The Librarians: The Next Chapter Marks A Thrilling Return To Magic And Adventure, Premiering 4 January 2026 On Universal TV Across Africa

Universal TV (DStv 117) today announced that The Librarians: The Next Chapter will premiere on 4 January 2026 at 18:20 (CAT), with new episodes airing every Sunday in a double bill each week.

A spinoff of the hit series The Librarians, the new action-adventure drama delivers a fresh twist on the world of magical artifacts, daring missions, and secret knowledge. The story centres on a Librarian from the past who time-travels to the present - only to find himself stuck in a world he no longer recognises. When he visits his ancient castle, now transformed into a public museum, he inadvertently unleashes powerful magic across the continent. To make things right, he’s assigned a new team, setting the stage for a thrilling journey to recover rogue artifacts and restore balance to a world suddenly steeped in sorcery.

Starring Callum McGowan (Jamestown, Raven’s Hollow), Olivia Morris (Hotel Portofino, Rise Roar Revolt), Bluey Robinson (Cats, Britannia), Jessica Green (Roman Empire, The Outpost), and Caroline Loncq (No Offence, Nightflyers), The Librarians: The Next Chapter combines humour, heart, and high-stakes fantasy in a gripping 12-episode arc.

The series is executive produced by Dean Devlin, Marc Roskin, and Rachel Olschan-Wilson, the creative forces behind the original The Librarians and numerous fan-favourite genre hits.

Don't miss the magic when The Librarians: The Next Chapter premieres on 4 January at 18:20 on Universal TV, with back-to-back episodes every Sunday until 8 February 2026.

Termination Notice Has Been Issued Out To Cartoon Network And Discovery Channel Leaving Only TNT And Discovery Family On DStv

Yesterday, it was reported that MultiChoice and Warner Bros. Discovery "might" have settled their carriage dispute regarding the 12 channels and HBO's content on M-Net. This is because a few channels had a termination card and some didn't.

Now, MultiChoice had sent out channel termination notices for Cartoon Network and Discovery Channel leaving only Discovery Family and TNT. 

Negotiations between both parties are still ongoing so the fact that the batch to have gotten termination notices earlier doesn't mean an agreement can't be reached where they join the initial four. None of the messages list each individual channel so there's hope.

Of course several theories behind Cartoon Network's inclusion does enter the fray.

Firstly, MultiChoice's team has been incompetent for a while it's not news to any DStv customer so it's likely they took longer to add them.

But of course, when Paramount announced that BET and MTV Base alongside CBS Reality and CBS Justice in its joint venture with AMC Networks International were out the door. These notices were sent out simultaneously despite them not going dark at the same time.

It does lead some to wonder could a new agreement have been reached for the initial four and MultiChoice in its attempt to prevent a media debacle chose to now list Cartoon Network up for closure. I mean it wouldn't be the first time MultiChoice had tried scrubbing such info.

The news of those 8 channels possibly leaving DStv would anger a lot of DStv customers. But similar to the Cartoonito leak in 2023, MultiChoice and Warner Bros. Discovery probably want to address the elephant in the room - TLC and Food Network.

MultiChoice had stated they were open to replacing these channels and if an agreement had been reached. Could it be that some of this content will just resurface on a replacement as seen with Nickelodeon in New Zealand.

Its so possible that MultiChoice is more channels aside from TNT and Discovery Channel. Perhaps renewals for Food Network, Investigation Discovery and HGTV are taking a lot longer than anticipated again those are all theories.

January 2026 On History Channel Across Africa | Channel Premiere: Hazardous History With Henry Winkler | Returning Shows Including Life After People | More

Brand New & Exclusive

LIFE AFTER PEOPLE S3 

5 January

Mondays 19:25

What would happen if every human being on earth disappeared? This is the story of what happens to the world we leave behind. The series builds on the HISTORY Channel’s documentary special ‘Life After People’. This latest season of the series continues to explore what a world wiped clean of humanity would look like. The series uses the most cutting edge visual effects to provide a detailed picture of a post-human future, revealing the fate of famous structures and investigates the creatures that might inherit the places we once lived. Repeat: Next day 11:45

Brand New & Exclusive

BEYOND SKINWALKER RANCH S3

2 January

Fridays 20:15

To fully unlock the secrets of Skinwalker Ranch - widely considered to be ground zero for Unidentified Aerial Phenomena - Dr. Travis Taylor and Erik Bard expand the investigative team and broaden their reach to explore evidence of similar phenomena at sites around the country. Repeat: Monday 12:35

Brand New & Exclusive 

HAZARDOUS HISTORY WITH HENRY WINKLER

22 January

Thursdays 19:25

There was a time, not long ago, when we drank Coca-Cola that was laced with actual cocaine. We smoked everywhere, from airplanes to the doctor’s office. We stored our food in toxic refrigerators and flew down slides that ripped our skin off. We played (unknowingly) with radioactive toys and decorated our Christmas tree with ornaments made from asbestos. And ignorance was bliss. Hosted by the iconic Henry Winkler, each 60-minute episode of this nostalgia-drenched series tells the entertaining stories of the unchecked and unregulated places, people, products, practices, and pastimes from a forgotten era. Fast-paced, informative, and a little bit scary, the series is a running cavalcade of the most careless, reckless and unsupervised tales of irresponsibility in our history. Repeat: Next Day 11:45

Brand New

HITLER’S HOLOCAUST RAILWAYS WITH CHRIS TARRANT 

27 January

Tuesday 21:05

British television personality Chris Tarrant goes on a personal journey to explore the darkest chapter in the history of the railways, their role in the Nazi Holocaust of WWII. Traveling through three countries from Nuremberg to Auschwitz, he explores the history from the first anti -Jewish laws and the Nazi’s quest to build the world’s most powerful railway of war - to the eventual use of that railway network to transport millions to their deaths. Repeat: Next Day 13:25

Paramount Is Going Hostile With New Bid For Warner Bros. Discovery

Paramount Skydance is launching a hostile bid to buy Warner Bros. Discovery after it lost out to Netflix in a months-long bidding war for the legacy assets, the company said Monday.

Paramount will go straight to WBD shareholders with an all-cash, $30-per-share offer. That's the same bid WBD rejected last week, which Paramount Skydance CEO David Ellison said Monday never got a response from Warner Bros. Discovery. The offer is backstopped with equity financing from the Ellison family and the private-equity firm RedBird Capital as well as $54 billion in debt commitments from Bank of America, Citi and Apollo Global Management.

