Showing posts with label DStv Flex. Show all posts
Showing posts with label DStv Flex. Show all posts

Channel Closure: History Channel Will Stop Airing In Turkey From 31 December 2025 Alongside CBS Reality In Romania

According to insiders, History Channel will be bowing out in Turkey by the end of 2025. The reason for its termination is unknown but this happens to be the Pan European feed that is seen on DStv across Africa.

This comes after reports had surfaced that Disney and Hearst Corporation that formed A+E Global Media were looking to sell the company with Starz eyed out as a potential buyer. We assume with a sale more restructuring will be underway for its international operations.

Also joining History Channel by 31 December 2025 will be CBS Justice in Africa alongside CBS Reality with Poland and recently Romania announced for closures of the brand.

Following Paramount's acquisition by Skydance, the company has been streamlining it's operations affecting its joint venture with AMC Networks International. This even includes MTV's music channels and BET's operations in France and Africa.

As mentioned, in some of these markets CBS Reality and Paramount's fleet of channels are being replaced. Unlike MultiChoice, that could be losing 16 channels by the end of December part of which has to do with its dispute with Warner Bros. Discovery.


Dark Days Could Be Lurking For TNT Africa

As advised, MultiChoice will be shuttering Warner Bros. Discovery's 12 channels on the DStv platform due to pricing problems. Channels like Food Network qnd Discovery Family will cease to exist in Africa as MultiChoice was the only provider for them.


Another channel that could be joining Food Network and the other channels in a not so distant future would be TNT.


TNT is ranked as the #1 international movie channel in Africa offering action based films and various content from wrestling promotion AEW. It was only last year when StarTimes opted to discontinue carriage of the channel for similar reasons.


Unlike Cartoon Network and a fleet of channels that are packaged on StarTimes, Zuku TV and Azam TV. The only other means of viewing TNT would be through Canal+ Afrique's operations in Rwanda.


The problem part, Canal+ Afrique and MultiChoice are owned by the same company meaning TNT Africa's days in the market could be numbered. It's less likely to be revived on another platform as StarTimes and the latter already have alternatives in place.


Unlike Cartoon Network and TLC where the content can't simply be replaced with an alternative. Outside of AEW, TNT uses the same catalogue as ST Movies, Studio Universal and M-Net Movies.

Four Channels Facing Bigger Risk Of Extinction Within MultiChoice And Warner Bros. Discovery Dispute

With only a few days left in 2025, MultiChoice and Warner Bros. Discovery have yet to come into an agreement over the fate of its 12 channels. These include Discovery Channel, TLC, TNT, Cartoon Network, Cartoonito, CNN, Travel Channel and HGTV.


If these channels were to go dark for instance, consumers in South Africa would have no other means of viewing them. As opposed to other markets with StarTimes, Zuku TV and Azam TV supplying some of these channels in a separate agreement.


For Discovery Channel, Investigation Discovery, CNN, TNT, TLC, Real Time and Cartoon Network and Cartoonito. With them being on other platforms within Africa means normal viewing is expected to resume once they go dark on DStv.


As opposed to Food Network, HGTV, Travel Channel and Discovery Family that will have to see Warner Bros. Discovery reshuffle their portfolio and reschedule/delay shows. This is because MultiChoice was the only provider willing to bundle them despite the costs.


Most other providers rely on Discovery Channel and Real Time for the batch of shows on these channels including Ugliest House In America, Harry Potter: Wizards Of Baking and The Kitchen.


MultiChoice now under French management has been scaling back on costs with the cancellation of Philly's Games and World Darts Championship on SuperSport. It's likely that the ongoing talks with Warner Bros. Discovery will see their linear operations reduced.


Canal+ following its acquisition of MultiChoice had lost another million subscribers between March 2024 to March 2025 which is where part of their income reside. With fewer subscribers, MultiChoice won't be able to maintain the current DStv structure.


If these two parties do come to an agreement expect a streamlined portfolio which could as well result in the closure of Travel Channel and Discovery Family. In regards to the fate of Dead Files that may not be a priority if the viewership doesn't justify the means.



Starz Placed $25 Billion Bid For All Of Warner Bros. Discovery’s Cable Networks Including Cartoon Network And TLC

Starz put in a $25 billion bid for all of Warner Bros. Discovery’s cable networks and 20% of its studio and streaming businesses last month, TheWrap has learned, acting as a dark horse contender for an asset most companies bidding on the entertainment company were not interested in.

Warner Bros. Discovery revealed in a filing with the U.S. Securities and Exchange Commission that a previously undisclosed company — labeled “Company C” in the filing — put in the $25 billion all-cash bid on its Nov. 20 deadline. It also proposed a 90-day exclusivity period, which Netflix, Paramount Skydance and Comcast (labeled “Company A” in the filing) did not.

That company was Starz. While the WBD board considered all the bids on Nov. 21, it found that Company C’s bid was “not actionable at that time” and responded to the top three bidders on Nov. 22.

Puck first reported the news.


The filing also revealed more details about Netflix’s and Paramount’s efforts to purchase some or all of WBD, as the companies publicly advocate for their bids to WBD’s shareholders. Netflix and WBD entered into an exclusive arrangement for the streamer’s $82.7 billion bid for the studio and streaming businesses, while Paramount has mounted a $30-a-share hostile takeover bid for the entire company. WBD on Wednesday rejected Paramount’s latest offer.

A Starz spokesperson declined to comment. Starz CEO Jeff Hirsch previously told TheWrap that he wanted his company to be “additive” to networks he believed were too linear-focused in a digital age.

“There’s a lot of networks out there today that are marooned on the linear side and don’t have technical capabilities to do what we’ve done,” he said in May after Starz completed its spin-off from Lionsgate. “We think we can be very additive to content that is stuck on the linear side to give them a digital future.”

Starz reported a $53 million loss in its third quarter, missing Wall Street expectations, and revenue dropped 8% to $320.9 million. It reported a loss of 130,000 U.S. subscribers for a total of 17.5 million, driven mostly by linear subscribers’ cord-cutting. Linear subscribers also dropped by 24o,000 to 5.17 million while it saw a streaming increase of 110,000 U.S. subscribers for a total of 12.3 million.

Still, Hirsch teased the possibility of venturing into the M&A space during its third-quarter call in November, a week before the company reportedly placed its bid for WBD’s cable networks.

