Showing posts with label Video Entertainment. Show all posts
Showing posts with label Video Entertainment. Show all posts

Catch Me A Killer, Showmax Original Series, Launches On Canal+'s Polar+ In France Starting January 5th

“Catch Me A Killer is the true story of the first serial killer profiler in South Africa,” says lead actress Charlotte Hope, who played Myranda in Game of Thrones and headlined Starz’s The Spanish Princess as Catherine of Aragon. “She is called Micki Pistorius and, frankly, she’s amazing.” 

South African Film and Television Award (SAFTA) winner Rene van Rooyen (Oscar entry Toorbos, Alles Malan, Summertide) agrees. “Living in South Africa amid a wave of violence, we have all been asking for a superhero, and here we have the true story of a superhero in the 1990s,” says Rene, who alternates directing duties with SAFTA winner Brett Michael-Innes (Fiela Se Kind) and Tracey Larcombe (Silent Witness). 

Adapted from Pistorius’ memoir of the same name, the 10-part series follows Pistorius, a newly qualified forensic psychologist, as she tracks down South Africa’s most feared killers. Each episode looks at another of her cases, from the Cleveland Killer to Stewart ‘Boetie Boer’ Wilken, taking viewers across the country. 

“Catch Me A Killer is about Micki’s experience of trying to understand the psychology of serial killers, but it’s also more than that,” says Charlotte. “On one hand it’s a true crime: every week we have a different episode, a different serial killer and a different case to solve. But it’s also a character study. This is a woman who goes through a huge emotional journey; in understanding the psychology of the killers, she's also aware of what’s happening psychologically to herself.”

As her character says in the series, “Whoever fights monsters should see that in the process he does not become a monster too.”  

A co-production between Showmax and Germany’s Night Train Media, Catch Me A Killer is also a classic underdog story: Micki is the only female profiler in a predominantly male police force, many of whom are deeply suspicious of the whole concept of psychology and think trying to understand the killers is a waste of time and resources. 

The series is also a time-capsule for 1990s South Africa: when the optimism of the country’s new democracy was undermined by a string of serial killers. 

SAFTA winner Amy Jephta (Oscar entry Barakat, Devil’s Peak, Showmax Original Skemerdans) is the lead writer, alongside the likes of Sarah Hooper (Shameless), Jessica Ruston (Harlots) and Oliver Frampton (Sister Boniface Mysteries). Among other episodes, Amy scripts the two-part pilot, which tells the story of the Station Strangler. 

“The series opens in the place that I come from, Mitchell’s Plain,” says Amy. “I was in grade 1 at the time of the Station Stranger killer and my mother was a police officer at the same station that Micki was assigned to in 1994. I was in and out of that police station. So I remember the fear in that community and what it felt like to be a kid at a time where there were these boys being abducted. So I could draw a lot on my first-hand feeling.” 

“It’s not a whodunnit; it’s a whydunnit,” adds Amy. “You’re inside the perspective of these killers and the victim’s families as much as you are inside Micki’s perspective. Can she get to the heart of understanding the mind of the killer she’s tracking? Why did these people commit these acts? It’s a fascinating cat and mouse story.”

Apart from Steven Ward (One Piece) and newcomer Donna Cormack-Thomson as series regulars, the supporting cast changes each episode. Look out for the likes of Lemogang Tsipa (Shaka iLembe), Waldemar Schultz (Die Byl), Ivan Zimmermann (Alles Malan), Frank Rautenbach (Lioness, Summertide), Silwerskerm winner Carel Nel (Gaia), and SAFTA winner Louw Venter (Swartwater), not to mention SAFTA nominees Albert Pretorius (Spinners) and Sean Cameron Michael (Fried Barry) as Stewart ‘Boetie Boer’ Wilken and FBI profiler Robert Ressler respectively. 

Paramount+ Greenlights Mo Willems’ ‘The Elephant & Piggie Show’ and ‘The Pigeon Show!’

Paramount+ is getting into the Mo Willems’ animated animal business in a big way. The streamer announced today that it has greenlit two animated series, The Elephant & Piggie Show! and The Pigeon Show! Starring the Pigeon, based on the best-selling children’s author and illustrator’s books. This is the first time Paramount+ is collaborating with the author’s Hidden Pigeon production company.

“Mo Willems has delighted kids and ‘former kids’ around the world with these beloved characters,” said Jane Wiseman, Head of Originals for Paramount+. “Whether it’s Elephant and Piggie navigating the hard work of ‘best-friending’ or The Pigeon confusing wants and needs (a hot dog! a cookie! to drive the bus!), these characters remind us that the best stories are the ones that make us laugh and feel something real. We’re thrilled to bring them to life on Paramount+.”

“We are so excited to be partnering with Paramount+ to further expand the world of Mo Willems through these two new series,” said Karen K. Miller, CEO of Hidden Pigeon Company. “We can’t wait to present more of the characters and stories that kids everywhere already know and love in ways that will surprise and delight them at every turn.”

The Elephant & Piggie Show! is described as a warm, comedic pre-K series about the hilarious and sometimes challenging work of “best-friending.” The series takes place in the small, walkable neighborhood of Willemsburg, which is full of new locations audiences will love. Elephant Gerald is careful; his best friend Piggie is not. Gerald worries so that Piggie does not have to and together, along with young audiences, they will celebrate the messy and joyful art of friendship.

The Pigeon Show! Starring the Pigeon animates the day-to-day struggles of a pigeon who just wants to be listened to. He will be your best friend if you have a bus and you let him drive it. The series features familiar characters from Willems’ books, such as the adorable Duckling who always seems to get what she wants, plus new characters, like The Pigeon’s 150-million-year-old pterodactyl grandmother, Nana-Dactyl, and his best wing-pals, Ima Pigeon and Doug Pigeon.

Willems is a #1 New York Times best-selling author and illustrator who has received the Caldecott Honor on three occasions (for Don’t Let the Pigeon Drive the Bus!, Knuffle Bunny: A Cautionary Tale, and Knuffle Bunny Too: A Case of Mistaken Identity). His popular Elephant & Piggie early reader series has been awarded two Theodor Seuss Geisel Medals (for There Is a Bird on Your Head! and Are You Ready to Play Outside?) and five Geisel Honors (for We Are in a Book!, I Broke My Trunk!, Let’s Go for a Drive!, A Big Guy Took My Ball!, and Waiting Is Not Easy!). Mo began his career as a writer on Sesame Street, where he received six Emmy Awards.,

More Bad News Might Be Awaiting DStv Consumers As MultiChoice And Warner Bros. Discovery Square Off

According to some new reports, DStv subscribers may have to brace for more bad news aside from Paramount closing MTV Base and 3 other channels. The fight is on in trying to retain Cartoon Network and TNT as well as The White Lotus on M-Net.

