MultiChoice Is Working On A SuperSport AM/PM Channel

During the week, several consumers had noticed that MultiChoice is working on a sports channel known as SuperSport Variety AM/PM. There is currently no details on when the mysterious TV channel will be announced but from the esteemed outcome it could be another pop-up channel. 

AM/PM could imply a TV channel that constructs its content in a particular order during certain hours of the day only to repeats this format throughout the day. 

This channel is currently using the frequencies of Ginx eSports TV which could be the likely cause for the channel's description eSports/Gaming. From the lineup, AM/PM features a lot of highlights from the paralympics alongside some actual events with Premier League as an overflow. 

MultiChoice with the inclusion of this channel is probably trying to do what SWITCH'D ON and Zambezi Reloaded is doing and trying to accommodate viewers different preferences and schedules. This would further maximize its viewership and reach and engage with viewers at different times.

SuperSport AM/PM is basically a mashup of SuperScreen and Olympic News as it offers highlights from the Paralympics. It also broadcasts sporting events mainly opening and closing ceremonies or events which range from football, rugby, archery and swimming. 

How Showmax Has Become A DStv Competitor To Canal+?

Showmax is African based streaming service operated by DStv parent company MultiChoice which is in the process of being acquired by French broadcaster Canal+. It takes on other streamers in the market like Netflix, SABC+, eVOD, Amazon Prime Video, Apple TV+ and Disney+.

Since late 2023, NBCUniversal obtained a 30% stake in streaming service which gave consumers access to content from Universal Pictures, DreamWorks Animation and Telemundo International. This also helped the company extend the reach of Peacock after being constant to America. 

After licensing various channels like Studio Universal, Universal TV, DreamWorks, E! Entertainment and Telemundo to DStv consumers in Africa. They even curated OTT version of these channels known as Universal+ through DStv Stream with plans to get their DStv Glass service scrapped. 

MultiChoice sites the current economic climate as the reason this product had been shelved but some believe it may have to do with the possible takeover by Canal+. As the CEO of Canal+ had mentioned at some point that their prime focus is being allocated onto content and content distribution. 

MultiChoice has all these other ventures such as Namola, Showmax, SuperSportBET and Irdeto part of which just seems like a waste now based on its financial performance. Not long ago, they had reduced their stake on DStv Insurance to 25% with the rest allocated to Sanlam. 

Canal+ was able to brief the media in on the plans awaiting MultiChoice one of which having to do with another subsidiary, Showmax. With Netflix taking over how people consume content, MultiChoice had to trim the entertainment on DStv down to a point where Me had been axed.

Me was being built up as open window to M-Net for Compact consumers similar to how Mzansi Wethu wad tailored for Access. Now that portal had been closed and merged to what Compact+ consumers alongside Premium view as 1Max.

Canal+ offers the same content on different platforms through MyCanal it is basically how DStv Stream is with the DStv platform which is multimedia. Giving consumers different ways of accessing the very same content but this stopped being the case with DStv and Showmax. 

When Disney+ launched all of its existence was built around its linear offering same with Paramount+, SABC+ and eVOD. But with Showmax that changed as you get content like Chucky: The Series on Showmax but not through DStv yet M-Net has to fold all their content on Showmax.

DStv has to rely on sport to get any attention nowadays but when it comes to entertainment from Zee Zonke for instance those don't make much of an impact with Showmax. Hollywood Reporters even did an article on how content from Telemundo and TLNovelas is under siege from these platforms.

Similar to how M-Net is ramping up its local offering and going as far as partnering with international studios a similar outcome awaited Telemundo and TelevisaUnivison. In the end, these brands are trying to sustain themselves in a world where Netflix can control how you view them.

New Series Alert: UKube Ngangazi Coming This September To Zee Zonke

The story revolves around Srivalli, a simple girl full of life and energy, so positive in her outlook that she tries to find the good aspect in everything that happens in life. In fact, even after being considered unlucky by her family, she wishes to marry a charming and understanding man who shares her personality traits.

In a twist of fate she meets Samrat, an egoist and a chauvinist who doesn’t respect women. In fact, even his mother Bhavani fears her son a lot. However, it is this unusual union of two starkly different personalities that is bound to create conflict and drama, and it will be interesting to see what happens as they decide to get married!

It starred Yashwanth as Samrat, Chaitra Sakkari as Srivalli, Nirosha Radha as Bhavani, Vara Prasad as Raghupathi, Vijay Durga as Avanthika, Siddu as Goutham, Pratyusha Ponnapalli as Kamala, Sree Piya as Nandu, Sravan as Lavangam and Archana as Meenakshi.

The series premiered on Zee Telegu from May 2023 as Devathalaara Deevinchandi and has since then accumulated 444 half hour episodes. The broadcaster is home to shows like Umakoti Oyintandokazi and Uthandolwani both of which are currently airing on Zee Zonke.

Now Zee Zonke is looking to add its third show from the broadcaster under the name UKube Ngangazi from 5 September. It's sister channels are also looking to add new content with Ringside Rebel and Amulya's Wedding on Zee World with 36 Reasons and The Pain Of Loving You on Zee One.



Other Reasons SABC, e.tv And DStv Continue To Lose Viewers

During the year, the Broadcast Research Council (BRC) had conducted a survey where it was revealed that the number of households watching TV decreased from 15.9 million to 13.9 million. Although it was also outlined that the number of households in SA increased from 17.3 million to 18.3 million.

Understanding how SABC and e.tv is losing viewers, let's take a look at SABC+ and eVOD when those platforms were rolled out there was so much hype about how many downloads it accumulated. Although, actual consumer numbers are currently unknown for these platforms. 

Consumers instead of watching Annekan Die Swa Kry would probably be watching Binnelanders on KykNET&Kie as they could always catch-up on this week's episodes on eVOD. Another again, more consumers are opting for OTT so they rather use their cellular devices for this content. 

When Droomvelore last aired on e.tv the show was able to accumulate 1.8 million and when Annekan Die Swa Kry came this fell to a whopping 1.5 million. One of those reasons eMedia Investments is trying to scrap government plans to halt analogue signals with SABC looking to rollout its STBs.

Despite launching rival platforms to Netflix, neither company is making much revenue with MultiChoice anticipated to become the first in the region with Showmax. Let's remember, Showmax was launched back in 2015 and eMedia and SABC came with their rival offering 7+ years later.

Late entries are struggling to maintain their services are grow revenue wise hence the "free" service which gives them more exposure to these audiences. 

Although MultiChoice is seeing a much brighter future with Showmax the consumer base on DStv continues to deteriorate. This is due to inflation, increased competition from not only streaming but cable providers as well and lastly the dismantling of premium channels. 

What MultiChoice could have done to fight off inflation and retain DStv consumers would be rolling out an unbundled version of the DStv packages. This would see consumers paying for M-Net, National Geographic and Cartoon Network with the option to add sports into the mix.

The sad reality about DStv is that they are losing credibility as most content aside from news and sports is accessible nowadays. If one needs music there's always Spotify in my opinion and YouTube introduced viewers to Cocomelon and all MultiChoice can do is milk it dry.

Then the other is similar to free-to-air operators, consumers are just changing their viewing habits. Some are probably tired of viewing the same shenanigans from Uzalo and Muvhango and would rather browse TikTok or use their Xbox as there's more entertainment there.

New Series Alert: Amulya’s Wedding And Ringside Rebel Coming This September To Zee World

Not long ago, it was reported Zee One would be adding the Marathi based series 36 Reasons to their lineup in the month of September. With Zee World that will also be unveiling new content within that time frame for consumers in Southern Africa titled Amulya’s Wedding and Ringside Rebel. 

