Showing posts with label DStv Flex. Show all posts
Showing posts with label DStv Flex. Show all posts

DStv And Showmax Subscribers Bid Farewell To Euphoria And Peacemaker As Canal+'s Doesn't Renew Content Deal For HBO And Warner Bros.

Last year, Canal+ and Warner Bros. Discovery created a media debacle when it was announced that Cartoon Network and 11 other channels would be removed from DStv. Paramount was already closing 4 other channels on the platform.

It was not until a last minute deal was reached where Canal+ thought of merging MultiChoice's contract with that of its operations in Europe. This deal included a possible rollout of HBO Max as Canal+ will be rolling it out in various markets.

Initially, it was reported by some outlets that this new agreement saved the licensing deals for M-Net and Showmax. But others were quick to spot it's sudden exclusion from this new agreement.

According to News24, this new agreement excluded premium TV series from HBO and Warner Bros. film and TV studios. This means DStv and Showmax consumers will be missing out on Game Of Thrones spinoff, A Knight Of Seven Kingdoms.

This is because Canal+ is busy slashing tires at MultiChoice with TLNovelas that is scheduled to close by 31 January 2026

MultiChoice had been losing subscribers with those numbers dropping from 17.3 million in 2023 to 14.5 million in 2025. This whole ordeal took a bigger plunge in some African markets particularly Kenya where cuts reached between 80% to 90%.

Canal+ is trying to put out a fire even if that means DStv and Showmax subscribers miss out on The White Lotus and House Of Dragons. As the French company deemed M-Net's agreement with Warner Bros. non viable.

As mentioned, MultiChoice has been losing DStv consumers and their premium market has been under siege post the pandemic.

M-Net has been the glue to the DStv Premium structure but with massive cord cutting seen in the United States and elsewhere. One channel alone isn't enough to entice viewers to subscribe especially if they're more affordable options.

That doesn't mean the loss of The White Lotus and The Glided Age won't impact M-Net's remaining viewers immensely as this will just lead to even more cord cutting for DStv.

Canal+ has been boasting about being a super aggregator and the plan is to have HBO Max funnel all this content. The problem is that for linear viewers that aren't streaming it only leads to even lesser content.

HBO Max's parent company is currently undergoing a takeover process by Netflix and should the deal succeed all this content will likely be made exclusive to the streamer.

Existing Threat Awaiting SuperSport And DStv Customers

In 2024, it was reported Netflix had acquired global rights to WWE's catalogue which include Raw, SmackDown, NXT and live PPVs like Summerslam. As of last year, it has been streaming in the US, UK, Canada and various other international markets.

At the time, SuperSport had confirmed that they remain the exclusive home to WWE's offering across Africa. Of course, this multi-year agreement between both parties was finalised back in 2022 and will conclude sometime in 2027.

If anyone remembers how Disney+ panned out, you had various countries in Europe and other parts of the world awaiting for the streaming service. This was because of existing agreements with other broadcasters.

Then when that fell through it opened up the doors for Disney+.

This is what is expected to happen with SuperSport once their current agreement for WWE expires. You won't have a 24 hour channel for old PPVs, Mzansi Magic and all other SuperSport channels will no longer have live broadcasts to Crown Jewel.

MultiChoice is less likely to replicate WWE and even if that were to be the case it's likely to end up like TNA Wrestling on e.tv. The only logical option would be bulking up the offering on SuperSport Action in the event WWE ceases to exist.

If I'm being honest here, SuperSport has a lot going for itself despite existing threats in the market. To some extent, recovery is possible for them unlike DStv which has seen more content being taken away without alternatives in place.

Maybe I'm exaggerating here and WWE continues through 2030 on SuperSport but if you read between the lines. This deal is sort of being built up like that of Disney+ were some things SuperSport can't prevent from occuring happen.

February 2026 On Studio Universal Across Africa | Super-Charged Week With Alita: Battle Angel | Valentine's Special With Channel Premiere: The Super Mario Movie | More

Super-Charged Week
Mon 2nd – Sun 8th
Super-Charged Week returns to Studio, drifting into your February schedule for seven sensational days! A triple-billed, adrenaline-fueled takeover from 5pm

2 Fast 2 Furious
3rd February at 18:45
The second movie in the blockbusting action franchise hit cinemas two years after the original, with the pedal pressed all the way down. Former cop Brian O’Conner has moved to Miami, where he plans to turn over a new leaf. However, his love of street racing prompts him to fall foul of the law, and only a deal with the FBI to help take down a ruthless drug kingpin will keep him out of jail. Paul Walker reprises his role as O’Conner, while Chris ‘Ludacris’ Bridges and Tyrese Gibson co-star.

Bad Boys
3rd February at 20:35
Martin Lawrence and Will Smith play detectives Marcus Burnett and Mike Lowrey in this first outing in the action franchise. When millions of dollars’ worth of heroin recovered from a robbery is stolen from under their noses, they have three days to get it back before the narcotics division is shut down. But what should be an open-and-shut case hits closer to home than they imagined. Stay tuned during Super-Charged Week as Smith and Lawrence return in sequels Bad Boys II and Bad Boys for Life.

Alita: Battle Angel
7th February at 17:00
Robert Rodriguez directs this take on Yukito Kishiro’s blockbusting manga series, about a cyborg with no memory of who she once was. Named Alita by the scientist who revived her, she learns she has a human brain and, eager to know more, soon discovers there is also more to her creator than meets the eye. Determined to unravel the mystery of her past, Alita embarks on a violent journey of discovery. Rosa Salazar plays the eponymous lead, while Jennifer Connelly and Christoph Waltz co-star.

Fast & Furious Presents: Hobbs & Shaw
8th February at 21:25
A stellar cast features in this spin-off tale, focusing on chalk-and-cheese duo Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham). They are forced to put aside their many grievances and join forces to take down Brixton Lore (Idris Elba). He’s a psychopathic former MI6 agent with a brilliant intellect, pretty much indestructible, and in possession of a deadly pathogen he’s not afraid to use against humankind. Watch out for appearances by Ryan Reynolds and Helen Mirren.