"We're really here to finish what we started," Ellison told CNBC's "Squawk on the Street" Monday. "We put the company in play."

Shares of Paramount were roughly 5% higher in premarket trading Monday. Shares of Warner Bros. Discovery were up about 6%. Shares of Netflix were slightly lower.

On Friday, Netflix announced a deal to acquire WBD's studio and streaming assets for $72 billion. Paramount had been bidding for the entirety of Warner Bros. Discovery, including those assets and the company's TV networks like CNN and TNT Sports.

Comcast also bid for the streaming and studio businesses, CNBC previously reported.

Paramount has repeatedly argued to the WBD board of directors that keeping Warner Bros. Discovery whole was in the best interest of its shareholders.

Paramount executives also plan to argue their deal will have a much shorter regulatory approval process given the company's smaller size and friendly relationship with the Trump administration, according to people familiar with the matter.

"We've had great conversations with the President about this, but I don't want to speak for him," Ellison said Monday.

Netflix's proposed acquisition has already raised antitrust questions, in particular for combining two of the most dominant streaming platforms. CNBC reported Friday that the Trump administration was viewing the deal with "heavy skepticism," and President Donald Trump said Sunday the market share considerations could pose a "problem."

Netflix agreed to pay Warner Bros. Discovery $5.8 billion if the deal is not approved, according to a Securities and Exchange Commission filing Friday. Warner Bros. Discovery said it would pay a $2.8 billion breakup fee if it decides to call off the deal to pursue a different merger.

More Bad News Might Be Awaiting DStv Consumers As MultiChoice And Warner Bros. Discovery Square Off

According to some new reports, DStv subscribers may have to brace for more bad news aside from Paramount closing MTV Base and 3 other channels. The fight is on in trying to retain Cartoon Network and TNT as well as The White Lotus on M-Net.

Warner Bros. Discovery and MultiChoice had this carriage dispute for sometime regarding the future of these networks and it's content on M-Net. As reported, Netflix had won the bid to acquire the portion that licenses to M-Net.

MultiChoice under its new owners Canal+ seemingly implied that rates to renew such agreement is higher. And as I've mentioned for a while now things about to get messy from insider's reports that things aren't looking good.

It could imply two scenarios

The first DStv consumers will lose all 12 channels meaning no more reruns of Regular Show on Cartoon Network and Holiday Baking Championship on Food Network. Superman, Green Lantern and Harry Potter on M-Net Movies those are gone as well.

From 2026, MultiChoice will lose DStv consumers at an alarmingly rate as seen in Kenya where it lost 85% of its audience. While they promise to replace the affected channels, none of the content from these brands would form part of the lineup anyways.

MultiChoice will find it hard trying to convince consumers across the DStv bouquet to retain their subscription. Even with replacements, there would be no Sister Wives or AEW Dynamite which is what the paying consumer subscribed for.

Various outlets are putting most of their bet on the first scenario and if you've seen what happened in the week was Netflix's possible acquisition of Warner Bros. Lots of websites placed their bid on Paramount winning as the deal would have included the cable networks.

But I'm putting my cards out for the second scenario where MultiChoice and Warner Bros. Discovery are able to finalise an agreement - eventually.

"Things Aren't Looking Good" could imply instead of 12 additional channels joining the 4 existing channels from Paramount to exit DStv. It could as well be between 4-7 channels and I've stated this before MultiChoice doesn't need all these channels.

Travel Channel had been in decline that even MultiChoice Africa no longer offer it to DStv consumers. HGTV similar to BBC Earth wasn't even licensed to consumers in some African markets making it a strong contender to get the axe.

Under previous management, MultiChoice was prioritising on content which led to the exit of a couple of popular brands like Animal Planet and BBC First. Maybe under French hands, they could look to keep channels with massive appeal and remove ones deemed expensive or redundant.

Popular brands within their stable include Discovery, TLC, Cartoon Network and TNT, with expensive or low rated brands like HGTV, Food Network and Discovery Family.

If theres one thing I believe would be a priority is the part that deals with M-Net and Showmax as a loss would lead to viewer erosion. The part in which M-Net contract with has major IPs under their belt and is a contributor to M-Net's success.

The linear part doesn't even appear in South Africa's 20 most watched channels making the content part a liability. 

The second scenario seems probable although they would lose subscribers it wouldn't be severe if this number went up to 16 channels. MultiChoice can do without some of these brands as it would give them time to calm the masses and seek alternatives.

How Netflix's Potential Acquisition Of Warner Bros. Discovery Affects M-Net, DStv And Showmax?

Not long ago, it was reported that Netflix won the bid to acquire Warner Bros. Discovery valuing the deal at $72 billion. This deal would DC Entertainment/Studios, Cartoon Network Studios, HBO, Warner Bros. Pictures/Television and New Line Cinema.

Below is a how this deal is bad news for MultiChoice

M-Net and Showmax

MultiChoice had been licensing Game Of Thrones and Penguins from HBO to M-Net and Showmax. In the event of an acquisition, Netflix had expressed interest to continue these partnerships with local broadcasters but it may not be easy.

If MultiChoice continues to license content from Warner Bros. they could as well look to increase the rates. This is something MultiChoice's new owners Canal+ may not find amusing as they've begun cost cutting due to DStv's shrinking consumer base.

Besides that, the previous owners at MultiChoice had been anti-Netflix for sometime so the general audience had sort of painted a certain image of the company. While free-to-air broadcasters such as SABC and eMedia Investments had been licensing from the streamer.

MultiChoice put up a wall between them and Netflix again this was the previous owners regime as Canal+ does view them as partners. They do have an agreement to bundle their services in francophone markets alongside a content deal through K+.

The reality is while Warner Bros. continues to license content to M-Net and Showmax, Netflix will likely make further productions exclusive to their services. If they do continue licensing, I doubt MultiChoice would want their scraps.

Netflix is already available in the market which further complicates things as M-Net and Showmax are meant to go hand in hand with their content. But then again, MultiChoice is part of StudioCanal's parent company which gives them leverage.

Netflix may offer Stranger Things, Squid Games and Wednesday but with Canal+'s MultiChoice there's Paris Has Fallen, Spinners and iShaka iLembe.

