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Tuesday, March 5, 2024

News Shorts: Facebook, Instagram And Messenger Currently Offline

Meta’s Facebook and Instagram appeared to be experiencing widespread technical problems Tuesday, with thousands of users logging errors in accessing the social media services.

Users reported problems including being logged out of Facebook — and when they attempted to log back in saw an error message such as, “Something went wrong. Please try again.” According to monitoring service Downdetector, error reports spiked just after 10:30 a.m. ET Tuesday. As of 11 a.m., Downdetector had received more than 500,000 error reports.

In addition, Instagram users reported that their feed was not refreshing. The outage also extended to Meta’s Messaging platform and Threads, its Twitter-like app launched last year.

Nelson Peltz White Paper On Disney Proposes A Downsizing Of Sequels And Disney+ Reach In Other Countries


Nelson Peltz‘s Trian Partners, which is agitating to get two seats on Disney’s board, on Monday released a lengthy white paper analyzing the Mouse House’s financial performance — and suggesting strategic fixes.



The recommendations, according to Trian, are aimed at turning around Disney‘s total shareholder returns, which have trailed most of its peers (except Warner Bros. Discovery and Paramount Global), according to the white paper. Trian is urging Disney shareholders to vote for its two board nominees — Peltz and ex-Disney CFO Jay Rasulo — at the company’s April 3 shareholder meeting. Disney opposes the candidates put forward by Trian and another activist firm, Blackwells, as lacking “the appropriate range of talent, skill, perspective and/or expertise.”



“For more than a year, Trian has described its thoughts on strategies and goals, some of which Disney has now implemented, such as reducing excess costs, reinstating a dividend, and making the Parks business a bigger part of Disney’s growth strategy,” the Peltz-run firm says in the white paper. “We are now making our 100+ page presentation public with our comprehensive views.”



Among the proposals in the 133-page white paper (available at this link), the hedge fund says that to achieve a better return on its streaming content, Disney should take more “shots on goal” and increase creative risks outside of its core franchises, similar to Netflix. The company, Trian says, should “explore allocating more budget dollars across lower-cost, easier-to-produce projects to further balance Disney’s higher-cost franchise content; prioritizing ‘retention’ content spend should diversify away the risk of expensive streaming flops.”

Trian also recommends that Disney make fewer movie sequels. “Disney’s ‘flywheel’ spins the fastest when the company creates or acquires new intellectual property to monetize,” the white paper says. “Sequels are less risky film ventures to produce, but do not drive long-term benefits in the same way that new IP can.”

The firm continues, “The percentage of Disney films that are sequels, prequels, spin-offs or remakes has dramatically increased — suggesting a creative engine that is sputtering.” Trian is calling for “a comprehensive review of studio operations and culture” by the board, including the state of leadership, process and workflow.



Meanwhile, Trian recommends two potential paths for ESPN: One, that ESPN’s standalone streaming service, which Disney is aiming to debut by the fall of 2025, be launched “ideally with a ‘bundle’ partner like Netflix or Amazon”; or two, that ESPN should “harvest cash out of its linear business to selectively reinvest in ESPN+ and higher growth parts of Disney’s business (such as Disney+).”



Elsewhere, Trian suggests merging Disney+ and Hulu product and content organizations to cut costs — a move it claims would create cost efficiencies in the neighborhood of $1 billion. Disney is in the process of buying out NBCUniversal’s 33% stake in Hulu. In November, Disney said it would pay at least $8.61 billion to Comcast for the Hulu stake, with the final price tag — which could be higher — to be based on an assessment of Hulu’s market value by each parties’ bankers.



As it relates to the integration of Hulu content on Disney+, Trian believes the service should “phase out the Hulu tile.” “We are skeptical that keeping Disney’s best general entertainment content behind a Hulu tile optimizes user engagement,” the white paper opines.



In addition, Trian says it believes Hulu + Live TV “is a loss-leading product that has struggled to scale and adds limited strategic value.” Per the white paper, “In our view, Live is not competitively positioned compared to YouTube TV following its deal to secure NFL Sunday Ticket and is no longer positioned as a ‘low-cost alternative to cable.’”