Synopsis for Amulya’s Wedding 

Amulya’s Wedding, is a series that explores the complexities of love and relationships. Amulya, a strong-willed and independent young woman, crosses paths with Vedanth, a wealthy and successful businessman, in a series of unexpected and often challenging circumstances.  

As misunderstandings and clashes arise, the two find themselves drawn to each other despite their differences. This drama delves into their evolving relationship, the dynamics within their families, and the obstacles they face on their journey toward love and understanding.

The series premiered on Zee Kannada as Gattimela from March 2019 to January 2024 with over 1000 episodes having being filmed. It starred Rakshith Gowda as Vedanth Vasishtha, Nisha Ravikrishnan as Amulya Vedanth Vasishtha and Sudha Narasimharaju as Parimala Manjunath.

Synopsis for Ringside Rebel

Ringside Rebel is a heartfelt drama that tells the inspiring story of Phulki, a determined young girl from a small village who dreams of breaking free from the traditional expectations placed upon her. Phulki’s passion for boxing, inherited from her father, fuels her fight against the societal norms that threaten to hold her back.  

Despite facing resistance from her family and community, Phulki’s unyielding spirit and courage drive her to carve out her own path in life. Ringside Rebel is a tale of resilience and empowerment, showcasing the journey of a woman who dares to dream beyond the limitations of her world.

The series premiered on Zee Bangla as Phulki from 12 June 2023 and since then over 100+ episodes had been filmed. It starred Divyani Mondal as Phulki Roy Chowdhury, Abhishek Bose as Rohit Roy Chowdhury, Ankita Majhi as Aruna Roy Chowdhury and Sohan Bandyopadhyay as Pallab Roy Chowdhury.

Amulya’s Wedding airs daily at 18:00 replacing Meet In Love from 11 September while Ringside Rebel commences an hour later at 17:00 replacing our Heroes.

New Series Alert: 36 Reasons Coming This September To Zee One

36 Reasons revolves around the arranged marriage between Vedant and Amulya, a union that neither is initially thrilled about due to their stark differences. However, as the story progresses, they are forced to confront their prejudices and learn to appreciate each other’s unique qualities. 

This journey of mutual understanding and growth is central to the narrative, as Vedant and Amulya navigate the challenges of married life while dealing with their families’ expectations and societal pressures.

The series also delves into the lives of the extended families and their dynamics. For instance, the Wankhede family faces internal strife as Vikrant, Vedant’s brother, struggles with his own marital issues with Aarti, Amulya’s sister. 

These subplots add depth to the main storyline, highlighting the complexities of familial relationships and the impact they have on the couple’s evolving bond.

36 Reasons (also known as 30 Guni Joda) premiered on Marathi broadcaster Zee Marathi from 23 January to 24 December 2023. Produced by Shashank Solanki, it starred Anushka Sarkate as Amulya Ashish TumpalwaIt and Aayush Salunkhe as Vedant Shridhar Wankhede.

It airs daily at 18:00 from 23 September replacing A Lot Can Happen Over Coffee on Zee One. The channel was scheduled to air The Pain Of Loving You within the month with that now pushed to 14 September in a much earlier timeslot 16:00.

Cocomelon's Cody Time And Lego Dreamzzz Coming Soon To Cartoon Network And Cartoonito Feeds Across Africa + More Attractions Coming In September

In September, Warner Bros. Discovery's set of children's channels on DStv namely Cartoon Network are set to rollout new addition to the lineup. After debuting in some parts of the world Lego Dreamzzz makes a landing in Africa alongside Cocomelon spinoff series titled Cody Time.

The synopsis for LEGO DREAMZzz is as follows: 

“A group of kids join a secret agency where they learn to use the power of imagination to journey into the Dream World and create fantastic creations in order to help sleeping children being terrorized by the evil Nightmare King who is bent on conquering the Dream World and invading the Waking World.”

It features the voices of Sarah Jeffery as Zoey, Marcos Cardenas as Mateo, Vincent Tong as Logan, Mike Taylor as Cooper, and Mike Taylor as Cooper.

A short synopsis for Cocomelon is as follows:

"Join Cody Green - the little kid with a big imagination and an even bigger heart - in this spinoff series set in the familiar, beloved community of CoComelon!."

Lego Dreamzzz airs daily at 16:10 from 2nd September and prior to this Cocomelon: Cody Time airs at 08:20 on Cartoonito. Returning shows include Craig Of The Creek, Tiny Toons Looniversity, Coach Me If You Can, Jellystone, Grizzly And The Lemmings and Batwheels.

Both channels will be airing stunts in the month with Brick Flicks Week on Cartoon Network with Batman while Cartoonito embarking on a world tour with the likes of none other than Mr. Bean, Zig & Sharko, Tom & Jerry, Bugs Bunny Builders and Masha And The Bear.

CBeebies Celebrates Heritage Month By Airing Sleepy Time Stories In Four African Languages

• Seven Sleepy Time Stories to be aired in Isizulu, Sesotho, Tsonga and Afrikaans on CBeebies (DStv channel 306).
• The translated Bedtime Stories will air from 2nd September to the 29th September, every day from 7pm to 9pm
 

 

To celebrate Heritage Month this year, BBC Studios will be translating seven Sleepy Time Stories on CBeebies into an African language, from Isizulu, Sesotho, Tsonga to Afrikaans. The dubbed episodes will air on CBeebies, DStv channel 306, between 2nd September – 29th September every day from 7pm.

 

CBeebies is BBC Studios’ dedicated pre-school channel on DStv, providing children aged six years and under a range of programming designed to encourage learning through play. Sleepy Time Stories will help little ones wind down after a day of excitement and get ready for bedtime.

 

Pierre Cloete, the Commercial Director at BBC Studios in Africa says “To mark heritage month and celebrate the diversity of our nation, we wanted to shine a spotlight on some of our African languages with the help of our pre-school channel, CBeebies. As CBeebies is for little learners, translating a selection of the Sleepy Time Stories to 4 languages will allow our little viewers and parents to learn or develop their language skills while enjoying the shows throughout September”.

 

 

The translated shows will be:

• Goldilocks and the Three Bears (Isizulu, Sesotho, Tsonga to Afrikaans)
• The Elves and the Shoemaker (Isizulu, Sesotho, Tsonga to Afrikaans)
• The Enormous Radish (Isizulu, Sesotho, Tsonga to Afrikaans)
• The Fox and the Hen (Isizulu, Sesotho, Tsonga to Afrikaans)
• The Magic Porridge Pot (Isizulu, Sesotho, Tsonga to Afrikaans)
• The Ugly Duckling (Isizulu, Sesotho, Tsonga to Afrikaans)
• Three Little Pigs (Isizulu, Sesotho, Tsonga to Afrikaans)
• Bluey S2 Set 1 Episode 26: Sleepy Time (to only be translated to Isizulu)
 

The episodes will also be available to stream on BBC Studios Africa YouTube.

 

Could MultiChoice Undergo A Name Change As Speculated With Canal+'s MC Vision?

During the month, it was reported Canal+ was looking to increase their stake in MC Vision from 37% to 75% making them majority shareholder. With co-founders Currimjee Jeewanjee and Co., that will reduce their stake from 57% to 25% with Canal+ looking to enhance its offering in the region.

Canal+ had already made other moves within Africa like purchasing the remaining shares in MultiChoice which too is awaiting regulatory approval. They also own Nigerian production company ROK Studios as well as 30% stake in Marodi TV which is based in Senegal.