Valentine’s Special + Action Weekend
Valentine’s Day Special: Sat 14th @ 6pm, Action Weekend: Sat 21st – 22nd Feb (Double-bills from 8pm)
Will Bowser woo Princess Peach with his awesomeness? Tune in to find out! and...No one should come between one man and his dog. Action Weekend? Try Action Wick-end!

The Super Mario Bros. Movie
14th February at 18:00
Look no further for Valentine’s Day romance than this channel premiere. Plumbing brothers Mario and Luigi’s business is on the brink of disaster, and they hope solving a city leak will put them back on top. Instead, a pipe whisks Mario to the Mushroom Kingdom, where Princess Peach rules, while Luigi ends up in the Dark Lands, where overlord Bowser aims to make Peach his bride. Mario and a host of characters set out to overcome all obstacles, save Luigi, protect Peach and preserve their business.

John Wick
21st February at 20:00
This beautifully choreographed action thriller not only revived Keanu Reeves’ flagging acting career, it spawned two sequels, a comic book and a spin-off. It all began here, with assassin John Wick, retired from his work and ready to embrace domestic bliss. However, the sudden death of his wife leaves him reeling, and when the puppy that was her last gift to him is killed by a mobster’s goons, Wick sets out to have his bloody revenge. Willem Dafoe, Alfie Allen and Michael Nyqvist also feature.

John Wick: Chapter 2
21st February at 21:50
Three years after the hit first film, Keanu Reeves is back as the stylish assassin in this sequel. After striking a peace deal with Abram Tarasov, Wick aims to go back to his quiet life. However, Camorra crime boss Santino D’Antonio has other plans, and calls in the debt that Wick owes him. Although he initially refuses (with violent consequences), Wick eventually agrees, only for the situation to spiral quickly out of control. Riccardo Scamarcio, Common and Ruby Rose are among the cast.

John Wick: Chapter 3 – Parabellum
22nd February at 22:05
The third film in the blockbusting franchise catches up with the legendary assassin as he tangles with Manhattan’s criminal underworld while having a price on his head thanks to a fatal mistake. Every hired gun in the city and beyond is eager to bring Wick down and claim the bounty. With almost every form of help denied him, the suited and booted ‘excommunicado’ Wick must use every ounce of his wits to stay alive. Keanu Reeves again heads the cast, with Halle Berry and Laurence Fishburne.

February 2026 On Universal TV And Bravo Across Africa | Channel Premiere: In Flight | Returning Shows Including The Real Housewives Of Beverly Hills | More

Universal TV

IN FLIGHT
Season 1 – Territory Premiere
Premieres Thursday 19th February @8pm
Katherine Kelly stars as Jo Conran, a London-based flight attendant whose 19-year-old son is imprisoned in Bulgaria for a murder he insists he didn’t commit.

LAW & ORDER:
SPECIAL VICTIMS UNIT
Season 27 – Territory Premiere
Premieres Wednesday 4th February @8pm
Led by Mariska Hargitay as Captain Olivia Benson and Ice-T as Fin. Our flagship procedural returns bigger and better than ever with modern twists and emotional depth.

Continuing shows Include LEVERAGE: REDEMPTION Season 3 on Tuesdays @8pm and NCIS Season 21 on Mondays @8pm.

Bravo

The Braxtons
Premieres Sunday 1st February at 19:00
(with each subsequent episode premiering Sundays at 19:00) 
A brand-new series spin-off from the fan-favourite Braxton Family Values, comes Season 1 of The Braxtons, which marks an emotionally raw and intimate reunion of the Braxton family - Toni, Tamar, Towanda, Trina, and Ms. Evelyn - as they come together two years after the passing of their sister Traci to honour her final wish: that the sisters stay close.

The Real Housewives of Beverly Hills
Season 9 Premieres Monday 3rd February at 17:15
Double Bills Monday-Friday
The Real Housewives of Beverly Hills continues in February on Bravo Africa. Season 9 centers around the explosive “Puppygate” scandal involving Lisa Vanderpump, Dorit Kemsley, and a rehomed dog, the fallout leading to a dramatic exit from the show. Hollywood star Denise Richards joins the cast, bringing fresh energy and candidness.

The Real Housewives Of Beverly Hills
Season 10 Premieres Monday 19th February at 17:15
Double Bills Monday-Friday
The Real Housewives of Beverly Hills continues in February on Bravo Africa. Season 10 introduces Garcelle Beauvais and Sutton Stracke, while Denise Richards becomes the focal point of controversy. The season features fashion launches, Broadway debuts, and a wild cast trip to Rome.

Continuing shows include Below Deck Down Under Season 3 on Sundays at 18:10 and Watch What Happens Live on Monday-Friday at 22:00.

January 2026 On Discovery Channel, TLC, HGTV And Food Network Across Africa | Channel Premiere: The Cult Of The Real Housewife | Returning Shows Including The Pioneer Woman | More

Discovery Channel

New Show
Little Giants S1
Meet some elusive micro-monsters that exist just beneath our feet.
First TX: 3 January
TX Day: Saturday
TX Time: 21:55
Last TX: 7 March

Returning shows include Homestead Rescue S7A on 1 January at 20:05, Wheeler Dealers: World Tour S2 on 9 January at 20:05 and Caught! (Anomaly S2 & Magilla S2) on 25 January at 21:00 & 21:30.

TLC

* For only ROA

The Cult Of The Real Housewife S1
Brand New Special 
A docuseries that investigates allegations of spiritual and financial misconduct surrounding The Real Housewives Of Salt Lake City and her husband's church, uncovering the disturbing truths behind the headlines.
First TX: 11 January
TX Day: Sunday
TX Time: 21:00
Last TX: 25 January 

Suddenly Amish S1
Brand New 
The Amish community faces a crisis and Bishop Vernon has a solution; offer six outsiders the opportunity to join his community and become Amish.
First TX: 28 January
TX Day: Wednesday 
TX Time: 21:00
Last TX: 4 March

Into The Jungle With Ed Stafford
Brand New 
Explorer and former British Army captain Ed Stafford sets up an extreme survival school that will put struggling modern dads and their children through the toughest challenges.
First TX: 20 January
TX Day: Tuesday 
TX Time: 20:00
Last TX: 24 February 

Returning shows include 90 Day Fiance: Before The 90 Days S8 on 1 January at 20:00 and *Dangerously Obese S2 on 16 January at 21:00.