Other suggestions in the white paper aren’t new. For example, Peltz wants Disney to achieve “Netflix-like” streaming margins of 15%-20% by 2027, something the hedge fund has previously outlined. Trian also wants to see Disney’s board “fix” its “chronic succession problems” for CEO Bob Iger, whose contract expires at the end of 2026.



Much of Trian’s white paper dwells on making the case for change on Disney’s board. For example, the hedge fund argues that Disney’s $71 billion deal for 21st Century Fox, which closed in 2019, was “strategically flawed”: “We are skeptical that Disney has delivered on its targeted synergies and EPS accretion given the deterioration of Disney’s media earnings power following the acquisition.”



The Disney/Fox deal was “arguably the result of misaligned incentives,” Trian’s white paper says. “On the same day that Disney agreed to acquire Fox, the board extended Mr. Iger’s employment agreement by four years and awarded him an ‘over-the-top’ compensation package, reasoning that doing so was ‘critical’ to driving long-term value from the acquisition,” the paper says. “In our view, the prospect of a much larger compensation package (more than double his previous package) created a strong financial incentive for Mr. Iger to pursue the Fox deal regardless of its prospects, creating a significant conflict of interest.”



Here are Trian’s agenda items for the Disney board from the white paper, divided into four categories:



Enhance Corporate Governance & Accountability



Refresh the board by adding Nelson Peltz and Jay Rasulo as independent, aligned, and focused Directors

Fix succession process and run a thorough and successful search for a CEO in time for Mr. Iger’s 2026 retirement

Align pay with performance by tying the compensation program to outcomes that drive long-term shareholder value

Form a board-level finance & strategy committee to evaluate progress on recommended initiatives and improve the Board’s monitoring of Disney’s long-term strategy

Accelerate Media Profitability



Insist management develop and articulate a clear DTC strategy with tangible goals that will achieve Netflix-like margins of 15-20% by 2027

Explore opportunities to improve DTC engagement and cost structure, including changes to product and marketing strategies and reducing redundant overhead costs

Right-size legacy media business cost structure in light of industry dynamics

Evaluate Disney’s organizational structure to improve accountability and efficiency

Review of Creative Engine



Initiate a comprehensive Board-led review of studio operations and culture, including leadership, processes and workflow

Prioritize new intellectual property to reignite the “flywheel” and drive Disney’s long-term growth

Explore additional opportunities to enhance the “flywheel” with digital cross-promotion

Clarify Strategic Focus



Issue long-term free cash flow growth target beyond FY 2024 to anchor investors on a clear strategic vision and enhance accountability

Explore strategic partnership(s) for non-core linear assets – benefits include an enhanced focus on linear assets, a preserved strategic alignment with Disney’s DTC business, and an improved growth profile for Disney

Insist on a digital strategy for ESPN that has a clear path to attractive financial returns

Refine parks strategy to include tangible return targets on the $60bn of Parks capex, plans to address new competitive threats to Walt Disney World, and a commitment to improving the guest experience at domestic parks

Development Alert: Canal Plus Increases Offer To Buy MultiChoice For R35.9 Billion

French media giant Canal+ has increased the price it is offering to buy DStv owner MultiChoice by about 19% to R125 per share.

The companies said in a joint statement on Tuesday morning, a day after Canal+ said it was granted an extension to April to make a mandatory offer, that the European company had also been granted exclusivity as the company considers its offer. An earlier non-binding offer of R105 per share, was rebuffed by the board of Africa's biggest pay-TV operator in February as too low.

This effectively values MultiChoice at over R55 billion on the JSE.

"Once the mandatory offer is made, the independent board of MultiChoice will be constituted and will, after receipt of the independent expert's opinion, provide its opinion and recommendation on the mandatory offer," the parties said in the statement.

Last week, the Takeover Regulation Panel (TRP) ruled that Canal+ had to make the offer "immediately" after concluding SA's restrictions on foreign ownership don't sterilize all of its voting rights.

On Monday, Canal+ said it applied for and received an exemption from the TRP from adhering to the timing requirements and was given an extension of 25 working days. This means that it will have to make the offer on 8 April.

