Development Alert: Dora Renewed For Season 2 On Nick Jr. And Paramount+

Paramount+ has renewed the animated preschool series Dora for a second season. The iconic Latina heroine returned this month in the CG-animated revival series produced by Nickelodeon Animation. 

Dora, based on the original series Dora the Explorer, follows everyone’s favorite bilingual explorer, Dora (Diana Zermeño), and her best monkey friend, Boots (Asher Colton Spence) as they embark on epic adventures in a fantastical rainforest. Guided by trustworthy Map (Anairis Quiñones), Dora and her friends must work together to overcome many obstacles while being challenged by the sneakiest fox, Swiper (Marc Weiner). Kathleen Herles, the original voice of Dora the Explorer, voices Mami.

“Kids and family programming is consistently one of the most popular genres on Paramount+ and we’re thrilled that our audience has already embraced Dora,” said Jeff Grossman, Executive Vice President, Programming, Paramount+. “It’s an incredible opportunity to introduce this beloved character and iconic franchise to a whole new generation.” 

Dora is currently available to stream exclusively on Paramount+ in the U.S., Canada, the U.K., Australia, Latin America, Italy, Germany, Switzerland and Austria, and also on Nick Jr. internationally.

Dora is produced by Nickelodeon Animation in Burbank, California, and created by Chris Gifford and Valerie Walsh Valdes. Chris Gifford, Valerie Walsh Valdes and Rich Magallanes serve as executive producers. Henry Lenardin-Madden serves as co-executive producer, and Alejandro Bien-Willner serves as story editor. Marielle Kaar is Nickelodeon’s Executive in Charge of Production for the series. Dora the Explorer was created by Chris Gifford, Valerie Walsh Valdes and Eric Weiner.

“Our audiences have embraced the new Dora series with open arms, and it’s incredible how she continues to capture the imaginations of preschoolers around the world with her extraordinary rainforest adventures,“ said Ramsey Naito, President, Paramount Animation and Nickelodeon Animation. “We can’t wait for kids to discover all of the new fantastical places and colorful characters in the second season while learning and playing along with their good friend Dora.”

Apple Looking To Close Deal On FIFA World Cup, Might Block SuperSport And SABC

Soccer's global governing body FIFA is close to an agreement with Apple to give the tech company worldwide television rights for a new, month-long club tournament, the New York Times reported on Monday.

The deal with Apple could be announced as soon as this month and valued at around $1 billion, a quarter of the $4 billion FIFA had first estimated, the report said, citing three people familiar with the matter.

The potential agreement would give the company's streaming business an edge amid competition among streaming services providers to lap up rights for widely watched sporting events in a bid to add subscribers.

If the deal goes through, this would mark the first time that FIFA has agreed to a single worldwide contract, the report said.

Senior executives at FIFA, however, have raised concerns over the possibility of "free-to-air rights", which would make the event only available to subscribers of Apple TV+, according to the report. It is unclear whether the deal includes any such rights.

Sponsors have also been reluctant to commit the $150 million that FIFA is seeking for sponsorship packages, the report said.

The 32-team event will be held next year between June 15 and July 13. Usually, no major events are scheduled during this period in order to allow players to rest in the off-season a year before the World Cup, according to the report.

FIFA has faced criticism from players unions for not consulting them before making announcements about the event, according to the report.

"As a general practice, FIFA does not confirm or deny commercial discussions," a spokesperson for the governing body said in a response. Apple declined to comment.

Trouble for sports in SA

Seeing as Apple is looking to secure this for their platforms being Apple TV+ it's possible that SuperSport and SABC might miss out on the action. Considering that MultiChoice opted to minimize the sports on Showmax its likely that it could be televised. 

Provided that SuperSport licenses the rights from Apple same goes for the SABC as opposed to running through SuperSport. This comes after eMedia Investments had won a broadcasting dispute against MultiChoice in regards to the Rugby World Cup.

Although this news may seem pleasing to some readers, in other countries you have most sporting events from SuperSport viewed on multiple platforms (additional fees) while in South Africa it was under one tile (one fee).

Development Alert: New Care Bears Specials To Debut On WBD EMEA & LatAm Platforms

Six new animated specials for Cloudco Entertainment’s Care Bears: Unlock the Magic are set to premiere on Warner Bros. Discovery’s (WBD) Cartoonito and HBO Max/Max across EMEA and on Max in Latin America.

Individual EMEA country launch dates will vary, but both Cartoonito and HBO Max/Max are planning to begin rollouts this summer. In Latin America, Max debuted the first special in mid-March, with plans to release the others in April, July, September, October and November.

The Care Bears: Unlock the Magic specials have already launched on POP in the U.K., Family Channel in Canada, Channel 9 in Australia and TVNZ in New Zealand. They have begun their rollout in the U.S. as well, with future releases continuing into November.

The six new specials are titled “The Quest for the Rainbow Stone,” “Grumpy’s Ginormous Adventure,” “The Star of a Thousand Wishes,” “The Mystery of the Snickering Ghost,” “The Bad Crowd Strikes Back!” and “The No Heart Games.”