HGTV 

The Renovator S1
New Show
Marcus Lemonis uses design to help change people's lives one home renovation at the time.
First TX: 14 January
TX Day: Wednesday 
TX Time: 21:00
Last TX: 4 March 

Design Down Under S1
New Show
Husband and wife design team, Richie Morris and Georgia Ezra, create one-of-a-kind, modern designs and bespoke access for clients in Melbourne, Australia while juggling their thriving businesses and family of four.
First TX: 27 January
TX Day: Tuesday 
TX Time: 21:00
Last TX: 17 March 

Returning shows include My Lottery Dream Home S18 on 5 January at 22:00, Island Life S20 on 4 January at 22:00 and House Hunters: Amazing Water Homes S3 on 4 January at 12:00.

Food Network 

Magnolia Table: At The Farm
Brand New
Joanna Gaines shares recipes, seasonal flavours and simple joys from her family's farm.
First TX: 8 January
TX Day: Thursday 
TX Time: 16:05
Last TX: 22 January 

Returning shows include The Pioneer Woman S39 on 29 January at 17:00 and Wildcard Kitchen on 31 January at 21:55.

January 2026 On Investigation Discovery (ID), Travel Channel, Discovery Family And Real Time Across Africa | Channel Premiere: The Secrets We Bury | Returning Shows Including Expedition Unknown | More

Investigation Discovery 

The Secrets We Bury S1
Brand New
Follow the Carroll siblings on their mission to find answers about their father's mysterious disappearance fifty-eight years ago.
First TX: 4 January
TX Day: Sunday
TX Time: 21:00
Last TX: 4 January

Returning shows include The Murder Tapes S7 on 14 January at 21:00, The Dead Files S7 on 17 January at 20:05 and People Magazine Investigates S9 on 26 January at 21:00.

Travel Channel

Returning shows include House Hunters International S132 on 16 January at 06:00, Expedition X S3 on 21 January at 21:10 and Expedition Unknown S9 on 13 January at 21:10.

Discovery Family

G.A.S. Extreme Customs S1
New To Channel 
Galpin Auto Sports, the number one custom auto shop in the country, lets America behind the scenes on their builds.
First TX: 12 January
TX Day: Monday 
TX Time: 17:35
Last TX: 26 January

Mark Rober's Revengineers S1
New To Channel 
Mark Rober, former NASA engineer and current Apple engineer, created a viral glitter prank to serve justice to doorstep delivery thieves. Now you can join him and his team to take down the morally impaired . He'll build a trap, set the bait and wait.
First TX: 26 January
TX Day: Monday - Thursday 
TX Time: 20:40
Last TX: 29 January

This Is Mark Rober S1
New To Channel 
Former NASA engineer, Mark Rober, became a YouTube superstar thanks to his hilarious pranks and intricate experiments. Using never-before-seen footage, Mark dives deep into the concepts and processes for some of his most viral videos.
First TX: 2 January
TX Day: Friday 
TX Time: 17:35
Last TX: 30 January

Wheeler Dealers: Dream Car S1
New To Channel 
Supremo car dealer Mike Brewer pairs up with a multi-skilled mechanic to take on his toughest mission yet: to help hapless car enthusiasts trade up their rusty runarounds to the car of their dreams.
First TX: 6 January
TX Day: Tuesday 
TX Time: 17:35
Last TX: 27 January

Real Time

Returning shows include Diners, Drive-Ins And Dives S31 & S32 on 19 January at 12:55, Evil Lives Here S8 on 12 January at 22:30 and House Hunters International S194, S195 & S196 on 7 January at 14:35.

January 2026 On TNT Across Africa | Happy New Flicks With Mercury Rising | Blockbuster Rewind With Top Gun | More

* premieres are in bold

Happy New Flicks
Stunt
Start 2026 with TNT’s Happy New Flicks! This January, TNT brings fresh blockbusters every Thursday. Kick off the year with action, drama, and stories that captivate.

Thursday, 1 January
20:30 Contraband (2012)
Thursday, 8 January
20:30 Hard Target (1993)
Thursday, 15 January
20:30 Mercury Rising (1998)
Thursday, 22 January
20:30 American Made (2017)
Thursday, 29 January
20:30 Emily The Criminal (2022)

Chaos & Chuckles 2.0
Stunt
Sundays Just Got Ridiculous with CHAOS & CHUCKLES 2.0!
TNT is back with its wildest comedy stunt - double features every Sunday in January. Expect absurd humor, chaotic energy, and laugh-out-loud moments all month long.
Sunday, 4 January
18:15 The Boss Baby (2017)
20:00 Shazam! (2019)
Sunday, 11 January
18:10 Get Smart (2008)
20:00 Renfield (2023)
Sunday, 18 January
18:15 Ride Along (2014)
20:00 Ride Along 2 (2016)
Sunday, 25 January
18:15 The Nutty Professor (1996)
20:00 The Nutty Professor II: The Klumps (2000)

Blockbuster Rewind
Stunt
This month, TNT brings back the legends! Every Saturday, viewers can dive into three backto-back cinematic icons with Blockbuster Rewind. These timeless hits still pack a punch; because great stories never get old.
Saturday, 3 January
16:25 The Mask (1994)
18:05 Top Gun (1986)
20:00 The Mummy (1999)
Saturday, 10 January
15:40 Under Siege (1992)
17:25 Gladiator (2000)
20:00 The Dark Knight (2008)
Saturday, 17 January
15:50 First Blood (1982)
17:25 Terminator 2: Judgment Day (1991)
20:00 Last Boy Scout (1991)
Saturday, 24 January
16:15 Rush Hour (1998)
17:55 Mad Max: Fury Road (2015)
20:00 I am Legend (2007)
Saturday, 31 January
16:15 Cliffhanger (1993)
18:05 Lethal Weapon (1987)
20:00 Final Destination (2000)

MTV Will No Longer Air Music Programming Following The Closure Of MTV Base

During the month, Paramount closed four channels within the African market this comprises of BET, MTV Base, CBS Reality and CBS Justice. This forms part of corporate restructure which saw several linear channels close around the world.