Canal+ also recently increased its stake in the group to over 35% from 31.7%, just above a threshold requiring the company to make a mandatory offer to shareholders. Complicating matters, however, is the fact that SA's Electronic Communications Act of 2005 limits foreign ownership of local broadcast licences. This means Canal+ can increase its shareholding in MultiChoice to any level, but its voting rights are limited to a maximum of 20%.


MultiChoice then applied to the regulator to make a ruling on whether an offer must be made, with deputy executive director Zando Ntuli concluding in a ruling that it must.


Canal+, whose parent is Vivendi, operates in 50 countries across Europe, Africa and Asia, directly serving 8 million customers in Africa. It had about 25 million total subscribers as of its 2023 year, while MultiChoice had 23.5 million.

Monday, March 4, 2024

News Shorts: Prime Video Exclusive Tickets Streams On eVOD This Month, A Rebroadcast Of Nurses Makes Launches On Telemundo International In April And Disney+ Original Iwaju To Rollout On Disney Channel Also In April

Tickets on eVOD

Since eVOD inception in the market eMedia has been looking to build up the local portfolio of the streamer with Housewives and uMbali. They've even collaborated with Prime Video on Atlantis and Umbrella Men with their next project being Tickets.

Young lovers Crystal and Grant dream of getting out of the Cape Flats. When they find Crystal's Mom's winning Lotto ticket, they see it as their ticket out of the Flats. Do they run away or do they stay?

Since last year, the film was exclusive to Prime Video now it will be making their freemium debut on eVOD from March 8. It starred Danny Ross, Robyn Rossouw, Monique Rockman, Waldemar Schultz, Hein de Vries and Boudine Ballem. 
A rebroadcast of Nurses launches on Telemundo international 

During the month, Telemundo further reduced prime time with My Heart Beats For Lola and The Chosen Granddaughter following the end of Cennet: The Power Of Destiny. Now there's reports going around that international feeds will be reairing Nurses.

After being purged from Africa by the final season, Telemundo brought back a censored version of the medical drama with past seasons currently seen in Africa also being censored. It was produced by Columbia's RCN who was responsible for Law Of The Heart.

In other developments, Telemundo will be introducing another original series after Game Of Lies titled Come Back To Me in April. Other attractions awaiting release on the channel include Queen Of The South and rebroadcast to The Search For Frida. 
More Disney+ on DStv 

The highly anticipated futuristic original animated series, Iwájú, is now set to launch globally on Disney+ on February 28, 2024, allowing audiences worldwide to experience the series’ captivating narrative and vibrant visuals.

Audiences in Africa who don’t have access to Disney+ can catch the series on Disney Channel through DStv (Channel 303) starting in April 2024. This is to ensure that viewers across the continent can enjoy the series and immerse themselves in its rich storytelling.

Special broadcast schedules for “Iwájú” on Disney Channel include weekday premieres from April 22 to 26, followed by a special marathon on April 27. Additional repeat broadcasts will run from April 29 to May 4, with another marathon scheduled for May 5. As a special treat on Africa Day, May 25, you can also enjoy a marathon of six episodes, starting at 10:00 AM (WAT)/11:00 AM (CAT).

Development Alert: Canal+ Has Until Early April To Make A Mandatory Offer To Acquire DStv And GOtv Parent Company, MultiChoice

Shareholders are referred to the announcement released on the Stock Exchange News Service on 28 February 2024, informing the market of a ruling by the Takeover Regulation Panel (“TRP”) that required Groupe Canal+ SA (“Canal+”) to make an immediate mandatory offer to all ordinary shareholders of MultiChoice in terms of section 123 of the Companies Act, No. 71 of 2008. MultiChoice notes the announcement made today by Canal+ that the TRP has granted it an extension of 25 business days, until 8 April 2024, to make the required mandatory offer. 

The MultiChoice board of directors (“the Board”) will continue to act in the best interests of the 
Company and its shareholders. Shareholders will be updated should there be any further 
developments.

The Board accepts responsibility for the information contained in this announcement as it relates to the Company and confirms that, to the best of its knowledge and belief, such information relating to the Company is true and that this announcement does not omit anything likely to affect the importance of such information. 