DStv

For this part, I feel there's a lot of exaggeration as Netflix is not acquiring Discovery, TLC or the linear Cartoon Network as that is being spun off into a separate company. Of course, Netflix's bid to be frank sort of dilutes the value of Cartoon Network.

Cartoon Network under Discovery Global will be leaning more toward third party programming such as Lego Ninjago, Dragonball Super and Totally Spies!. While what made Cartoon Network, Nickelodeon and Disney "The Big 3" like Regular Show and Tiny Toons Looniversity goes to Netflix.

It's likely that they will be a licensing agreement for these shows but they'll most definitely be like DreamWorks Channel - reruns. Under a separate company, they're not going to prioritise on these Netflix originals.

If it is deemed expensive these shows could as well get phased out and again that just dilutes Cartoon Network who had been reliant on these IPs.

Turning over the torch to Discovery Global, this is the company that MultiChoice is involved in a carriage dispute with over the future of its 12 channels. These include Discovery Channel, HGTV, TLC and as mentioned the linear Cartoon Network.

Of course, the matter of concern here to me is that as mentioned with Cartoon Network while the Netflix deal makes the company more leaner. There's still another 20 billion worth of debt they need to clean out.

Expecting for content to be reduced, potential sales or closures to operations or channels and lastly massive layoffs particularly for international feeds.

All of this might as well unfold while these channels are no longer on DStv but then again it's likely that MultiChoice could opt to keep a few channels. My guess would be Discovery Channel, TLC, Cartoon Network, Real Time, Cartoonito, ID and CNN.

MultiChoice Is In Trouble As M-Net And Showmax Are Also At Risk Of Losing Content From HBO, TLC And Cartoon Network

A few days ago, it was announced that Netflix had won the bid to acquire Warner Bros. Discovery (excluding it's cable networks). This comes after MultiChoice and the company made it transparent to viewers that their 12 TV channels on DStv could be going dark from next year.

These include Discovery Channel, TLC, Discovery Family, TNT, Real Time, Investigation Discovery, Food Network, HGTV, Travel Channel, Cartoon Network, Cartoonito and CNN. A petition had been going around following news of its possible demise.

According to sources, not only does this deal affect these cable networks but also their licensing deal with M-Net and Showmax for shows like House Of Dragons, The White Lotus and The Gilded Age.

MultiChoice had stated at the time that they were open to replacing these channels and if that's so none of the content from HBO or Warner's cable networks would form part of the lineup. Warner Bros. is one of MultiChoice's biggest clients.

Compared to Disney and Paramount that offer only 6 channels each, they offer a combined figure. Since Disney+ inception, content from the brand had been further reduced on M-Net, DStv and Showmax but that wasn't the case for Warner Bros. Discovery.

For MultiChoice and it's owner Canal+, there is a lot in stake for them should they opt to have these channels removed. In two years, they've lost over 2 million subscribers particularly in Kenya where it lost 85% of its subscribers and this will just accelerate.

Paramount already plans to close CBS Reality, CBS Justice, BET and MTV Base, and although the consumer numbers are expected to decline. It will be more severe as seen in Kenya should consumers miss out on 90 Day Fiance and Craig Of The Creek. 

‘HBO, DC, Cartoon Network’: 10 Companies That Netflix Will Now Own After The Warner Bros Buyout

Following Netflix’s agreement to acquire Warner Bros Discovery’s TV and film studios and streaming division in a deal valued at roughly $72 billion, the streaming giant will take control of some of the most influential brands in global entertainment. Based on the assets included in the sale, here are 10 major companies and brands Netflix will now own.

1. HBO

The deal includes Warner Bros Discovery's streaming and premium-TV business, giving Netflix full ownership of HBO, one of the strongest content brands in the world, known for Game of Thrones, Succession, The Last of Us and more.

2. HBO Max / Max

Netflix will also acquire the HBO Max (rebranded as Max) streaming service, a direct competitor. This dramatically increases Netflix’s control over prestige television and reshapes the streaming landscape.

3. Warner Bros Television

The acquisition includes Warner Bros’ television production unit, one of the industry’s largest suppliers of scripted and unscripted programming, producing shows for networks globally.

4. Warner Bros Pictures

Netflix gains control of Warner Bros Pictures, the centerpiece film studio behind franchises such as Harry Potter, DC Films, Mad Max and Fantastic Beasts.

5. DC Entertainment / DC Studios

The DC superhero universe featuring Batman, Wonder Woman, Superman, Joker and more, falls under Netflix’s ownership as part of the studios division.

6. New Line Cinema

The iconic studio behind The Lord of the Rings, The Conjuring and IT will become part of Netflix’s content empire through the Warner Bros acquisition.

7. Cartoon Network Studios

The animation division producing global hits like Ben 10, Adventure Time and The Powerpuff Girls will be owned by Netflix, expanding its youth and animation catalogue.

8. Adult Swim

Known for Rick and Morty, Aqua Teen Hunger Force and cult animation, Adult Swim also moves under Netflix as part of the studios and TV assets it is buying.

9. Turner Classic Movies (TCM)

TCM’s extensive classic-films library and broadcast brand will fall under Netflix's control, giving it unmatched catalogue depth.

10. Vox Media Partnership Assets

Warner Bros Discovery maintains multiple joint ventures, including content partnerships with Vox Media (such as digital news/documentary collaborations). These partnership rights transfer to Netflix as part of the studio and streaming business purchase.

The article was originally published by Wionews

Netflix Wins the Warner Bros. Discovery Bidding War, Enters Exclusive Deal Talks

Warner Bros. Discovery is moving forward with exclusive deal talks with Netflix, TheWrap has learned.

WBD has selected Netflix after the streaming giant offered $30 a share for the studio and streaming assets, according to two people familiar with the deal talks. The deal also includes a $5 billion break-up fee to match the terms that Paramount added with its bid.

While its unclear what the makeup of the new bid looks like, the prior bid was a mix of mostly cash and stock.

Netflix securing a win over rival suitors Paramount and Comcast represents a stunning turnaround from just two months ago, when co-CEO Greg Peters shaded big media mergers as not having an “amazing track record,” and Paramount buying WBD seemed like a foregone conclusion. Fast forward to today, and Netflix has won a furious M&A bake-off after three rounds of bids.

Representatives for Netflix and WBD weren’t immediately available for comment.