Warner Bros. Discovery and MultiChoice had this carriage dispute for sometime regarding the future of these networks and it's content on M-Net. As reported, Netflix had won the bid to acquire the portion that licenses to M-Net.

MultiChoice under its new owners Canal+ seemingly implied that rates to renew such agreement is higher. And as I've mentioned for a while now things about to get messy from insider's reports that things aren't looking good.

It could imply two scenarios

The first DStv consumers will lose all 12 channels meaning no more reruns of Regular Show on Cartoon Network and Holiday Baking Championship on Food Network. Superman, Green Lantern and Harry Potter on M-Net Movies those are gone as well.

From 2026, MultiChoice will lose DStv consumers at an alarmingly rate as seen in Kenya where it lost 85% of its audience. While they promise to replace the affected channels, none of the content from these brands would form part of the lineup anyways.

MultiChoice will find it hard trying to convince consumers across the DStv bouquet to retain their subscription. Even with replacements, there would be no Sister Wives or AEW Dynamite which is what the paying consumer subscribed for.

Various outlets are putting most of their bet on the first scenario and if you've seen what happened in the week was Netflix's possible acquisition of Warner Bros. Lots of websites placed their bid on Paramount winning as the deal would have included the cable networks.

But I'm putting my cards out for the second scenario where MultiChoice and Warner Bros. Discovery are able to finalise an agreement - eventually.

"Things Aren't Looking Good" could imply instead of 12 additional channels joining the 4 existing channels from Paramount to exit DStv. It could as well be between 4-7 channels and I've stated this before MultiChoice doesn't need all these channels.

Travel Channel had been in decline that even MultiChoice Africa no longer offer it to DStv consumers. HGTV similar to BBC Earth wasn't even licensed to consumers in some African markets making it a strong contender to get the axe.

Under previous management, MultiChoice was prioritising on content which led to the exit of a couple of popular brands like Animal Planet and BBC First. Maybe under French hands, they could look to keep channels with massive appeal and remove ones deemed expensive or redundant.

Popular brands within their stable include Discovery, TLC, Cartoon Network and TNT, with expensive or low rated brands like HGTV, Food Network and Discovery Family.

If theres one thing I believe would be a priority is the part that deals with M-Net and Showmax as a loss would lead to viewer erosion. The part in which M-Net contract with has major IPs under their belt and is a contributor to M-Net's success.

The linear part doesn't even appear in South Africa's 20 most watched channels making the content part a liability. 

The second scenario seems probable although they would lose subscribers it wouldn't be severe if this number went up to 16 channels. MultiChoice can do without some of these brands as it would give them time to calm the masses and seek alternatives.

How Netflix's Potential Acquisition Of Warner Bros. Discovery Affects M-Net, DStv And Showmax?

Not long ago, it was reported that Netflix won the bid to acquire Warner Bros. Discovery valuing the deal at $72 billion. This deal would DC Entertainment/Studios, Cartoon Network Studios, HBO, Warner Bros. Pictures/Television and New Line Cinema.

Below is a how this deal is bad news for MultiChoice

M-Net and Showmax
MultiChoice had been licensing Game Of Thrones and Penguins from HBO to M-Net and Showmax. In the event of an acquisition, Netflix had expressed interest to continue these partnerships with local broadcasters but it may not be easy.

If MultiChoice continues to license content from Warner Bros. they could as well look to increase the rates. This is something MultiChoice's new owners Canal+ may not find amusing as they've begun cost cutting due to DStv's shrinking consumer base.

Besides that, the previous owners at MultiChoice had been anti-Netflix for sometime so the general audience had sort of painted a certain image of the company. While free-to-air broadcasters such as SABC and eMedia Investments had been licensing from the streamer.

MultiChoice put up a wall between them and Netflix again this was the previous owners regime as Canal+ does view them as partners. They do have an agreement to bundle their services in francophone markets alongside a content deal through K+.

The reality is while Warner Bros. continues to license content to M-Net and Showmax, Netflix will likely make further productions exclusive to their services. If they do continue licensing, I doubt MultiChoice would want their scraps.

Netflix is already available in the market which further complicates things as M-Net and Showmax are meant to go hand in hand with their content. But then again, MultiChoice is part of StudioCanal's parent company which gives them leverage.

Netflix may offer Stranger Things, Squid Games and Wednesday but with Canal+'s MultiChoice there's Paris Has Fallen, Spinners and iShaka iLembe.

DStv
For this part, I feel there's a lot of exaggeration as Netflix is not acquiring Discovery, TLC or the linear Cartoon Network as that is being spun off into a separate company. Of course, Netflix's bid to be frank sort of dilutes the value of Cartoon Network.

Cartoon Network under Discovery Global will be leaning more toward third party programming such as Lego Ninjago, Dragonball Super and Totally Spies!. While what made Cartoon Network, Nickelodeon and Disney "The Big 3" like Regular Show and Tiny Toons Looniversity goes to Netflix.

It's likely that they will be a licensing agreement for these shows but they'll most definitely be like DreamWorks Channel - reruns. Under a separate company, they're not going to prioritise on these Netflix originals.

If it is deemed expensive these shows could as well get phased out and again that just dilutes Cartoon Network who had been reliant on these IPs.

Turning over the torch to Discovery Global, this is the company that MultiChoice is involved in a carriage dispute with over the future of its 12 channels. These include Discovery Channel, HGTV, TLC and as mentioned the linear Cartoon Network.

Of course, the matter of concern here to me is that as mentioned with Cartoon Network while the Netflix deal makes the company more leaner. There's still another 20 billion worth of debt they need to clean out.

Expecting for content to be reduced, potential sales or closures to operations or channels and lastly massive layoffs particularly for international feeds.

All of this might as well unfold while these channels are no longer on DStv but then again it's likely that MultiChoice could opt to keep a few channels. My guess would be Discovery Channel, TLC, Cartoon Network, Real Time, Cartoonito, ID and CNN.

MultiChoice Is In Trouble As M-Net And Showmax Are Also At Risk Of Losing Content From HBO, TLC And Cartoon Network

A few days ago, it was announced that Netflix had won the bid to acquire Warner Bros. Discovery (excluding it's cable networks). This comes after MultiChoice and the company made it transparent to viewers that their 12 TV channels on DStv could be going dark from next year.