“We’re excited to see the ongoing storytelling journey of Care Bears: Unlock the Magic unfold in an exciting new format and are thrilled to go global with these specials via our fantastic partners at Cartoonito, HBO Max/Max in EMEA, and Max in Latin America,” said Ian Lambur, senior VP of content at Cloudco Entertainment. “With the help of these broadcasters, these mini-movies will build upon the success of our season one episodes, enhance the overall Care Bears experience and make for multiple must-watch events.”

Development Alert: Netflix Will Stop Reporting Subscriber Numbers By 2025

Netflix will no longer report subscriber numbers — which has been a key metric for streaming services for years — beginning with the first quarter of 2025.

The company made the announcement in releasing its first-quarter 2024 earnings Thursday. Netflix handily topped expectations for subscribers net adds, gaining 9.33 million in the period, to reach nearly 270 million globally. It also beat Wall Street expectations on the top and bottom lines.

Despite the Q1 earnings beat, Netflix shares dropped more than 3% in after-hours trading Thursday, possibly as investors reacted negatively to the news that the streamer will stop reporting quarterly sub totals.

In its Q1 letter to shareholders, Netflix said that engagement — time spent with the service — is its “best proxy for customer satisfaction.” As such, it will no longer report quarterly membership numbers or average revenue per member (which it dubs “ARM”), as of Q1 2025. Netflix said it will announce “major subscriber milestones as we cross them” but will cease disclosing quarterly subscriber numbers.

Netflix continues to see solid subscriber gains in markets around the world; for example, it netted 2.53 million new customers in the U.S. and Canada in Q1. But eventually those sub numbers will start to plateau, and the company wants to reorient investors toward time-spent-viewing metrics where it has more potential upside in the years ahead.

Co-CEO Greg Peters said on the earnings call that Netflix’s number of subscribers has been a decreasingly relevant measure for the health of the company’s business. He cited, as an example, Netflix’s paid-sharing initiative, which gives primary account holders the option to add an “extra member” for an incremental monthly fee (and those “extra members” are not counted as separate subscribers). Meanwhile, with Netflix’s advertising plan, higher engagement is tied to higher revenue per member, as opposed to the fixed per-sub revenue on the plans with no ads.

“As we’ve noted in previous letters, we’re focused on revenue and operating margin as our primary financial metrics — and engagement (i.e. time spent) as our best proxy for customer satisfaction. In our early days, when we had little revenue or profit, membership growth was a strong indicator of our future potential,” Netflix said in the letter. “But now we’re generating very substantial profit and free cash flow (FCF). We are also developing new revenue streams like advertising and our extra member feature, so memberships are just one component of our growth.”

The company continued, “In addition, as we’ve evolved our pricing and plans from a single to multiple tiers with different price points depending on the country, each incremental paid membership has a very different business impact. It’s why we stopped providing quarterly paid membership guidance in 2023 and, starting next year with our Q1’25 earnings, we will stop reporting quarterly membership numbers and ARM.”

According to Netflix, it will continue to provide a breakout of revenue by region each quarter and the foreign-exchange impact “to complement our financials.” Going forward, the company will add guidance for annual revenue in addition to what it already provides: annual operating margin and free cash flow forecast and forecasts for quarterly revenue, operating income, net income and earnings per share.

Last December, the company released its first “Netflix Engagement Report,” inclusive of more than 18,000 titles and nearly 100 billion hours viewed between January-June 2023, representing 99% of all viewing during that period. In the report, Netflix divulged streaming performance metrics for licensed content. It plans to release the data twice per year — mainly to highlight the massive engagement across a wide range of content on its service.

“Success in streaming starts with engagement,” Netflix said in the shareholder letter in discussing the decision to stop reporting subscriber numbers. “When people watch more, they stick around longer (retention), recommend Netflix more often (acquisition) and place a higher value on our service. It’s why we’ve been providing progressively more information on engagement, starting with our Top 10 weekly and most popular lists and more recently our biannual report into viewing on Netflix (which covers ~99% of all video watch time on our service). This is more information than any of our competitors provide, and we expect to provide even more over time.”

EarthxTV & Dailymotion To Rollout Sustainability Focused Network On Earth Day

EarthX will showcase EarthxTV’s most popular series such as Texas Gator Savers, The Story of Earth Day and EarthxNews and Dailymotion programming that celebrates Earth’s people, landscapes and wildlife.

The channel launches on Earth Day (April 22), free via Dailymotion.

The partners say that by combining curated offerings from EarthxTV’s library with diverse content spotlighting sustainability available on Dailymotion, the network will “inspire, educate, and empower viewers to become stewards of the environment.”

“We are thrilled to partner with Dailymotion to introduce EarthX, a channel that embodies our shared commitment to sustainability and environmental stewardship,” said Dan Russell, President of EarthxTV. “Through this collaboration, we can amplify our reach and deliver impactful content that celebrates the majesty of our planet while highlighting the urgent need for conservation efforts.”

“We’re excited to welcome EarthX to the Dailymotion platform and align ourselves with a partner who is leading the video landscape with content that is driving awareness for conservation and sustainability while educating and inspiring audiences,” said Sean Black, SVP and General Manager for North America at Dailymotion. 

