Parry and Steve Backshall’s Extreme River Challenge taking viewers into some of the world’s most remote and challenging environments.

The channel’s programming will be dubbed into French and expertly curated scheduling tailored to the interests and viewing habits of Francophone markets.

Pierre Cloete, VP for Africa at BBC Studios, said: “The French-language launch of BBC Earth on Canal+ marks a significant milestone in BBC Studios’ commitment to making exceptional factual content accessible to global audiences in their own language. We are thrilled to expand BBC Earth’s footprint in partnership with Canal+. African audiences have a deep passion for documentary storytelling and we are proud to bring even more people the very best of BBC Studios’ natural history, science, and factual catalogue.

Fabrice Faux, Channels & Content director for French-Speaking Africa said: “Canal+ is happy and proud to offer its subscribers the high-quality factual entertainment from BBC Earth, which will ideally complement its discovery vertical. Educational programming is also a key component of Canal+’s offers in Africa, and BBC Earth is a strong addition in this area."

The channel will be available on Channel 203 within Tout Canal+.

Canal+ To Shutter Showmax Streaming Service By The End Of April As Content Moves To DStv Stream

Showmax has today confirmed key dates marking the end of the streaming service that has operated across 44 markets in Sub-Saharan Africa for the past 11 years.


In an email sent to subscribers on Wednesday evening, the platform outlined a phased wind-down of its current service, with 31 March 2026 set as the final day for subscription renewals and voucher redemptions. From 1 April 2026, new subscriptions and renewals will no longer be available.


Existing subscribers will continue watching content until their subscription expires, or until the end of April 2026, whichever comes first.


This new update provides the clearest consumer-facing timeline yet, following the announcement roughly two weeks ago that Canal+ would shut down Showmax, citing “unacceptable” losses at the African streamer as it sought cost-saving measures.


That announcement sent shockwaves across the industry, from Nairobi to Lagos to Johannesburg, with filmmakers and actors raising concerns over the loss of a key African platform that had, for over a decade, commissioned and amplified local storytelling at scale.


At the same time, the announcement was also met with uncertainty, particularly due to the absence of a clear shutdown timeline or transition plan for subscribers.


Even now, some subscribers have already begun expressing frustration over the short transition window. “It’s really annoying how little time is left,” one subscriber and regular Showmax viewer said in a WhatsApp message.


Showmax Originals will now move to DStv Stream, positioning it as MultiChoice’s central hub for streaming offering, at least for now.


“Showmax is starting a new chapter, and your favourite shows are getting a shiny new home on DStv Stream,” the company said in the email.


But the language used in the communication also suggests that there is more to come. In stating that the content will join “a bigger world of entertainment, all in one place,” MultiChoice hints at a broader consolidation strategy — one that could see Canal+ and MultiChoice’s currently fragmented digital products folded into a more unified streaming ecosystem. There have been reports that Canal+ is exploring a single “super app”, one to rule them all, though this remains unconfirmed at this stage.


In the meantime, it remains unclear whether Showmax users will be migrated to DStv Stream, and what that process would look like in terms of pricing, packaging and access, especially given the current price disparity between the two services. 


The company says further details on how subscribers can continue “enjoying Showmax Originals and more” on DStv Stream will be shared soon.


For now, it’s confirmed without a doubt that Showmax is entering its final weeks.

Parliament Looking To Intervene In Canal+'s MultiChoice Decision To Discontinue Showmax

Parliament's Portfolio Committee on Communications and Digital Technologies is planning a special oversight visit to the broadcasting sector following Canal+'s announcement to discontinue its unprofitable streaming service, Showmax.


This decision comes after Economic Freedom Fighters (EFF) MP Sixolise Gcilishe contacted the committee chairperson, Khusela Sangoni-Diko, regarding the shutdown. Launched by MultiChoice in 2015, Showmax has been a platform for African films and TV series, available in at least 44 African countries.


"MultiChoice, part of CANAL+ SA ... today announces the forthcoming discontinuation of the Showmax service," Canal+ said in a statement.


"The substantial annual losses experienced by the Showmax business have proved unsustainable."


Gcilishe had requested that MultiChoice (Pty) Ltd provide an update to the committee on the termination of the Showmax platform, the associated job losses, and the prospects for local productions.


“This decision raises significant concerns relevant to our committee's responsibilities, particularly regarding the support of the local creative industry, job retention, and adherence to transformation goals within our digital economy. 


“Showmax has been crucial in contributing to our national identity and pushing the South African narrative by providing a platform for local producers, actors, writers and technical teams,” Gcilishe said.


“Any significant corporate changes by a major entity like MultiChoice will likely result in job losses, affecting not just the company but also the wider creative sector, including writers, directors, editors, and freelance workers reliant on streaming services for income.”


Gcilishe asked that MultiChoice be prepared to address the following specific topics in their presentation:


• the definitive timeline and rationale for ending or restructuring Showmax,

• a thorough assessment of the potential job losses, both at MultiChoice and within the wider film and television industry, and

• The future of existing Showmax Original productions and their accessibility to South African viewers.

Sangoni-Diko said that the matters Gcilishe raised are significant to the stability of South Africa’s creative economy and the sustainability of local content production.