“With a potential for increased consolidation across the media landscape, we believe that we are uniquely positioned to capitalize on potential M&A opportunities,” Hirsch said. “Given our track record of profitability converting our business from linear to digital and our industry-leading tech stack, we are positioned to increase our scale as assets that are strategically valuable to Starz become available.”

The company reportedly found its first target last month when it expressed interest in A+E Global Media, the parent company of networks such as Lifetime and the History Channel.

Canal+ Ready To Take On Global Streamers, Talks MultiChoice

Canal+ has given itself the (seemingly wide) target of 50 to 100 million subscribers by 2030, as the MultiChoice acquisition which closed earlier this year alters its dimension and strategic priorities.

Talking to Le Figaro before its The Originals+ content showcase on December 18th in Paris, Canal+ group CEO Maxime Saada said he considers the group to now be an international player, boasting some 40 million subscribers across nearly 70 countries, and having 17,000 employees across Europe, Africa and Asia.

Saada said that synergies between Canal+ and MultiChoice will be announced in January 2026, ahead of a strategic update planned for March, while the combined entity’s revenue is expected to reach €10 billion roughly.

Canal+ is counting on Africa as its main growth driver, while continuing its expansion into mature European countries. In France, Canal+ anticipates a sixth consecutive year of growth in 2025 and a return to profitability.

The group is also ready to strengthen its international content and franchise strategy with StudioCanal and is pleased to have secured the rights to European football competitions until 2031. Saada said that business matters are “under control” and did not regret the withdrawal from Ligue 1.

Featuring a fireside chat between Saada and Netflix CEO Ted Sarandos, The Originals+ event showcased the strength of Canal+’s content slate – including a French version of Saturday Night Live and Projects With Olivia Colman, Ava DuVerna, Vincent Lindon and David Oyelowo – and its capacity to “rival global streaming giants,” in being a curator, producer, and distributor of premium content at scale.

Warner Bros. Discovery Rejects Paramount's $108 Billion Bid For The Company

Warner Bros. Discovery still isn't interested in Paramount Skydance's offer.

Paramount's latest bid "is inadequate, with significant risks and costs imposed on our shareholders" compared to Netflix's bid, which "represents superior, more certain value for our shareholders," said Samuel Di Piazza, the chair of WBD's board of directors, in a statement to shareholders on Wednesday morning.

In a letter to shareholders, WBD's board recommended that shareholders reject Paramount's all-cash bid of $30 per share in favor of Netflix's cash-and-stock offer. Paramount wants to buy all of WBD, including its cable channels, while Netflix's bid of $27.75 per share is for WBD's studio, HBO, and HBO Max. A key difference between the two bids revolves around the value of WBD's TV networks, such as CNN and TNT, which Netflix isn't interested in buying.

Di Piazza said that Paramount's seventh proposal "once again fails to address key concerns that we have consistently communicated," including about Paramount's financing.

Paramount has said its bid is fully backstopped by Larry Ellison, one of the richest people in the world and father to Paramount CEO David Ellison. The WBD board said in the letter to shareholders that it relies "on an unknown and opaque revocable trust" whose assets or liabilities are subject to change.

Meanwhile, Netflix is paying with cash and stock. Its shares have fallen recently but surged more than 600% from mid-2022 to mid-2025. Netflix has a market cap of over $400 billion.

While Paramount has said that it would have an easier time securing regulatory approval than Netflix, the WBD board says it "does not believe there is a material difference in regulatory risk" between the two proposals.

The Ellisons are close to President Donald Trump. However, Netflix co-CEO Ted Sarandos has pitched the president on the deal and seems to have earned some respect. Trump has called Sarandos a "great person," though he added that the Netflix-Warner Bros. deal "could be a problem" on the regulatory front. Still, the president hasn't come out publicly in favor of one side in the deal.

WBD also said its board "repeatedly engaged" with interested parties, including the Ellisons. Paramount had previously said that WBD went quiet late in the bidding process.

Not even Paramount can be surprised by WBD's decision to stick with its Netflix deal.

David Ellison was overheard saying last week that if WBD's leadership were to "accept the offer exactly as it is today, right, then they're admitting breach of fiduciary duty," Business Insider previously reported.

That's because Paramount said its $30-per-share hostile bid was nearly identical to its previous offer to WBD. Public companies are obligated to act in the best interests of shareholders. So if WBD's board had changed its mind, it could have opened itself up to shareholder lawsuits.

WBD had said in a statement after Paramount's hostile bid that it would "carefully review and consider Paramount Skydance's offer" in a way that was "consistent with its fiduciary duties and in consultation with its independent financial and legal advisors."

Now that WBD's board has given Paramount the cold shoulder again, it's Ellison's move.

The aspiring media mogul told CEO David Zaslav that Paramount's latest offer wasn't its "best and final," which suggests that a higher bid could be coming. Just how much appetite Paramount has to escalate the bidding war is the key question.

If no higher bid comes, WBD's investors have until January 8 to back Paramount, though it could extend that deadline. WBD would owe Netflix a $2.8 billion reverse breakup fee if its shareholders chose Paramount.

Read the full letter to shareholders here:

Dear Fellow Shareholders,

As your Board of Directors, we are committed to acting in your best interest. In this spirit, in October, we launched a public review of strategic alternatives to maximize shareholder value. This followed three separate proposals from Paramount Skydance ("PSKY"), as well as interest from multiple other parties.

That thorough process, overseen by the Board with the assistance of independent financial and legal advisors, as well as our management team, led to the company entering into a merger agreement with Netflix on December 4, with the substantial benefits to WBD shareholders described below. Having failed to submit the best proposal for you, our shareholders, PSKY launched an offer nearly identical to its most recently rejected proposal.

As a Board, we have now conducted another review and determined that PSKY's tender offer remains inferior to the Netflix merger. The Board continues to unanimously recommend the Netflix merger, and that you reject the PSKY offer and not tender your shares.

Below, and in more detail in our 14D-9 filing, we highlight the many reasons for the Board's determination. None of these reasons will be a surprise to PSKY given our clear, and oft-repeated, feedback on their six prior proposals.

The terms of the Netflix merger are superior. The PSKY offer provides inadequate value and imposes numerous, significant risks and costs on WBD.

The value we have secured for shareholders through the Netflix merger is extraordinary by any measure.

Our agreement with Netflix gives WBD shareholders $23.25 in cash, plus $4.50 in shares of Netflix common stock (based on a collar range of $97.91 - $119.67 in the Netflix stock price at the time of closing), plus the additional value of the shares of Discovery Global and the opportunity to participate in future potential upside following Discovery Global's separation from WBD. The entire Board is confident in our recommendation that Netflix represents the best value-creating path for shareholders.