One of the questions awaiting is how different MultiChoice will be in the coming years. With Canal+ buying a large chunk of MC Vision it's likely become Canal+ Maurice/Mauritius I mean that's what happened with M7 Group in Europe and NC+ in Poland the result was always a corporate restructure. 

Similar to Poland, Canal+ is MultiChoice's biggest shareholder within the company so whose to say that the trademark won't die out eventually as they could always inherent MultiChoice: A Canal+ Company. That's how M7 Group panned out before the trademark went fully under the knife. 

Unlike most of these entities, MultiChoice doesn't have much Canal+ in the truck outside of ROK and as seen with Francophone Africa. The acquisition could see them incorporate themselves within MultiChoice's existing offering while closing the doors for other brands. 

It could as well even answer the questions regarding MC Vision and MultiChoice as both offer services within Mauritius. Similar to South Africa, Canal+ could as well look to divide operations within Mauritius this way Currimjee Jeewanjee and Co., shares remain intact once the acquisition concludes. 

Important Notice: PBS KIDS Will End Its Run On DStv With Peep And The Big Wide World

PBS KIDS is scheduled to close by the end of the month making it the 12th channel to exit DStv and with its lifespan in Africa growing a lot shorter. The channel opted to reduce its content to just three shows Peep And The Big Wide World, Elinor Wonders Why and Arthur.

MultiChoice hasn't stated whether any of the content viewed on PBS KIDS will eventually resurface on another TV channel. But Brand & Rights 360 who now manage the distribution of PBS KIDS shows had licensed content various broadcasters around the world with Showmax included.

Below is the final schedule of the channel before it ends transmission:

23:55 Peep And The Big Wide World
00:20 WordWorld
00:45 It's A Big Big World
01:15 Pinkalicious & Peterrific
01:40 Arthur
02:10 Wild Kratts
02:35 Martha Speaks
03:05 Nature Cat
03:30 Peep And The Big Wide World
03:50 WordWorld
04:20 It's A Big Big World
05:00 Arthur
05:25 Arthur
05:55 Peep And The Big Wide World
06:15 Peep And The Big Wide World
06:40 Elinor Wonders Why
07:05 Elinor Wonders Why
07:30 Elinor Wonders Why
08:25 Arthur
08:55 Arthur
09:20 Peep And The Big Wide World
09:45 Peep And The Big Wide World
10:05 Elinor Wonders Why
10:35 Elinor Wonders Why
11:00 Elinor Wonders Why
11:55 Arthur
12:25 Arthur
12:50 Peep And The Big Wide World
13:15 Peep And The Big Wide World
13:35 Elinor Wonders Why
14:00 Elinor Wonders Why
14:30 Elinor Wonders Why
15:25 Arthur
15:55 Arthur
16:20 Peep And The Big Wide World
16:45 Peep And The Big Wide World
17:05 Elinor Wonders Why
17:30 Elinor Wonders Why
18:00 Elinor Wonders Why
18:55 Arthur
19:25 Arthur
19:50 Peep And The Big Wide World
20:15 Peep And The Big Wide World
20:35 Elinor Wonders Why
21:00 Elinor Wonders Why
21:25 Elinor Wonders Why
22:25 Arthur
22:50 Arthur
23:20 Peep And The Big Wide World
23:40 Peep And The Big Wide World

Notes
• Elinor Wonders Why has the most airtime on the channel with 15 slots followed by Peep And The Big Wide World with 14 slots.
• Pinkalicious & Peterrific, Wild Kratts, Martha Speaks and Nature Cat are least aired shows as they obtain 1 slot.

Does eMovies' Possible Demise And Movie Room's Inclusion Hint At A Possible Restructure On DStv?

Since 2022, eMedia Investments and MultiChoice had been having a carriage dispute regarding e.tv's 4 channels on DStv: eToonz, eMovies, eMovies Extra and eExtra. These channels were ousted on DStv by May of that year and were reinstated due to pending legal matters.

MultiChoice which is currently in the process of being taken over by French giant Canal+ had outlined two reasons for ousting these channels. The first having dealt with repeats viewed on those channels and another transponder constraints which led to several channels exiting DStv. 

Within this year, Movie Room conceived by Newzroom Afrika's co-founders Ngwato Nkosi Group was introduced as a replacement for eMovies. It would curate a mix of locally produced and international movies but similar to the fallen only bolstered the existing offering from DStv.

This is coming from the company that restricted brands like BBC UKTV and Magic Showcase from premium and mid tier subscribers as a way to combat repeats. Only for these channels to be allocated on the mentioned packages despite already having access to the content in question. 

If anything, one had to wonder if Movie Room will perhaps be holding a much bigger position within MultiChoice's bouquet of channels as seen with Moja Love and SABC News. M-Net had closed Me and 1Magic as part of continued efforts to bolster the lineup on Showmax.

This has left consumers of Compact and Family in disarray as those who would need to watch America's Got Talent or Magnum Pi would need to upgrade to Compact+ for 1Max or subscribe to Showmax. Now why would anyone do that if they can get this on Openview with a once off payment. 

Although Universal and E! would retain some of this content, there is that matter of consistency while Chicago Med would be on its ninth season, Universal is still behind by four to six seasons which could take several years same goes with Movie Room which is leaning in the same corner as TNT.

With MultiChoice and M-Net's continued efforts to streamline their offering what could transpire now is the dismantling of M-Net Movies if not the entire movie offering perhaps M-Net Movies 3 and 4. As this offering on DStv has become bloated despite attempts at cutting back on repeats.

Similar to how consumers of Me had to turn to Universal for Magnum Pi and The Equalizer. The same outcome would await M-Net Movies as those viewing those channels can still get plenty of international content on Studio Universal, TNT and Movie Room.

CineMagic could extend its arm to more households as a means to bolster the local offering on these channels especially during Africa Month. Who knows maybe Canal+ will use FilmBox Africa to substitute for part of this offering and merge the two premium movie channels into one.

VIU Looking To Become The Third Broadcaster To Rival With eExtra's Kuiertyd

VIU is an Asian based streaming service that is formed as part of a joint venture with PCCW Media Limited and French broadcaster Canal+. Residing in more than 20 countries, VIU is estimated to have reached over 60 million users as the streamer plans to build up on its content slate.

Canal+ which serves as partner is currently in pursuit of Showmax's parent company MultiChoice after garnering stakes is now sitting at 45%. The plan should this acquisition succeed is to create an African powerhouse that can take on giants like Disney and Netflix. 

Another plan on the cards would be introducing international content in local languages particularly Afrikaans. eMedia Investments has been doing this since 2018 and had since then become popular within South Africa literally doubling the viewership of SABC 2's 7de Laan.

KykNET became eMedia Investments' first competitor in such pursuit as this offering was rolled out through KykNET&Kie. Both of which are owned by MultiChoice, with Canal+ looking to acquire this could lead to additional programming as the channel had simplified this offering in May.

Although Showmax had already been producing Afrikaans content for their audiences none of which rival with shows like Doodsondes or Sommerdahl Moorde. But rather the niche part of Kuiertyd with only a variant of these viewers with Bôll And Ôll and Ja, Daddy Kan Lekker Eet.

It will be interesting to see how these shows will do in terms of distribution cause with Canal+ owning KykNET they could use it promote these endeavors. Another scenario would be shopping these series to other broadcasters like the SABC since they are technically insolvent. 

The public broadcaster has been looking at cost cutting measures aside from possibly selling SABC 3 another was reducing budget costs for shows like Muvhango. VIU has been the official distributor to some of their shows like Uzalo and Skeem Saam.