EarthxTV, which launched in 2023, is available on DirecTV, Charter’s Spectrum TV, Fubo, Philo and the National Cable Television Cooperative (NCTC) in the U.S., Sky and Freeview in the UK, M7 in Europe and Total Play and Claro Video in Mexico. Vivendi-owned Dailymotion claims to attract an overall audience of 350 million worldwide.

Development Alert: SPI International Expands With Digital Virgo in Key Regions (Including South Africa), FilmBox And Other Branded Channels Exit Turkey

SPI International, a CANAL+ company, has launched three dynamic channels — FilmBox Action, FilmBox Family, and FilmBox Middle East — in key regions, including South Africa, Ghana, Botswana, UAE, Qatar, Bahrain, Oman, Kingdom of Saudi Arabia, Iraq, Kuwait, Morocco, and Tunisia in partnership with Digital Virgo.

The FilmBox lineup will be accessible as part of the basic tier on platforms such as PLAYVOD, Veedz.TV, Unlimited Streaming, Moov TV, and MTTV.

“We’re thrilled to introduce FilmBox channels on Digital Virgo platforms in South Africa, Ghana, Botswana, and with Arabic subtitles in the Middle East. This expansion reflects our commitment to providing diverse, high-quality content that resonates with audiences globally. We believe these channels will further enhance the entertainment experience for viewers in these regions,” commented Georgina Twiss, MD Western Europe and Africa at SPI International.

“Digital Virgo remains committed to enhancing its value proposition to Telecom Operators through the provision of TV and VOD platforms that are ever richer in functionality and content. The renewed partnership with SPI International is part of this overall strategy,” added Vincent Taradel, CMO at Digital Virgo.

SPI International departs Turkey

During the week, SPI International had phased out its linear offering in Turkey as parent company Canal+ exits the market. With various channels under such as FilmBox (now Filmscreen), DocuBox (now Docuscreen) and FightBox (now Fightscreen) owned by Cosmoblue.

Most details pertaining to the content and graphics from each brand remain the same. We presume they could work closely with SPI International in terms of content allocation or they're slowly phasing that out.

CNN Is Planning To Move Away From Linear TV And Put Its News Content On Streaming Platforms

CNN’s new boss said the network faces an “existential crisis” because of cord cutting — and that he plans to eventually pivot away from cable TV toward a subscription-based streaming model similar to YouTube and TikTok.

“There are plenty of things we have to fix at CNN,” Mark Thompson, the former New York Times and BBC executive who was hired by Warner Bros. Discovery to dig CNN out of its third-place slump in the cable news race, told Financial Times.

He also hinted that more cost-cutting measures are in the offing, saying that there are “likely to be significant opportunities for de-duplication of parallel organizations and structures and activities.”

“I think we can and should be looking for ways of doing what we do both better, but also doing it less expensively,” Thompson said.

The ex-BBC director general has a tall task — turning around CNN that has struggled to keep up in the ratings with Fox News and MSNBC.

Thompson said he was looking at distributing CNN content through smartphones and other devices in a shift to mostly digital — mimicking his tenure as head of The New York Times Company.

“The idea that there might be digital subscription is a serious possibility,” Thompson told FT when asked about his plans for CNN.

While no final decision has been made, “I think it’s quite likely that we’ll end up there,” he said.

Thompson did not specify what form the digital subscription service would take, though he ruled out it would be similar to CNN’s ill-fated CNN+ — the streaming news venture that was shut down less than a month after it launched.

CNN+, the brainchild of former CNN boss Jeff Zucker, was axed as part of a cost-cutting measure just weeks after the news channel was inherited by the newly merged entity Warner Bros. Discovery.

Thompson was hired last year to replace Zucker’s successor, Chris Licht, whose disastrous 13-month tenure as head of the network ended after an unflattering magazine profile portrayed him as thin-skinned and envious of his predecessor’s popularity.

Warner Bros. Discovery has $44 billion in debt that it needs to reduce — leading to speculation that CEO David Zaslav may look to sell CNN.

Thompson pushed back on the idea that he was abandoning TV altogether.

“Do we want to get more competitive in cable TV and by strengthening our schedules? Yes, we do,” he said.

“But the rate at which people have been and probably will continue to cut the cord and not look at cable TV at all is a far, far greater strategic threat than the finer points of competition between individual cable channels.”

During his eight-year tenure as president and CEO of the New York Times Company, Thompson expedited the publication’s transition to a digital, subscription-based news outlet that has been the main driver of revenue since.

Thompson, who left The New York Times Company in 2020, is credited with helping the Times attract millions of digital subscribers worldwide.

The lone bright spot for CNN is its website, which draws some 160 million unique users each month.

Thompson said that one possibility is to have CNN users register so that the network can then sell information about its audience to advertisers.

“We need an entirely new digital strategy,” he told FT.

“I don’t think any broadcaster has cracked the code on how to be yourself in terms of digital products.”