“It is for this reason that the committee had already initiated engagements with key entities with a view to inviting them to account to Parliament.


"The Independent Communications Authority of South Africa (ICASA) and the Competition Commission are scheduled to brief the committee on 17 March 2026 on the regulatory conditions, public interest commitments, and compliance requirements linked to the final approval of the Canal+ acquisition of MultiChoice,” Sangoni-Diko said.


“Following this, the committee is working on scheduling a special oversight visit to the broadcasting sector on 31 March and 1 April 2026, covering eTV, MultiChoice, and other commercial broadcasters,” she said.

Canal+ And SuperSport Renew Distribution Partnership With SA Rugby

SA Rugby and the CANAL+ Group have discussed and planned a continued partnership with SuperSport, Africa’s leading sports broadcaster, following fruitful and productive engagements in Johannesburg this week.

SA Rugby executives met with their CANAL+ Group counterparts at the MultiChoice offices in Randburg, Johannesburg, where both entities discussed strategic plans to bring rugby fans and viewers closer to the game through the existing broadcast partnership.

The two organisations met for a series of information-sharing sessions to better understand each entity's long-term strategy and move forward with a common purpose and goal as partners in delivering the best possible rugby viewing experience to viewers and DStv subscribers across the continent. These include the immersive experiences as well as storytelling, which brings viewers more of the sports content they desire beyond the live action.

With SA Rugby preparing to stage some of the most exciting rugby matches in history starting in 2026 – across Springbok men, women, junior teams, as well as sevens – the partnership with SuperSport – part of the CANAL+ Group, ensures that millions of rugby followers will get to participate in the excitement.

SA Rugby CEO, Rian Oberholzer, said: “SuperSport has been at our side for decades, bringing rugby fans all the action, including Rugby World Cups, and we’re excited to continue this journey with them. We had very fruitful discussions with CANAL+ leadership in Johannesburg and, along with them, we are very excited about the road ahead.”

Rendani Ramovha, CANAL+ Director for Sports Content in English and Portuguese-speaking Africa, said: “As part of CANAL+ Africa and the CANAL+ Group, we are proud to be able to enhance our existing partnership with SA Rugby.

“Rugby plays an important role in the sports package we deliver to our CANAL+ Africa SA Pay-TV audience and the partnership with SA Rugby is crucial to delivering the very best in local and international rugby.

“We are excited to engage with the rugby governing body to find ways to deliver the sport to audiences across many different touchpoints: linear television, streaming, digital and social media.

“The robust and engaging discussions were aimed at ensuring that the viewer gets the ultimate rugby viewing experience, courtesy of this SuperSport partnership. We cannot wait for the viewers and DStv subscribers to experience all that we have in store this year, leading up to the Springboks’ title defence in Australia next year.”

Canal+ Aiming To Launch Showmax Replacement App Under DStv Stream In MultiChoice Markets

Canal+ unveiled its financial year results ending 31 December 2025 and gave some indicators on what awaits MultiChoice after completing it's acquisition last year. 

As reported earlier in the month, Showmax will be shutting down its operations after 11 years. The news doesn't come as a surprise and it was long speculated after MultiChoice shortened the window for shows exclusively for Showmax through DStv. 

Now the French giant plans to use to the existing footprint of DStv Stream to expand its streaming endeavours in MultiChoice territories. This service has already been active in 25 African countries and will likely go live by the end of 2026.

“As you know, this was a severely loss-making activity on which we saw no recovery, no matter what was done,” the CEO said.

Saada explained that Canal+ quickly came to an agreement with Comcast to shut down Showmax as soon as possible, but said he couldn’t share details on the negotiations.

During their financial year presentation, Canal+ confirmed that Comcast was on board with the decision to end it's joint venture for Showmax. Of course, they didn't want to divulge on the details except promising enhancements to DStv Stream.

Saada explained that Canal+ quickly came to an agreement with Comcast to shut down Showmax as soon as possible, but said he couldn’t share details on the negotiations.

They also plan to migrate existing Showmax customers to DStv Stream and have shows like Die Kantoor and Youngins accessible to viewers.

What is currently unknown is when this service will be released but it's likely slated for 2026 considering that Showmax will be discontinued in the "near future" according to their release.

Of course another challenge would be the pricing because consumers were billed R45 to R99 monthly for Showmax while Premium subscribers got it at no additional charge. Under DStv Stream, the price range for affected content is over R400 per month.

StudioCanal Takes A Majority Stake In Italy's Lucky Red

STUDIOCANAL, Europe's leading film and television studio and CANAL+ in house studio has today announced the acquisition of a majority stake in LUCKY RED, one of Italy's major Italian distribution and production companies.

Established in 1987 in Rome by Andrea Occhipinti, Lucky Red initially operated as an independent art-house film distributor. It has since expanded its scope and now stands as a major player in Italy’s independent film distribution and production landscape. Over nearly four decades, Lucky Red has released more than 600 films, many of which have received major international distinctions, including awards from Cannes International Film Festival, Venice International Film Festival, the Academy Awards and the David di Donatello Awards. Its catalogue includes films from some of the world’s most acclaimed directors (Bong Joon-ho, Jafar Panahi, Joachim Trier, Paolo Sorrentino, Michael Haneke, Paul Thomas Anderson, Wim Wenders, Danny Boyle, Luca Guadagnino, Alexander Payne, Todd Haynes, Stephen Frears, Asghar Farhadi). In 2024, Lucky Red was awarded ‘best international innovation for distribution’ at the third International Film Distribution Summit.