PSKY has consistently misled WBD shareholders that its proposed transaction has a "full backstop" from the Ellison family. It does not, and never has.

PSKY's most recent proposal includes a $40.65 billion equity commitment, for which there is no Ellison family commitment of any kind. Instead, they propose that you rely on an unknown and opaque revocable trust for the certainty of this crucial deal funding. Despite having been told repeatedly by WBD how important a full and unconditional financing commitment from the Ellison family was — and despite their own ample resources, as well as multiple assurances by PSKY during our strategic review process that such a commitment was forthcoming — the Ellison family has chosen not to backstop the PSKY offer.

And a revocable trust is no replacement for a secured commitment by a controlling stockholder. The assets and liabilities of the trust are not publicly disclosed and are subject to change. As the name indicates, revocable trusts typically have provisions allowing for assets to be moved at any time. And the documents provided by PSKY for this conditional commitment contain gaps, loopholes and limitations that put you, our shareholders, and our company at risk.

Amplifying the concerns about the credibility of the equity commitment being offered by PSKY, the revocable trust and PSKY have agreed that the trust's liability for damages, even in the case of a willful breach, would be capped at 7% of its commitment ($2.8 billion on a $108.4 billion transaction). Of course, the damage to WBD and its stockholders were the trust or PSKY to breach their obligations to close a transaction would likely be many multiples of this amount.

WBD's merger agreement with Netflix is a binding agreement with enforceable commitments, with no need for any equity financing and robust debt commitments. The Netflix merger is fully backed by a public company with a market cap in excess of $400 billion with an investment grade balance sheet. The debt financing for the PSKY bid relies on an unsecure revocable trust commitment as well as the credit worthiness of a $15 billion market cap company with a credit rating at or only a notch above "junk" status from the two leading rating agencies. The financial condition and creditworthiness of PSKY, which, if its proposed transaction were to close, would have a high gross leverage ratio of 6.8x 2026E debt to EBITDA with virtually no current free cash flow generation before synergies, raise substantial risks for its acquisition of WBD. Such debt levels reflect a risky capital structure that is vulnerable to even potentially small changes in the PSKY or WBD business between signing and closing.

Additionally, PSKY contemplates $9 billion in synergies from the mergers of Paramount/Skydance and their offer for WBD. These targets are both ambitious from an operational perspective and would make Hollywood weaker, not stronger.

The Board's review was full, transparent and comprehensive — establishing a level playing field that fostered a rigorous and fair process.

The Board repeatedly engaged with all parties, including extensive engagement with PSKY and its advisors over the course of nearly three months. We held dozens of calls and meetings with its principals and advisors including four in-person meetings and meals between David Zaslav and David and/or Larry Ellison and provided multiple opportunities for PSKY to offer a proposal that was superior to those of the other bidders, which PSKY never did.

After each bid, we informed PSKY of the material deficiencies and offered potential solutions. Despite this feedback, PSKY has never submitted a proposal that is superior to the Netflix merger agreement.

Despite PSKY's media statements to the contrary, the Board does not believe there is a material difference in regulatory risk between the PSKY offer and the Netflix merger.

The Board carefully considered the federal, state, and international regulatory risks for both the Netflix merger and the PSKY offer with its regulatory advisors. The Board believes that each transaction is capable of obtaining the necessary U.S. and foreign regulatory approvals and that any difference between the respective regulatory risk levels is not material. The Board also notes that Netflix has agreed to a record-setting regulatory termination cash fee of $5.8 billion, significantly higher than PSKY's $5 billion break fee.

The PSKY offer is illusory.

The offer can be terminated or amended by PSKY at any time prior to its completion; it is not the same thing as a binding merger agreement. The first paragraph of the offer states it is "subject to the conditions set forth in this offer to purchase (as it may be amended or supplemented from time to time)" and continues on the next page, "we reserve the right to amend the Offer in any respect (including amending the Offer Price)". In addition, the offer is not capable of being completed by its current expiration date, due to the need for, among other things, global regulatory approvals, which PSKY indicates may take 12-18 months. Nothing in this structure offers WBD shareholders any deal certainty.

The PSKY offer provides an untenable degree of risk and potential downside for WBD shareholders.

There will be additional costs associated with PSKY's offer that could impact shareholders.

When considering the PSKY offer at this juncture, it is important to note that its acceptance could incur significant additional costs to shareholders — all of which PSKY has ignored in their communications. WBD would have to pay Netflix a $2.8 billion termination fee, which PSKY has not offered to reimburse. In addition, WBD would incur approximately $1.5 billion in financing costs if we do not complete our planned debt exchange as agreed to with certain of our debtholders, which would not be permitted by the PSKY offer. This additional $4.3 billion in potential costs represents approximately $1.66 per share to be borne by WBD shareholders if the offer does not close.

We look forward to moving ahead with our combination with Netflix and delivering the compelling and certain value it will create for shareholders. We urge you to carefully read the 14D-9 filed with the SEC this morning and available on our website, which more fully details the strategic review process and the Board's reasons for its recommendation to you.

Sincerely,

The Warner Bros. Discovery Board of Directors

Catch Me A Killer, Showmax Original Series, Launches On Canal+'s Polar+ In France Starting January 5th

“Catch Me A Killer is the true story of the first serial killer profiler in South Africa,” says lead actress Charlotte Hope, who played Myranda in Game of Thrones and headlined Starz’s The Spanish Princess as Catherine of Aragon. “She is called Micki Pistorius and, frankly, she’s amazing.” 

South African Film and Television Award (SAFTA) winner Rene van Rooyen (Oscar entry Toorbos, Alles Malan, Summertide) agrees. “Living in South Africa amid a wave of violence, we have all been asking for a superhero, and here we have the true story of a superhero in the 1990s,” says Rene, who alternates directing duties with SAFTA winner Brett Michael-Innes (Fiela Se Kind) and Tracey Larcombe (Silent Witness). 

Adapted from Pistorius’ memoir of the same name, the 10-part series follows Pistorius, a newly qualified forensic psychologist, as she tracks down South Africa’s most feared killers. Each episode looks at another of her cases, from the Cleveland Killer to Stewart ‘Boetie Boer’ Wilken, taking viewers across the country. 