Press statement about the inclusion of dubbed programming 

The demand for foreign content is so great that part of Viu’s strategy for the next year is to dub more and more of these titles into South African languages to make them more accessible.

While K-dramas are geared more towards English speakers, Turkish content is more aligned with Afrikaans audiences. Kelly said part of the growth in demand for Turkish content is due to the gap left by long-running Afrikaans shows like 7de Laan reaching end of life.

For Viu, the dubbing of content in Afrikaans gives the company an opportunity to use internationally sourced content to contribute to the local economy by employing local vocal talent. “The Turks are doing well in TV production, particularly in the long-running dramas. We work with some of the best dubbing providers in the country and we want to make sure we don’t do our audience a disservice in that,” said Kelly.

Showmax And VIU Are Likely To Remain Unscathed In Canal+'s Pursuit Of MultiChoice

VIU is an Asian based streaming service that is formed as part of a joint venture with PCCW Media Limited and French broadcaster Canal+. Residing in more than 20 countries, VIU is estimated to have reached over 60 million users as the streamer plans to build up on its content slate.

Canal+ which serves as partner is currently in pursuit of Showmax's parent company MultiChoice after garnering stakes is now sitting at 45%. The plan should this acquisition succeed is to create an African powerhouse that can take on giants like Disney and Netflix. 

Of course, one of those burning questions is how VIU and Showmax will be able to co-exist seeing as they'll have the same owner - Canal+. Both have been producing content locally and licensing from international studios and the fear here is that this acquisition could reduce that. 

But that may not be the case here exactly although Canal+ is obtaining MultiChoice the only way this deal could move forward would be the assistance of another business. Canal+ is still trying to build its stake in VIU and its very unlikely that they'd pursue full ownership. 

If anything one can only estimate that similar to France, Canal+ is probably trying to do what MultiChoice has with SABC News and eNCA and flex their dominance. VIU and Showmax will most definitely be treated as individual broadcasters in the streaming regime. 

VIU is constrained to Asia, Middle East and South Africa and Showmax extends to other parts of Africa. So content wise, there may not be that much changes of course nothing can be guaranteed here I can imagine select content from M-Net most probably popping up there.

Then there's that whole matter with the SABC, how different will VIU's relationship be by then when its parent company acquires its rival. Do these just fall off the schedule in favor of M-Net's local offering or does this offering remain constraint on separate platforms.

Canal+ had been producing content through StudioCanal and with MultiChoice it plans to increase local investment. Showmax instead of being a platform with content from M-Net, NBC and so forth switches to become some M-Net based streaming service with select international content on VIU.

If there's one thing that was kind of speculated for sometime was Canal+ looking to possibly trim or lessen some of the agreements put in place for content. In place of reduced international offering would be content generated from France and parts of Europe.

Development Alert: TLC Africa Expands To Southern Africa On Channel 125 (Excluding South Africa)

During the day, DStv consumers had spotted the TLC Africa channel on 125 through the electronic programme guide. For those wondering, this isn't a channel MultiChoice is planning to add in South Africa as TLC already exists on channel 135 but like Nickelodeon Africa on 312.

The same channel with slight variations for different countries for starters Dr. Pimple Popper while the one situated in South Africa will air at 19:00, the one in neighboring countries will be telecast an hour early at 18:00 based on timezones and by that time we'd be watching My 600lb Life. 

Another variation may pertain to certain show I Am Jazz which would feature a transgender media mogul. In South Africa and Mozambique for starters, there is no restriction on sexual preferences as seen in Nigeria and Kenya making the series accessible to those countries. 

Unlike Nickelodeon and a few other channels on DStv, TLC's feed for neighboring countries is kind of depressing while several other channels are in tune with premieres some of TLC Africa's premieres can date back to the 2010s as seen with Discovery Family and Real Time.

The only sin the feed on channel 135 committed is promoting Me Or The Menu and Fixer Upper as premieres as those shows are already viewable on Food Network and HGTV. And also Discovery had already curated two channels specifically to leverage from these brands. 

Now consumers in more countries namely Southern African regions like Botswana, Zambia, Zimbabwe and Malawi will now have to burden themselves with decade old repeats while consumers in Southern Africa get the fresher outtakes as seen in some parts of Europe. 

This would led to them losing out on channel 135.

Paramount Television Studios Is Closing Down As Part Of Cost Cutting Procedure With Content Set To Merge With CBS Studios

PTVS’ shutdown will result in the exit of 20-30 employees. All current PTVS series and development projects will be folded into CBS Studios.

“To be clear, this is not a decision based on how PTVS performed. This move is the result of significant changes in the TV and streaming marketplace and the need to streamline our company,” Cheeks said. “Under Nicole’s leadership, this studio consistently punched above its weight in attracting top storytellers and stars to create best-in-class series. I want to thank every PTVS employee for shepherding a slate of shows that helped usher Paramount into the streaming era.”

Headed into the current wave of layoffs that will impact 15% of Paramount Global’s U.S. workforce over the next few months for $500M in savings, there had been chatter about Paramount TV Studios as a potential casualty following a string of downsizing/consolidation moves since CBS Studios and Paramount TV Studios were put together under Cheeks’ purview in the fall of 2022.

Both Cheeks and Clemens tried to assuage fears at the time by assuring PTVS staff that the division would remain independent from the larger CBS Studios as the two combined support operations by centralizing finance, law, production and casting. The same year, Paramount TV Studios absorbed Paramount+’s scripted originals team. (Word is more P+ layoffs may be coming after Labor Day.)

In the most recent round of layoffs in February, PTVS consolidated development and current under Head of Development Jana Helman, with a slew of senior programming executives leaving. It also dissolved/downsized communications, marketing and post-production which are now handled by CBS Studios. Prior to that, Clemens, a well-liked veteran executive, revealed that the studio was no longer going to produce limited series except for third-party buyers.

Also possibly factoring into the decision to shut down PTVS is Paramount Global’s pending merger with Skydance whose television division is very similar in scope and output to PTVS. The two companies have collaborated on such series as Reacher, Tom Clancy’s Jack Ryan and the upcoming Cross.

Other notable series produced by PTVS over the years include 13 Reasons Why, The Alienist, Station Eleven, Time Bandits, and The Spiderwick Chronicles.

Speculation about CBS Studios and Paramount TV Studios combining has actually been around since the 2019 CBS-Viacom merger was announced. Launched by Paramount Pictures’ Brad Grey in 2013, Paramount TV Studios has been the smaller of the two and its volume was impacted when Paramount+ pared down its scripted originals ramp-up plans to stem streaming losses. The studio continued to sell to outside platforms.

In her note to staff, Clemens, who joined PTVS in 2018, reflected on the label’s legacy.

“Over the past 11 years, PTVS has weathered seemingly insurmountable obstacles through a combination of strength, determination, and unwavering commitment,” she said. “We met these challenges with incredible resilience, creativity, and passion for what we do, and I could not be prouder of our team. We’ve also had the privilege to collaborate with some of the most brilliant creative talent in the industry to help tell incredible stories seen around the world, entertaining and shaping culture.”

Here are the two memos:

Note from Nicole Clemens: President, Paramount Television Studios

Dear PTVS Family,

As you’re all aware, Paramount Global has made the difficult decision to close Paramount Television Studios as part of the company’s broader restructuring plans. This has been a challenging and transformative time for the entire industry, and sadly, our studio is not immune.