Lucky Red and STUDIOCANAL are building on a long-standing relationship that has bought audiences an array of cinematic hits from The Coen Brothers' INSIDE LLEWYN DAVIS to STUDIOCANAL's German production HEIDI, and the acclaimed WE LIVE IN TIME starring Florence Pugh and Andrew Garfield. Their partnership continues with the highly anticipated release of Aardman and STUDIOCANAL's SHAUN THE SHEEP: THE BEAST OF MOSSY BOTTOM coming to theatres this Halloween, ELSINORE, currently in post-production in the UK for STUDIOCANAL, Lucky Red, Magnolia May Films and LD Entertainment, VIOLETTE (Changer l’eau des fleurs) from acclaimed director Jean-Pierre Jeunet and FONDA from Academy Award and BAFTA winning director Justine Triet, announced last week. FONDA will star Mia Goth and Andrew Scott with Allison Janney in talks to join the project shooting this Spring. STUDIOCANAL picked up several major territories including Italy.

With this acquisition, the partnership enters an exciting new phase, giving STUDIOCANAL a unique opportunity to expand direct operations into a major European market, alongside its existing direct distribution and production presence across 11 European territories, Austria, Belgium, Denmark, France, Germany, Ireland, Luxembourg, Netherlands, Poland, Spain and the United Kingdom, as well as in Australia and New Zealand, with offices in the United States and China. For Lucky Red, the move unlocks the potential to board more ambitious projects, reinforcing its ability to attract both seasoned filmmakers and emerging talent, setting the stage for even greater creative and commercial success.

Lucky Red continues to deliver strong box office success at the Italian box office with recent hits including THE BOY AND THE HÉRON, PERFECT DAYS, EMILIA PEREZ, DRACULA, BERLINGUER: LA GRANDE AMBIZIONE, NO OTHER CHOICE, A SIMPLE ACCIDENT, SENTIMENTAL VALUE. The company’s success also extends to television with acclaimed titles such as BELCANTO (RAI & Netflix), GIGOLO PER CASO (Prime Video) and CHRISTIAN (Sky), demonstrating its ability to captivate audiences across both big and small screens.

Anna Marsh, CEO of STUDIOCANAL and Chief Content Officer of CANAL+: "I am delighted that STUDIOCANAL is deepening its partnership with the incredibly talented team at Lucky Red, one of Italy’s most vibrant film and television companies. This development enables us to gain a solid presence in one of Europe’s prime markets, further reinforcing our status as the leading European studio. Both Lucky Red and STUDIOCANAL are dedicated to bold and distinctive storytelling across all forms, supported by deeply experienced teams committed to delivering extraordinary stories to audiences. This collaboration will further strengthen Lucky Red’s position as a major player in film and television”.

Andrea Occhipinti, founder and CEO of Lucky Red: “We are thrilled to be joining the most dynamic company in the European entertainment industry. Lucky Red and STUDIOCANAL are both distributors and producers of successful films and series, with complementary strengths and a shared long-term vision. Thanks to the incredible catalogue of film from STUDIOCANAL and its production slate, this prestigious international partnership will allow Lucky Red to strengthen its legitimacy as a major player in the local film industry, attracting high-caliber talent and producing first class content. I firmly believe that this is a perfect match and a great opportunity for further growth”.

Canal+ And Sky Launch New Partnership To Develop English-Language Drama

Sky and CANAL+ announced a strategic co commissioning partnership to develop premium, English language scripted content, bringing together complementary creative expertise, shared investment and international reach to support ambitious storytelling.

Sky and CANAL+ will work together to develop a minimum of two projects per year over an initial three-year term, co-financing green-lit projects. Drawing on the capabilities of STUDIOCANAL and leading independent producers, the partnership will provide a stage for both established and emerging talent.

The collaborative model is designed to support wide distribution, reaching audiences across Europe and beyond, and providing a strong route to market for UK led stories with international resonance.

Maxime Saada, CEO CANAL+, said: "Sky and CANAL+ share the same storytelling DNA and drive to develop globally successful content and IP. Our previous co-productions, like The Young Pope and Zero Zero Zero, are great examples of what we can do together through this complementary and ambitious new partnership.”

Dana Strong CBE, Group CEO Sky, said: “We are excited to build on our strong working relationship with CANAL+ to create this partnership. Sky and CANAL+ share a strong track record in creating premium drama, and through this collaboration we will bring our creative ambition and expertise together at scale.”

With the agreement now in place, Sky and CANAL+ will begin developing the first slate of tentpole projects in the coming months. The partnership reflects a shared commitment to long term collaboration and sustained investment in premium scripted content, developed in the UK and designed to travel internationally.

Canal+ Announces Plans To Deploy OpenAI To Its Streaming App, Forms Partnership With Google Cloud

Enhanced Canal+ App Experience With OpenAI Technology

Starting June 2026, CANAL+ will roll out a major evolution of the CANAL+ App using the technology from OpenAI to power content search and discovery. This new feature represents a major breakthrough in delivering a more intuitive, intelligent, and personalized user experience - a world first innovation in the entertainment industry that further confirms CANAL+’s position as a pioneer and consistent trend setter.