This includes MTV Music, MTV 80s, MTV 90s, Club MTV, and MTV Live in various European markets, BET in France and Nickelodeon in New Zealand.

For DStv consumers that are hoping that some fragment of MTV Base will form part of MTV shouldn't bet on it for the foreseeable future. This is because Paramount is leaning more toward reality TV for the main network.

This comprises of shows like Teen Moms, Dating Naked UK and Caught In The Act: Unfaithful. Award shows such as MTV EMAs were put on pause for the 2025 period and might be the closest anyone has to this fragment of MTV.

Speculation making the mount is that these are also in danger of getting the axe as seen with most of BET's award shows like Soul Train Awards and Hip-Hop Awards.

The new management at Paramount is getting with times and fact is Spotify and YouTube are gradually phasing out the likes of MTV Base. Plan B is to make MTV more leaner with documentaries, reality shows and some behind the scenes.

Problem here with Plan B is that MTV hasn't been as relevant as in a long while and the only reason it got this far was it's music brand it shuttered globally.

As it stands, MTV is at greater risk of following the same route as E! with the cancellation of Ridiculousness and Catfish: The TV Show. Majority of their audience latched onto these shows without them it's makes survival almost impossible.

Channel Closure: History Channel Will Stop Airing In Turkey From 31 December 2025 Alongside CBS Reality In Romania

According to insiders, History Channel will be bowing out in Turkey by the end of 2025. The reason for its termination is unknown but this happens to be the Pan European feed that is seen on DStv across Africa.

This comes after reports had surfaced that Disney and Hearst Corporation that formed A+E Global Media were looking to sell the company with Starz eyed out as a potential buyer. We assume with a sale more restructuring will be underway for its international operations.

Also joining History Channel by 31 December 2025 will be CBS Justice in Africa alongside CBS Reality with Poland and recently Romania announced for closures of the brand.

Following Paramount's acquisition by Skydance, the company has been streamlining it's operations affecting its joint venture with AMC Networks International. This even includes MTV's music channels and BET's operations in France and Africa.

As mentioned, in some of these markets CBS Reality and Paramount's fleet of channels are being replaced. Unlike MultiChoice, that could be losing 16 channels by the end of December part of which has to do with its dispute with Warner Bros. Discovery.


Dark Days Could Be Lurking For TNT Africa

As advised, MultiChoice will be shuttering Warner Bros. Discovery's 12 channels on the DStv platform due to pricing problems. Channels like Food Network qnd Discovery Family will cease to exist in Africa as MultiChoice was the only provider for them.


Another channel that could be joining Food Network and the other channels in a not so distant future would be TNT.


TNT is ranked as the #1 international movie channel in Africa offering action based films and various content from wrestling promotion AEW. It was only last year when StarTimes opted to discontinue carriage of the channel for similar reasons.


Unlike Cartoon Network and a fleet of channels that are packaged on StarTimes, Zuku TV and Azam TV. The only other means of viewing TNT would be through Canal+ Afrique's operations in Rwanda.


The problem part, Canal+ Afrique and MultiChoice are owned by the same company meaning TNT Africa's days in the market could be numbered. It's less likely to be revived on another platform as StarTimes and the latter already have alternatives in place.


Unlike Cartoon Network and TLC where the content can't simply be replaced with an alternative. Outside of AEW, TNT uses the same catalogue as ST Movies, Studio Universal and M-Net Movies.

Four Channels Facing Bigger Risk Of Extinction Within MultiChoice And Warner Bros. Discovery Dispute

With only a few days left in 2025, MultiChoice and Warner Bros. Discovery have yet to come into an agreement over the fate of its 12 channels. These include Discovery Channel, TLC, TNT, Cartoon Network, Cartoonito, CNN, Travel Channel and HGTV.


If these channels were to go dark for instance, consumers in South Africa would have no other means of viewing them. As opposed to other markets with StarTimes, Zuku TV and Azam TV supplying some of these channels in a separate agreement.


For Discovery Channel, Investigation Discovery, CNN, TNT, TLC, Real Time and Cartoon Network and Cartoonito. With them being on other platforms within Africa means normal viewing is expected to resume once they go dark on DStv.


As opposed to Food Network, HGTV, Travel Channel and Discovery Family that will have to see Warner Bros. Discovery reshuffle their portfolio and reschedule/delay shows. This is because MultiChoice was the only provider willing to bundle them despite the costs.


Most other providers rely on Discovery Channel and Real Time for the batch of shows on these channels including Ugliest House In America, Harry Potter: Wizards Of Baking and The Kitchen.


MultiChoice now under French management has been scaling back on costs with the cancellation of Philly's Games and World Darts Championship on SuperSport. It's likely that the ongoing talks with Warner Bros. Discovery will see their linear operations reduced.


Canal+ following its acquisition of MultiChoice had lost another million subscribers between March 2024 to March 2025 which is where part of their income reside. With fewer subscribers, MultiChoice won't be able to maintain the current DStv structure.


If these two parties do come to an agreement expect a streamlined portfolio which could as well result in the closure of Travel Channel and Discovery Family. In regards to the fate of Dead Files that may not be a priority if the viewership doesn't justify the means.



Starz Placed $25 Billion Bid For All Of Warner Bros. Discovery’s Cable Networks Including Cartoon Network And TLC

Starz put in a $25 billion bid for all of Warner Bros. Discovery’s cable networks and 20% of its studio and streaming businesses last month, TheWrap has learned, acting as a dark horse contender for an asset most companies bidding on the entertainment company were not interested in.

Warner Bros. Discovery revealed in a filing with the U.S. Securities and Exchange Commission that a previously undisclosed company — labeled “Company C” in the filing — put in the $25 billion all-cash bid on its Nov. 20 deadline. It also proposed a 90-day exclusivity period, which Netflix, Paramount Skydance and Comcast (labeled “Company A” in the filing) did not.

That company was Starz. While the WBD board considered all the bids on Nov. 21, it found that Company C’s bid was “not actionable at that time” and responded to the top three bidders on Nov. 22.