These include Discovery Channel, TLC, Discovery Family, TNT, Real Time, Investigation Discovery, Food Network, HGTV, Travel Channel, Cartoon Network, Cartoonito and CNN. A petition had been going around following news of its possible demise.

According to sources, not only does this deal affect these cable networks but also their licensing deal with M-Net and Showmax for shows like House Of Dragons, The White Lotus and The Gilded Age.

MultiChoice had stated at the time that they were open to replacing these channels and if that's so none of the content from HBO or Warner's cable networks would form part of the lineup. Warner Bros. is one of MultiChoice's biggest clients.

Compared to Disney and Paramount that offer only 6 channels each, they offer a combined figure. Since Disney+ inception, content from the brand had been further reduced on M-Net, DStv and Showmax but that wasn't the case for Warner Bros. Discovery.

For MultiChoice and it's owner Canal+, there is a lot in stake for them should they opt to have these channels removed. In two years, they've lost over 2 million subscribers particularly in Kenya where it lost 85% of its subscribers and this will just accelerate.

Paramount already plans to close CBS Reality, CBS Justice, BET and MTV Base, and although the consumer numbers are expected to decline. It will be more severe as seen in Kenya should consumers miss out on 90 Day Fiance and Craig Of The Creek. 

‘HBO, DC, Cartoon Network’: 10 Companies That Netflix Will Now Own After The Warner Bros Buyout

Following Netflix’s agreement to acquire Warner Bros Discovery’s TV and film studios and streaming division in a deal valued at roughly $72 billion, the streaming giant will take control of some of the most influential brands in global entertainment. Based on the assets included in the sale, here are 10 major companies and brands Netflix will now own.

1. HBO
The deal includes Warner Bros Discovery's streaming and premium-TV business, giving Netflix full ownership of HBO, one of the strongest content brands in the world, known for Game of Thrones, Succession, The Last of Us and more.

2. HBO Max / Max
Netflix will also acquire the HBO Max (rebranded as Max) streaming service, a direct competitor. This dramatically increases Netflix’s control over prestige television and reshapes the streaming landscape.

3. Warner Bros Television
The acquisition includes Warner Bros’ television production unit, one of the industry’s largest suppliers of scripted and unscripted programming, producing shows for networks globally.

4. Warner Bros Pictures
Netflix gains control of Warner Bros Pictures, the centerpiece film studio behind franchises such as Harry Potter, DC Films, Mad Max and Fantastic Beasts.

5. DC Entertainment / DC Studios
The DC superhero universe featuring Batman, Wonder Woman, Superman, Joker and more, falls under Netflix’s ownership as part of the studios division.

6. New Line Cinema
The iconic studio behind The Lord of the Rings, The Conjuring and IT will become part of Netflix’s content empire through the Warner Bros acquisition.

7. Cartoon Network Studios
The animation division producing global hits like Ben 10, Adventure Time and The Powerpuff Girls will be owned by Netflix, expanding its youth and animation catalogue.

8. Adult Swim
Known for Rick and Morty, Aqua Teen Hunger Force and cult animation, Adult Swim also moves under Netflix as part of the studios and TV assets it is buying.

9. Turner Classic Movies (TCM)
TCM’s extensive classic-films library and broadcast brand will fall under Netflix's control, giving it unmatched catalogue depth.

10. Vox Media Partnership Assets
Warner Bros Discovery maintains multiple joint ventures, including content partnerships with Vox Media (such as digital news/documentary collaborations). These partnership rights transfer to Netflix as part of the studio and streaming business purchase.

The article was originally published by Wionews

Netflix Wins the Warner Bros. Discovery Bidding War, Enters Exclusive Deal Talks

Warner Bros. Discovery is moving forward with exclusive deal talks with Netflix, TheWrap has learned.

WBD has selected Netflix after the streaming giant offered $30 a share for the studio and streaming assets, according to two people familiar with the deal talks. The deal also includes a $5 billion break-up fee to match the terms that Paramount added with its bid.

While its unclear what the makeup of the new bid looks like, the prior bid was a mix of mostly cash and stock.

Netflix securing a win over rival suitors Paramount and Comcast represents a stunning turnaround from just two months ago, when co-CEO Greg Peters shaded big media mergers as not having an “amazing track record,” and Paramount buying WBD seemed like a foregone conclusion. Fast forward to today, and Netflix has won a furious M&A bake-off after three rounds of bids.

Representatives for Netflix and WBD weren’t immediately available for comment.

These exclusive talks clear the road for Netflix to acquire the Warner Bros. studios, HBO Max and a treasure trove of IP assets like “Harry Potter” and the DC Universe. Netflix, which once aspired to be like HBO when first embarking on original content, is on a course to become its next owner. Obtaining such assets could dramatically reshape the entertainment landscape and give Netflix even more power over Hollywood — concerns the streamer will have to assuage.

Regulatory hurdles
The willingness to include the unusually large breakup fee was likely critical with questions arising on how Netflix will get a deal with Warner Bros. through regulatory approval. It would face stiff antitrust scrutiny and opposition from the U.S. Department of Justice, New York Post’s Charles Gasparino reported on Tuesday.

A representative for the Department Justice declined to comment on the report.

In a Nov. 13 letter to U.S. Attorney General Pam Bondi, Federal Trade Commission Chairman Andrew Ferguson and Department of Justice antitrust division assistant attorney general Gail Slater, Republican Rep. Darrell Issa warned that a Netflix bid would raise antitrust concerns that could harm consumers and Hollywood alike. He noted that consolidation between the two companies would “diminish incentives to produce new content and major theatrical releases,” which could “undermine opportunities for the full range of industry professionals both in front of and behind the camera.”

California Attorney General Robert Bonta has previously voiced his opposition to any deals involving WBD. “Further consolidation in markets that are central to American economic life — whether in the financial, airline, grocery or broadcasting and entertainment markets — does not serve the American economy, consumers or competition well,” his office told TheWrap last month in response to Paramount’s initial offer.

“We are committed to protecting consumers and California’s economy from consolidation we find unlawful,” the spokesperson added.

The process of completing the deal could distract the company from executing its core business. There’s also the X factor of Netflix jumping into the deep end of the theatrical business, a part of the entertainment world it has kept its distance from. Netflix shares fell 5% on Wednesday when investors realized the prospect of a deal happening was very real.