The CANAL+ App will offer a uniquely enhanced search experience that goes beyond traditional keyword based queries. Thanks to OpenAI frontier models, subscribers will be able to express what they want to watch in their own words - based on their preferences, their mood, or even spontaneous curiosity - and receive tailored content suggestions that truly meet their expectations.

Whether a subscriber types “I would like a comforting romantic comedy” like BRIDGET JONES: MAD ABOUT THE BOY, “an epic historical series” like KING & CONQUEROR or “something lighthearted, fun and entertaining to watch” like LOUPS-GAROUS into the search bar, the CANAL+ App will be able to suggests tailored content that matches subscribers’s queries.

Deploying OpenAI is a natural continuation of CANAL+’s long-standing tradition of pioneering innovations that shape the future of entertainment experiences. Just as CANAL+ pioneered the ability to watch the best content all in one place with its aggregation strategy in 2019, and was the first to offer a content viewing experience in connected vehicles in 2024, this collaboration continues to redefine how its subscribers access and enjoy entertainment.

Maxime Saada, CEO of CANAL+ : “We are delighted to collaborate with OpenAI, one of the world’s leading artificial intelligence companies, to enhance the entertainment experience of our 40 million subscribers. This collaboration is part of CANAL+’s long-standing tradition of innovation and its commitment to continuously reinventing entertainment. Today, our subscribers already access the very best international and local content on the CANAL+ App. With this technological collaboration, we are proud to take a major leap forward, redefining how audiences discover content.”

Ashley Kramer, VP of Enterprise of OpenAI : “People increasingly expect technology to understand them the way they naturally express themselves. By bringing OpenAI into the CANAL+ App, subscribers can describe exactly what they feel like watching. It’s a great example of how advanced AI can make everyday entertainment experiences simpler, more intuitive, and more personal.”

CANAL+ will use Google Cloud’s AI technology to optimize content discovery and propel video creativity


CANAL+ and Google Cloud have announced a new multi-year partnership focused on artificial intelligence. Starting in June 2026, CANAL+ will deploy Google Cloud’s latest generative AI technologies across European and African markets where the CANAL+ App is available, unlocking a new era of creative possibilities for the group.


Tailor made entertainment experience fueled by Google Cloud content video Indexing

Using Google Cloud’s technologies, CANAL+ will accelerate the content video indexing of its extensive content library. The new content classification will provide the global media and entertainment group with an in-depth multimodal database combining sound, video, and text data. This increased granularity in content classification will enable smarter, more personalized content recommendations on the homepage of the CANAL+ App, matching each subscriber’s preferences according to their viewing habits. This will make it easier than ever for subscribers to discover even more content they love on CANAL+.

CANAL+’s multimodal database of video content paves the way for a wide range of opportunities - from enhanced content discovery to entirely new business models.


A new creative frontier fueled by innovation and faster experimentation cycles

CANAL+ will also leverage Veo3, Google’s new genAI video technology to provide its production partners and creative teams with tools that will unlock the creative ambitions of their talent, for instance, previsualizing a scene before shooting it or recreating historical moments from a single archival photo.

The partnership guarantees a very secure technical environment, where rights, assets ownership are deeply protected. Using these tools & platform, CANAL+’s partners will have full control of their production, of their editorial decision, with opportunities to try new approach while ensuring cost control, thanks to significantly shorter experimentation cycles.

This secure technical platform and tools will be made available to production who wish to use it in films supported by CANAL+.


Stéphane Baumier, Chief Technology Officer of CANAL+ : “We are pleased to leverage Google Cloud’s most advanced AI technologies to drive CANAL+’s technical innovation. Building on a long-standing collaboration with Google, this strategic partnership paves the way for limitless possibilities. Content video indexing for CANAL+ at scale gives the group a significant edge, notably by enabling us to deliver sharper discovery and truly enhanced personalized journeys on the CANAL+ App across all our markets. Creativity is the cornerstone of CANAL+’s content production. We are excited to push creative boundaries by providing creators with tools that enable AI-generated video scenes, impossible to produce using traditional methods.”


Matt Renner, President, Chief Revenue Officer of Google Cloud : "The entertainment industry is at a pivotal inflection point where the intersection of creativity and compute power defines market leadership. Our deepened collaboration with CANAL+ is a testament to a shared culture of relentless innovation. By leveraging Google Cloud’s generative AI technologies, CANAL+ is not just adopting tools; they are architecting the future of media and fundamentally transforming the entertainment landscape on a global scale.”

Canal+ Might Overhaul The Current DStv Structure And Take A Dig At SuperSport

As it is understood, MultiChoice has lost almost 3 million DStv subscribers in the last two years and this is the reason Canal+ is backing out from further price increases. The focus has shifted on returning the company back to its 2023 projections.

Post the takeover, MultiChoice reportedly had 23.5 million 90 day active subscribers and this dropped further by 11% to 18.5 million. In South Africa, the DStv Premium base (including Compact+) saw a drop of 96,000 subscribers.