Puck first reported the news.


The filing also revealed more details about Netflix’s and Paramount’s efforts to purchase some or all of WBD, as the companies publicly advocate for their bids to WBD’s shareholders. Netflix and WBD entered into an exclusive arrangement for the streamer’s $82.7 billion bid for the studio and streaming businesses, while Paramount has mounted a $30-a-share hostile takeover bid for the entire company. WBD on Wednesday rejected Paramount’s latest offer.

A Starz spokesperson declined to comment. Starz CEO Jeff Hirsch previously told TheWrap that he wanted his company to be “additive” to networks he believed were too linear-focused in a digital age.

“There’s a lot of networks out there today that are marooned on the linear side and don’t have technical capabilities to do what we’ve done,” he said in May after Starz completed its spin-off from Lionsgate. “We think we can be very additive to content that is stuck on the linear side to give them a digital future.”

Starz reported a $53 million loss in its third quarter, missing Wall Street expectations, and revenue dropped 8% to $320.9 million. It reported a loss of 130,000 U.S. subscribers for a total of 17.5 million, driven mostly by linear subscribers’ cord-cutting. Linear subscribers also dropped by 24o,000 to 5.17 million while it saw a streaming increase of 110,000 U.S. subscribers for a total of 12.3 million.

Still, Hirsch teased the possibility of venturing into the M&A space during its third-quarter call in November, a week before the company reportedly placed its bid for WBD’s cable networks.

“With a potential for increased consolidation across the media landscape, we believe that we are uniquely positioned to capitalize on potential M&A opportunities,” Hirsch said. “Given our track record of profitability converting our business from linear to digital and our industry-leading tech stack, we are positioned to increase our scale as assets that are strategically valuable to Starz become available.”

The company reportedly found its first target last month when it expressed interest in A+E Global Media, the parent company of networks such as Lifetime and the History Channel.

Canal+ Ready To Take On Global Streamers, Talks MultiChoice

Canal+ has given itself the (seemingly wide) target of 50 to 100 million subscribers by 2030, as the MultiChoice acquisition which closed earlier this year alters its dimension and strategic priorities.

Talking to Le Figaro before its The Originals+ content showcase on December 18th in Paris, Canal+ group CEO Maxime Saada said he considers the group to now be an international player, boasting some 40 million subscribers across nearly 70 countries, and having 17,000 employees across Europe, Africa and Asia.

Saada said that synergies between Canal+ and MultiChoice will be announced in January 2026, ahead of a strategic update planned for March, while the combined entity’s revenue is expected to reach €10 billion roughly.

Canal+ is counting on Africa as its main growth driver, while continuing its expansion into mature European countries. In France, Canal+ anticipates a sixth consecutive year of growth in 2025 and a return to profitability.

The group is also ready to strengthen its international content and franchise strategy with StudioCanal and is pleased to have secured the rights to European football competitions until 2031. Saada said that business matters are “under control” and did not regret the withdrawal from Ligue 1.

Featuring a fireside chat between Saada and Netflix CEO Ted Sarandos, The Originals+ event showcased the strength of Canal+’s content slate – including a French version of Saturday Night Live and Projects With Olivia Colman, Ava DuVerna, Vincent Lindon and David Oyelowo – and its capacity to “rival global streaming giants,” in being a curator, producer, and distributor of premium content at scale.

Warner Bros. Discovery Rejects Paramount's $108 Billion Bid For The Company

Warner Bros. Discovery still isn't interested in Paramount Skydance's offer.

Paramount's latest bid "is inadequate, with significant risks and costs imposed on our shareholders" compared to Netflix's bid, which "represents superior, more certain value for our shareholders," said Samuel Di Piazza, the chair of WBD's board of directors, in a statement to shareholders on Wednesday morning.

In a letter to shareholders, WBD's board recommended that shareholders reject Paramount's all-cash bid of $30 per share in favor of Netflix's cash-and-stock offer. Paramount wants to buy all of WBD, including its cable channels, while Netflix's bid of $27.75 per share is for WBD's studio, HBO, and HBO Max. A key difference between the two bids revolves around the value of WBD's TV networks, such as CNN and TNT, which Netflix isn't interested in buying.

Di Piazza said that Paramount's seventh proposal "once again fails to address key concerns that we have consistently communicated," including about Paramount's financing.

Paramount has said its bid is fully backstopped by Larry Ellison, one of the richest people in the world and father to Paramount CEO David Ellison. The WBD board said in the letter to shareholders that it relies "on an unknown and opaque revocable trust" whose assets or liabilities are subject to change.

Meanwhile, Netflix is paying with cash and stock. Its shares have fallen recently but surged more than 600% from mid-2022 to mid-2025. Netflix has a market cap of over $400 billion.

While Paramount has said that it would have an easier time securing regulatory approval than Netflix, the WBD board says it "does not believe there is a material difference in regulatory risk" between the two proposals.

The Ellisons are close to President Donald Trump. However, Netflix co-CEO Ted Sarandos has pitched the president on the deal and seems to have earned some respect. Trump has called Sarandos a "great person," though he added that the Netflix-Warner Bros. deal "could be a problem" on the regulatory front. Still, the president hasn't come out publicly in favor of one side in the deal.

WBD also said its board "repeatedly engaged" with interested parties, including the Ellisons. Paramount had previously said that WBD went quiet late in the bidding process.

Not even Paramount can be surprised by WBD's decision to stick with its Netflix deal.

David Ellison was overheard saying last week that if WBD's leadership were to "accept the offer exactly as it is today, right, then they're admitting breach of fiduciary duty," Business Insider previously reported.

That's because Paramount said its $30-per-share hostile bid was nearly identical to its previous offer to WBD. Public companies are obligated to act in the best interests of shareholders. So if WBD's board had changed its mind, it could have opened itself up to shareholder lawsuits.

WBD had said in a statement after Paramount's hostile bid that it would "carefully review and consider Paramount Skydance's offer" in a way that was "consistent with its fiduciary duties and in consultation with its independent financial and legal advisors."