These exclusive talks clear the road for Netflix to acquire the Warner Bros. studios, HBO Max and a treasure trove of IP assets like “Harry Potter” and the DC Universe. Netflix, which once aspired to be like HBO when first embarking on original content, is on a course to become its next owner. Obtaining such assets could dramatically reshape the entertainment landscape and give Netflix even more power over Hollywood — concerns the streamer will have to assuage.

Regulatory hurdles

The willingness to include the unusually large breakup fee was likely critical with questions arising on how Netflix will get a deal with Warner Bros. through regulatory approval. It would face stiff antitrust scrutiny and opposition from the U.S. Department of Justice, New York Post’s Charles Gasparino reported on Tuesday.

A representative for the Department Justice declined to comment on the report.

In a Nov. 13 letter to U.S. Attorney General Pam Bondi, Federal Trade Commission Chairman Andrew Ferguson and Department of Justice antitrust division assistant attorney general Gail Slater, Republican Rep. Darrell Issa warned that a Netflix bid would raise antitrust concerns that could harm consumers and Hollywood alike. He noted that consolidation between the two companies would “diminish incentives to produce new content and major theatrical releases,” which could “undermine opportunities for the full range of industry professionals both in front of and behind the camera.”

California Attorney General Robert Bonta has previously voiced his opposition to any deals involving WBD. “Further consolidation in markets that are central to American economic life — whether in the financial, airline, grocery or broadcasting and entertainment markets — does not serve the American economy, consumers or competition well,” his office told TheWrap last month in response to Paramount’s initial offer.

“We are committed to protecting consumers and California’s economy from consolidation we find unlawful,” the spokesperson added.

The process of completing the deal could distract the company from executing its core business. There’s also the X factor of Netflix jumping into the deep end of the theatrical business, a part of the entertainment world it has kept its distance from. Netflix shares fell 5% on Wednesday when investors realized the prospect of a deal happening was very real.

Would Paramount Be A Good Suitor For Warner Bros. Discovery Global?

Paramount is planning to several linear channels across the world by the end of 2025. This includes Nickelodeon's channels in New Zealand and Brazil, BET in France and MTV's music channels across Europe.

Amidst this, Paramount is currently in pursuit of Warner Bros. Discovery which distributes brands like Discovery Channel, HGTV, Cartoon Network and CNN. Prior to this bid, Warner Bros. Discovery was exploring potential split with most of their cable networks forming part of Discovery Global.

If we analyze most of the channels Paramount is looking to shutter across the world such as BET in France and Nickelodeon in Brazil. You would discover that most of the hits target regional or localised brands which does lead us to wonder what is to become of Discovery Global.

Discovery Global offers a lot of cable networks compared to Paramount the ones which have seen success internationally include Cartoonito, Boing and DMAX. These would expand to include regional networks like Discovery Family, Real Time and TNT.

In the event where Paramount bid is probably deemed successful whose to guarantee that these networks won't walk out the door. Paramount is pivoting toward streaming and wanting to offer content with global appeal.

If you look at the state of Paramount's cable networks their operations would be reduced to just MTV, Comedy Central, Nickelodeon, Nick Jr. and Nicktoons by next year. As BET, MTV Base and various other channels get their affairs in order and bid farewell.

There's a chance Cartoon Network and Nickelodeon could be placed under the same umbrella although Paramount intends to keep certain aspects of Warner Bros. Discovery. Reductions is the one thing that usually comes out of a merger or acquisition.

Paramount intends to merge HBO Max with Paramount+ and that wouldn't necessarily equal more content. HBO Max in such a transaction could become what Hulu is on Disney+ globally as opposed to a juggernaut like Netflix.

Paramount very much like Warner can see the writing on the wall when it comes to dominance and the reality is that not everyone can be a shark under water. Some companies to resort to partnerships or even mergers to become a bigger fish in the ocean.

Usually in merger and acquisitions, the acquiring company puts their needs above all else. In the first round, it would be Nickelodeon, Nicktoons, Nick Jr., from Paramount going up against Cartoon Network and Cartoonito from Warner Bros. Discovery.

Warner Bros. Discovery had been reliant on third party content for these cable networks and Paramount may not like that strategy. Aside from that, Cartoon Network makes 15%-20% of its revenue from 2014 which has affected the channel's overall performance.

Teen Titans GO! is currently the only primetime show on the network while other productions like Tiny Toons Looniversity and We Baby Bears wrap productions. Then there's Batwheels on Cartoonito which has been on limbo following its third season renewal.

Paramount in its attempts at scaling back on costs could opt to merge Cartoon Network's operations with that of Nickelodeon or Nicktoons while Cartoonito is phased out in favour of Nick Jr.

The second round would comprise of Travel Channel, Discovery Family, Real Time and TNT.

As seen already, Paramount is scaling back on its international operations with the closures of CBS Reality, CBS Justice, MTV Base and BET. Whose to say that the same fate won't await these brands.

Discovery Channel and TLC have more reruns and part of their primetime shows are likely reruns from HGTV and Food Network. It kind of makes Discovery Family and Real Time obsolete if the company doesn't have much content for their core brands.

Travel Channel is very similar to BET and CBS Reality when it comes to scale with the channel that had also seen a slow decline in carriage. Under Paramount, this endeavours would be accelerated even further.

DStv Without Discovery Family And Possibly Real Time??? It Wouldn't Seem Far Fetched A Stretch

As some consumers have heard, MultiChoice might be removing 12 additional channels following the news of CBS Justice, CBS Reality, BET and MTV Base's purge from DStv. It should be noted that MultiChoice is still negotiating with Warner Bros. Discovery over these 12 so nothing is final.

My esteemed guess is that MultiChoice will likely look to reduce the number of channels targeting premium brands like HGTV and even redundant ones like Discovery Family. 

Due to the rise in streaming, various companies such as Disney and Paramount have been scaling back on their international operations. As mentioned, the upcoming axing of MTV Base and BET which would the likes of FOX and Disney XD.

Warner Bros. Discovery has the largest linear portfolio with MultiChoice compared to Disney which had only 6 with Paramount that will be reduced to just 5 channels. Amongst the offering are crown jewels Discovery Channel, TLC, CNN and Cartoon Network.

Over the years, some of these cable networks have seen a rise in reruns or in this case TLC which had its airtime split for shows on Food Network, HGTV and Investigation Discovery.