Credits: New York Post

News Shorts: Superbuns To Make Its Linear Debut On Universal Kids, Mpumalanga TV Goes Live On 1KZN TV With Sannah Mchunu And Umbrella Men: Escape From Robben Island To Stream On eVOD From April 25

Peacock original debuts on Universal Kids

Universal Kids which serves as the American counterpart of DreamWorks Channel and Sky is operated by NBCUniversal. Since it's launch, the channel has seen a decline in consumption and several content changes with its current lineup preschool tailored.

As seen in an programme guide, the Canadian based animated series Superbuns is slated to rollout on the channel from 28 April.

Based on the children's book of the same name, it follows a little bunny whose superpower is kindness does what she can to brighten everyone’s day. The series was made available to stream on Peacock sometime in 2023.

Mpumalanga gets a 1 hour block on 1KZN

Based in KwaZulu Natal, 1KZN TV is a proudly Zulu community television channel that produces its local content. Its aim is greater social inclusion of genders, castes, and ethnicities while encouraging greater education and improved health.

During the week, the channel debuted a 2 hour block with actress Sannah Mchunu gracing the red carpet. Although not much details had been shared about the content to be allocated on Mpumalanga TV beforehand to garner some exposure. 

It will air daily on 1KZN from 5pm to 6pm with repeats on weekends.

Umbrella Men is back for new adventures on eVOD 

After pulling off the ultimate heist in the original "The Umbrella Men," Jerome, Morty, Mila, Keisha, and Auntie Val thought they could finally enjoy the good life. But their celebrations are cut short when the villainous Tariek enters the scene with sinister plans.

Before they know it, Jerome and Morty find themselves locked up in the infamous Robben Island Prison, while Keisha, Mila, and Auntie Val are left to hatch an audacious plan to bust them out. However, their troubles are just beginning as Tariek's ambitions grow more diabolical by the minute, threatening world domination!

In this action-packed, music-filled sequel, our favorite crew of accidental criminals must band together once more, using all their wits and talents to take down Tariek, clear their names, and finally make it back home to the Bo Kaap as free men.

'The Umbrella Men: Escape from Robben Island' is officially hitting eVOD on April 25th.

Disney Might Be Looking To Bundle Disney+ With Other Streaming Services, Could This Be The Possible Outcome For European And African Markets?

After Netflix debuted, numerous companies wanted the piece of the pie with Disney+ despite being a late entrant managed to be one of the leading streaming services globally in its short span. It prompted the launch of Max, Paramount+ and Peacock. 

With the high levels of streamers, the whole thing just crashed as consumers weren't willingly to pay for these many streaming services. All of which were eyeing worldwide domination, come in short as streaming had proved to be most challenging in these markets.

It had led NBCUniversal and Paramount Global to rollout a joint streaming service through the Sky Group division in parts of Europe. As existing rivals such as Disney+, Netflix and Prime Video had been gaining the upper hand.

Although, Disney+ is the most successful late entry to the streaming market. Unlike the latter to have further consolidated their offering the streamer is not accessible in parts of Europe and Africa leading consumers to miss out on various content. 

Disney Channel to date has been treated as a promotional channel to the streamer. After launching at least one film from the streaming service on a monthly basis alongside animated series such as Monsters At Work and Chip'n'Dale: Park Life.

This has been the one of the few options consumers had in browsing some of the content not available in the region. 

In an interview with CNBC, Disney's CEO Bob Iger was asked whether they do see bundling as a option for the streamer. He assured consumers of that possibility although no definitive timeframe was given or how it would impact the existing Disney+ standalone service.

In 2021, WWE signed a content deal with NBCUniversal's Peacock which would see the WWE Network fold under the streamer. Now the question here is if Disney were looking to follow in a similar pursuit could it lead to the closure of the streamer. 

Disney had been reviewing their international business and limiting Disney+ local presence. Considering some countries have strict bylaws on local content a lucrative deal matching that of WWE Network would be one way to get away from those regulations. 

Skydance Reportedly Looking To Merge Paramount+ With Another Streaming Service

Last week, merger talks for Paramount Global heated up, with reports that the media company that produces and controls the Star Trek franchise had entered into exclusive talks with Skydance Media. One of the big questions has been how such a deal would impact Paramount+, home to original Star Trek programming. Now a picture of a possible future for the streaming service is starting to emerge.

Skydance wants to keep Paramount+

When the first reports about Paramount Global potentially being sold or merged started in December, industry analysts suggested Paramount+ might not survive the corporate shake-up. While Paramount has seen consistent growth with its streaming service, it has yet to turn a profit. However, now that Skydance Media is in exclusive talks to take over Paramount, they are apparently planning on keeping Paramount+, but will make some changes. The New York Times reports “The plan calls for Skydance to supercharge Paramount’s streaming capabilities, improving personalization with better algorithmic recommendations and making it more efficient through better deals with data providers.”

According to the same report, the post-Skydance/Paramount merger plan would call for teaming up with another major media company for a streaming joint venture in the USA. A new report in Bloomberg confirms Skydance wants to “preserve the Paramount+ streaming service and explore merging it with a peer, such as Peacock or Max.” A deal with Amazon Prime Video has also been considered, according to Bloomberg. Earlier this year, it was reported that Paramount had opened up discussions with Comcast to merge Paramount+ with their Peacock streaming service. The companies already operate the SkyShowtime joint venture in several markets in Europe.