Now that WBD's board has given Paramount the cold shoulder again, it's Ellison's move.

The aspiring media mogul told CEO David Zaslav that Paramount's latest offer wasn't its "best and final," which suggests that a higher bid could be coming. Just how much appetite Paramount has to escalate the bidding war is the key question.

If no higher bid comes, WBD's investors have until January 8 to back Paramount, though it could extend that deadline. WBD would owe Netflix a $2.8 billion reverse breakup fee if its shareholders chose Paramount.

Read the full letter to shareholders here:

Dear Fellow Shareholders,

As your Board of Directors, we are committed to acting in your best interest. In this spirit, in October, we launched a public review of strategic alternatives to maximize shareholder value. This followed three separate proposals from Paramount Skydance ("PSKY"), as well as interest from multiple other parties.

That thorough process, overseen by the Board with the assistance of independent financial and legal advisors, as well as our management team, led to the company entering into a merger agreement with Netflix on December 4, with the substantial benefits to WBD shareholders described below. Having failed to submit the best proposal for you, our shareholders, PSKY launched an offer nearly identical to its most recently rejected proposal.

As a Board, we have now conducted another review and determined that PSKY's tender offer remains inferior to the Netflix merger. The Board continues to unanimously recommend the Netflix merger, and that you reject the PSKY offer and not tender your shares.

Below, and in more detail in our 14D-9 filing, we highlight the many reasons for the Board's determination. None of these reasons will be a surprise to PSKY given our clear, and oft-repeated, feedback on their six prior proposals.

The terms of the Netflix merger are superior. The PSKY offer provides inadequate value and imposes numerous, significant risks and costs on WBD.

The value we have secured for shareholders through the Netflix merger is extraordinary by any measure.

Our agreement with Netflix gives WBD shareholders $23.25 in cash, plus $4.50 in shares of Netflix common stock (based on a collar range of $97.91 - $119.67 in the Netflix stock price at the time of closing), plus the additional value of the shares of Discovery Global and the opportunity to participate in future potential upside following Discovery Global's separation from WBD. The entire Board is confident in our recommendation that Netflix represents the best value-creating path for shareholders.

PSKY has consistently misled WBD shareholders that its proposed transaction has a "full backstop" from the Ellison family. It does not, and never has.

PSKY's most recent proposal includes a $40.65 billion equity commitment, for which there is no Ellison family commitment of any kind. Instead, they propose that you rely on an unknown and opaque revocable trust for the certainty of this crucial deal funding. Despite having been told repeatedly by WBD how important a full and unconditional financing commitment from the Ellison family was — and despite their own ample resources, as well as multiple assurances by PSKY during our strategic review process that such a commitment was forthcoming — the Ellison family has chosen not to backstop the PSKY offer.

And a revocable trust is no replacement for a secured commitment by a controlling stockholder. The assets and liabilities of the trust are not publicly disclosed and are subject to change. As the name indicates, revocable trusts typically have provisions allowing for assets to be moved at any time. And the documents provided by PSKY for this conditional commitment contain gaps, loopholes and limitations that put you, our shareholders, and our company at risk.

Amplifying the concerns about the credibility of the equity commitment being offered by PSKY, the revocable trust and PSKY have agreed that the trust's liability for damages, even in the case of a willful breach, would be capped at 7% of its commitment ($2.8 billion on a $108.4 billion transaction). Of course, the damage to WBD and its stockholders were the trust or PSKY to breach their obligations to close a transaction would likely be many multiples of this amount.

WBD's merger agreement with Netflix is a binding agreement with enforceable commitments, with no need for any equity financing and robust debt commitments. The Netflix merger is fully backed by a public company with a market cap in excess of $400 billion with an investment grade balance sheet. The debt financing for the PSKY bid relies on an unsecure revocable trust commitment as well as the credit worthiness of a $15 billion market cap company with a credit rating at or only a notch above "junk" status from the two leading rating agencies. The financial condition and creditworthiness of PSKY, which, if its proposed transaction were to close, would have a high gross leverage ratio of 6.8x 2026E debt to EBITDA with virtually no current free cash flow generation before synergies, raise substantial risks for its acquisition of WBD. Such debt levels reflect a risky capital structure that is vulnerable to even potentially small changes in the PSKY or WBD business between signing and closing.

Additionally, PSKY contemplates $9 billion in synergies from the mergers of Paramount/Skydance and their offer for WBD. These targets are both ambitious from an operational perspective and would make Hollywood weaker, not stronger.

The Board's review was full, transparent and comprehensive — establishing a level playing field that fostered a rigorous and fair process.

The Board repeatedly engaged with all parties, including extensive engagement with PSKY and its advisors over the course of nearly three months. We held dozens of calls and meetings with its principals and advisors including four in-person meetings and meals between David Zaslav and David and/or Larry Ellison and provided multiple opportunities for PSKY to offer a proposal that was superior to those of the other bidders, which PSKY never did.

After each bid, we informed PSKY of the material deficiencies and offered potential solutions. Despite this feedback, PSKY has never submitted a proposal that is superior to the Netflix merger agreement.

Despite PSKY's media statements to the contrary, the Board does not believe there is a material difference in regulatory risk between the PSKY offer and the Netflix merger.

The Board carefully considered the federal, state, and international regulatory risks for both the Netflix merger and the PSKY offer with its regulatory advisors. The Board believes that each transaction is capable of obtaining the necessary U.S. and foreign regulatory approvals and that any difference between the respective regulatory risk levels is not material. The Board also notes that Netflix has agreed to a record-setting regulatory termination cash fee of $5.8 billion, significantly higher than PSKY's $5 billion break fee.

The PSKY offer is illusory.

The offer can be terminated or amended by PSKY at any time prior to its completion; it is not the same thing as a binding merger agreement. The first paragraph of the offer states it is "subject to the conditions set forth in this offer to purchase (as it may be amended or supplemented from time to time)" and continues on the next page, "we reserve the right to amend the Offer in any respect (including amending the Offer Price)". In addition, the offer is not capable of being completed by its current expiration date, due to the need for, among other things, global regulatory approvals, which PSKY indicates may take 12-18 months. Nothing in this structure offers WBD shareholders any deal certainty.