Important notice 
Shareholders should take note that, pursuant to a provision of the MultiChoice memorandum of 
incorporation, MultiChoice is permitted to reduce the voting rights of shares in MultiChoice (including MultiChoice shares deposited in terms of the American Depositary Share ("ADS") facility) so that the aggregate voting power of MultiChoice shares that are presumptively owned or held by foreigners to South Africa (as  envisaged in the MultiChoice memorandum of incorporation) will not exceed 20% of the total voting power in MultiChoice. This is to ensure compliance with certain statutory requirements applicable to South Africa. For this purpose, MultiChoice will presume in particular that:
• all MultiChoice shares deposited in terms of the MultiChoice ADS facility are owned or held 
by foreigners to South Africa, regardless of the actual nationality of the MultiChoice ADS 
holder; and
• all shareholders with an address outside of South Africa on the register of MultiChoice will be deemed to be foreigners to South Africa, irrespective of their actual nationality or domicilium, unless such shareholder can provide proof, to the satisfaction of the MultiChoice board, that it should not be deemed to be a foreigner to South Africa, as envisaged in article 40.1.3 of the MultiChoice memorandum of incorporation.

Shareholders are further referred to ruling issued by the Takeover Regulation Panel on 27 February 
2024, which ruling deals with the MultiChoice memorandum of incorporation. Shareholders can access the ruling on the Company's website at https://www.investors.multichoice.com/regulatory.php. 

If shareholders are in any doubt as to what action to take, they should seek advice from their broker, attorney or other professional adviser

Recap To Last Year: Could SABC Lehae Launch On Openview As A Replacement To e.tv's News And Sport Alongside SABC Variety?

In 2021, SABC and eMedia Investments extended their agreement which led to additions like SABC Sport and SABC's 19 radio stations on the Openview platform. There was also promises for two entertainment channels to accompany the existing SABC 1-3.

These channels were also slated to launch within that year but since then SABC and eMedia Investments had gone rogue that doesn't mean there wasn't any noteworthy material.

During that long arrival of more TV channels, SABC Lehae was born which serves as the second news channel by the public broadcaster following SABC News. It offers news in indigenous languages by that I mean similar to most channels rehash content from SABC 1-3.

This was followed by SABC Variety which serves as a revival/replacement to the defunct SABC Encore brand on DStv. Unlike its previous iteration, SABC Variety also serves as a catch-up channel especially with sporting events.

For a while now, there has been a lot of commotion as to whether these could be the long awaited channels for Openview consumers. As both explore the public broadcaster's archived material aka repeats as they clearly highlighted for these new channels.

SABC Lehae would prove to be somewhat useful following the cancellation of News And Sport. Consumers were left without without a decent local news channel while SABC Sport fills up the sports and the channel would basically be rivalling with eNCA and Newsroom Afrika.

SABC Variety would serve as complimentary offering to Power Up when consumers miss out on shows. Similar to ePlesier and the former Rewind, the channel would invite nostalgia to viewer's screens.

Development Alert: Could France24 Be The Next Channel To Exit The Openview Platform?

France24 is a French based news station operated by the local government. Based in France, it would offer news and current affairs aimed at the French market while as catering to other languages such as Spanish, English and Arabic. 

Since 2017, France24 was currently functional on the Openview platform after eMedia Investments silently axed the British based brand BBC News. It garnered backlash from various consumers with some not viewing it in the same league as the former BBC channel.

This past week, a viewer had browsed the TV Guide for France24 and noticed that the channel's programme guide ends by 3 March while other channels still provide a full week line-up. It led to further speculation that eMedia Investments could be looking to axe France24.

In eMedia Investments last financial records, they promised to launch a few more channels before 31 March 2024. None of which materialized in 2023 with the company down to a few weeks before the start of a new cycle.

With the possible closure of France24, consumers would be expecting a replacement as it was the only liable source of news following the demise of e.tv News And Sport. Those wishing to view the channel would have to get Starsat and pay R150 monthly. 

Recap To Last Month: BBC Studios Buys ITV's Britbox International Share

BBC Studios is taking full ownership of BritBox International, acquiring ITV’s 50% share for a cash consideration of £255 million.