“Catch Me A Killer is about Micki’s experience of trying to understand the psychology of serial killers, but it’s also more than that,” says Charlotte. “On one hand it’s a true crime: every week we have a different episode, a different serial killer and a different case to solve. But it’s also a character study. This is a woman who goes through a huge emotional journey; in understanding the psychology of the killers, she's also aware of what’s happening psychologically to herself.”

As her character says in the series, “Whoever fights monsters should see that in the process he does not become a monster too.”  

A co-production between Showmax and Germany’s Night Train Media, Catch Me A Killer is also a classic underdog story: Micki is the only female profiler in a predominantly male police force, many of whom are deeply suspicious of the whole concept of psychology and think trying to understand the killers is a waste of time and resources. 

The series is also a time-capsule for 1990s South Africa: when the optimism of the country’s new democracy was undermined by a string of serial killers. 

SAFTA winner Amy Jephta (Oscar entry Barakat, Devil’s Peak, Showmax Original Skemerdans) is the lead writer, alongside the likes of Sarah Hooper (Shameless), Jessica Ruston (Harlots) and Oliver Frampton (Sister Boniface Mysteries). Among other episodes, Amy scripts the two-part pilot, which tells the story of the Station Strangler. 

“The series opens in the place that I come from, Mitchell’s Plain,” says Amy. “I was in grade 1 at the time of the Station Stranger killer and my mother was a police officer at the same station that Micki was assigned to in 1994. I was in and out of that police station. So I remember the fear in that community and what it felt like to be a kid at a time where there were these boys being abducted. So I could draw a lot on my first-hand feeling.” 

“It’s not a whodunnit; it’s a whydunnit,” adds Amy. “You’re inside the perspective of these killers and the victim’s families as much as you are inside Micki’s perspective. Can she get to the heart of understanding the mind of the killer she’s tracking? Why did these people commit these acts? It’s a fascinating cat and mouse story.”

Apart from Steven Ward (One Piece) and newcomer Donna Cormack-Thomson as series regulars, the supporting cast changes each episode. Look out for the likes of Lemogang Tsipa (Shaka iLembe), Waldemar Schultz (Die Byl), Ivan Zimmermann (Alles Malan), Frank Rautenbach (Lioness, Summertide), Silwerskerm winner Carel Nel (Gaia), and SAFTA winner Louw Venter (Swartwater), not to mention SAFTA nominees Albert Pretorius (Spinners) and Sean Cameron Michael (Fried Barry) as Stewart ‘Boetie Boer’ Wilken and FBI profiler Robert Ressler respectively. 

MultiChoice Vs. Warner Bros.. Discovery: Who Is The Real Winner Here?

MultiChoice and Warner Bros. Discovery are at opposite ends of the rope when it comes to the fate of BBQ Brawls on Food Network and Mr. Bean on Cartoonito. One company following a buyout is trying to remove all its splinters while the other reaches uncertain times.

Consumers in summary feel a mixture of emotions some express fear regarding TLC's exit on the platform. If you're South African consumer, there really is no other means to catch Dr. Pimple Popper, Death By Fame or Bad Skin Clinic.

Others anger over the potential loss of Investigation Discovery and Discovery Family, Paramount will be closing CBS Reality and 3 other channels soon. These were suppose to be the few other means to watch detective shows and other factual content.

MultiChoice had already put up a notice to DStv consumers about the affected channels potentially closing on 31 December 2025. It should be noted that negotiations remain ongoing and as long as a comprise hadn't been reached its farewell to Cake Boss reruns.

All anyone can hope now is that an agreement can be reached as there's 19 more days into the year. I believe a comprise can be reached perhaps for select channels I mean MultiChoice can do without Discovery Family and Travel Channel.

But it should be noted that a comprise is in the interest for both companies.

For MultiChoice, the failure to renew this transaction would result in fast paced decline in DStv subscriptions. They can do without the extra weight (e.g. Travel Channel) but if you want to show consumers you care replace the affected channels.

For Warner Bros. Discovery, this is your biggest client in the African space and the loss of My Lottery Dream Home would affect your earnings. This comes at a time of an uncertainty as a portion of your brand might be folded under the letter "N".

MultiChoice had been seen as the biggest loser as consumers switch to online viewing but the part that deals with Food Network and CNN has been viewed by analysts as a failing business amidst cord cuts.

The Librarians: The Next Chapter Marks A Thrilling Return To Magic And Adventure, Premiering 4 January 2026 On Universal TV Across Africa

Universal TV (DStv 117) today announced that The Librarians: The Next Chapter will premiere on 4 January 2026 at 18:20 (CAT), with new episodes airing every Sunday in a double bill each week.

A spinoff of the hit series The Librarians, the new action-adventure drama delivers a fresh twist on the world of magical artifacts, daring missions, and secret knowledge. The story centres on a Librarian from the past who time-travels to the present - only to find himself stuck in a world he no longer recognises. When he visits his ancient castle, now transformed into a public museum, he inadvertently unleashes powerful magic across the continent. To make things right, he’s assigned a new team, setting the stage for a thrilling journey to recover rogue artifacts and restore balance to a world suddenly steeped in sorcery.

Starring Callum McGowan (Jamestown, Raven’s Hollow), Olivia Morris (Hotel Portofino, Rise Roar Revolt), Bluey Robinson (Cats, Britannia), Jessica Green (Roman Empire, The Outpost), and Caroline Loncq (No Offence, Nightflyers), The Librarians: The Next Chapter combines humour, heart, and high-stakes fantasy in a gripping 12-episode arc.

The series is executive produced by Dean Devlin, Marc Roskin, and Rachel Olschan-Wilson, the creative forces behind the original The Librarians and numerous fan-favourite genre hits.

Don't miss the magic when The Librarians: The Next Chapter premieres on 4 January at 18:20 on Universal TV, with back-to-back episodes every Sunday until 8 February 2026.

Termination Notice Has Been Issued Out To Cartoon Network And Discovery Channel Leaving Only TNT And Discovery Family On DStv

Yesterday, it was reported that MultiChoice and Warner Bros. Discovery "might" have settled their carriage dispute regarding the 12 channels and HBO's content on M-Net. This is because a few channels had a termination card and some didn't.

Now, MultiChoice had sent out channel termination notices for Cartoon Network and Discovery Channel leaving only Discovery Family and TNT. 

Negotiations between both parties are still ongoing so the fact that the batch to have gotten termination notices earlier doesn't mean an agreement can't be reached where they join the initial four. None of the messages list each individual channel so there's hope.

Of course several theories behind Cartoon Network's inclusion does enter the fray.