Over the past 11 years, PTVS has weathered seemingly insurmountable obstacles through a combination of strength, determination, and unwavering commitment. We met these challenges with incredible resilience, creativity, and passion for what we do, and I could not be prouder of our team. We’ve also had the privilege to collaborate with some of the most brilliant creative talent in the industry to help tell incredible stories seen around the world, entertaining and shaping culture.

Although Paramount Television Studios is ending, our ethos will live on in shows that will continue to be enjoyed by global audiences for years to come. We’ve cemented our legacy by shepherding some of the most influential, award-winning, and critically acclaimed shows in the streaming era with series like “13 Reasons Why,” “The Offer,” “Defending Jacob,” “The Alienist,” “The Haunting of Hill House,” “Station Eleven,” “Time Bandits,” and many more. We have broken streaming platform records with “Tom Clancy’s Jack Ryan,” “Reacher,” and “The Spiderwick Chronicles.” Our upcoming shows, “Cross,” “Before,” and “Murderbot,” are sure to join the ranks of those hits.

This has been the most formative chapter in my career, and that is mainly due to the remarkable colleagues I have had the honor to lead and learn from on a daily basis. Thank you for supporting me, inspiring me, and laughing with me for the last six years — I wouldn’t have wanted to be in the trenches with anyone else.

I want to thank George Cheeks for his leadership and support through it all. There will undoubtedly be some tears as we move on, but this business is a marathon, and I am certain that we will cross paths, if not work together, again.

“Often when you think you’re at the end of something, you’re at the beginning of something else.” – Fred Rogers

With heartfelt gratitude,

Nicole

Note from George Cheeks: Co-CEO, Paramount Global and President & CEO, CBS

CBS Team,

As you saw from the email Brian, Chris and I sent earlier, this is a very difficult day at Paramount Global. I’m reaching out to share that today’s news unfortunately impacts CBS, including one of our studios.

A short time ago, we informed the team at Paramount Television Studios (PTVS) that the studio will cease operations at the end of the week. To be clear, this is not a decision based on how PTVS performed. This move is the result of significant changes in the TV and streaming marketplace and the need to streamline our company.

I want to thank PTVS President Nicole Clemens and the talented team she built for the many signature hits they produced. Under Nicole’s leadership, this studio consistently punched above its weight in attracting top storytellers and stars to create best-in-class series. I want to thank every PTVS employee for shepherding a slate of shows that helped usher Paramount into the streaming era.

Going forward, all current PTVS series and development projects will transition to CBS Studios.

In addition to PTVS, there are members of CBS teams who will be leaving the company. These are valued colleagues we admire and respect, whose talents contributed to the leadership position we enjoy today. I want to express my deepest gratitude for their contributions, hard work and dedication.

As we move forward, please keep these co-workers in your thoughts as our HR teams and their teammates help support them through this process.

There is a lot of news to unpack today. I know it’s unsettling. I continue to be impressed and grateful for our teams’ ability to stay focused and stick together during this transitional time.

George

Development Alert: Blink Kant Bo Make Its Linear Debut On eExtra This September Replacing Chrysalis Season 2

During the week, eExtra debuted another TV show which was previously available on eVOD, Pad Na Die Hart. With Net 20 Minute also looking to air on the channel this leaves eExtra to load up on eVOD leftovers with Blink Kant Bo slated to air on the channel from 25 September.

Sometime ago, I did a story on Annekan Die Swa Kry and its future on e.tv with the second season set to reach its climax in the coming months. eMedia Investments is likely to distance the channel from the family drama and allocate another TV show in its timeslot e.g. Die Agentskap.

Ever since Doodsondes premiered in South Africa, eMedia Investments had often changed the broadcaster for the FOX drama. Lacking consistency, the first two seasons were made available on eExtra with third and fourth on e.tv with the final two season on eVOD.

Now Chrysalis is looking to exit the channel after its second season when Blink Kant Bo premieres and similar to Doodsondes the final season will premiere in 2025 with Elif also slated to conclude by then.

Synopsis for Blink Kant Bo 

Halis AÄŸa is the owner of a large jewellery empire and the head of the Korhan family. Even though his son Orhan and oldest grandson Fuat run most of the business, he still makes the most important decisions in the company. His younger grandson Ferit, who is the total opposite of his brother Fuat, is a very irresponsible young bachelor who just returned from abroad where he went to study. Halis can’t take anymore of Ferit’s recklessness and he charges his widowed daughter-in- law Ifakat with finding him a nice girl to marry. 

The news that Halis AÄŸa is looking for a bride for his grandson, comes like a bolt from the blue into Kazım’s mansion in Gaziantep. Kazım’s only hope to get rich are his beautiful daughters, Suna and Seyran. After Ifakat sees Suna and decides she is the right girl for Ferit, the family goes to Gaziantep to ask for Suna’s hand in marriage. But before the ceremony, Ferit and Seyran meet each other without realizing that they are supposed to become brother and sister-in-law, and Ferit is enamored by her. 

The two sisters’ lives change forever when Ferit decides to marry Seyran instead of Suna. While Kazım is glad that he has secured his access to a great fortune, Seyran will be the new bride in a family full of betrayals, lies and secrets. While Suna will start making revenge plans to get back her stolen future, life at the mansion will be even more challenging with the two brothers’ power conflicts.

Should SABC Look Into Renaming The SABC Education Channel Perhaps To SABC Variety 2?

Since 1996, SABC Education had been a trademark the public broadcaster would incorporate on local content geared mainly at the youth aged 2-14 and overtime aged 18-49. It is home to shows like Geleza Nathi, Uzalo, Matric Reloaded, Skeem Saam, Takalani Sesame and TOMZ.

It currently operates as a 24 hour channel on SABC's DTT alongside SABC 1-3, SABC Lehae, SABC Variety, SABC Sport and their 19 radio stations. Other means of accessing the channel or its content is through SABC+ and for those without these option can view its content on SABC 1-3.

This channel was launched amidst covid as a Mindset oriented brand offering various lessons from the Department Of Education on top of the already existing Geleza Nathi and Matric Reloaded. That left little variety for SABC's other shows like Words And Numbers and Hectic Nine-9.

Since then a lot of restructuring was done to incorporate a lot more of the SABC with the inclusion of Skeem Saam and non-educational shows like Restyle My Style and Challenge SOS but then again I get why these are on.

SABC Education is youth oriented and the SABC hadn't really produced much content in this area but the inclusion of Afro Cafe and Speak Out falls out of that spectrum. This was a channel that should be pivoting toward what it is positioned for education yet there's music shows on there.

Often the public broadcaster would rebrand the channel to SABC Festival as if there weren't consumers actually watching the channel and leaving the space occupied by SABC Variety unhinged. Considering there's already content under SABC Education not viewable on the channel like Uzalo.

Yet there's space for current affairs, the public broadcaster should consider restructuring or revamping the channel perhaps into SABC Variety 2. The first channel may as well occupy shows like Uzalo and Giyani: Land Of Blood while the other offers Skeem Saam and Noot Vir Noot.

News Shorts: e.tv Adds New Variety Show Friends Of Amstel: The Challenge, Xolani Khumalo Debuts New TV Show On StarSat And Queen Of The South Season 3 Makes Its Highly Anticipated Debut On Telemundo Africa

Black Tax changes timeslots ahead of new show

Friends of Amstel The Challenge is a fun and thrilling competition that brings together friends and celebrities for a series of exciting challenges. Whether it’s testing your physical abilities, mental acuity, or teamwork skills, this challenge has something for everyone. With Abuti Fill Up, President Ya Straata, and iNkabi uSjava leading their respective crews, you can bet that the competition will be fierce and exciting. Do you have what it takes to come out on top?