Since last year, MultiChoice had been exploring the possibility of unbundling SuperSport from the current DStv offering to make the costs flexible. This isn't the first time such experiment occurred and it's not known why they hadn't pursued it earlier on.

In France, Canal+ already offers the Canal+ Sport bouquet which includes sports from rival brands like DAZN and Eurosport. There's even a base package with select sports like UEFA Champions League, Formula 1 and Moto GP.

It is currently priced at €34.99 (R671, 89).

Of course, it's Canal+ Afrique's operations uses the same model as DStv which is why there's a lot of skepticism about a SuperSport only package. Canal+ CEO had dismissed the idea stating that "everyone who has tried this has failed". 

If such exists, it's going to be almost as pricey as your current DStv Premium bouquet. It's less likely they're going to make it cheaper as the current DStv structure helps subsidies the costs.

This new structure MultiChoice has been testing out for DStv will only benefit the non sports fanatics on lower tiered packages.

DStv Premium has been in decline for 10 years so it's a safe bet that MultiChoice will gradually use this offering to phase out that market. The plan for this offering was to have 3 sports package one for football with other sports on another package.

There's plenty of Premium subscribers that don't watch football and MultiChoice would give them the option to exclude it from their offering. They'll be times where you don't feel like watching SuperSport and MultiChoice would make that possible too.

In the end, you as a Premium client can continue catching shows like Landman and Doc on M-Net while watching One Piece on Netflix. You can do all this for under R700 and still have R300 to yourself.

DStv Stream Expected To Merge Into Showmax Replacement App

Canal+ is planning to launch its own streaming service in MultiChoice markets as consumers bid farewell to Showmax. Further content from the service will now be redirected to M-Net, Mzansi Magic and KykNET.

Canal+'s streaming service which might fold under DStv Stream, viewers get to watch live TV and content on demand. They plan is to also utilise other apps such as Netflix and Amazon Prime Video with VIU likely to form part of this duo.

This was a feature MultiChoice made exclusive to Explora Ultra and since Canal+ takeover in late 2025, the company is cleaning house. They already scrapped M-Net's contract with HBO as well as that of SuperSport for the Winter Olympics.

In October 2025, Canal+ leadership indicated plans to merge DStv Stream, Showmax, and the Canal+ app into a single "super app" to combine content and reduce costs. As seen already, Showmax with all that Comcast filter is going out the window.

As mentioned, Canal+ will likely use the existing footprint of DStv Stream to expand its streaming ambitions as opposed to starting from scratch. It fits well with the company's structure on having the same content viewed across multiple platforms.

Of course, the problem part of retaining the DStv structure would be costs as Showmax would give you the freshest content for under R99 while on DStv you need at R500. Unless Canal+ has a backup plan consumers might not be persuaded by this.

But then again, MultiChoice was in discussion about possibly unbundling it's DStv offering with SuperSport serving as an add-on or standalone package. This would take the strain off paying R1000 for the full package.

Canal+ had deployed similar mechanisms in France where consumers would pay for select content and with the MultiChoice deal these endeavours are expected to accelerate.

Did Canal+ Blow It With The HBO Deal On DStv?

Not long ago, it was reported that DStv and Showmax subscribers will be losing out on The White Lotus and House Of Dragons as Canal+ is slashing costs at MultiChoice. As a result, all this content is now going to be curated for streaming.

This means DStv customers would wait for the latter to rollout on HBO Max which might be available in South Africa within the year. It is likely to be added onto the Explora Ultra alongside Netflix and Disney+.

A lot was riding on getting this deal on the table, it wasn't only the future of The Sopranos on M-Net at stake but that of Cartoon Network. MultiChoice was open to replacing but the reality is there's no real alternative to any of Warner's cable networks.

Cartoon Network alone is responsible for 49% of kids viewing on DStv while Cartoonito is the top rated kids channel on the family package. A replacement will most definitely not be able to recoup the figures by those brands.

Same goes for TLC, TNT and CNN as they're ranked #1 in their respective fields on DStv. Several scenarios do however come into play for the fall of HBO and Warner Bros. on M-Net.

Firstly, Canal+ deemed those as non viable but their road on DStv is not up yet just how it will distributed going forward. If Netflix bid for Warner Bros. succeeds that's where it's likely to end up another as mentioned would be HBO Max.

Another has to deal with the decline of DStv, M-Net losing out on HBO will definitely lead some to end their subscription. But it wouldn't be as impactful or massive as the loss of 12 TV channels alongside the 4 closed by Paramount.

DStv Premium has been a sinking ship post the pandemic and even before Canal+'s acquisition of MultiChoice. M-Net can't fight the streaming wars it does however have the edge over Universal TV and Comedy Central in its primetime offering.

But a majority of people nowadays would rather watch these shows on Netflix then pay R1000 to get them on DStv. It's not M-Net's fault but rather one of the various setbacks to linear TV.

Canal+ Axes MultiChoice Streamer Showmax

Canal+, busy with aggressive cost-cutting since it recently acquired Africa’s MultiChoice pay-TV group, is shuttering its loss-making and money-guzzling video streaming service Showmax that MultiChoice ran in partnership with NBCUniversal.