A merged Paramount+/Peacock streaming service could be a winner, according to new consumer research reported today by Variety, 45% of US consumers say they would be interested in such a bundle. Analysis from consulting firm FTI Delta estimates a bundled service could bring in $1 Billion more than the current combined annual revenue of both services.

So if the deal with Skydance happens, it looks like some version of Paramount+ will survive. This would likely continue to be the primary home for original Star Trek television. Being part of a larger service could help ensure funding for more seasons and new Trek series and streaming movies as well.

Of course, none of this is finalized. The first step is for Skydance and Paramount Global to agree to a deal, and any such deal would have to be approved by the board. This can get tricky as the Skydance deal being contemplated is a rather complicated 2-step process, and current Paramount Global investors are expressing concerns over the deal structure being favorable to Shari Redstone, but not regular shareholders. There would also be scrutiny from regulators as well.

OUTtv Rebrands UK Service And Expands In Nordics With Allente Deal

The service, which will operate as OUTflix from 11 April, has also launched across the Nordics via a deal with a Allente that covers Sweden, Norway, Denmark and Finland.

OUTflix is also a commissioner of original UK content, recently greenlighting queer comedy series Stand Up Specials London (5 x 45-minute), featuring sets from emerging comedians including James Barr, Heleana Blackwell, David Ian, Kat Nip and Vix Leyton.

Other UK original content on the service includes Live At The Queer Comedy Club, and a series of short films from The Iris Prize festival selected titles.

In addition, two projects developed through the documentary film financing fund for emerging British LGBTQ+ filmmakers that OUTtv funds alongside The Iris Prize and Aberystwth University are hosted on OUTflix: Somina Fombo’s Some Girls Hate Dresses, which follows the lives of Black British tomboys from the 1990s, and the forthcoming Bender Defenders from director Ira Putilova, highlighting five queer, non-binary and transgender people at a queer Muay Thai club in East London.

Since launching in the UK in 2020 as a DTC offering, the service has also grown its partnerships to include OUTtv Proud, a FAST channel now available via Channelbox on Freeview, Plex and Netgem.

Brad Danks, CEO of OMG and OUTtv, said: “We are unifying the brand as we expand across Europe and beyond, so we’re thrilled to be launching OUTflix alongside our partnership with Allente across the Nordics – and look forward to many more viewers discovering the treasure trove of LGBTQI+ content we continue to grow.”

News Shorts: Monster High Reportedly Cancelled On Nickelodeon, WildEarth Rolls Out A Pay Service Under YouTube Premium And eSeries Launches Classic Sitcom 30 Rock

Lights go out on another program on Nickelodeon 

Last month, Paramount Global removed several original shows from Nickelodeon as part of a tax write off these included shows like Rugrats and Blue's Clues And You. Prior to their inevitable demise some of these shows were canned on Nicktoons for new episodes. 

Now there's reports going around that Monster High might be getting the two seasons treatment. Not due to these write offs or viewership consumption but the controversy surrounding the live-action department following ID's youth oriented doccie Quiet On Set.

Although there's no official confirmation from the network usually third party shows when axed remain on Nickelodeon. Similar scenario occured with Transformers: Earthspark and Regal Academy probably due to them licensing these shows.

WildEarth launches a pay subscription 

Last month, it was reported that the cash strapped WildEarth would be exiting DStv by the end of April. After the channel tried to obtain carriages fees with MultiChoice settling on a sum of R6 million a year only to get sidelined at the last minute. 

Since then, WildEarth has made several changes to their current offering with the halting of live shows. As they're eyeing potential partners who are looking to invest funds to the business provided that they make some changes to the structure of the channel. 

With WildEarth set to exit DStv soon, they'll be looking to make content cuts as they try to stick around for the foreseeable future. 

During the townhall, it was revealed that they'll be rolling out YouTube memberships basically a subscription service. This will be under YouTube Premium which is priced at R72p/m although consumers will still be access the free service.

New show on eSeries

Liz Lemon is head writer and showrunner of the NBC sketch comedy series TGS with Tracy Jordan (originally called The Girlie Show), produced in Studio 6H in 30 Rockefeller Plaza. She supervises cast and crew, including star Jenna Maroney, her best friend, while working with network executive Jack Donaghy and page Kenneth Parcell. In the first episode, Jack forces Liz to hire the unpredictable Tracy Jordan as co-star.

It starred Tina Fey, Tracy Morgan, Jane Krakowski, Jack McBrayer, Scott Adsit, Judah Friedlander, Alec Baldwin, Katrina Bowden, Keith Powell, Lonny Ross, Kevin Brown and Grizz Chapman.

The series starts 8 April at 21:40.