The ultimate prize for Friends of Amstel The Challenge is a 5-star, all-inclusive experience to Friends of Amstel. This exclusive event is a must-attend for any music and entertainment lover, so winning this prize is a once-in-a-lifetime opportunity. From enjoying top-notch performances to rubbing elbows with celebrities, this experience is sure to be unforgettable. So, gather your friends, sign up for the challenge, and get ready for the adventure of a lifetime!

The game show airs every Saturday at 18:00 on e.tv starting August 17th. To coincide with the launch season 2 of Black Tax will be moving to a much earlier timeslot 17:30.

St Rise adds new series Slyza Tsotsi

Xolani Khumalo, the former host of the controversial drug-busting show Sizokuthola, is making a return to television with his new show, Slyza Tsotsi. The show, which promises to be another hard-hitting expose on the illicit drug trade, will air on the Rise StarSat DStv channel 120 starting September 7th.

Khumalo also faces charges of malicious damage to property and robbery with aggravating circumstances, raising serious questions about his methods and the legitimacy of his crusade against drug dealers. Despite these controversies, Khumalo’s new show, Slyza Tsotsi, is set to continue his mission to expose and take down drug dealers.

Teresa is back for her final mission to take down the cartel 

The third season of Queen Of The South 3 (La Reina Del Sur 3) will premiere on September 9th on Telemundo Africa replacing The People's Doctor at 22:00 CAT. The final season has premiered in the United States a year ago so its kind of depressing that the channel took this long to acquire it.

After four years in prison in the United States for the deaths of three DEA agents, Teresa Mendoza escapes but will have to face a world full of conspiracy, risking her life in order to clear her name and reunite with her daughter Sofía. The cast includes Kate Del Castllo, Pêpê Rapazote, Antonio Gil, Isabella Sierra.


Canal+ Looking To Buy Another Pay-TV Platform Ahead Of Its Acquisition In MultiChoice

Vivendi’s Canal+ plans to double its stake in MC Vision to become the majority shareholder of the Mauritian-based digital pay-TV company, as the French firm seeks to boost its presence on the continent.

Canal+ will increase its stake to 75% from 37% for an undisclosed amount, pending regulatory approvals, according to a joint statement published in Le Dimanche/L’Hebdo newspaper.

Currimjee Jeewanjee and Co, a family-owned business that started MC Vision with Canal+ more than two decades ago, will cut its stake to 25% from 53% and state-owned Mauritius Broadcasting Corporation will sell its 10% holding.

Canal+ is seeking to expand its presence on the youngest and fastest growing continent
The new structure “will enable MC Vision to continue to meet the expectations of Mauritian households in terms of audiovisual content and services, while benefiting from the support of the Canal+ group”, the companies said.

Canal+ is seeking to expand its presence on the youngest and fastest growing continent to compete with US entertainment giants. In April it made an all-cash formal offer for MultiChoice Group, valuing the South African broadcaster’s shares at R55-billion and said the combined entity will be listed in Europe and Johannesburg.

Evolved

From pioneering digital satellite television in the Indian Ocean island nation in 1999, MC Vision has evolved into a provider of premium and exclusive content.

In the year to December 2022, it recorded revenue of Rs1.25-billion (R490-million) and a Rs1.6-million loss. The shortfall was due to low consumer confidence, a significantly weaker rupee, a rise in piracy and the unprecedented cost of content rights, for live sports in particular, according to Currimjee Jeewanjee’s annual report.  

How Warner Bros. Discovery May Look Into Rolling Out TNT Sports In Africa And Global?

TNT Sports is a brand name Warner Bros. Discovery which serves as the parent company had trademarked for its sports channels and prior a division within America. It currently maintains an active presence in Latin America, United Kingdom, Argentina and Chile with more international territories to be added.

After obtaining rights to select content from wrestling promotion All Elite Wrestling, Warner Bros. Discovery is planning/exploring to get this brand trademarked within Africa. The current structure of the brand has yet to disclosed but if we had to guess they'll be time sharing with the current TNT channel. 

Another would be obtaining a structure similar to that of ESPN channels on DStv which is basically a SuperSport Blitz infused channel with NFL and NBA. Or rivaling with SuperSport's WWE and making TNT Sports an AEW oriented channel with doccies, films and highlights. 

Warner Bros. Discovery already operates the Eurosport channel in parts of Europe and with its division branded TNT Sports International. That is likely to all fold under one branding and the only other means Warner Bros. Discovery has in the establishment of such brand.

On top of licensing agreements, Warner Bros. Discovery is also producing original content so similar to Cartoonito's rollout globally. The likely scenario is that content from TNT Sports will just pop-up on Eurosport in an attempt to get consumers accustomed to a new brand name. 

Eurosport is basically SuperSport so there's not really much it has to offer for consumers in Africa that consumers aren't getting. There's a bidding war various sporting events and Warner Bros. Discovery wouldn't be able to outbid a broadcaster like SuperSport for something like PSL.

The question arises as to how Warner Bros. Discovery would balance a wider collection of sports content onto TNT's existing offering. For decades even dating back to TCM, it garnered prestige for its movies lineup and AEW's inclusion has caused conflict which led to numerous timeslot changes.

eExtra, eToonz, eMovies And eMovies Extra Continues On MultiChoice's DStv As eMedia Investments Looks To Take Legal Action Over Their Pending Demise

Since 2022, eMedia Investments and MultiChoice have been embroiled a carriage dispute regarding eExtra, eMovies, eMovies Extra and eToonz. These channels are also allocated on the Openview platform with eExtra that is available on StarSat in a separate agreement. 


eMedia Investments is looking to take legal action against MultiChoice over the impending demise of these money grabbers. These channels ranked first, fourth, seventh and tenth serve as additional revenue stream to aid in the distribution and licensing of content. 

Other disputes these two parties engaged in revolved on the 2023 Rugby World Cup where SABC and MultiChoice reached an agreement worth R57 million. Of course, this agreement restricted these matches from being allocated on Openview and StarSat as they failed to obtain free-to-air rights.

In a court ruling, MultiChoice wasn't allowed to make such restrictions forcing the SABC to have their current agreement set in place scrapped. Following SABC’s absence from these events, sports minister warned a warning to these broadcasters for their failure to come into terms with a new agreement. 

MultiChoice And Canal+'s DStv Turns 30 In 2025

DStv is a pay-tv platform which was launched in 1995 by MultiChoice was an alternative to the SABC. Initially comprising of 18 TV channels which included M-Net, TNT (series channel) and Cartoon Network became one of the leading pay-tv platforms across the African market.

For decades through the parent company MultiChoice had been known for supporting local talent across the market with shows like Isibaya and Binnelanders. They had also introduced audiences to array of content across the African market and the world including Battleground and Riona.

In recent years, this dominance has come under threat from the likes of streaming services such as Disney+ and Netflix that had been bleeding DStv dry.  It led MultiChoice to explore other avenues for survival including SuperSportBET, DStv Insurance, Namola and Showmax. 

Now left technically insolvent, it is in a position where bankruptcy or possible liquidation is on the cards. This matter won't improve overnight unless Canal+ acquisition of MultiChoice moves ahead but even then nothing is guaranteed when it comes to the fate of the DStv company.

Canal+ is like Disney and Paramount a content company and their avenues revolve on this content unlike MultiChoice. Similar to DStv Insurance, it's likely that most or these avenues could get sold off if not scrapped to its entirety. 

Before venturing to casinos and cybersecurity, MultiChoice was a content company above else through DStv and Showmax and this is what Canal+ is pivoting toward. With them being constraint to French speaking countries in Africa with MultiChoice it helps them get more exposure. 