Variety has reliably learnt that Showmax will definitely be shuttered “soon” although a specific date isn’t yet available given a few remaining legal implications Canal+ and MultiChoice are sorting out.


Canal+ and MultiChoice confirmed the end of Showmax to Variety, saying there will be a “discontinuation of the Showmax service, following a comprehensive review of its streaming activities.”


MultiChoice launched Showmax across Africa 11 years ago in August 2015 to compete with the advent of streamers like Netflix, Apple TV, Amazon’s Prime Video, Disney+ and others which all became available on the continent and started biting into MultiChoice’s legacy pay-TV subscriber base.


Two years ago, in February 2024, MultiChoice, in partnership with Comcast’s NBCUniversal, relaunched Showmax, utilizing the technology behind the Peacock streaming service.


Millions of dollars were poured into the retooling of Showmax’s IT-platform and on content spending to boost the pan-African streamer in its fight against Netflix but it ultimately proved fruitless.


MultiChoice and NBCUniversal roughly poured a combined $309 million in equity funding into Showmax to primarily fuel content creation, but nothing came of the aggressive growth and subscriber uptake targets MultiChoice executives had promised investors before it relaunched.


Looking to shave a combined 400 million euro by 2030 in cost-cutting, including content cuts from the combined Canal+ group, the underperforming and money-guzzling Showmax is the latest victim of Canal+’s rightsizing at MultiChoice.


NBCUniversal has a 30% stake in Showmax as a joint venture. In its last annual results before the Canal+ takeover, MultiChoice revealed that Showmax’s trading losses had worsened by 88% while revenue significantly declined.


According to the company, “The decision to axe Showmax was made by the Showmax board and reflects the continued focus of MultiChoice, a Canal+ company, on financial discipline and investment optimization, in an increasingly competitive and capital-intensive global streaming environment.”


Since Canal+, as part of its agreement to take over MultiChoice, isn’t allowed to get rid of any staff for a period of three years, MultiChoice won’t let any Showmax staff go but will reassign them to other positions within the broader company.


“The decision to discontinue Showmax services will not involve any retrenchments. The group will be engaging and supporting employees through various transition options,” it told Variety.


MultiChoice has already started to quietly rebrand Showmax Originals as Africa Magic, M-Net, kykNET and Mzansi Magic Originals, with original series that will transition to these various DStv linear TV channels on MultiChoice pay-TV platform.


Showmax’s closure comes two years after Amazon MGM Studios shocked Nigeria and South Africa’s creative community in January 2024 when it abruptly announced that it would immediately stop commissioning any new local original content in Africa, and also killed already-existing development deals with a dozen production companies.


In January, during an investors’ call, Maxime Saada, Canal+ CEO, said that Showmax was “not a commercial success” and that its failure as a streaming service was “quite obvious.”


Saada also said that a decision about Showmax’s future would be made soon and that a reduction in the Showmax budget, which has been a huge financial drain on MultiChoice, would contribute significantly to Canal+’s overall cost-cutting goals.


Canal+ says it will “continue to invest in premium content for MultiChoice subscribers, technological innovation and strategic partnerships to consolidate its leadership in the African entertainment market.”


“Further details regarding our expanded content offering and platform upgrades will be shared in due course. We want to reassure our Showmax subscribers that they are our priority as we evolve our services to deliver a superior streaming experience.”


In June, Canal+ and Netflix announced a strategic distribution agreement for Francophone Africa with a new partnership through which Canal+ became the first operator to bundle Netflix subscriptions into its traditional pay-TV offering across 24 Sub-Saharan African countries.


Insiders told Variety that instead of wasting further money through trying to compete with Showmax as a struggling stand-alone streamer, Canal+ is likely to expand its partnership and roll out this Netflix-bundling into the rest of Africa.


An award-winning South African director-producer who has made several series and films for MultiChoice under the Showmax banner, told Variety the end of Showmax is a sad day for South African filmmakers since it closes yet another avenue to showcase work and earn a living in an industry undergoing tumultuous change.


“Showmax was one of the only platforms available to us that was willing to back stories that were bold and authentic in a market that has traditionally always played things safe,” the filmmaker said.


“From ‘Koek’ to ‘Adulting,’ ‘Spinners’ to ‘Catch Me a Killer,’ ‘Khaki Fever’ to ‘Youngins,’ ‘Wyfie’ to ‘Dam,’ these are films and series which would never be created by rival platforms or broadcasters. Losing Showmax is a huge blow to the local industry and audiences, with Canal+ giving us very little to hope that they will fill that gap with anything of value.”


“If 2026 is the Year of the Horse, it feels like this one is getting sent to the factory to be turned into glue and cheap pies.”


Canal+ is scheduled to report its next set of financial results on March 11. This will be the first full-year combined results since the group took effective control of MultiChoice in September 2025.

Canal+ Confirms That Major Changes Are Coming Soon For Showmax, No Word On DStv Stream

Since Canal+'s acquisition of MultiChoice in late 2025, the French broadcaster has been slashing costs aiming for R7.5 billion in 2030. Most of these cuts will be coming out of M-Net, SuperSport, Showmax and DStv. 

David Mignot who served as the CEO for the merged group has admitted that it is a commercial failure. Despite MultiChoice attempts at revamping the service, trading losses for Showmax almost doubled in the last two years to R4.9 billion.