Afrikaans Adaptation Of The Office To Premiere In January On Showmax

African streamer Showmax is in production on a South African adaptation of global hit format The Office, licensed by BBC Studios.

kykNET will preview the first episode at 8PM on Sunday, 18 January, ahead of the Showmax double bill premiere on Tuesday, 20 January. 

It was more than 20 years ago that the world was introduced to the wonderfully bleak mockumentary world of The Office, created by Ricky Gervais and Stephen Merchant. MetaCritic lists the original British version as the best-reviewed comedy series of all time, while the American version won five Emmys, including Outstanding Comedy Series, and was the most streamed show in the world in 2020. 

This universal appeal has seen the BAFTA- and Golden Globe-winning cult comedy remade for audiences around the world, including Australia, France, Canada, Chile, Israel, India, the Middle East, and Poland. 

The South African edition of The Office, to be called Die Kantoor, will be its 14th adaptation and will be filmed primarily in Afrikaans. 

Rapid Blue, part of BBC Studios, is producing the Showmax Original, with BBC Studios handling global sales.

SAFTA and Silwerskerm winner Bennie Fourie is the head writer and director. He is the co-creator of SAFTA Best TV Comedy winner Hotel and plays Baltus in the award-winning mockumentary Magda Louw. 

“It's a massive honour to be able to make the show,” says Bennie. “When we started way back with Hotel, this was the type of show that we were trying to emulate. I don’t think we were ready to make it then but after 10 years of playing with the mockumentary genre, now is the perfect time for us to do this. Everything has really fallen into place and we’re extremely excited.”  

Bennie is clear he’s not just translating The Office into Afrikaans to remake it shot-by-shot with local actors. Instead, he’s reimagined it from the ground up. “South Africa is not the UK and it’s not the US, and we really wanted to reflect that,” says Bennie.

This started by changing the office setting from a paper company to Deluxe Processed Meats, which specialises in polony. 

“South Africa is a proud meat-consuming nation,” says Bennie. “From biltong to droëwors to steak, many South Africans find some of our identity in the meat we eat. But polony is not on that list. It’s just so flippen pink. When you’re standing around a braai, the last thing you want to say is that you are passionate about polony. Especially after that Listeriosis outbreak.”

The staff are looked down upon by their head office, Deluxe Meats, who specialise in prime cuts, and no one feels safe in their positions, as a BBBEE business consortium recently bought a large part of the company.

Rapid Blue produced Is’thunzi, which earned Thuso Mbedu two International Emmy nominations. They’ve assembled a mix of familiar and fresh faces for Die Kantoor, led by 2025 Fleur du Cap winner Albert Pretorius (Niggies; Nêrens, Noord-Kaap) as Flip, the office manager. 

“Flip’s only been the manager for the last year but he’s excited to welcome the documentary crew,” says Bennie. “He feels like this is his Chasing the Sun; like his rise to greatness needs to be recorded.” 

The ensemble cast also includes SAFTA winner Schalk Bezuidenhout (Kanarie, Hotel), screen legend Lida Botha (Die Kwiksilvers), Carl Beukes (Jozi, The Shakedown), Silwerskerm winner Ilse Oppelt (Oh Schuks I’m Gatvol, Fishy Fêshuns), Daniah de Villiers (Mia in Mia and the White Lion), Mehboob Bawa (Bhai in Bhai’s Cafe), former KFM presenter Sipumziwe Lucwaba, and newcomer Gert du Plessis. 

“Our very first Showmax Original was a mockumentary, Tali’s Wedding Diary, so reimagining the most iconic mockumentary of them all has been a full circle moment for us,” says Tracy-Ann van Rooyen, executive head of content at Showmax, part of MultiChoice, a CANAL+ company.

The announcement comes as South Africa celebrates being in third place overall at tonight’s International Emmy Awards in New York, with a record five nominations: Showmax’s Koek (Drama) and Catch Me A Killer (Actress: Charlotte Hope), M-Net’s School Ties (Documentary), SuperSport’s Chasing The Sun 2 (Sports Documentary), and Play Room Live (Kids: Factual and Entertainment). 

While you wait for the South African version in January, re-watch the US version of The Office S1-9 on Showmax.

Cartoon Network Will Not Be Airing Iyanu Following It's African Release On Showmax

Adapted from Roye Okupe’s graphic novel series “Iyanu: Child of Wonder,” published by YouNeek Studios and Dark Horse Comics (the powerhouse behind “The Umbrella Academy” and “Hellboy”), the series is helmed by Roye Okupe himself, who was born and raised in Nigeria and now serves as Creator, Executive Producer and Showrunner. The series is produced by Lion Forge Entertainment, a leading Black-owned animation studio in North America.

Drawing on Nigerian culture, music, and mythology, the animated series follows Iyanu, a brave young orphan living in the magical kingdom of Yorubaland. While studying history and ancient arts, she yearns for a normal life—until a looming threat awakens divine powers not seen since the legendary Age of Wonders. Accompanied by newfound friends Biyi, Toye, and a magical leopard named Ekun, Iyanu sets out to uncover the source of this evil, unlocking her destiny along the way.

The entire first season of IYANU was made available across 44 African countries on streaming partner Showmax beginning June 13. Other broadcasters like ITVX will also stream the series across the United Kingdom and Republic of Ireland.

The talented all-African IYANU voice cast includes: Serah Johnson as Iyanu; Okey Jude as Biyi, Iyanu’s carefree adventurer friend; Samuel Kugbiyi as Toye, Iyanu’s bookworm companion; Adesua Etomi-Wellington as Olori; Blossom Chukwujekwu as Kanfo, Toye's father; Stella Damasus as Sewa; Shaffy Bello as Emi – The One Mother; and Ike Ononye as Elder Alapani.

The show’s executive producers are David Steward II, Stephanie Sperber, Kirsten Newlands and Matt Heath from Lion Forge Entertainment, Roye Okupe of YouNeek Studios, Erica Dupuis of Impact X Capital, Ryan Haidarian of Forefront Media Group and Doug Schwalbe of Superprod.

Fans of Iyanu are likely waiting for its official rollout on Cartoon Network in Africa and other parts of the world but that won't be the case unfortunately. According to a rep at WBD, the series is not expected to air on Cartoon Network should there be any updates it will be published. 

It should be noted that although Warner Bros. Discovery publicised it as an original series it's being helmed at Lion Forge Entertainment. They are currently it's distribution for Cartoon Network and HBO Max but this is only applicable to the US leaving the window open for broadcasters like Showmax.