Firstly, MultiChoice's team has been incompetent for a while it's not news to any DStv customer so it's likely they took longer to add them.

But of course, when Paramount announced that BET and MTV Base alongside CBS Reality and CBS Justice in its joint venture with AMC Networks International were out the door. These notices were sent out simultaneously despite them not going dark at the same time.

It does lead some to wonder could a new agreement have been reached for the initial four and MultiChoice in its attempt to prevent a media debacle chose to now list Cartoon Network up for closure. I mean it wouldn't be the first time MultiChoice had tried scrubbing such info.

The news of those 8 channels possibly leaving DStv would anger a lot of DStv customers. But similar to the Cartoonito leak in 2023, MultiChoice and Warner Bros. Discovery probably want to address the elephant in the room - TLC and Food Network.

MultiChoice had stated they were open to replacing these channels and if an agreement had been reached. Could it be that some of this content will just resurface on a replacement as seen with Nickelodeon in New Zealand.

Its so possible that MultiChoice is more channels aside from TNT and Discovery Channel. Perhaps renewals for Food Network, Investigation Discovery and HGTV are taking a lot longer than anticipated again those are all theories.

January 2026 On History Channel Across Africa | Channel Premiere: Hazardous History With Henry Winkler | Returning Shows Including Life After People | More

Brand New & Exclusive
LIFE AFTER PEOPLE S3 
5 January
Mondays 19:25
What would happen if every human being on earth disappeared? This is the story of what happens to the world we leave behind. The series builds on the HISTORY Channel’s documentary special ‘Life After People’. This latest season of the series continues to explore what a world wiped clean of humanity would look like. The series uses the most cutting edge visual effects to provide a detailed picture of a post-human future, revealing the fate of famous structures and investigates the creatures that might inherit the places we once lived. Repeat: Next day 11:45

Brand New & Exclusive
BEYOND SKINWALKER RANCH S3
2 January
Fridays 20:15
To fully unlock the secrets of Skinwalker Ranch - widely considered to be ground zero for Unidentified Aerial Phenomena - Dr. Travis Taylor and Erik Bard expand the investigative team and broaden their reach to explore evidence of similar phenomena at sites around the country. Repeat: Monday 12:35

Brand New & Exclusive 
HAZARDOUS HISTORY WITH HENRY WINKLER
22 January
Thursdays 19:25
There was a time, not long ago, when we drank Coca-Cola that was laced with actual cocaine. We smoked everywhere, from airplanes to the doctor’s office. We stored our food in toxic refrigerators and flew down slides that ripped our skin off. We played (unknowingly) with radioactive toys and decorated our Christmas tree with ornaments made from asbestos. And ignorance was bliss. Hosted by the iconic Henry Winkler, each 60-minute episode of this nostalgia-drenched series tells the entertaining stories of the unchecked and unregulated places, people, products, practices, and pastimes from a forgotten era. Fast-paced, informative, and a little bit scary, the series is a running cavalcade of the most careless, reckless and unsupervised tales of irresponsibility in our history. Repeat: Next Day 11:45

Brand New
HITLER’S HOLOCAUST RAILWAYS WITH CHRIS TARRANT 
27 January
Tuesday 21:05
British television personality Chris Tarrant goes on a personal journey to explore the darkest chapter in the history of the railways, their role in the Nazi Holocaust of WWII. Traveling through three countries from Nuremberg to Auschwitz, he explores the history from the first anti -Jewish laws and the Nazi’s quest to build the world’s most powerful railway of war - to the eventual use of that railway network to transport millions to their deaths. Repeat: Next Day 13:25

Paramount Is Going Hostile With New Bid For Warner Bros. Discovery

Paramount Skydance is launching a hostile bid to buy Warner Bros. Discovery after it lost out to Netflix in a months-long bidding war for the legacy assets, the company said Monday.

Paramount will go straight to WBD shareholders with an all-cash, $30-per-share offer. That's the same bid WBD rejected last week, which Paramount Skydance CEO David Ellison said Monday never got a response from Warner Bros. Discovery. The offer is backstopped with equity financing from the Ellison family and the private-equity firm RedBird Capital as well as $54 billion in debt commitments from Bank of America, Citi and Apollo Global Management.

"We're really here to finish what we started," Ellison told CNBC's "Squawk on the Street" Monday. "We put the company in play."

Shares of Paramount were roughly 5% higher in premarket trading Monday. Shares of Warner Bros. Discovery were up about 6%. Shares of Netflix were slightly lower.

On Friday, Netflix announced a deal to acquire WBD's studio and streaming assets for $72 billion. Paramount had been bidding for the entirety of Warner Bros. Discovery, including those assets and the company's TV networks like CNN and TNT Sports.

Comcast also bid for the streaming and studio businesses, CNBC previously reported.

Paramount has repeatedly argued to the WBD board of directors that keeping Warner Bros. Discovery whole was in the best interest of its shareholders.

Paramount executives also plan to argue their deal will have a much shorter regulatory approval process given the company's smaller size and friendly relationship with the Trump administration, according to people familiar with the matter.

"We've had great conversations with the President about this, but I don't want to speak for him," Ellison said Monday.

Netflix's proposed acquisition has already raised antitrust questions, in particular for combining two of the most dominant streaming platforms. CNBC reported Friday that the Trump administration was viewing the deal with "heavy skepticism," and President Donald Trump said Sunday the market share considerations could pose a "problem."

Netflix agreed to pay Warner Bros. Discovery $5.8 billion if the deal is not approved, according to a Securities and Exchange Commission filing Friday. Warner Bros. Discovery said it would pay a $2.8 billion breakup fee if it decides to call off the deal to pursue a different merger.

More Bad News Might Be Awaiting DStv Consumers As MultiChoice And Warner Bros. Discovery Square Off

According to some new reports, DStv subscribers may have to brace for more bad news aside from Paramount closing MTV Base and 3 other channels. The fight is on in trying to retain Cartoon Network and TNT as well as The White Lotus on M-Net.

Warner Bros. Discovery and MultiChoice had this carriage dispute for sometime regarding the future of these networks and it's content on M-Net. As reported, Netflix had won the bid to acquire the portion that licenses to M-Net.

MultiChoice under its new owners Canal+ seemingly implied that rates to renew such agreement is higher. And as I've mentioned for a while now things about to get messy from insider's reports that things aren't looking good.