It will be interesting to see how #DStv30 will look like with the company that brought on films like Terminator 2: Judgement Day and Retribution. Especially with a brand like M-Net that too is constrained but in recent years worked with global players like Acorn TV on shows like Recipe For Love And Murder.

This two could as well fuse into one brand or M-Net jumps ship and becomes whatever is left of Showmax. Another with M-Net tons of money on the latest everything that could be minimized to again boost the endeavors of Showmax. 

What is going to be more worrisome is what awaits DStv in 2025 when a new company comes into the equation something is going to cut. Canal+ offers France24 on Openview and SPI International offering with StarSat none of which reside on DStv at the moment. 

If Canal+ was looking to include them on DStv, they'll probably cut something alongside the already scrapped offering in 2024 to save up on costs and lessen duplicate content. M-Net Movies could be traded in for Canal+ Cinema's offering or FilmBox seeing as they'll all have the same owner.

Cartoon Network's Future In Doubt As Warner Bros. Discovery Pulls The Cord On Its Website

During the week, it was announced that Warner Bros. Discovery had closed/merged Cartoon Network's websites in America with the Max streaming service. Home to clips, video games and and other content from various shows on the network had been axed without prior notice. 

According to Warner Bros. Discovery who have accumulated 40 billion dollars in debt making a sale impossible less people people were using this website. So they'll put more focus on Cartoon Network as a channel alongside its multiple social platforms including Facebook and YouTube. 

Whenever users try to access CartoonNetwork.com consumers are being directed to Max probably an attempt to get consumers to pay. What is also odd in this scenario is that all of Discovery's channels websites even Adult Swim were unaffected unlike Cartoon Network. 

Now questions amount to whether a similar fate could await consumers in Europe and other parts of the world as well. Warner Bros. Discovery is technically insolvent and the only option they have is to sell portions of the company in order to reduce their expenses if not close them.

Although the linear part of Cartoon Network remains intact in other countries whose to say that this will be like that for the foreseeable future. Look at Paramount for starters before Skydance made its bid to acquire the company a lot of feeds within Europe for the MTV and Nickelodeon channels had merged.

On top of that, Nickelodeon Africa's Facebook page had a regional block (for some weird reason) and consumers were redirected to one used by America while the page continued adding new content. Whose to say that Cartoon Network may not as well undergo a similar fate as Nickelodeon. 

There's a lot of fear amongst consumers of Cartoon Network potentially shuttering its doors or for Adult Swim to someday takeover its operations. It has more hours on the channel in America than Cartoon Network itself on top of that there hasn't been much content coming to the channel. 

That's exactly what happened with Boomerang before becoming Cartoonito in other parts of the world. It started out as a block on the channel before gaining more hours and taking whatever content was left of Boomerang while others like Mr. Magoo reverted to Cartoon Network. 

Developing Story: A Rebroadcast Of Family Secrets Launches On Star Life With Evil Affairs Rebroadcasts Scrapped Due To Timeslot Changes

Sometime ago, it was revealed that You Have My Heart would be moving to 22:30 once Soulmates debuts on Star Life but it turns out to not be the case. With You Have My Heart that will instead air 22:00 where the controversial supernatural drama Evil Affairs currently resides as it moves to 23:00.

Due to some themes illustrated on Evil Affairs, Star Life was forced to pull the series from daytime and restricted its broadcast to late nights as seen with Telemundo's Super Series. This affected former series Beyond Love that shared a portion of its timeslot to get the same restriction.

Consumers took their socials to express their dissatisfaction and pleaded to reinstate Evil Affairs daytime repeats. Due to restrictions, the channel was only able to offer Evil Affairs in the later hours of the night were there's less viewers with repeats allocated at 00:30.

With Soulmates rolling out in the coming weeks, daily rebroadcasts of Bitter Sweet Love will now take up Evil Affairs repeats at 00:30 as the supernatural show airs an hour later at 23:00 from 20 August. Similar to the endeavors occurred a few months ago Evil Affairs has only 1 timeslot meaning no repeats. 

In other developments, Titli will be coming to an end and drama bomb a rebroadcast of Family Secrets replaces it once it ends. Instead of Evil Affairs, they'd rather give a rebroadcast a much earlier timeslot as opposed to grouping the primetime altogether with repeats in the other corner. 

Family Secrets is a story of a seventeen-year-old Anami, who was abandoned at birth and adopted by a pandit family in Banaras. She returns to her mother as the sole yet reluctant heir to a royal family in Laal Mahal, Bihar where she faces secrets and scandals in the family.

America's TruTV Becomes TNT Sports In October

Warner Bros. Discovery (WBD) has announced that it will rebrand TruTV’s primetime lineup as “TNT Sports” beginning this October, which could be a seismic shift for sports broadcasting and wrestling entertainment.

The news came from WBD CEO David Zaslav during the company’s Q2 earnings call. This move is seen as a potential win for All Elite Wrestling (AEW) amid ongoing talks about its future on WBD networks. Media analyst Brian Steinberg tweeted details of the rebranding strategy, noting that TruTV will transition to become a home for sports under the TNT banner.

According to sources, this new programming block will operate similarly to Cartoon Network’s Adult Swim block, which functions as its brand despite sharing channel space.

Strategic Sports Expansion

The focus on sports is timely for WBD after NBA broadcasting rights recently shifted to Amazon Prime.

With AEW potentially joining Ring of Honor (ROH) whose importance within AEW Khan said has not been overstated but was not yet confirmed for TV on WBD airwaves at some point soon, it would appear the company wants more hours of live sports content under its belt.

In fact, Fightful’s Sean Ross Sapp pointed out earlier today that AEW talents are being featured prominently in early promotions for “TNT Overdrive,” suggesting Khan’s team will play a key role in the new TNT Sports lineup that night -- and grow more influential within the broader sphere of televised athletics-entertainment.

At present, though, these are only good signs; Khan himself called talks with WBD “complicated," but recently expressed optimism following a meeting with Zaslav during the Olympics when reached by @SeanRossSapp. The exclusive negotiating window between parties expired yesterday, allowing AEW to engage with other networks unless/until WBD closes a deal.

Regardless of whether or not anything comes from current conversations between AEW and WBD, the ripples from this news could fundamentally change how wrestling is presented to audiences, aligning AEW with WBD’s rekindled focus on sports and entertainment.

Such an alliance would be expected to ensure All Elite Wrestling continues growing as a major player in the increasingly crowded field of televised athletics entertainment.

Developing Story: Udne Ki Aasha Debuts On Star Life As Soulmates In The Coming Weeks, You Have My Heart Changes Timeslots

Earlier in the month, it was reported that a former soap opera Saraswatichandra would be rolling out on Star Life this wad due to some details pertaining to the show. In new developments, it turns out that Udne Ki Aasha will actually be the series entering the channel under the title, Soulmates. 

Not only that but one of the channel's existing shows You Have My Heart seems to changing timeslots as well with the show now slated for 22:30. It will be replacing Titli another series which was also seen in its timeslot before getting brushed off to a much later timeslot for some reason.

Soulmates showcase the story of violent taxi driver Sachin who is good at heart but is uneducated. On the other side destiny gets him married to florist Sailee who belongs to poor middle class family. Sachin’s father Paresh likes Sailee as lot and hence wanted her to marry Tejas. 

It starred Pari Bhatti as Juhi, Mamta as Negative Friend, Manish Verma as Creative Director, Rohit Gill as
Police Inspector, Tanya Lal as Young mother, Neha Harsora as Sailee, Kanwar Dhillon as Sachin and Bharat Jethwani as Mangesh.