Showmax being owned by Canal+'s MultiChoice also manage the Africa Magic channels and distribute Play Room in the market making them possible broadcasters for Iyanu. As seen with other African animated series like Twende and Jay Jay The Chosen One.

Why Canal+ Wants To Acquire Comcast's Stake In Showmax?

Canal+ plans to roll out a “super app” as MultiChoice becomes wholly owned by the company which would combine DStv and Showmax's operations. Even offer content from third party platforms such as Netflix, Amazon Prime Video and YouTube.

Although, Canal+ had stated they had no intention of closing Showmax this super app might be their way of gradually phasing out the brand. They aren't pleased with the notion that MultiChoice would launch a platform that would rival with DStv.

Aside from Showmax, the combined company would also be operating DStv Stream, Canal+ app and VIU. They are assessing whether to keep these services separated or merge them hence the super app.

The biggest roadblock to its integration plans would be Comcast's 30% stake in the streamer. Disney had to go back and forth with the company in order to merge with Hulu and Disney+ this is what could await Canal+ in its pursuit for Showmax.

Some outlets had even talked about how Canal+ could potentially sell their stake and I can only assume similar to DStv, the company is optimising for growth. Showmax is the third most used streaming service behind Amazon Prime Video and Netflix, Fabric reports.

As for content, there's a very high possibility that Canal+ will axe and merge Showmax's content slate with that of DStv. They had produced about 4000 hours of African content while MultiChoice had 6000 hours combined they'd have 10,000 hours in a year.

Would Canal+ really need Showmax if they can curate 10,000 hours of content in 20 to 35 languages for DStv alone?

Netflix Looking To Bid For Warner Bros.

Netflix is actively exploring a bid for Warner Bros Discovery’s studio and streaming business, retaining a financial advisor and gaining access to financial information, according to three sources familiar with the matter.

The video streaming service has hired Moelis & Co, the investment bank that advised Skydance Media on its successful bid for Paramount Global, to evaluate a prospective offer, two of the sources said. Netflix also has been granted access to the data room, which contains the financial details needed to make a bid, according to two of the sources familiar with the matter.

Warner Bros Discovery and Moelis declined to comment. Netflix could not be reached for comment.

We’ve been very clear in the past that we have no interest in owning legacy media networks
Owning Warner Bros’ studio business would give Netflix control over some of Hollywood’s most successful stories and characters, including the Harry Potter and DC Comics franchises. Warner Bros’ prolific television studio also produces many of Netflix’s hits, including original series like Running Point, You and Maid. HBO and its companion streaming service would add more prestige dramas, and subscribers.

Netflix CEO Ted Sarandos told investors last week that while the company is traditionally “more builders than buyers”, it does evaluate acquisitions based on criteria such as the size of the opportunity and whether it would strengthen the company’s entertainment offerings.

Sarandos indicated Netflix would not be interested in acquiring Warner Bros Discovery’s cable television networks, which include CNN, TNT, Food Network and Animal Planet.

Unsolicited offers
“We’ve been very clear in the past that we have no interest in owning legacy media networks,” Sarandos said in the company’s third-quarter investor video. “There is no change there.”

Warner Bros Discovery announced last week that it would begin evaluating options, after receiving a trio of unsolicited offers from Paramount Skydance to acquire the entire company.

The company said its board would consider whether to move forward with its planned split, which would separate the Warner Bros film and television studios, HBO and the companion HBO Max streaming service from its television business, or pursue a sale of all or parts of the company.

Comcast president Mike Cavanagh told investors on Thursday the company is evaluating media assets that would be “complementary” to its existing business. He also appeared to dismiss those who are sceptical of Comcast winning regulatory approval, saying “more things are viable than maybe some of the public commentary that’s out there”. 

Canal+ Looking To Acquire Comcast's Stake In Showmax

Canal+ is mulling the possibility of buying out the remaining stake in African streaming platform, Showmax, from Comcast Corporation.

According to Bloomberg, this is part of efforts by the French media firm to consolidate its operations on the continent after it bought controlling stakes in Multichoice, the owners of GOtv and DStv, which owns the rest of Showmax.

Currently, the company is working with advisers on the potential purchase of Comcast’s 30 per cent stake in Showmax, which is the largest streaming platform in Africa.

The people familiar with discussions also told the publication that the considerations are preliminary and there’s no guarantee they would lead to a transaction.

Comcast acquired the stake in Showmax from MultiChoice through its NBCUniversal unit in 2023, and relaunched the streaming service last year on its Peacock streaming platform.

An acquisition could offer support to Showmax which competes with other large streaming services such as Netflix and Amazon’s Prime on the continent. Unlike the latter duo, Showmax is only available in Africa with a presence in 44 countries including Nigeria.

Canal+ is moving ahead with its plans for a secondary inward listing on South Africa’s Johannesburg Stock Exchange (JSE) after taking full control of Showmax’s owner MultiChoice last month.

Canal+ now holds 94.39 per cent of MultiChoice’s shares and will acquire the remaining stake under Section 124(1) of South Africa’s Companies Act, which permits compulsory acquisition when an offer has been accepted by shareholders holding more than 90 per cent of target shares.

MultiChoice shares will be suspended from trading on JSE and A2X beginning Monday, October 27, with complete delisting expected on December 10, subject to regulatory approvals.

Remaining MultiChoice shareholders have until December 5 to exercise their rights to apply to a court regarding the acquisition. After this date, Canal+ will proceed with the compulsory purchase at the same terms and consideration as the original offer.

The transaction has received necessary regulatory approvals, including from South Africa’s Financial Surveillance Department.

The payment to remaining shareholders will be made on December 5, with unclaimed funds held in trust according to legal requirements.

Netflix Reportedly Interested In Acquiring Warner Bros. Discovery

Back in June, reports emerged that Warner Bros. was planning a restructuring that would see the company split in two- one company would contain its studio and streaming assets (HBO, Max, Warner Bros. Television & Motion Pictures, and DC Studios) and the other company would house its linear/cable networks (CNN, TNT, Discovery, etc.).

The split is targeted for completion by mid-2026.

Shortly thereafter, the newly merged studio Paramount Skydance (backed by Oracle founder Larry Ellison) emerged as a likely candidate for the purchase of WB's studio and streaming assets. On the heels of that news breaking, stock prices for both companies surged. 