Talks were underway with Comcast in regards to the future of Showmax with the company that confirmed major changes are rolling out soon. From the looks of things, it appears as if they plan to either replace or close Showmax.

In an interview, Canal+ had stated that the company “can’t continue” operating the streaming platform as it is today. They're also exploring launching the self titled OTT service to the market but delays have occured due to Showmax.

Although the company has remained hush on what those changes for Showmax could as well be for consumers. One of which occured last month when The Gilded Age and Peacemaker exited the streamer as MultiChoice opted to scrap its HBO deal.

They had mentioned that further reductions are coming to Showmax and you can only assume this would have to do originals like Die Kantoor, Youngins and Outlaws.

It's possible that Canal+ decided to no longer produce original content for the platform and are letting these shows run its course. Let's remember, Canal+ has delayed contractual agreement for local content on M-Net's channels.

Prior to the delays, Canal+ had been widening the windows for these shows between Showmax and DStv. Post the takeover, DStv consumers had to wait several months for these shows and under Canal+ it only takes a couple of days.

Then there's the Premier League package which I can assume is also going away with further efforts being redirected to whatever comes of DStv Stream.

One thing that hasn't quite as yet been addressed by Canal+ is how DStv Stream would come into affect once it's streaming service enters the market. This yet to be launched service is just DStv Stream with additional enhancements.

For all we know, Canal+ could close DStv Stream and redirect viewers to its own streaming service and the same outcome could await Showmax.

Again maybe it's not all over for Showmax and Comcast opts to unburden MultiChoice of its duties. But the reality is this won't save "Showmax Originals" and Comcast could opt for a licensing agreement which is mainly for archived content.

Canal+ Afrique Adds Four New Channels To DStv English Plus Packages, Converts E! To Bravo

Following the acquisition of MultiChoice in late 2025 by Canal+, the French broadcaster has subjected the company to various cost cutting initiatives. This included the non-renewal of the Winter Olympics by SuperSport as decisions are now made in France.

As more cuts are underway, Canal+ Afrique will be giving viewers access to 4 additional DStv channels. This would comprise of Studio Universal and National Geographic alongside SuperSport Action and WWE with E! becoming Bravo.

SuperSport Action offers UFC, NBA and international football with 24 hour wrestling coverage available on WWE.

SuperSport Action and WWE addition on Canal+ Afrique increases the number of SuperSport channels on the platform from 4 to 6 channels. This comes after MultiChoice widened the reach of WWE to DStv Access customers in South Africa.

Bravo, the iconic international NBCUniversal channel dedicated to reality TV and the genre's iconic franchises launched in Africa by October 2025. It is scheduled to replace the French version seen on Canal+ Afrique by March 17.

The rebranded channel will air even more flagship shows, including: The Real Housewives of Beverly Hills, Below Deck and its spin-offs (Mediterranean, Sailing Yacht, Australia), Southern Hospitality, Bravo’s Love Hotel, Next Gen.

Studio Universal is a specialty television channel owned by Universal Networks International (a division of NBCUniversal), focused primarily on movies and film-related programming.

It specializes in airing films—mostly from the Universal Pictures library—along with related content like interviews, behind-the-scenes insights, short films, and themed programming blocks (e.g., nights or seasons dedicated to a specific genre, director, or actor).

National Geographic offers documentaries and specials on topics like nature, wildlife, science, space, history and adventure. Famous for high-production-value content (e.g., series with David Attenborough, and Air Crash Investigation.

It forms part of a joint venture between the National Geographic Society and The Walt Disney Company.

Following the removal of BET Africa and last minute renewal deal between Warner Bros. Discovery and Canal+ that led to MultiChoice keeping their channels. The deal appears to have excluded Canal+ Afrique from packaging Discovery Channel.

This has led to the inclusion of National Geographic with Studio Universal serving as an addition on the platform.

LIV Golf Joins Forces With SuperSport And Canal+ Group To Transform Golf Broadcasting Across Sub-Saharan Africa

LIV Golf, the global golf league blending world-class competition with entertainment and culture to grow the game worldwide, has announced the renewal of its broadcast partnership with SuperSport, the largest sports broadcaster in Africa and a subsidiary of MultiChoice, a Canal+ Group company.

The partnership allows SuperSport to deliver comprehensive live coverage of the 2026 LIV Golf League season, featuring 14 events across 10 countries and five continents, including events in Adelaide, Hong Kong, Singapore, Mexico, the United States, the United Kingdom, and additional international destinations.

The broadcast agreement follows SuperSport's broadcast of the five-part docuseries, Greens & Gold, which chronicled the on- and off-course performance, team culture, and competitive mindset of Southern Guards GC, providing fans with behind-the-scenes access to the all–South African team and its journey within the LIV Golf League.

Golf fans can look forward to the League’s first-ever event in South Africa, LIV Golf South Africa, taking place 19-22 March 2026, at The Club at Steyn City in Johannesburg.

The South Africa event has already emerged as one of the fastest-selling events across the 2026 LIV Golf season, reflecting strong demand from fans and underscoring the momentum surrounding LIV Golf’s arrival in the region.