The PSKY offer provides an untenable degree of risk and potential downside for WBD shareholders.

There will be additional costs associated with PSKY's offer that could impact shareholders.

When considering the PSKY offer at this juncture, it is important to note that its acceptance could incur significant additional costs to shareholders — all of which PSKY has ignored in their communications. WBD would have to pay Netflix a $2.8 billion termination fee, which PSKY has not offered to reimburse. In addition, WBD would incur approximately $1.5 billion in financing costs if we do not complete our planned debt exchange as agreed to with certain of our debtholders, which would not be permitted by the PSKY offer. This additional $4.3 billion in potential costs represents approximately $1.66 per share to be borne by WBD shareholders if the offer does not close.

We look forward to moving ahead with our combination with Netflix and delivering the compelling and certain value it will create for shareholders. We urge you to carefully read the 14D-9 filed with the SEC this morning and available on our website, which more fully details the strategic review process and the Board's reasons for its recommendation to you.

Sincerely,

The Warner Bros. Discovery Board of Directors

Catch Me A Killer, Showmax Original Series, Launches On Canal+'s Polar+ In France Starting January 5th

“Catch Me A Killer is the true story of the first serial killer profiler in South Africa,” says lead actress Charlotte Hope, who played Myranda in Game of Thrones and headlined Starz’s The Spanish Princess as Catherine of Aragon. “She is called Micki Pistorius and, frankly, she’s amazing.” 

South African Film and Television Award (SAFTA) winner Rene van Rooyen (Oscar entry Toorbos, Alles Malan, Summertide) agrees. “Living in South Africa amid a wave of violence, we have all been asking for a superhero, and here we have the true story of a superhero in the 1990s,” says Rene, who alternates directing duties with SAFTA winner Brett Michael-Innes (Fiela Se Kind) and Tracey Larcombe (Silent Witness). 

Adapted from Pistorius’ memoir of the same name, the 10-part series follows Pistorius, a newly qualified forensic psychologist, as she tracks down South Africa’s most feared killers. Each episode looks at another of her cases, from the Cleveland Killer to Stewart ‘Boetie Boer’ Wilken, taking viewers across the country. 

“Catch Me A Killer is about Micki’s experience of trying to understand the psychology of serial killers, but it’s also more than that,” says Charlotte. “On one hand it’s a true crime: every week we have a different episode, a different serial killer and a different case to solve. But it’s also a character study. This is a woman who goes through a huge emotional journey; in understanding the psychology of the killers, she's also aware of what’s happening psychologically to herself.”

As her character says in the series, “Whoever fights monsters should see that in the process he does not become a monster too.”  

A co-production between Showmax and Germany’s Night Train Media, Catch Me A Killer is also a classic underdog story: Micki is the only female profiler in a predominantly male police force, many of whom are deeply suspicious of the whole concept of psychology and think trying to understand the killers is a waste of time and resources. 

The series is also a time-capsule for 1990s South Africa: when the optimism of the country’s new democracy was undermined by a string of serial killers. 

SAFTA winner Amy Jephta (Oscar entry Barakat, Devil’s Peak, Showmax Original Skemerdans) is the lead writer, alongside the likes of Sarah Hooper (Shameless), Jessica Ruston (Harlots) and Oliver Frampton (Sister Boniface Mysteries). Among other episodes, Amy scripts the two-part pilot, which tells the story of the Station Strangler. 

“The series opens in the place that I come from, Mitchell’s Plain,” says Amy. “I was in grade 1 at the time of the Station Stranger killer and my mother was a police officer at the same station that Micki was assigned to in 1994. I was in and out of that police station. So I remember the fear in that community and what it felt like to be a kid at a time where there were these boys being abducted. So I could draw a lot on my first-hand feeling.” 

“It’s not a whodunnit; it’s a whydunnit,” adds Amy. “You’re inside the perspective of these killers and the victim’s families as much as you are inside Micki’s perspective. Can she get to the heart of understanding the mind of the killer she’s tracking? Why did these people commit these acts? It’s a fascinating cat and mouse story.”

Apart from Steven Ward (One Piece) and newcomer Donna Cormack-Thomson as series regulars, the supporting cast changes each episode. Look out for the likes of Lemogang Tsipa (Shaka iLembe), Waldemar Schultz (Die Byl), Ivan Zimmermann (Alles Malan), Frank Rautenbach (Lioness, Summertide), Silwerskerm winner Carel Nel (Gaia), and SAFTA winner Louw Venter (Swartwater), not to mention SAFTA nominees Albert Pretorius (Spinners) and Sean Cameron Michael (Fried Barry) as Stewart ‘Boetie Boer’ Wilken and FBI profiler Robert Ressler respectively. 

MultiChoice Vs. Warner Bros.. Discovery: Who Is The Real Winner Here?

MultiChoice and Warner Bros. Discovery are at opposite ends of the rope when it comes to the fate of BBQ Brawls on Food Network and Mr. Bean on Cartoonito. One company following a buyout is trying to remove all its splinters while the other reaches uncertain times.

Consumers in summary feel a mixture of emotions some express fear regarding TLC's exit on the platform. If you're South African consumer, there really is no other means to catch Dr. Pimple Popper, Death By Fame or Bad Skin Clinic.

Others anger over the potential loss of Investigation Discovery and Discovery Family, Paramount will be closing CBS Reality and 3 other channels soon. These were suppose to be the few other means to watch detective shows and other factual content.

MultiChoice had already put up a notice to DStv consumers about the affected channels potentially closing on 31 December 2025. It should be noted that negotiations remain ongoing and as long as a comprise hadn't been reached its farewell to Cake Boss reruns.

All anyone can hope now is that an agreement can be reached as there's 19 more days into the year. I believe a comprise can be reached perhaps for select channels I mean MultiChoice can do without Discovery Family and Travel Channel.

But it should be noted that a comprise is in the interest for both companies.

For MultiChoice, the failure to renew this transaction would result in fast paced decline in DStv subscriptions. They can do without the extra weight (e.g. Travel Channel) but if you want to show consumers you care replace the affected channels.