Now, it seems there's another contender joining the race, according to Puck- none other than Netflix!

However, fans are somewhat worried about the news, as Netflix is definitely a streaming-first, theatrical release-second kind of film studio, which could lead to DC Studios becoming a streaming-only brand.

The Streaming & Studios side of WBD is estimated to be worth about $65 billion, thanks to IP like the heroes and villains from DC Comics, Harry Potter, The Lord of the Rings, and a host of other smaller franchises.

Backed by Larry Ellison's wealth, Paramount Skydance is expected to put in a full-cash offer, something that reportedly greatly interests WBD CEO David Zaslav.

On the flipside, Netflix has been open about its strategic shift from just having a lot of content to building a library of powerful franchises. Said co-CEO Ted Sarandos previously, "...you need a lot more than just a big hit every once in a while. … It’s not about the single hit. It’s about a steady drumbeat of shows and films – and, soon enough, games – that our members really love and continue to expect from us.”

In a separate interview, Netflix co-founder Reed Hastings described creating a "competitive moat" of powerful IP and franchises- one that prevents subscribers from leaving for other streaming competitors due to loyalty and infatuation with what Netflix has to offer.

In recent years, Netflix has been somewhat struggling to create such powerful IP with original content, making the theory plausible that the streamer might opt to just buy its major franchise instead of building it.

There's also the question of what happens to the current film and television slate at Warner Bros. after an acquisition, particularly with DC Studios. David Zaslav has given James Gunn and Peter Safran free rein to do as they see fit, but that might all change if Gunn and Safran suddenly find themselves answering to a new boss- especially one that prioritizes streaming over theatrical releases.

Could The Fairly OddParents: A New Wish Have Been Cancelled On Nickelodeon And Netflix?

The Fairly OddParents: A New Wish is an American animated television series based on and serving as a revival/sequel to the Nickelodeon animated series The Fairly OddParents (2001–2006, 2008–2017), created by Butch Hartman. It is the third television series in the overall franchise, ignoring the events of The Fairly OddParents: Fairly Odder (2022). 

Synopsis for The Fairly OddParents: A New Wish

In The Fairly OddParents: A New Wish, ten-year-old Hazel Wells has just moved to the big city of Dimmadelphia because of her dad’s new job. On top of being in an unfamiliar environment, it’s the first time she’s been without her brother, Antony, who’s just left for college, leaving her lonely and unsure of herself. All that changes when the pink-and-green-haired neighbors next door reveal that they are no ordinary neighbors…they’re Cosmo and Wanda, Fairy Godparents! And they’re coming out of retirement to make all of Hazel’s wishes come true. As well as new characters, the series brings back many from the original series, including Vicky, Mr. Crocker, CJ, and Poof, who now goes by the name of Peri. 

It featured the voices of Ashleigh Crystal Hairston (Tiny Toons Looniversity, Craig of the Creek) as the voice of Hazel Wells, joining The Fairly OddParents alums Daran Norris (The Loud House, The Proud Family: Louder and Prouder) as the voice of Cosmo, and Susanne Blakeslee (The Loud House, Amphibia) as the voice of Wanda.

The Fairly OddParents: A New Wish premiered in the United States with a sneak peek on May 17, 2024, and officially premiered on May 20. The first 10 episodes were released internationally on Netflix on November 14, 2024.

From what was understood last year, the show hadn't been greenlight for a second season with the first season that was meant to consist of 20 episodes. Depending on its performance on Nickelodeon and Netflix would factor into whether a second season would be commissioned.  

From the looks of things, it looks like the show had been given the axe as the remaining 10 episodes of The Fairly OddParents: A New Wish season 1 had now been listed as season 2. I know this can't be seen as official confirmation but look at how these broadcasters have commissioned each season of The Patrick Star Show and Dora.

Rather than saying whether The Fairly OddParents: A New Wish is getting a second season we should be saying whether a third and possibly fourth season are on the cards.

David Ellison And Paramount’s New Regime Vows To Boost Nickelodeon And Family-Friendly Content, Invest In Paramount+ And Hang On To Cable Channels

 BET Networks is no longer being shopped to third-party buyers, the new leadership regime at Paramount Skydance confirmed on Wednesday, August 13 as top executives gathered for a wide-ranging Q&A with journalists.


David Ellison, Chief Executive Officer (CEO) of the studio that he acquired last week, told reporters that BET and its content franchises would be a key part of the new regime’s streaming strategy. Ellison said the plan is to operate the company with its assets intact — that’s in contrast to the string of assets sales that Paramount Global and its predecessors have done in recent years. BET in particular had been shopped to a number of prospective buyers in private equity and prominent Black investors and stars including Tyler Perry.

Ellison said the concept of keeping Paramount Pictures, CBS and other assets together was a key point of his earliest discussions last year about buying the studio with former Paramount Global chair and majority shareholder Shari Redstone.

“We had this conversation with Shari when we had the first meeting, actually about the company. It is our intention is to keep the company together and invest in that lens,” Ellison said.

“We’re thinking about the cable network is not as declining linear assets that we need to spin them up or deal with somehow. We’re thinking about those brands that we have to redefine,” Ellison said. “Nickelodeon is also one of those. Fids and family is so important to the world and making sure that we’re doing the right thing for Nick and that whole cadre of content is critically important to us as well.”

Overall, Ellison and his top lieutenants sketched out a roadmap for the new Paramount Skydance team’s priorities that include increased investment in the Paramount Pictures studio, CBS and the Paramount+ streaming platform. Ellison and Paramount president Jeff Shell reiterated that the plan is to consolidate the company’s major streaming assets — subscription service Paramount+ and free ad-supported (FAST) platform Pluto TV — into one central service to save operating costs and to make Pluto TV a better driver of subscriptions for Paramount+.

Joining Ellison and Shell at the session were Andy Gordon, Chief Strategy Officer and Chief Operating Officer; George Cheeks, Chair of TV Media; Dana Goldberg, Co-Chair of Paramount Pictures and Chair of Paramount Television; Josh Greenstein, Co-Chair of Paramount Pictures and Vice Chair of Platforms; and Cindy Holland, Chair of Direct-to-Consumer.

Asked point blank if the programming budget for Paramount+ will increase to make the service competitive with larger rivals such as Disney+ and HBO Max, Ellison said yes. Cindy Holland, the Netflix alum who is leading streaming operations for the new Paramount, was also blunt when asked if she intends to commission made-for-streaming movies from the sibling studio. “Made for streaming movies are not a priority for me,” she said.