Launched by BBC Studios and ITV in 2017, British specialist streaming service, BritBox International delivers British scripted content to North America and select markets. The service now has over 3.75 million subscribers and has an enterprise value of around £500 million.

As part of the transaction, BBC Studios has extended its licensing agreements with ITV “ensuring that programming for BritBox International will continue to represent a wide range of British content.”

ITV-owned BritBox UK is unaffected by the deal and will still feature BBC content as part of separate long-term agreements.

Tom Fussell, BBC Studios CEO said: “This is an important acquisition for us. We are taking full ownership of a successful, growing service we know well and that fits with our stated ambition to double the size of our business. Britbox International has British content at its heart and it generates and satisfies demand for British shows outside the UK. We will continue to make significant investments in the future to deliver long term value to the BBC.”

Carolyn McCall, ITV CEO said: “The sale of 50% of BritBox International means ITV is focused on its core strategic goals of continuing to build on ITVX’s success and growing ITV Studios.”

BritBox International will become part of BBC Studios’ Global Media and Streaming division, complementing its portfolio of digital and direct-to-consumer services that includes BBC.com, BBC Select, the BBC’s premium ad-free documentary streaming service in North America and BBC Podcast Premium, an audio service available in more than 160 countries.

Rebecca Glashow, BBC Studios Global Media & Streaming CEO said: “I am thrilled to further our involvement in BritBox International – it’s a profitable business and a winning proposition. We see tremendous opportunity to grow this unique service and take it to even greater heights for its subscribers, with the full power of the BBC behind it.”

Following BritBox International’s move into BBC Studios’ Global Media & Streaming division, its global CEO Reemah Sakaan is stepping down. Sakaan has been with the outfit since the start and has been CEO for the past three years.

Tom Fussell BBC Studios CEO said: “I’d like to thank Reemah for her outstanding contribution to BritBox International, which under her stewardship has seen remarkable year-on-year growth. Her passion and dedication has helped create a great culture and build a business that is loved by audiences and that has real momentum.”

Carolyn McCall, ITV CEO said: “I would like to thank the BritBox International team for making the company such a success and particularly CEO Reemah Sakaan for her leadership, drive and vision.”

New leadership plans are “in place” and will be announced “imminently.”

BritBox International is available in the USA, Canada, Australia, South Africa, Denmark, Finland, Norway and Sweden. Recent hits include Archie, Death in Paradise, Father Brown, Line of Duty, Sherwood and Shetland.

Sunday, March 3, 2024

Could Netflix Become The Exclusive/Future Home Of Nickelodeon?

During the year, it was reported that WWE would be exiting linear television by 2025 with Raw, SmackDown and NXT alongside premium live events like WrestleMania and SummerSlam would be streaming exclusively on Netflix with more countries to be added soon.

This has boosted the media's interest on the streamer with some curious about what other projects the brand has in the pipeline. One of the brands I wouldn't really be shocked to see get purged soon would be Nickelodeon.

Nickelodeon is an international children's brand operated by Paramount Global. Since it's inception had brought animated shows like SpongeBob SquarePants, The Loud House and Legend Of Korra alongside live-action shows like Drake & Josh, iCarly and The Thundermans.

As some readers are aware, Netflix and Nickelodeon have co-produced shows like Pinky Malinky, Glitch Techs and the upcoming live-action series for Avatar: The Last Airbender. On top of distributing films like Invader Zim: Enter The Flopus and Rocko's Modern Life: Static Cling.

There was a point in time when Netflix was looking to acquire Paramount's studios before negotiations fell flat. Not long ago, Paramount announced that they'd be laying off 800 employees due to the effects of streamlining with fear lurking around their linear offering.

With WWE leaving linear television, the idea of more content being purged to streaming particularly Nickelodeon wouldn't seem far fetched a stretch. Disney had closed several channels across the world as most of their content gets integrated with Disney+.

Netflix has been doing a lot of quality control in recent months and looking to get decent content. They recently filmed a live-action series to popular anime One Piece and acquired exclusive rights to The Casagrandes Movie and The Fairly OddParents: Make A Wish.