MultiChoice had already been distributing content from these channels through Real Time which had me wondering why Warner Bros. Discovery would diminish the value of TLC. Even Investigation Discovery and Discovery Channel had gone through a similar ordeal.

Food Network and HGTV are the only brands that haven't been affected.

A few years ago, Warner Bros. Discovery opted to discontinue distribution of Discovery Science and Discovery Turbo across Europe. Very similar to Discovery Family and Real Time no marketing was done for any new content from these brands.

It would only seem logical if plans were underway to do away with these channels especially amidst Warner Bros. Discovery's potential acquisition by either Comcast, Netflix and Paramount.

With the main networks struggling to scavenge new content it makes Discovery Family and Real Time the weakest links.

Canal+ following its acquisition of MultiChoice has been trying to put out the fire as the company has seen a loss in subscribers and a drop in revenue. This had led Canal+ to shed certain operational expenses at the company by 20%.

In this carriage deal MultiChoice and Warner Bros. Discovery are embroiled in there's a strong chance that both parties will settle this with lesser channels.

Discovery Family very much like TLC and Real Time have been airing older programming it's not only Discovery Channel's yesteryear stock but also My Cats From Hell. The same show would eventually resurface on Real Time making it a stronger candidate to get the axe.

Real Time could as well be repositioned to include shows from Discovery Channel as seen with Animal Planet, Food Network, HGTV and Investigation Discovery. Perhaps take up a higher position within DStv instead of 155 it sits alongside TLC on 136.

Amidst this whole dispute, Warner Bros. Discovery had unveiled several upcoming titles for Discovery Family that could as well migrate to Real Time in the event Discovery Family would be removed.

Unlike BET's Black Gold, CBS Reality Won't Be Able To Wrap Up Judge Judy When It Goes Dark On DStv

A few years ago, Judith Sheindlin announced that her court show Judge Judy currently seen on e.tv and CBS Reality would be hanging up its gloves after the 25th season. The problem part is that Africa is still behind as CBS Reality is on its 21st season with e.tv on its 22nd season.

This means e.tv has yet another 3 years worth of court room drama to wrap up while CBS Reality won't be able to air the remaining 4 years of episodes.

Paramount had already confirmed that it's joint venture with AMC Networks International for both CBS Reality and CBS Justice would be ending soon. This would bring about the end of Judge Judy which served as one of the longest running primetime shows on the brand.

None of DStv's other channels such as Investigation Discovery, Curiosity Channel or even Real Time will be adding Judge Judy when CBS Reality goes dark. Judge Judy had been cancelled by 2020-2021 and these brands likely won't hover around old content.

This means while the rest of Africa are being shut out from Judge Judy, DStv consumers in South Africa have to rely on a free-to-air broadcaster. The problem is that consumers would have to purchase an Openview or watch it weekday mornings on e.tv at 11:00.

CBS Reality had been airing a lot of reruns to the show and it's run on eMedia's platforms are very minimal or below average.

Comcast Looking To Spinoff And Merge It's NBCUniversal's Division With Warner Bros. Discovery

The future of Warner Bros. Discovery is hanging in the balance, with the entertainment company’s board of directors now weighing second round bids for the company from Comcast, Paramount and Netflix.

The offers were due Monday, and all three companies submitted their revised plans.

While the specific cash amounts were not immediately clear (also complicated by the fact that only Paramount is pursuing the whole company), the second round bids included some notable tweaks. Netflix, for example, is now a mostly cash bid, after initially leaning on its stock as a key part of the deal.

And Paramount is offering all-cash, having secured debt financing from the private equity giant Apollo, as well as unknown Middle East sovereign wealth funds. The nature of the debt financing means that Ellison and Redbird will retain total control of Paramount if they are successful in their bid.

Comcast, meanwhile, is said to have proposed a deal that would see it spin out NBCUniversal into WBD in what would likely be a stock-heavy transaction.

Barring any surprise late bidders or a call by the WBD board to continue with their split, one of the three media giants is likely to emerge as the buyer of assets that include the venerable Warner Bros. film and TV studios, HBO and HBO Max, and IP that includes DC Comics, Friends, and Harry Potter.

So what happens next? WBD’s board will need to weigh the new offers, and either request a third round of bids if they feel they can extract more compelling offers, or pick a winner and start working on a binding agreement.

To split or not to split: This is in many ways the fundamental question about the future of WBD. The company was planning to split itself in two: A streaming and studio business, and a linear TV business. Paramount wants the whole thing, while Comcast and Netflix want to stay away from linear. Does the company sell itself whole (likely to Paramount) or split itself, either in a sale or a continuation of its previous process?

Regulatory hell: The Trump administration has made it clear that David Ellison and his father Larry Ellison would have an easier regulatory path, fresh off their deal for Paramount. At the same time, anonymous administration sources have made it clear to friendly voices like Fox Business Network and the New York Post’s Charlie Gasparino that Netflix and Comcast would face scrutiny. How tough will the government be? And will it dissuade the WBD board from cutting a deal with anyone that doesn’t have the last name Ellison?

Film’s future: Netflix is not in the theatrical film business, really. NBCUniversal and Paramount are. But if the WBD studios are sold, what happens to its film studio, which has had a breakout year under the leadership of Michael De Luca and Pamela Abdy? Netflix has reportedly promised continues theatrical releases, but does that mean the same sort of wide release WB has done? Or a Netflix-ified version? Would NBCU or Paramount really just double their film output? Or is the future of WB more like 20th Century Fox, as a niche with a few releases under the larger umbrella?

Sports superpower: WBD may have lost its NBA rights, but its portfolio still includes prime MLB and NHL deals, one half of the March Madness college basketball tourney (Paramount has the rest) and other rights that include the French Open and college football. When added to the portfolios of Paramount or NBCU, it could make for a compelling sports proposition, a sports media giant that would rival only ESPN in scale. But with those rights set to travel with the linear TV business, their future remains uncertain.

What about Zas? WBD CEO David Zaslav has made no secret of his love of the game. He hosts star-studded dinners at his Beverly Hills mansion (once known as Woodland, the estate of mogul Robert Evans), he has sought out meetings and held court at his U.S. Open suite with A-listers and tycoons. Would he really hang up his power suit (or power vest?) that easily? Paramount has reportedly offered him a major role, so it stands to reason that others may make similar offers as further enticement for a deal.