Gerry Cardinale, head of RedBird Capital which also had a big role in financing the $8 billion transaction, offered an expansive view of a team ready to spend what it takes to upgrade Paramount’s aging infrastructure. Cardinale complimented Ellison for being a savvy business executive in addition to having the creative ambition to own a movie studio, Big Three broadcast network and more.

“I’m betting my firm and my career on this deal. That should tell you guys one thing: We are coming, we are going to invest, and we’re going to be really sophisticated. This is not other people’s money,” Cardinale said. He even suggested that the Paramount Skydance ethos would not only change the corporate culture at Paramount and CBS but influence the broader industry.

The new regime is thinking about “How do we build the culture, not just for Paramount but for Hollywood,” Cardinale said. “I could not be more excited. Yes we are going to be investing a lot of money, and we’re going to show the great return on that investment.”

Among other highlights from the Q&A session:

“I’m here because I love movies,” Ellison said flatly when discussing his motivations for executing the complex acquisition that took more than a year to complete. The 42-year-old CEO described Sundays spent watching movies on VHS with his mother. “Our idea of a good time on Sunday was, we had 3,000 VHS movies, and Sunday was the one day we were kids that we could actually do whatever we wanted. And we would just binge all day long.”

Ellison also saluted the star that has had a long association with Paramount and Skydance when pressed about the status of the studio’s follow-up film to 2022’s Top Gun: Maverick.

“We’re really proud and honored that in our partnership with Tom, we have made 10 movies together. We want to be in business with Tom for the foreseeable future,” Ellison said. "Top Gun cannot be a bigger priority. I want to be making movies with Tom and telling stories with Tom for as long as he wants to be doing it. There’s nobody who works harder and who loves movies and loves business more.”

Ellison was pressed about the new regime’s view on CBS News. The slog of closing the merger took a toll on the Eye’s news division as President Donald Trump waged war with a baseless $20 billion lawsuit against 60 Minutes over its Kamala Harris interview. A $16 million settlement with Trump paved the way for the FCC to approve the Paramount Global Skydance transaction.

CBS News and the journalism it produces “is something that is incredibly important to me that we couldn’t support more,” Ellison said. “It’s also the area of company that we want to invest in. For sure it’s a vital part of our democracy, and it’s an honor to be part of that organization.

Goldberg, co-chair of Paramount Pictures and Paramount Television, buttressed Ellison’s pledge to invest in strong family and YA-friendly movies and TV shows. “That’s a space we’re going to run toward,” she said.

Goldberg also emphasized that there will be a new approach to managing Paramount’s valuable Star Trek franchise. "Star Trek is absolutely a priority, and it’s priority across the company,” Goldberg said. “We’re not going to be siloed off so that there’s a conversation happening about television and another conversation” about film plans.

Ellison made a point of asserting that the new ownership group is aligned with the interests of Paramount Skydance’s common shareholders. The company is bracing for widespread layoffs that will be part of the company’s pledge to find $2 billion in savings post-merger.

“What we need to do to make sure we can run as efficiently possible can as a company. And then the other is where we need to invest for growth, for long term,” Ellison said. He noted that the Ellison family and RedBird own 70% of the economic interest in the company. “We’re the largest shareholders. So from that standpoint, we’re going to look at everything through a long-term value creation lens.”

VIU And HBO Max Bundle Is Launching In Southeast Asia, Showmax Likely To Follow Soon For Consumers In Africa

HBO Max and Viu are bundling their services in Southeast Asia into a single subscription, which will bring HBO shows such as The Last of Us and The White Lotus together with Viu’s original Korean and Chinese dramas.

The bundle will launch in Q4 across Indonesia, Malaysia, the Philippines, Singapore and Thailand, and is almost certainly the first of its kind spanning multiple markets in Asia Pacific.

HBO Max is bundled with other services elsewhere in the world, including in the States, where several variations exist. The service launched in seven key Asian territories in November last year – then known as Max, prior to the re-rebrand back to its original name over the summer.

“Following the proven consumer and business benefits of HBO Max bundles in other parts of the world, this new streaming offering will provide strong entertainment value for consumers across Southeast Asia, and help drive subscriber growth and stronger retention,” said James Gibbons, President of Asia Pacific at Warner Bros. Discovery.

“With access to two complementary and world class collections in a single subscription, local fans can enjoy even more choice – from premium Hollywood movies and series to standout local Asian content.”

The HBO Max/Viu bundle will include the likes of the Harry Potter, Game of Thrones and DC Universe franchises, feature such as Spinners and The Minecraft Movie, legacy series such as Friends and HBO originals, including The Last of Us and The White Lotus. From the Viu side comes reality series such as Running Man and 2 Days 1 Night, Chinese dramas including The Immortal Ascension and Love Has Fireworks and upcoming Viu original Korean dramas Taxi Driver 3 and My Youth. Yesterday, we revealed My Youth had been snapped up for Rakuten Viki for the U.S., Europe and Latin America.

Janice Lee, CEO of Viu and Managing Director of PCCW Media Group, said: “Our partnership with Warner Bros. Discovery is an exciting step forward in our promise to continually enhance Viu’s entertainment options and meet our viewers’ evolving tastes.

“By combining HBO Max’s Hollywood content with Viu’s Asian favorites in a single bundle subscription, we’re offering more choice in shows, easier access to diverse content and greater value across a wider range of programming.”

Heads Up!!! Blink Kant Bo Season 3 Streams On eVOD From August 20

The third season of the Turkish series Blink Kant Bo (Yalı Çapkını) is set to stream on eVOD from August 20th with the second season airing weeknights at 20:00 on eExtra.

Details regarding the first episode of Blink Kant Bo 

The difficult days push Seyran and Ferit in different directions in life. Feeling happier thanks to Sinan, Seyran surprises everyone by taking a bold step and proposing marriage to him. While Suna tries to explain the gravity of this decision to her sister, Seyran remains certain of her choice. Meanwhile, Ferit has somewhat distanced himself from his past since the arrival of Diyar. However, the news of the developments in Seyran's life is hard for him to handle. Orhan also experiences a significant change in his life, surprising everyone. An unexpected coincidence causes tension between Seyran and Sinan. As Ferit witnesses a scene he can hardly bear, he suddenly finds himself face-to-face with Seyran.

The third season promises to explore deeper emotional conflicts while continuing to captivate audiences with the rich drama and romantic tension that have made the series so popular. Pelin Akil, who plays Diyar, also made headlines for her comments about fan reactions to her role, reminding viewers to distinguish between fiction and reality.