Soulmates airs daily at 21:30 on Star Life from August 20 replacing You Have My Heart when it's airs an hour later at 22:30 with Titli that would have concluded. Other Indian dramas set to rollout in the month include Betrayal on Zee World and The Pain Of Loving You on Zee One

Could Canal+ Acquisition Of MultiChoice Signal The End Of M-Net As We Know It?

In an era where the competition among media giants continues to intensify, the recent acquisition of MultiChoice by Canal+ has sparked significant debate about the future of M-Net, one of South Africa's most iconic entertainment channels. As Canal+ seeks to expand its footprint across Africa, this strategic move raises critical questions about the potential shifts in programming, audience engagement, and market dynamics that could follow. M-Net has long been a staple in South African households, known for its diverse offerings and local content that resonate with viewers. However, with the influence of Canal+ and its distinct vision for content delivery, many are left wondering: will M-Net be able to maintain its identity, or are we witnessing the dawn of a new era that could redefine the landscape of television in the region? In this post, we will explore the implications of this acquisition, the challenges that lie ahead for M-Net, and what it all means for the future of television in South Africa.

1. Overview of the Canal+ Acquisition of MultiChoice

The recent acquisition of MultiChoice by Canal+ has sent ripples through the media and entertainment landscape in Africa, prompting discussions about the future of major players like M-Net. Canal+, the French multinational media company, is strategically expanding its footprint in the African market with this significant investment in MultiChoice, a leading provider of pay television services across the continent. This acquisition not only represents a shift in ownership but also signals Canal+'s ambition to leverage MultiChoice’s vast subscriber base and content library to enhance its competitive edge in the region.

MultiChoice, known for its flagship DStv platform, has long dominated the African broadcasting space, providing a diverse range of content that caters to a variety of audiences. The acquisition is poised to usher in new opportunities for content creation, distribution, and innovation, as Canal+ looks to integrate its own expertise in content production and global partnerships into MultiChoice's existing operations. This merger comes at a crucial time, as the media landscape is rapidly evolving, with streaming services gaining ground and audience preferences shifting dramatically.

As Canal+ takes the reins, industry stakeholders are left pondering how this acquisition will impact M-Net, a subsidiary of MultiChoice that has played a pivotal role in shaping the African entertainment industry since its inception. Will the new leadership bring about a transformation in M-Net’s programming and strategic direction, or will it maintain the status quo? The acquisition raises critical questions about the future of local content production, the potential rebranding of established channels, and how M-Net will adapt to the growing competition posed by international streaming giants. As Canal+ embarks on this journey with MultiChoice, the implications for M-Net and the broader media landscape in Africa are yet to unfold.

2. The Historical Role of M-Net in South African Television

M-Net has played a pivotal role in shaping the landscape of South African television since its inception in 1986. As the first privately owned subscription television service in the country, M-Net broke new ground by providing viewers with a diverse array of content that was previously unavailable. It introduced a revolutionary model that combined local and international programming, showcasing everything from blockbuster films and popular series to groundbreaking local productions.

At a time when the South African television industry was predominantly dominated by state-run entities, M-Net offered a refreshing alternative that catered to the tastes and preferences of a burgeoning middle class eager for more varied entertainment options. The channel was instrumental in nurturing local talent, commissioning innovative shows that resonated with South African audiences, and even giving rise to iconic series such as "Egoli: Place of Gold" and "The Wild," which became cultural touchstones.

Moreover, M-Net has consistently been at the forefront of technological advancements in broadcasting. The launch of M-Net's digital satellite platform, DStv, in the late 1990s revolutionized how South Africans consumed media, paving the way for a new era of television viewing characterized by greater choice and convenience. This transition not only expanded M-Net's reach but also established it as a formidable player in the competitive pay-TV market across the continent.

As the dynamics of the media landscape continue to evolve, the historical significance of M-Net cannot be overstated. It has been a beacon of innovation and creativity, fostering the growth of the local entertainment industry and influencing viewing habits across generations. However, with the recent acquisition of MultiChoice by Canal+, questions arise about the future trajectory of M-Net. Will it retain its unique identity and commitment to local content, or will the pressures of corporate consolidation lead to a dilution of its original mission? The answers may very well determine whether M-Net can continue to thrive in the rapidly changing world of television.

3. Potential Changes in Programming and Content Strategy

The acquisition of MultiChoice by Canal+ holds significant implications for programming and content strategy, which could transform the landscape of South Africa’s broadcasting industry. With Canal+ known for its diverse and high-quality offerings, viewers can anticipate a shift toward a more varied and enriched content library. This could mean an infusion of international programming that reflects Canal+’s commitment to delivering premium content, including exclusive films, documentaries, and series that may not have previously been accessible to South African audiences.

Moreover, the acquisition could catalyze a reevaluation of M-Net’s existing programming lineup. As Canal+ takes the helm, we may witness a strategic overhaul that prioritizes content that resonates with a broader demographic—potentially integrating more local productions alongside international hits. This could enrich the viewing experience by not only providing globally recognized content but also fostering homegrown talent through bespoke local productions.

Additionally, the marriage of Canal+’s innovative content strategy with MultiChoice’s established distribution network may lead to the creation of new channels or the revamping of existing ones. Imagine specialized channels that cater to niche audiences or genre-based programming blocks that deliver curated content tailored to viewers’ preferences. This evolution could also usher in more interactive viewing experiences, leveraging technology to engage audiences in new ways, such as through on-demand options or interactive storytelling.

However, these changes could also come with uncertainties. Longtime viewers of M-Net may find themselves adjusting to a different programming philosophy, which might not always align with the legacy content they have come to love. The fate of beloved shows or formats could hang in the balance as Canal+ seeks to establish its voice within the MultiChoice framework, raising questions about which aspects of M-Net’s programming will be preserved and which will be phased out.

In essence, while the Canal+ acquisition of MultiChoice heralds the potential for exciting new programming and content strategies, it also invites speculation about the future direction of M-Net. As the industry watches this unfolding narrative, viewers will undoubtedly be eager to see how their viewing habits might evolve in response to this transformative partnership.

4. Impact on Audience Engagement and Viewer Loyalty

The potential acquisition of MultiChoice by Canal+ could lead to significant changes in audience engagement and viewer loyalty, reshaping the landscape of entertainment in the region. With Canal+’s extensive experience in content creation and distribution, viewers might anticipate a more diverse offering of high-quality programming. This shift could foster greater audience engagement as the new ownership could introduce innovative content strategies, such as localized programming and exclusive series that resonate with specific demographics across Africa.

Moreover, the integration of Canal+’s resources could bolster MultiChoice’s ability to invest in emerging talents and original productions, creating content that speaks directly to the cultural nuances of its audience. As a result, this could lead to enhanced viewer loyalty, as audiences often gravitate towards networks that reflect their stories and experiences.

However, the transition might also pose risks. Existing viewers accustomed to the current M-Net programming might feel alienated if the new content direction strays too far from what they know and love. A delicate balance will need to be struck to maintain the loyalty of long-time subscribers while simultaneously attracting new viewers with fresh, innovative offerings.

In this evolving landscape, it will be crucial for the newly formed entity to prioritize audience feedback and adapt its strategies accordingly. Engaging with viewers through social media platforms, surveys, and community events can help the network stay attuned to its audience's preferences and maintain a loyal viewership. Ultimately, the fate of viewer engagement and loyalty will hinge on how well Canal+ can navigate these changes and deliver on the promise of an enriched viewing experience.