This historic milestone for LIV Golf is a testament to the passion and national pride of the League’s South Africa–based team, the Southern Guards, captained by major champion Louis Oosthuizen , alongside multiple LIV Golf event winner Branden Grace, prolific global performer and LIV Golf Chicago 2025 Champion Dean Burmester, and Open Champion Charl Schwartzel.

“SuperSport is proud to once again be at the forefront of bringing innovation in the sport of golf to Africa,” said Rendani Ramovha, CANAL+ Director: Sport, Content (English & Portuguese-Speaking Africa).

“This partnership with LIV Golf is a credit not just to the broadcast capabilities of SuperSport in bringing the world’s finest golfers in immaculate broadcast quality to viewers across Africa, but to South African golf as a whole. As part of our integration into the global Canal+ Group ecosystem, we are committed to leveraging our best-in-class production and technical facilities to showcase the South Africa event to the rest of the world. This will pave the way for developing golf further in Africa.”

Örjan Olsson, SVP, International Media Rights at LIV Golf, added: “We’re delighted to reaffirm our partnership with SuperSport and the Canal+ Group, which has been a cornerstone of LIV Golf’s journey in South Africa and across the region. Africa represents a strategically important growth market for LIV Golf, and SuperSport’s scale, production excellence, and commitment to premium sports storytelling make it an ideal partner. As 2026 marks a defining chapter for LIV Golf on the African continent, we believe that SuperSport is the ideal broadcast partner to once again deliver unparalleled coverage of elite competition.”

Via the new rights agreement, golf fans across Sub-Saharan Africa can consistently follow a premier global field spanning the sport’s most elite competitors and iconic figures beyond South Africa’s Southern Guards roster - including Bryson DeChambeau, Jon Rahm, Joaquin Niemann, Phil Mickelson, Dustin Johnson , Sergio Garcia, Tyrrell Hatton, and more.

LIV Golf’s competition format, with events contested over four rounds and 72 holes across many of the world’s most iconic courses, is anchored by the League’s signature shotgun start.

The League’s innovative broadcast approach accelerates pace and enhances both individual and team storylines, delivering a dynamic, action-dense viewing experience with significantly more live action than traditional golf broadcasts - all within a four-to-five-hour window.

LIV Golf’s South African Team docuseries, Greens & Gold, is available on DStv CatchUp. 

Love Nature Expanding To More Canal+ Markets, Still No Word On MultiChoice's DStv?

Love Nature is a factual channel operated by Blue Ant Media with content focused on environmental appreciation and conservation. Based in Toronto, it features a range of wildlife and nature documentaries.

Following it's inception on Canal+ Polska, the French broadcaster is looking to expand Love Nature to all its French territories in France, Europe and Africa.

Programming set to be included at launch include Big Cat Country, Malawi Wildlife Rescue, Wildlife Icons Seasons 1 and 2 all of which are filmed in Africa. It seems kind of odd that a channel featuring this much local content is not as yet on DStv.

We've shot up a couple of theories as to why this may be the case as seen with the WBD deal. MultiChoice's contracts was aligned with that of Canal+'s operations in Europe so talks are likely still underway as the deal was said to unlock synergies.

There's no reason to think otherwise as Canal+ had promised that the buyout would include increased content for DStv consumers particularly local. Since last year, MultiChoice had stated they were in position to allocate more content and channels.

If I had guess where Love Nature would be placed probably in People's Planet former space which was channel 180. 

Is Canal+ Looking To Sell Showmax?

Last month, Canal+ held a media briefing discussing various details about MultiChoice after completing it's acquisition of the company in late 2025. It was revealed that Showmax was losing a lot of money and are exploring options for the brand.

Canal+ is also looking at possibly launching its self titled streaming service in MultiChoice markets which would bundle Netflix and Apple TV.

The problem part as outlined would be Showmax and during that briefing it was revealed that Canal+ would be reducing its investment toward the streamer. They've even held various talks with Comcast about the future of the brand.

One of which could include a possible sale of the brand to Comcast's NBCUniversal after acquiring a 30% stake. Another could be Canal+ acquiring the remaining stake and phasing it out for its self titled streaming service although it may seem unlikely.

In the event, NBCUniversal does look to acquire the remaining 70% which seems possible as Canal+ talked about selling none-core assets. It's likely that a licensing agreement between them and MultiChoice would be put in place for local content. 

Canal+ plans to sell MultiChoice content even to the likes of Netflix which they deem a partner. Under the Nasper era, 

What to me would be unknown is whether Showmax as a brand would continue to operate in Africa under that trademark or fold under Peacock as seen in the US and select international markets.

There's literally nothing stopping NBCUniversal from retaining the Showmax trademark as Canal+ has already begun the due diligence. Several original shows like Youngins and Die Kantoor their windows between DStv has been shortened.

Another is the international deals, Canal+ got out of renewal talks with Warner Bros. Discovery which saw consumers lose out on HBO content. If I had to guess, the next victim to all of these cuts within Showmax will be that Premier League subscription.

Canal+ could redirect this efforts back to DStv Stream.

If NBCUniversal is looking to acquire Showmax, HBO may not be the only thing to get reduced even content from Sony, Paramount and AMC will see radical declines. As NBCUniversal can use this buyout to expand its own catalogue instead.