In other developments, eMedia Investments is looking to rollout its first Zulu dubbed Bollywood drama on e.tv titled Uzozisola - Regrets. It was also seen on the defunct Glow TV brand as It's Complicated and was produced by Indian broadcaster Colors TV.

Disney Princess Let’s Party Launches This August

Disney princesses have inspired girls and fans of all ages to discover, dream and believe through characters who go on epic, fun adventures where they realise their true potential. The heroines and their beloved stories have created shared moments between generations and this August, the fun continues with Disney Princess Let’s Party.

 

Disney Princess Let’s Party invites families and fans to create their own magical world and adventures by holding their own magical princess party inspired by the Disney princesses - from Cinderella to Jasmine, Belle to Ariel, Mulan and Tiana, there is a story and adventure waiting for all to be shared and celebrated.

 

The Disney Princess Ultimate Party Digital Hub is now live at www.disney.co.za/Disney-Princess-Party, featuring party inspiration including downloadable activity books, recipes, craft tutorials and more – all on hand for families to use to help spark their imagination.

 

24 – 31 August will mark Disney Princess Week and to celebrate, for the month of August, grown up party goers and throwers will be encouraged to share their Disney Princess parties on social media using the hashtag #DisneyPrincessZA, Tagging @DisneyinAfrica on Facebook and @DisneyAfrica on Instagram, to stand a chance of winning an exclusive Disney Princess hamper worth over R5000.00*.

 

Comments Christine Service, General Manager of DTC & Networks and Country Manager Sub-Saharan Africa of The Walt Disney Company Africa: “Disney continues to entertain the world with beloved stories and characters and the Disney princesses create opportunities for shared connections across generations. We hope that fans and families will enjoy throwing their own Disney Princess-inspired celebrations this August, embracing the messages of uniqueness and positivity with a dose of imaginative play, adventure and fun.”

 

A vast selection of Disney Princess toys, games, fashion and accessories will be available at leading retailers across South Africa, including Disneystore.eu this August too, offering something for Disney Princess fans of all ages. Mattel has products for hours of play, including Disney Princess Spin and Reveal Fashion Dolls (with 11 surprises), the Disney Princess 2-in-1 Stories Fashion Dolls inspired by favourite moments, Disney Princess Castle Pet Palace Playset and the magnificent Magical Adventures Castle – the ultimate Disney Princess doll house. LEGO® brings the Disney Princess Castle & Royal Pets Toy Building Playset, Disney Moana’s hilarious side-kick Hei-Hei set and Disney Cinderella’s Castle, complete with horse carriage. Enchanted playtime awaits!

The celebrations continue with Disney+, the home of all Disney Princess animated feature adventures, Moana 2 (2024), Raya and the Last Dragon (2021), Moana (2016), Brave (2012), Tangled (2010), The Princess and the Frog (2009), Mulan (1998), Pocahontas (1995), Aladdin (1992), Beauty and the Beast (1991), The Little Mermaid (1989), Sleeping Beauty (1959), Cinderella (1950) and Snow White and the Seven Dwarfs (1937). Not to mention the live action reimagining’s and retellings of these stories (Maleficent (2014), Cinderella (2015), Beauty and the Beast (2017), Mulan (2020)) as well as hours of animated series, shorts and specials including Beauty and the Beast: Belle’s Magical World, LEGO® Disney Princess: The Castle Quest, and much more.

 

Disney Channel (DStv 303) and Disney Junior (DStv 309) will be celebrating Disney Princess Week too, with the premiere of Disney’s Moana on Friday 29 August at (17:00 CAT on Disney Channel) and new episodes of much-loved Disney Junior Ariel (weekdays on Disney Junior). As a special treat also on Disney Junior, Sofia the First will air with episodes featuring the Disney princesses themselves inspiring Sofia in her journey to be a better leader and friend.

 

There are a number of ways to celebrate and create your own magical world, with Disney Princess Let’s Party this August.

Hulu Is Set To Launch On Disney+ Globally By The End Of The Year

A new “unified” Disney+ and Hulu streaming app will be available in 2026, the company said. According to a Disney rep, customers will still be able to buy a stand-alone Hulu subscription (as well as a stand-alone Disney+ plan).

“Today we are announcing a major step forward in strengthening our streaming offering by fully integrating Hulu into Disney+,” CEO Bob Iger and CFO Hugh Johnston said in prepared commentary on the media giant’s quarterly earnings. “This will create an impressive package of entertainment, pairing the highest-caliber brands and franchises, great general entertainment, family programming, news and industry-leading live sports content in a single app.”

The single Disney+ app with Hulu will deliver an “improved consumer experience,” which will lower churn, Iger said on the earnings call. Both services will be “on one tech platform,” which will result in cost synergies, according to Iger. In addition, Disney — which already sells ads for Disney+ and Hulu together — sees new opportunities for bundling ad sales by fully combining them, he said.

In their prepared remarks, the Disney execs said, “By creating a truly differentiated streaming offering, we will be providing subscribers tremendous choice, convenience, quality, and enhanced personalization. This will enhance our ability to continue to grow profitability and margins in our entertainment streaming business through expected higher engagement, lower churn, and advertising revenue potential, as well as operational efficiencies that over time may result in savings that we can reinvest back into the business.”

In addition, Hulu will become a global general entertainment brand: Starting in the fall of 2025, it will replace the Star tile on Disney+ internationally.

“Work is already underway to continue enhancing our technology, and over the coming months, we will be implementing numerous improvements within the Disney+ app, including exciting new features and a more personalized homepage,” Iger and Johnston said.

The move to fully sew Hulu together with Disney+ comes after Disney — following two years of negotiating — closed its deal with Comcast to buy out NBCUniversal‘s one-third stake in Hulu in June 2025. Disney paid Comcast in total about $9 billion, including $8.61 billion in November 2023 and $438.7 million this past June. Comcast had been seeking more than $13 billion for the 33% Hulu stake; the final price tag was determined through arbitration by a third-party banker.

Disney has already taken steps to integrate Hulu and Disney+. In the spring of 2024, the Disney+ app launched “full” integration of Hulu content, which the company has used as a way to convert stand-alone Disney+ customers into bundled Disney+/Hulu subs.

Also Wednesday, Disney announced that it will no longer report streaming subscriber numbers for Disney+, Hulu and ESPN+, following the lead of Netflix and others.