Mystery bidder: We know that Paramount, Comcast and Netflix have submitted bids, but that doesn’t preclude a surprise bidder entering the fray. Perhaps, say, a private equity firm backed by Middle Eastern money? Or a Japanese entertainment conglomerate with an American partner? Don’t count out any surprises.

Could CBS Reality Be Shutting Down Around The World Alongside True Crime UK???

Some consumers were likely keeping tabs on this but CBS Reality's carriage had been in decline over the years. In the UK, this offering was folded under True Crime which very much like CBS Reality has been airing a lot of Judge Judy same goes for the feeds to have closed.

MultiChoice and DStv consumers have been the latest victims in this corporate restructure of Paramount with CBS Reality and CBS Justice expected to close by 31 December 2025.

This was stated by them when addressing the press

“Following a strategic review, CBS AMC Networks EMEA Channels Partnership – the owner of CBS Reality and CBS Justice – has decided to close both channels,” MultiChoice said.

Does this mean remaining feeds for the channels are expected to close???

At the time of reporting, the only markets that would continue to offer CBS Reality would be the UK (through True Crime), Romania and the Middle East. If you had to look at the channel's reach excluding the UK, it's a lot smaller and such aren't prioritised.

BBC Studios Africa Reveals New Format For BBC Lifestyle, Hidden Gems: South Africa

BBC Lifestyle is set to unveil Hidden Gems: South Africa, a fresh and immersive travel series that takes viewers off the beaten path to discover South Africa’s most luxurious and lesser-known escapes. Launching in 2026, the six-part series blends influencer-led storytelling with audience participation to celebrate the country’s rich natural beauty.

Hidden Gems: South Africa follows five South African travel influencers as they explore and showcase two of South Africa’s greatest hidden gems per episode, each accompanied by a guest. In each episode, the influencer receives an envelope revealing the surprise gems which they must visit, review, and showcase. BBC Lifestyle viewers will vote for their favourite hidden gem from the series and be in with the chance of winning exciting prizes. The most compelling review and favourite gem, voted for by the audience, will be revealed in the final episode (Episode Six) with the winning influencer receiving a special prize.

The series sees the influencers traveling across South Africa, offering a curated look at destinations that combine luxury with authenticity. Each episode is shaped by a distinct theme, celebrating the diverse beauty and character of South Africa’s landscapes.

The new series is produced by PD Production, the producers behind BBC Lifestyle’s popular shows – Listing Jozi, Listing Cape Town, Listing Mauritius and Listing Coastal South Africa which is currently airing on BBC Lifestyle (DStv channel 174) every Wednesday at 8pm with repeats Thursdays at 5pm.

Pierre Cloete, Vice President for Africa at BBC Studios, commented: “We’re thrilled to bring Hidden Gems: South Africa to BBC Lifestyle in 2026. This new format celebrates the diversity and richness of South Africa’s hidden destinations and showcases authentic local stories and personalities that will resonate with audiences across the continent. For the first time, BBC Lifestyle viewers will be invited to vote for their favourite gem, adding an exciting interactive element to the series.” 

Nico Nel and Trevor Kaplan producers from PD Production said: “With Hidden Gems: South Africa, we wanted to go beyond the usual travel show format. By empowering local influencers to spotlight South Africa’s hidden gems, we’re creating a series for BBC Lifestyle that’s both visually stunning and unique. We have just started filming and can’t wait for viewers to see the magic that’s been captured”

Hidden Gems: South Africa is proudly sponsored by LekkeSlaap, South Africa’s leading accommodation app.

Gerriline Fouché, LekkeSlaap's Chief Marketing Officer said “Hidden Gems: South Africa beautifully captures what we love most about local travel: discovering special places and the passionate people behind them. It’s a privilege for LekkeSlaap to help shine a light on these unique stays across the country.”

Paramount Likely To Be The Frontrunner In Bid For Warner Bros. Discovery

Paramount is the frontrunner in the race to acquire Warner Bros. Discovery, according to a new report from the NY Post. What’s giving Paramount the advantage? A source for the NY Post says that Paramount is the only company to make an offer that includes CNN as part of the deal.

Paramount, Comcast, and Netflix all submitted bids by the deadline on November 20, with Comcast and Netflix showing interest in the studio and streaming side of the business, while Paramount made an offer to buy it all.

While any sale would have to go through regulatory approval, the NY Post says that Paramount will have a much easier time moving through that process. The company got FCC approval for its merger with Skydance after settling a a $16 million lawsuit with President Trump over a 60 Minutes interview with Kamala Harris ahead of the 2024 election, and making a promise to commit to to “unbiased journalism” by airing news and entertainment programming across the political spectrum. Post-sale, Paramount put Bari Weiss of The Free Press in charge of news.

Now, CNN could be getting the CBS News treatment. If Paramount succeeds in acquiring Warner Bros. Discovery, CNN would likely also be put under Weiss’ management and made more Trump administration-friendly. Knowing that, Paramount owners are likely to quickly be given the greenlight in the regulatory approval process while Netflix and Comcast, the NY Post points out, would not.

Comcast owns left-leaning news network MSNBC, which CEO Brian Roberts is spinning off, along with other networks including CNBC and USA, into a new entity called Versant. Netflix leaders Reed Hastings and Ted Sarandos have been known to support left-leaning causes. Those ties might work against both companies with this administration, on top of Comcast and Netflix only showing interest in half of the Warner Bros. Discovery business.

Who Hired The Hitman? Chilling Real-Life Cases Explored In New Series Debuting On Investigation Discovery In Africa

Investigation Discovery, the world’s leading true‑crime destination, is set to unveil its gripping new six‑part series WHO HIRED THE HITMAN?. Premiering Tuesday, 9 December at 21:00 on ID Africa, the series delves into chilling real‑life cases of contract killings, exposing how greed, betrayal, and ruthless ambition can turn deadly. New episodes will air weekly.

 

Featuring six gripping cases, WHO HIRED THE HITMAN? follows the tangled trails of phone calls, suspects, alibis, and hidden motives behind murder‑for‑hire plots. Each episode unravels a unique web of intrigue, from the killing of a snowplough driver that shakes his community, to a real estate entrepreneur caught at the centre of multiple murder attempts. At the heart of every story lies one haunting question: Who is the mastermind pulling the strings? The season premiere, Home on the Rage, airing Tuesday, 9 December 2025, begins with a farmer found dead on his kitchen floor, sparking a complex investigation where everyone on the property becomes a suspect, until a shocking discovery changes everything.