It could imply two scenarios

The first DStv consumers will lose all 12 channels meaning no more reruns of Regular Show on Cartoon Network and Holiday Baking Championship on Food Network. Superman, Green Lantern and Harry Potter on M-Net Movies those are gone as well.

From 2026, MultiChoice will lose DStv consumers at an alarmingly rate as seen in Kenya where it lost 85% of its audience. While they promise to replace the affected channels, none of the content from these brands would form part of the lineup anyways.

MultiChoice will find it hard trying to convince consumers across the DStv bouquet to retain their subscription. Even with replacements, there would be no Sister Wives or AEW Dynamite which is what the paying consumer subscribed for.

Various outlets are putting most of their bet on the first scenario and if you've seen what happened in the week was Netflix's possible acquisition of Warner Bros. Lots of websites placed their bid on Paramount winning as the deal would have included the cable networks.

But I'm putting my cards out for the second scenario where MultiChoice and Warner Bros. Discovery are able to finalise an agreement - eventually.

"Things Aren't Looking Good" could imply instead of 12 additional channels joining the 4 existing channels from Paramount to exit DStv. It could as well be between 4-7 channels and I've stated this before MultiChoice doesn't need all these channels.

Travel Channel had been in decline that even MultiChoice Africa no longer offer it to DStv consumers. HGTV similar to BBC Earth wasn't even licensed to consumers in some African markets making it a strong contender to get the axe.

Under previous management, MultiChoice was prioritising on content which led to the exit of a couple of popular brands like Animal Planet and BBC First. Maybe under French hands, they could look to keep channels with massive appeal and remove ones deemed expensive or redundant.

Popular brands within their stable include Discovery, TLC, Cartoon Network and TNT, with expensive or low rated brands like HGTV, Food Network and Discovery Family.

If theres one thing I believe would be a priority is the part that deals with M-Net and Showmax as a loss would lead to viewer erosion. The part in which M-Net contract with has major IPs under their belt and is a contributor to M-Net's success.

The linear part doesn't even appear in South Africa's 20 most watched channels making the content part a liability. 

The second scenario seems probable although they would lose subscribers it wouldn't be severe if this number went up to 16 channels. MultiChoice can do without some of these brands as it would give them time to calm the masses and seek alternatives.

How Netflix's Potential Acquisition Of Warner Bros. Discovery Affects M-Net, DStv And Showmax?

Not long ago, it was reported that Netflix won the bid to acquire Warner Bros. Discovery valuing the deal at $72 billion. This deal would DC Entertainment/Studios, Cartoon Network Studios, HBO, Warner Bros. Pictures/Television and New Line Cinema.

Below is a how this deal is bad news for MultiChoice

M-Net and Showmax
MultiChoice had been licensing Game Of Thrones and Penguins from HBO to M-Net and Showmax. In the event of an acquisition, Netflix had expressed interest to continue these partnerships with local broadcasters but it may not be easy.

If MultiChoice continues to license content from Warner Bros. they could as well look to increase the rates. This is something MultiChoice's new owners Canal+ may not find amusing as they've begun cost cutting due to DStv's shrinking consumer base.

Besides that, the previous owners at MultiChoice had been anti-Netflix for sometime so the general audience had sort of painted a certain image of the company. While free-to-air broadcasters such as SABC and eMedia Investments had been licensing from the streamer.

MultiChoice put up a wall between them and Netflix again this was the previous owners regime as Canal+ does view them as partners. They do have an agreement to bundle their services in francophone markets alongside a content deal through K+.

The reality is while Warner Bros. continues to license content to M-Net and Showmax, Netflix will likely make further productions exclusive to their services. If they do continue licensing, I doubt MultiChoice would want their scraps.

Netflix is already available in the market which further complicates things as M-Net and Showmax are meant to go hand in hand with their content. But then again, MultiChoice is part of StudioCanal's parent company which gives them leverage.

Netflix may offer Stranger Things, Squid Games and Wednesday but with Canal+'s MultiChoice there's Paris Has Fallen, Spinners and iShaka iLembe.

DStv
For this part, I feel there's a lot of exaggeration as Netflix is not acquiring Discovery, TLC or the linear Cartoon Network as that is being spun off into a separate company. Of course, Netflix's bid to be frank sort of dilutes the value of Cartoon Network.

Cartoon Network under Discovery Global will be leaning more toward third party programming such as Lego Ninjago, Dragonball Super and Totally Spies!. While what made Cartoon Network, Nickelodeon and Disney "The Big 3" like Regular Show and Tiny Toons Looniversity goes to Netflix.

It's likely that they will be a licensing agreement for these shows but they'll most definitely be like DreamWorks Channel - reruns. Under a separate company, they're not going to prioritise on these Netflix originals.

If it is deemed expensive these shows could as well get phased out and again that just dilutes Cartoon Network who had been reliant on these IPs.

Turning over the torch to Discovery Global, this is the company that MultiChoice is involved in a carriage dispute with over the future of its 12 channels. These include Discovery Channel, HGTV, TLC and as mentioned the linear Cartoon Network.

Of course, the matter of concern here to me is that as mentioned with Cartoon Network while the Netflix deal makes the company more leaner. There's still another 20 billion worth of debt they need to clean out.

Expecting for content to be reduced, potential sales or closures to operations or channels and lastly massive layoffs particularly for international feeds.

All of this might as well unfold while these channels are no longer on DStv but then again it's likely that MultiChoice could opt to keep a few channels. My guess would be Discovery Channel, TLC, Cartoon Network, Real Time, Cartoonito, ID and CNN.

MultiChoice Is In Trouble As M-Net And Showmax Are Also At Risk Of Losing Content From HBO, TLC And Cartoon Network

A few days ago, it was announced that Netflix had won the bid to acquire Warner Bros. Discovery (excluding it's cable networks). This comes after MultiChoice and the company made it transparent to viewers that their 12 TV channels on DStv could be going dark from next year.

These include Discovery Channel, TLC, Discovery Family, TNT, Real Time, Investigation Discovery, Food Network, HGTV, Travel Channel, Cartoon Network, Cartoonito and CNN. A petition had been going around following news of its possible demise.

According to sources, not only does this deal affect these cable networks but also their licensing deal with M-Net and Showmax for shows like House Of Dragons, The White Lotus and The Gilded Age.

MultiChoice had stated at the time that they were open to replacing these channels and if that's so none of the content from HBO or Warner's cable networks would form part of the lineup. Warner Bros. is one of MultiChoice's biggest clients.