Possible Takeover: Canal+'s Investment In Viu Currently Stands At Approximately $300m, With The Option To Increase Its Stake To 50% Retained

France’s pay-TV giant Canal+ has ramped up its investment in PCCW’s pan-regional OTT service Viu, bringing its stake in the company to almost 30%. This development follows Canal+’s previous deal struck last year, where it acquired a 26% stake in Viu, marking a significant step in a $300m staged investment plan. The agreement provides Canal+ with the option to potentially acquire a majority (51%) stake in Viu in the future.

Viu, renowned for its extensive Korean content offering, operates across Asia, the Middle East, and South Africa, boasting over 66m monthly active users and 12m paid subscribers. Notably, its lineup includes popular shows like Nenek Bongkok Tiga.

Last year, media research group Omdia highlighted Viu’s dominance in South-Eastern Asia’s OTT video landscape, capturing a 23% market share in online video subscriptions, outpacing competitors such as Disney+ Hotstar and Netflix.

Since its inception in 2016, PCCW-owned streaming service Viu has solidified its position in the region through a strategic focus on providing Asian and localised content, alongside its own Viu Original series. Its subscription and advertising revenue surged significantly last year, with total revenue increasing by 27% and paid subscribers growing by 10% to reach 13.4m. Viu’s subscription revenue witnessed a remarkable 32% surge, attributed to both subscriber growth and pricing adjustments in selected markets.

Viu’s success is further underscored by a 15% increase in advertising revenue and a substantial user base of 62.4m active users by the end of 2023, along with soaring streaming minutes.

Canal+’s enhanced investment in Viu reflects its strategic vision to capitalise on the burgeoning OTT market and tap into Viu’s strong foothold in the Asian and pan-regional streaming landscape, positioning both companies for continued growth and success in the dynamic digital entertainment industry.

Adventure Time | Pilot | Nickelodeon/Cartoon Network

The short focuses on a boy named Pen (later renamed Finn in the television series) and his best friend, a shapeshifting dog named Jake. One day, Lady Rainicorn, a unicorn-like creature, flies past them in tears; Pen and Jake follow her to an icy domain, where they discover that the Ice King has kidnapped Lady Rainicorn's owner, Princess Bubblegum, in the hope of marrying her. 

Paramount+ Removes 10 Nickelodeon Titles Including ‘Blue’s Clues & You!’ & ‘Rugrats’ Series

Paramount+ has purged 10 Nickelodeon original series, following the removal of other Nick titles from the platform over the past several months.

The list includes Are You Afraid of the Dark? (2019-2022), Blue’s Clues & You! (2019), It’s Pony (2020-2022), Middlemost Post (2021-2022), Ollie’s Pack (2020), Ryan’s Mystery Playdate (2019-2023), Santiago of the Seas (2020), That Girl Lay Lay (2021-2024) as well as the made-for-Paramount+ Big Nate (2022)and Rugrats (2021).

This is said to be part of content removal addressed in the most recent Q4 earnings call on February 28. Targeting Nick titles is a little surprising as, according to parent Paramount Global, the network’s Kids & Family content consistently ranks among the most watched and re-watched programming on Paramount+.

“In connection with our continued review of our international content strategy, during the first quarter of 2024 we made a strategic decision to focus on content with mass global appeal,” the company said in its 10-K filing. “As part of this, we are rationalizing original content on Paramount+, especially internationally, and improving the efficiency of our linear network programming. As a result, we have reviewed our expansive global content portfolio and are removing select content from our platforms.”

Paramount expects “to recognize additional programming charges that we currently expect to be in the range of approximately $700 million to $900 million during the first quarter of 2024.”

WildEarth To Cutback On Live Shows Following Its Possible Exit On MultiChoice's DStv

WildEarth is an interactive wildlife channel which brings viewers closer to nature with live safaris within the hotspot of Africa. Founded in 2007 by Graham Wallington and Emily Wallington, WildEarth has developed a global community of viewers.

Not long ago, it was reported that WildEarth would be looking to take their channel off DStv by the end of April. This comes months after the channel's current CEO was negotiating with MultiChoice over adding carriage fees to the channel.

As some readers are aware, WildEarth hosted a live event where several notable figures were briefing audiences on the future of the brand. Aside from the departure from DStv, they are looking to no longer offer any live content and transition to short form.

This means shows like Sunrise Safari and Sunset Safari will continue to exist but will be pretaped. On top of that airtime for these shows will be further reduced as they try to offer more short form content as they eyeing potential deals who feel the offering is lacking. 

SafariLIVE was one of their signature shows and what helped them garner an online presence. For that to be minimized or possibly scrapped, consumers are led to wonder if this would bring about its end on YouTube where part of their content resides.

They are looking to film some of these shows in other countries as opposed to limiting their stance in South Africa and Kenya. Of course, they'll need further donations to remain on the air and get some of this content of the ground. 

If you're interested in donating: click here

If you're looking to save WildEarth from being removed on DStv: click here

With WildEarth looking to add more variety to their lineup and eyeing potential deals. Some of this content will likely be deprived from consumers if not minimized something that wasn't discussed as much.

French Broadcaster TF1 To Launch Its Newly Launched Streaming Service In Europe And Africa

French commercial broadcaster TF1 is to expand its newly launched streaming service into parts of Europe and Africa.