 

Additional episodes this season include: 

The Murder of Big Joe

Premieres Tuesday, 16 December 2025

The midnight murder of a snowplough man puts his friends on edge as their tiny town struggles to root out the culprit. Then, police find a clue on the victim's forehead that may be the killer’s calling card.

 

The Witch Doctor

Premieres Tuesday, 23 December 2025

Killers murder an adrenaline-junkie young father, and detectives sift through tales of illegal chicken fighting, drag racing, cheating, and a mysterious figure nicknamed “The Witch Doctor.”

 

A Hard Man to Kill

Premieres Tuesday, 30 December 2025

For a year, the NYPD follows a bloody trail of murder attempts against a real estate entrepreneur, only to discover that no one is who they seem. The victim has ties to a mob family, and the mastermind is closer than they realised.

 

The Genius and the Mastermind 

Premieres Tuesday, 6 January 2026

The assassination of a computer genius sends detectives on a two-decade hunt for missing gold, uncovers a shocking link to a Saudi sheikh, and exposes a deadly international scheme that claims another life.

 

Dead Body Shop 

Premieres Tuesday, 13 January 2026

A gunman executes three mechanics in a sleepy Connecticut town. Detectives scrape for evidence and uncover a world of chatrooms, embezzlement, an illicit love affair, and three families of potential suspects.   

Afrikaans Adaptation Of The Office To Premiere In January On Showmax

African streamer Showmax is in production on a South African adaptation of global hit format The Office, licensed by BBC Studios.

kykNET will preview the first episode at 8PM on Sunday, 18 January, ahead of the Showmax double bill premiere on Tuesday, 20 January. 

It was more than 20 years ago that the world was introduced to the wonderfully bleak mockumentary world of The Office, created by Ricky Gervais and Stephen Merchant. MetaCritic lists the original British version as the best-reviewed comedy series of all time, while the American version won five Emmys, including Outstanding Comedy Series, and was the most streamed show in the world in 2020. 

This universal appeal has seen the BAFTA- and Golden Globe-winning cult comedy remade for audiences around the world, including Australia, France, Canada, Chile, Israel, India, the Middle East, and Poland. 

The South African edition of The Office, to be called Die Kantoor, will be its 14th adaptation and will be filmed primarily in Afrikaans. 

Rapid Blue, part of BBC Studios, is producing the Showmax Original, with BBC Studios handling global sales.

SAFTA and Silwerskerm winner Bennie Fourie is the head writer and director. He is the co-creator of SAFTA Best TV Comedy winner Hotel and plays Baltus in the award-winning mockumentary Magda Louw. 

“It's a massive honour to be able to make the show,” says Bennie. “When we started way back with Hotel, this was the type of show that we were trying to emulate. I don’t think we were ready to make it then but after 10 years of playing with the mockumentary genre, now is the perfect time for us to do this. Everything has really fallen into place and we’re extremely excited.”  

Bennie is clear he’s not just translating The Office into Afrikaans to remake it shot-by-shot with local actors. Instead, he’s reimagined it from the ground up. “South Africa is not the UK and it’s not the US, and we really wanted to reflect that,” says Bennie.

This started by changing the office setting from a paper company to Deluxe Processed Meats, which specialises in polony. 

“South Africa is a proud meat-consuming nation,” says Bennie. “From biltong to droëwors to steak, many South Africans find some of our identity in the meat we eat. But polony is not on that list. It’s just so flippen pink. When you’re standing around a braai, the last thing you want to say is that you are passionate about polony. Especially after that Listeriosis outbreak.”

The staff are looked down upon by their head office, Deluxe Meats, who specialise in prime cuts, and no one feels safe in their positions, as a BBBEE business consortium recently bought a large part of the company.

Rapid Blue produced Is’thunzi, which earned Thuso Mbedu two International Emmy nominations. They’ve assembled a mix of familiar and fresh faces for Die Kantoor, led by 2025 Fleur du Cap winner Albert Pretorius (Niggies; Nêrens, Noord-Kaap) as Flip, the office manager. 

“Flip’s only been the manager for the last year but he’s excited to welcome the documentary crew,” says Bennie. “He feels like this is his Chasing the Sun; like his rise to greatness needs to be recorded.” 

The ensemble cast also includes SAFTA winner Schalk Bezuidenhout (Kanarie, Hotel), screen legend Lida Botha (Die Kwiksilvers), Carl Beukes (Jozi, The Shakedown), Silwerskerm winner Ilse Oppelt (Oh Schuks I’m Gatvol, Fishy Fêshuns), Daniah de Villiers (Mia in Mia and the White Lion), Mehboob Bawa (Bhai in Bhai’s Cafe), former KFM presenter Sipumziwe Lucwaba, and newcomer Gert du Plessis. 

“Our very first Showmax Original was a mockumentary, Tali’s Wedding Diary, so reimagining the most iconic mockumentary of them all has been a full circle moment for us,” says Tracy-Ann van Rooyen, executive head of content at Showmax, part of MultiChoice, a CANAL+ company.

The announcement comes as South Africa celebrates being in third place overall at tonight’s International Emmy Awards in New York, with a record five nominations: Showmax’s Koek (Drama) and Catch Me A Killer (Actress: Charlotte Hope), M-Net’s School Ties (Documentary), SuperSport’s Chasing The Sun 2 (Sports Documentary), and Play Room Live (Kids: Factual and Entertainment). 

While you wait for the South African version in January, re-watch the US version of The Office S1-9 on Showmax.

Paramount Will Likely Streamline Warner Bros. Discovery If It's Acquisition Is Successful

David Ellison had recently formed Paramount Skydance and is currently in pursuit of Warner Bros. Discovery. If it's takeover bid is successful, this would bring Paramount's CBS, Nickelodeon and Comedy Central alongside WBD's CNN, HGTV and Discovery under one umbrella.

Paramount had stated that if their acquisition of Warner Bros. Discovery is successful both companies would continue operate independently think of DreamWorks Animation and Illumination. Although, no merger plans are underway that doesn't exclude the possibility of reductions.