Compared to Disney and Paramount that offer only 6 channels each, they offer a combined figure. Since Disney+ inception, content from the brand had been further reduced on M-Net, DStv and Showmax but that wasn't the case for Warner Bros. Discovery.

For MultiChoice and it's owner Canal+, there is a lot in stake for them should they opt to have these channels removed. In two years, they've lost over 2 million subscribers particularly in Kenya where it lost 85% of its subscribers and this will just accelerate.

Paramount already plans to close CBS Reality, CBS Justice, BET and MTV Base, and although the consumer numbers are expected to decline. It will be more severe as seen in Kenya should consumers miss out on 90 Day Fiance and Craig Of The Creek. 

‘HBO, DC, Cartoon Network’: 10 Companies That Netflix Will Now Own After The Warner Bros Buyout

Following Netflix’s agreement to acquire Warner Bros Discovery’s TV and film studios and streaming division in a deal valued at roughly $72 billion, the streaming giant will take control of some of the most influential brands in global entertainment. Based on the assets included in the sale, here are 10 major companies and brands Netflix will now own.

1. HBO
The deal includes Warner Bros Discovery's streaming and premium-TV business, giving Netflix full ownership of HBO, one of the strongest content brands in the world, known for Game of Thrones, Succession, The Last of Us and more.

2. HBO Max / Max
Netflix will also acquire the HBO Max (rebranded as Max) streaming service, a direct competitor. This dramatically increases Netflix’s control over prestige television and reshapes the streaming landscape.

3. Warner Bros Television
The acquisition includes Warner Bros’ television production unit, one of the industry’s largest suppliers of scripted and unscripted programming, producing shows for networks globally.

4. Warner Bros Pictures
Netflix gains control of Warner Bros Pictures, the centerpiece film studio behind franchises such as Harry Potter, DC Films, Mad Max and Fantastic Beasts.

5. DC Entertainment / DC Studios
The DC superhero universe featuring Batman, Wonder Woman, Superman, Joker and more, falls under Netflix’s ownership as part of the studios division.

6. New Line Cinema
The iconic studio behind The Lord of the Rings, The Conjuring and IT will become part of Netflix’s content empire through the Warner Bros acquisition.

7. Cartoon Network Studios
The animation division producing global hits like Ben 10, Adventure Time and The Powerpuff Girls will be owned by Netflix, expanding its youth and animation catalogue.

8. Adult Swim
Known for Rick and Morty, Aqua Teen Hunger Force and cult animation, Adult Swim also moves under Netflix as part of the studios and TV assets it is buying.

9. Turner Classic Movies (TCM)
TCM’s extensive classic-films library and broadcast brand will fall under Netflix's control, giving it unmatched catalogue depth.

10. Vox Media Partnership Assets
Warner Bros Discovery maintains multiple joint ventures, including content partnerships with Vox Media (such as digital news/documentary collaborations). These partnership rights transfer to Netflix as part of the studio and streaming business purchase.

The article was originally published by Wionews

Netflix Wins the Warner Bros. Discovery Bidding War, Enters Exclusive Deal Talks

Warner Bros. Discovery is moving forward with exclusive deal talks with Netflix, TheWrap has learned.

WBD has selected Netflix after the streaming giant offered $30 a share for the studio and streaming assets, according to two people familiar with the deal talks. The deal also includes a $5 billion break-up fee to match the terms that Paramount added with its bid.

While its unclear what the makeup of the new bid looks like, the prior bid was a mix of mostly cash and stock.

Netflix securing a win over rival suitors Paramount and Comcast represents a stunning turnaround from just two months ago, when co-CEO Greg Peters shaded big media mergers as not having an “amazing track record,” and Paramount buying WBD seemed like a foregone conclusion. Fast forward to today, and Netflix has won a furious M&A bake-off after three rounds of bids.

Representatives for Netflix and WBD weren’t immediately available for comment.

These exclusive talks clear the road for Netflix to acquire the Warner Bros. studios, HBO Max and a treasure trove of IP assets like “Harry Potter” and the DC Universe. Netflix, which once aspired to be like HBO when first embarking on original content, is on a course to become its next owner. Obtaining such assets could dramatically reshape the entertainment landscape and give Netflix even more power over Hollywood — concerns the streamer will have to assuage.

Regulatory hurdles
The willingness to include the unusually large breakup fee was likely critical with questions arising on how Netflix will get a deal with Warner Bros. through regulatory approval. It would face stiff antitrust scrutiny and opposition from the U.S. Department of Justice, New York Post’s Charles Gasparino reported on Tuesday.

A representative for the Department Justice declined to comment on the report.

In a Nov. 13 letter to U.S. Attorney General Pam Bondi, Federal Trade Commission Chairman Andrew Ferguson and Department of Justice antitrust division assistant attorney general Gail Slater, Republican Rep. Darrell Issa warned that a Netflix bid would raise antitrust concerns that could harm consumers and Hollywood alike. He noted that consolidation between the two companies would “diminish incentives to produce new content and major theatrical releases,” which could “undermine opportunities for the full range of industry professionals both in front of and behind the camera.”

California Attorney General Robert Bonta has previously voiced his opposition to any deals involving WBD. “Further consolidation in markets that are central to American economic life — whether in the financial, airline, grocery or broadcasting and entertainment markets — does not serve the American economy, consumers or competition well,” his office told TheWrap last month in response to Paramount’s initial offer.

“We are committed to protecting consumers and California’s economy from consolidation we find unlawful,” the spokesperson added.

The process of completing the deal could distract the company from executing its core business. There’s also the X factor of Netflix jumping into the deep end of the theatrical business, a part of the entertainment world it has kept its distance from. Netflix shares fell 5% on Wednesday when investors realized the prospect of a deal happening was very real.

Would Paramount Be A Good Suitor For Warner Bros. Discovery Global?

Paramount is planning to several linear channels across the world by the end of 2025. This includes Nickelodeon's channels in New Zealand and Brazil, BET in France and MTV's music channels across Europe.

Amidst this, Paramount is currently in pursuit of Warner Bros. Discovery which distributes brands like Discovery Channel, HGTV, Cartoon Network and CNN. Prior to this bid, Warner Bros. Discovery was exploring potential split with most of their cable networks forming part of Discovery Global.

If we analyze most of the channels Paramount is looking to shutter across the world such as BET in France and Nickelodeon in Brazil. You would discover that most of the hits target regional or localised brands which does lead us to wonder what is to become of Discovery Global.