TF1+ went live on January 8 with 15,000 hours of available content, including 200 feature films, 200 TV movies and 200 box sets, featuring such iconic French series HPI and Sam, plus daily soaps and imported series.

An initial rollout will begin in June, when TF1+ will be extended into neighbouring Belgium and Luxembourg before expanding into French-speaking Africa in the next 18 months. Other territories, including Canada, are also on the roadmap.

In an interview with Bloomberg, Chief Executive Officer Rodolphe Belmer said he plans to push into as many French speaking markets as possible to grow its base and attract advertisers.

“We do not look to compensate a decline of linear TV, we want to capture a bigger market share of digital ads,” he said, adding that online ads can command higher prices because they’re targeted directly at consumers.

Online ads, which command higher prices because they’re easier to target to particular customers, can command about three times the price per thousand people reached, he said.

With a target advertising revenue of €15 per thousand people, TF1+ would be priced between YouTube at the lower end and Disney+ and Netflix at the top. “We want to tap the core of the market, and make a difference with bigger volume,” Belmer said.

Rather than create Originals for the platform, TF1 will instead rely on its existing library.

New Series Alert: ‘Ark: The Animated Series,’ Based On ‘Survival Evolved’ Game, Surprise Drops on Paramount+

The animated series based on Studio WildCard’s “Ark: Survival Evolved” video game finally has a platform attached. The first six episodes of Season 1 surprise dropped on Paramount+ on Thursday, with the remaining seven episodes set for a later date.

Spanning eons of human history, “Ark: The Animated Series” follows 21st century paleontologist Helena Walker (voiced by Madeleine Madden), who finds herself resurrected on a mysterious primeval island populated by prehistoric beasts. There, she must learn to survive with new allies from throughout time while trying to uncover the true nature of their strange new world.

Along with Madden, the voice cast includes Michelle Yeoh, Russell Crowe, Gerard Butler, David Tennant, Jeffrey Wright, Elliot Page, Vin Diesel, Karl Urban, Zahn McClarnon, Devery Jacobs, Elliot Page, Deborah Mailman, Ragga Ragnars, Malcolm McDowell, Monica Bellucci and Alan Tudyk.

Jeremy Stieglitz and Jesse Rapczak executive produce “Ark: The Animated Series” alongside Marc Diana; Doug Kennedy; Jay Oliva; James Baldanzi; Vin Diesel and Samantha Vincent for One Race Films; Gerard Butler and Alan Siegel for G-Base Entertainment; and Russell Crowe. Stieglitz, Oliva, David Hartman and Sebastian Montes serve as directors, and Marguerite Bennett and Kendall Deacon Davis serve as co-writers. The series is a production of Lost Continent Entertainment and Lex + Otis.

Studio WildCard officially released “Ark: Survival Evolved” in 2017 after an early access release on Steam in 2015. “Ark: The Animated Series” was first announced with a trailer during the 2020 Video Game Awards, with another trailer released in 2022, still without a platform attached.

Moonbug Entertainment Extends Its Reach To More Asian Households With U-Next And Taiwan Mobile

Moonbug new partnership with Taiwan Mobile

In a new partnership with telecom company Taiwan Mobile, Moonbug Entertainment is looking to establish a strong presence on screens and toy shelves in the region.

Moonbug has closed a deal to bring around 3,500 eps of content to MyVideo (Taiwan Mobile’s OTT platform) and regional children’s channel momokids. 

Starting this week, MyVideo is hosting a 24/7 channel dedicated to Moonbug’s IPs that offers 330 episodes in traditional Chinese and 150 hours of English and no-dialogue content. Plus it will roll out a new compilation every month. Meanwhile, momokids plans to broadcast a weekday “carousel program” featuring 2.5 hours of episodes from shows like CoComelon, Blippi, Little Angel and Morphle.

Moonbug Entertainment new partnership with U-Next

London’s Moonbug Entertainment has closed a 662-episode package deal with growing Japanese SVOD platform U-Next.

With more than four million registered subscribers, U-Next is Japan’s leading domestic streamer, and it only ranks behind Amazon Prime (18.6 million subs) and Netflix (8.1 million subs) overall, according to a February 2024 report published by MediaPartners Asia’s ampd. The study also noted that U-Next was the fastest-growing platform in Japan’s SVOD market in 2023, with a 30% share of all net new subscribers added that year. 

This deal aligns with Moonbug’s focus on strengthening its presence in the Asian region. Last July, Yasmin Zahid joined the company as head of distribution and brand partnerships in APAC, with a remit to work with key buyers there to expand Moonbug’s footprint. Her hire followed closely behind YoungAh Park coming on board in April as Moonbug’s first-ever commercial director for South Korea.

Press Release: Warner Bros. Discovery To Launch Max In Europe Beginning May 21

Warner Bros. Discovery announced today that Max, its enhanced streaming service, will launch in the first European countries beginning May 21. Max brings together HBO Max’s can’t-miss programming, Discovery’s engaging real-life entertainment and all the world-class action from Eurosport’s premium subscription service to create a complete viewing experience for the whole household with premier TV shows, fresh and iconic movies, unmissable sports, and flagship TV networks in select countries, in a single destination for the first time.