MTV will be shutting down its music channels by the end of 2025 across the world alongside various other channels. Paramount is undergoing a restructure and wants to align their remaining brands to streaming and Warner Bros. Discovery will follow in this pursuit.

Paramount intends to merge it's 79 million subscribers on Paramount+ with that of 128 million from HBO Max. This would give them 209 million subscribers and their rival Disney+ would fall short at 195 following its merger with Hulu.

Rather than scale back on spending in the event of an acquisition, Paramount wants to increase content spend with its buyout of Warner Bros. Discovery. With over 200 million subscribers, that is very much possible in such a scenario think of Netflix and how much content it offers in a year.

The issues pertaining to the buyout is a difference in narratives if Warner Bros. Discovery had diversity initiatives that is likely to get phased out. Prior to the Paramount takeover, Skydance didn't offer such and never intended to do so same could be awaiting this buyout.

As for creative teams, Paramount wants to continue to keep those separate but it's less likely that the number of employees would remain the same in such a transaction. If there's an underperforming studio, that is most definitely expected to shut down.

Lastly cable networks, as reported Paramount will be closing several channels before the year ends most of which were regional. Warner Bros. Discovery is a company which carries a lot of cable networks mainly from Discovery Inc. with others viewed internationally.

Paramount could opt to retain Discovery Channel, HGTV and Cartoon Network as these brands have global appeal. Perhaps phase out underperforming/niche brands like Travel Channel alongside regional ones like TNT and Real Time.

What remains clear here in Warner Bros. Discovery's pursuit of a potential buyer with Comcast, Netflix and Paramount being eyed. HBO Max could be consolidated under another rival platform and also massive layoffs await whatever is left of the company.

Harry Potter: Wizards Of Baking Brings Mystical Festive Baked Goods To Food Network Africa, Premieres Saturday 6 December At 18:00 CAT

Viewers and legions of Harry Potter fans are in for a treat as Food Network's Harry Potter: Wizards of Baking returns for a magical new chapter this holiday season. Premiering Saturday, 6 December at 14:00 CAT on Food Network (DStv Channel 175), Chapter Two will feature even more spellbinding creations, enchanted elements and baking wizardry as a new field of competitors embark on the experience of a lifetime. Capitalising on the enduring love for Harry Potter, a global phenomenon that continues to captivate people of all ages around the world, the groundbreaking series blends legendary storytelling and fantastical edible creations in a competition that had audiences on the edge of their seats last year.

 

In its debut season, the series drew 40% more viewers compared to the channel average¹ and saw viewership spike by 172% on Christmas Day², cementing the episode as a festive favourite.

 

Returning hosts James and Oliver Phelps (Fred and George Weasley) bring their charm, humour and behind-the-scenes anecdotes, and are joined by esteemed culinary judges Carla Hall and Jozef Youssef, who bring their discerning palates and high expectations to the table. Across the six-episode season, special guests Warwick Davis (Professor Flitwick), Afshan Azad (Padma Patil) and Devon Murray (Seamus Finnigan) help evaluate the competitors' showpieces as they share their own stories from the films.

 

Reflecting on the series’ evolution, James Phelps shared, “We knew what to expect going into season two, and the standard just keeps getting higher and higher through this season as well.” His twin brother Oliver added, “Right off the bat, we see some absolutely incredible desserts this time around. One team made a smoked chocolate patisserie that was just unbelievably cool.”

 

In the two-hour premiere, eight teams of two start their journey in The Great Hall, where the Sorting Hat sorts them into one of the four Hogwarts houses: Gryffindor, Hufflepuff, Ravenclaw, and Slytherin. The first challenge is to craft captivating, edible showpieces inspired by moments from the Harry Potter series and each team's respective Hogwarts house. Week to week, the teams face a new task for which they must design creations that deliver on taste, creativity and visual spectacle, and this season, winning challenges can yield an advantage for a team in the next episode, or the chance to bestow an impediment to others.

 

The series was once again shot at Warner Bros. Studios Leavesden including amidst the backdrop of Warner Bros. Studio Tour London – The Making of Harry Potter, on some of the original sets where Harry Potter's journey was brought to life on screen, including such famed locations as Platform 9¾, The Great Hall, and Diagon Alley, as well as The Potions Room, Privet Drive, the Destroyed Gringotts Bank and the triple-decker Knight Bus. “It felt like we’d been teleported back to our Potter days,” said Oliver. “It was quite a nostalgic thing to be part of, it’s really awesome to relive that.”

 

"Harry Potter: Wizards of Baking brings together perfectly the magic of Harry Potter with the exquisite culinary artistry that exemplifies why Food Network is a holiday destination for viewers each year," said Betsy Ayala, Head of Content, Food, Warner Bros. Discovery. "The success of season one shows the magic that can happen when collaborating across divisions as we did with Warner Horizon in marrying an iconic property with a fan-favourite genre. The next chapter of this delicious competition promises to bring even more joy to fans this holiday season."

 

Teams competing are: Alex Madrigal (Playa Del Carmen, Mexico) and Jenny Chambers (Salisbury, UK), Andy Ortega (Yonkers, NY) and Stefan Rose (Yorkshire, UK), Angel Figueroa (Denver, CO) and Rui Mota (Lisbon, Portugal), Caitlin Taylor (Bowie, MD) and Jaleesa Mason (Bloomfield, NJ), Heather Tocco (Rochester, MI) and Kate Sigel (Nashville, TN), Marj Santaromana (Richmond, VA) and Sarah Arnold (Charleston, SC), Molly Robbins (Lancashire, UK) and Priya Winsor (St. Albert, Alberta, Canada), and Jujhar Mann (Surrey, BC, Canada) and Katie Bonzer (Orlando, FL).

 

A group of lucky fans will have the opportunity to attend the grand finale, where the remaining teams must make a showpiece that celebrates the Goblet of Fire in a nod to the 20th anniversary of the fourth film in the series. In the end, one victorious team will take home the trophy and be crowned the Wizards of Baking.

 

Food Network Africa had the opportunity to chat with James and Oliver Phelps to get some insight into Chapter Two. Reflecting on the show’s growing international fan base, Oliver shared, “It’s been amazing speaking to people all over the world who watch the show and hearing how they ask each other, ‘What would you make?’ It really connects people through creativity and culture.” James added with a laugh, “I think someone should definitely make a biltong-shaped cake – that would be brilliant!”