Discovery Global offers a lot of cable networks compared to Paramount the ones which have seen success internationally include Cartoonito, Boing and DMAX. These would expand to include regional networks like Discovery Family, Real Time and TNT.

In the event where Paramount bid is probably deemed successful whose to guarantee that these networks won't walk out the door. Paramount is pivoting toward streaming and wanting to offer content with global appeal.

If you look at the state of Paramount's cable networks their operations would be reduced to just MTV, Comedy Central, Nickelodeon, Nick Jr. and Nicktoons by next year. As BET, MTV Base and various other channels get their affairs in order and bid farewell.

There's a chance Cartoon Network and Nickelodeon could be placed under the same umbrella although Paramount intends to keep certain aspects of Warner Bros. Discovery. Reductions is the one thing that usually comes out of a merger or acquisition.

Paramount intends to merge HBO Max with Paramount+ and that wouldn't necessarily equal more content. HBO Max in such a transaction could become what Hulu is on Disney+ globally as opposed to a juggernaut like Netflix.

Paramount very much like Warner can see the writing on the wall when it comes to dominance and the reality is that not everyone can be a shark under water. Some companies to resort to partnerships or even mergers to become a bigger fish in the ocean.

Usually in merger and acquisitions, the acquiring company puts their needs above all else. In the first round, it would be Nickelodeon, Nicktoons, Nick Jr., from Paramount going up against Cartoon Network and Cartoonito from Warner Bros. Discovery.

Warner Bros. Discovery had been reliant on third party content for these cable networks and Paramount may not like that strategy. Aside from that, Cartoon Network makes 15%-20% of its revenue from 2014 which has affected the channel's overall performance.

Teen Titans GO! is currently the only primetime show on the network while other productions like Tiny Toons Looniversity and We Baby Bears wrap productions. Then there's Batwheels on Cartoonito which has been on limbo following its third season renewal.

Paramount in its attempts at scaling back on costs could opt to merge Cartoon Network's operations with that of Nickelodeon or Nicktoons while Cartoonito is phased out in favour of Nick Jr.

The second round would comprise of Travel Channel, Discovery Family, Real Time and TNT.

As seen already, Paramount is scaling back on its international operations with the closures of CBS Reality, CBS Justice, MTV Base and BET. Whose to say that the same fate won't await these brands.

Discovery Channel and TLC have more reruns and part of their primetime shows are likely reruns from HGTV and Food Network. It kind of makes Discovery Family and Real Time obsolete if the company doesn't have much content for their core brands.

Travel Channel is very similar to BET and CBS Reality when it comes to scale with the channel that had also seen a slow decline in carriage. Under Paramount, this endeavours would be accelerated even further.

DStv Without Discovery Family And Possibly Real Time??? It Wouldn't Seem Far Fetched A Stretch

As some consumers have heard, MultiChoice might be removing 12 additional channels following the news of CBS Justice, CBS Reality, BET and MTV Base's purge from DStv. It should be noted that MultiChoice is still negotiating with Warner Bros. Discovery over these 12 so nothing is final.


Due to the rise in streaming, various companies such as Disney and Paramount have been scaling back on their international operations. As mentioned, the upcoming axing of MTV Base and BET which would the likes of FOX and Disney XD.

Warner Bros. Discovery has the largest linear portfolio with MultiChoice compared to Disney which had only 6 with Paramount that will be reduced to just 5 channels. Amongst the offering are crown jewels Discovery Channel, TLC, CNN and Cartoon Network.

Over the years, some of these cable networks have seen a rise in reruns or in this case TLC which had its airtime split for shows on Food Network, HGTV and Investigation Discovery.

MultiChoice had already been distributing content from these channels through Real Time which had me wondering why Warner Bros. Discovery would diminish the value of TLC. Even Investigation Discovery and Discovery Channel had gone through a similar ordeal.

Food Network and HGTV are the only brands that haven't been affected.

A few years ago, Warner Bros. Discovery opted to discontinue distribution of Discovery Science and Discovery Turbo across Europe. Very similar to Discovery Family and Real Time no marketing was done for any new content from these brands.

It would only seem logical if plans were underway to do away with these channels especially amidst Warner Bros. Discovery's potential acquisition by either Comcast, Netflix and Paramount.

With the main networks struggling to scavenge new content it makes Discovery Family and Real Time the weakest links.

Canal+ following its acquisition of MultiChoice has been trying to put out the fire as the company has seen a loss in subscribers and a drop in revenue. This had led Canal+ to shed certain operational expenses at the company by 20%.

In this carriage deal MultiChoice and Warner Bros. Discovery are embroiled in there's a strong chance that both parties will settle this with lesser channels.

Discovery Family very much like TLC and Real Time have been airing older programming it's not only Discovery Channel's yesteryear stock but also My Cats From Hell. The same show would eventually resurface on Real Time making it a stronger candidate to get the axe.

Real Time could as well be repositioned to include shows from Discovery Channel as seen with Animal Planet, Food Network, HGTV and Investigation Discovery. Perhaps take up a higher position within DStv instead of 155 it sits alongside TLC on 136.

Amidst this whole dispute, Warner Bros. Discovery had unveiled several upcoming titles for Discovery Family that could as well migrate to Real Time in the event Discovery Family would be removed.

Unlike BET's Black Gold, CBS Reality Won't Be Able To Wrap Up Judge Judy When It Goes Dark On DStv

A few years ago, Judith Sheindlin announced that her court show Judge Judy currently seen on e.tv and CBS Reality would be hanging up its gloves after the 25th season. The problem part is that Africa is still behind as CBS Reality is on its 21st season with e.tv on its 22nd season.

This means e.tv has yet another 3 years worth of court room drama to wrap up while CBS Reality won't be able to air the remaining 4 years of episodes.

Paramount had already confirmed that it's joint venture with AMC Networks International for both CBS Reality and CBS Justice would be ending soon. This would bring about the end of Judge Judy which served as one of the longest running primetime shows on the brand.

None of DStv's other channels such as Investigation Discovery, Curiosity Channel or even Real Time will be adding Judge Judy when CBS Reality goes dark. Judge Judy had been cancelled by 2020-2021 and these brands likely won't hover around old content.

This means while the rest of Africa are being shut out from Judge Judy, DStv consumers in South Africa have to rely on a free-to-air broadcaster. The problem is that consumers would have to purchase an Openview or watch it weekday mornings on e.tv at 11:00.

CBS Reality had been airing a lot of reruns to the show and it's run on eMedia's platforms are very minimal or below average.