On May 21, Max will become available across the Nordics, Iberia, and Central and Eastern Europe. Launches will follow closely after in Poland, the Netherlands, France, and Belgium*. France and Belgium are the first new countries where WBD has launched its streaming service in over two years. These launches mean Max will be available in 25 countries in Europe and 65 countries and territories worldwide after launching in the U.S. in May 2023, and launching in Latin America and the Caribbean earlier this year.

JB Perrette, CEO and President of Global Streaming & Games at Warner Bros. Discovery announcing the rollout of Max at the TV festival Series Mania said: “Max is the streaming home of Warner Bros. Discovery and builds on our long heritage in Europe, bringing together an incredible breadth and depth of culture-defining entertainment from our services and networks, all in one place. The unrivalled content we’ve got on Max from ‘House of the Dragon’ to Olympic Games Paris 2024 and beyond means whatever your mood or the occasion, Max has something great for everyone, every time.”

Content offering

The launch of Max in Europe is marked by the return of the highly anticipated HBO Original “House of the Dragon,” which premiers on Max in Europe on June 17. Max will bring a new streaming experience to Europe with more than double the amount of content currently available on HBO Max. This summer, Max will be the only place to stream every live moment of Olympic Games Paris 2024 in the 25 European countries where Max will be available. Paris 2024 will be included in all subscription plans, ensuring all customers will gain complete access to the biggest sporting event in the world.

Max stands out as distinct amongst streamers by uniquely combining unrivalled breadth and its new and improved app with iconic franchises and a strong product experience. Subscribers will be able to enjoy a wide range of quality entertainment with Warner Bros. movies such as Barbie, Aquaman and The Lost Kingdom, and Wonka, HBO Originals The Last of Us, The White Lotus, Euphoria, True Detective: Night Country, The Regime, The Sympathizer, The Jinx - Part Two and the upcoming new comedy The Franchise.

A new slate of Max Originals based on popular Warner Bros. Pictures’ entities will be coming to Max including The Penguin and Welcome to Derry (Stephen King’s IT). Films from WB’s extensive library including the Harry Potter franchise, Paddington, The Matrix, The Dark Knight, Joker, and The Lord of the Rings, as well as fan favorites like 90 Day Fiancé, Gold Rush and Fixer Upper from Discovery will also be offered.

A Sports Add-On will bring fans extensive coverage of major international and European sports including every tennis Grand Slam – Australian Open, Roland-Garros, The Championships, Wimbledon and the US Open, cycling’s three Grand Tours – Giro d’Italia, La Vuelta a España, and the Tour de France in addition to the Tour de France Femmes, 24 Hours of Le Mans, and every major winter sports World Championship and World Cup events. Rights vary between countries.

A selection of flagship live linear networks will also be available on Max in some countries in select plans including CNN International in France and Poland, TVN in Poland, TV Norge in Norway, Kanal 5 in Sweden and Eurosport in all countries.

Plans

Max will offer a choice of different plans, plus a Sports Add-On which may be added to any base plan**. Full details about pricing will be announced in the coming weeks and will vary country by country.

Basic with Ads Plan:

• This plan will allow users to enjoy Max at a lower price and will include advertising.

• It will be available first in nine European countries, before expanding to others.

• The first countries where the Basic with Ads plan will be available are Norway, Sweden, Denmark, Finland, Netherlands, Romania, Poland, France and Belgium.

• Users will be able to stream content on 2 devices simultaneously. 

• Content will be available in Full HD resolution.

 

Standard Plan:

• Users can stream content on 2 devices simultaneously. 

• Content will be available in Full HD resolution. 

• This plan will allow up to 30 downloads of available content to watch offline.

 

Premium Plan:

• Provides the best consumer experience.

• Users can stream content on up to 4 devices simultaneously. 

• Full HD or 4K resolution and with Dolby Atmos sound (as available).  

• This plan will allow up to 100 downloads of available content to watch offline. (Limits apply)

 

Sports Add-On:

• The Sports Add-On will provide coverage of top sports events including Grand Slam tennis, cycling’s Grand Tours, 24 Hours of Le Mans, the live linear networks Eurosport 1 and Eurosport 2 and much more.

• Customers should check local listings for rights availability in their countries.

• The Sports Add-On is sold as an add-on to any base plan.

• Users can stream sports content on 2 devices simultaneously (of their available base plan streams).

 

Existing HBO Max subscribers will be able to discover the new experience on Max while keeping their current profiles, and viewing history, continuing their Max journey where they left off. In some cases, depending on device or operating system, the HBO Max app will be automatically updated to the Max app. In other cases, when users open their HBO Max app, they will be prompted to download the new Max app, allowing them to begin exploring the new platform in just a few clicks. discovery+ and Eurosport premium SVOD subscribers will be given details in due course about how to subscribe to Max.

*WBD’s enhanced streaming service will be called HBO Max in the Netherlands and Belgium.

**Channels and live content in Standard and Premium plans, and the Sports Add-On may contain ads. On-demand content in all plans may include sponsorship and product placement.