For Warner Bros. Discovery, this is your biggest client in the African space and the loss of My Lottery Dream Home would affect your earnings. This comes at a time of an uncertainty as a portion of your brand might be folded under the letter "N".

MultiChoice had been seen as the biggest loser as consumers switch to online viewing but the part that deals with Food Network and CNN has been viewed by analysts as a failing business amidst cord cuts.

The Librarians: The Next Chapter Marks A Thrilling Return To Magic And Adventure, Premiering 4 January 2026 On Universal TV Across Africa

Universal TV (DStv 117) today announced that The Librarians: The Next Chapter will premiere on 4 January 2026 at 18:20 (CAT), with new episodes airing every Sunday in a double bill each week.

A spinoff of the hit series The Librarians, the new action-adventure drama delivers a fresh twist on the world of magical artifacts, daring missions, and secret knowledge. The story centres on a Librarian from the past who time-travels to the present - only to find himself stuck in a world he no longer recognises. When he visits his ancient castle, now transformed into a public museum, he inadvertently unleashes powerful magic across the continent. To make things right, he’s assigned a new team, setting the stage for a thrilling journey to recover rogue artifacts and restore balance to a world suddenly steeped in sorcery.

Starring Callum McGowan (Jamestown, Raven’s Hollow), Olivia Morris (Hotel Portofino, Rise Roar Revolt), Bluey Robinson (Cats, Britannia), Jessica Green (Roman Empire, The Outpost), and Caroline Loncq (No Offence, Nightflyers), The Librarians: The Next Chapter combines humour, heart, and high-stakes fantasy in a gripping 12-episode arc.

The series is executive produced by Dean Devlin, Marc Roskin, and Rachel Olschan-Wilson, the creative forces behind the original The Librarians and numerous fan-favourite genre hits.

Don't miss the magic when The Librarians: The Next Chapter premieres on 4 January at 18:20 on Universal TV, with back-to-back episodes every Sunday until 8 February 2026.

Termination Notice Has Been Issued Out To Cartoon Network And Discovery Channel Leaving Only TNT And Discovery Family On DStv

Yesterday, it was reported that MultiChoice and Warner Bros. Discovery "might" have settled their carriage dispute regarding the 12 channels and HBO's content on M-Net. This is because a few channels had a termination card and some didn't.

Now, MultiChoice had sent out channel termination notices for Cartoon Network and Discovery Channel leaving only Discovery Family and TNT. 

Negotiations between both parties are still ongoing so the fact that the batch to have gotten termination notices earlier doesn't mean an agreement can't be reached where they join the initial four. None of the messages list each individual channel so there's hope.

Of course several theories behind Cartoon Network's inclusion does enter the fray.

Firstly, MultiChoice's team has been incompetent for a while it's not news to any DStv customer so it's likely they took longer to add them.

But of course, when Paramount announced that BET and MTV Base alongside CBS Reality and CBS Justice in its joint venture with AMC Networks International were out the door. These notices were sent out simultaneously despite them not going dark at the same time.

It does lead some to wonder could a new agreement have been reached for the initial four and MultiChoice in its attempt to prevent a media debacle chose to now list Cartoon Network up for closure. I mean it wouldn't be the first time MultiChoice had tried scrubbing such info.

The news of those 8 channels possibly leaving DStv would anger a lot of DStv customers. But similar to the Cartoonito leak in 2023, MultiChoice and Warner Bros. Discovery probably want to address the elephant in the room - TLC and Food Network.

MultiChoice had stated they were open to replacing these channels and if an agreement had been reached. Could it be that some of this content will just resurface on a replacement as seen with Nickelodeon in New Zealand.

Its so possible that MultiChoice is more channels aside from TNT and Discovery Channel. Perhaps renewals for Food Network, Investigation Discovery and HGTV are taking a lot longer than anticipated again those are all theories.

January 2026 On History Channel Across Africa | Channel Premiere: Hazardous History With Henry Winkler | Returning Shows Including Life After People | More

Brand New & Exclusive
LIFE AFTER PEOPLE S3 
5 January
Mondays 19:25
What would happen if every human being on earth disappeared? This is the story of what happens to the world we leave behind. The series builds on the HISTORY Channel’s documentary special ‘Life After People’. This latest season of the series continues to explore what a world wiped clean of humanity would look like. The series uses the most cutting edge visual effects to provide a detailed picture of a post-human future, revealing the fate of famous structures and investigates the creatures that might inherit the places we once lived. Repeat: Next day 11:45

Brand New & Exclusive
BEYOND SKINWALKER RANCH S3
2 January
Fridays 20:15
To fully unlock the secrets of Skinwalker Ranch - widely considered to be ground zero for Unidentified Aerial Phenomena - Dr. Travis Taylor and Erik Bard expand the investigative team and broaden their reach to explore evidence of similar phenomena at sites around the country. Repeat: Monday 12:35

Brand New & Exclusive 
HAZARDOUS HISTORY WITH HENRY WINKLER
22 January
Thursdays 19:25
There was a time, not long ago, when we drank Coca-Cola that was laced with actual cocaine. We smoked everywhere, from airplanes to the doctor’s office. We stored our food in toxic refrigerators and flew down slides that ripped our skin off. We played (unknowingly) with radioactive toys and decorated our Christmas tree with ornaments made from asbestos. And ignorance was bliss. Hosted by the iconic Henry Winkler, each 60-minute episode of this nostalgia-drenched series tells the entertaining stories of the unchecked and unregulated places, people, products, practices, and pastimes from a forgotten era. Fast-paced, informative, and a little bit scary, the series is a running cavalcade of the most careless, reckless and unsupervised tales of irresponsibility in our history. Repeat: Next Day 11:45

Brand New
HITLER’S HOLOCAUST RAILWAYS WITH CHRIS TARRANT 
27 January
Tuesday 21:05
British television personality Chris Tarrant goes on a personal journey to explore the darkest chapter in the history of the railways, their role in the Nazi Holocaust of WWII. Traveling through three countries from Nuremberg to Auschwitz, he explores the history from the first anti -Jewish laws and the Nazi’s quest to build the world’s most powerful railway of war - to the eventual use of that railway network to transport millions to their deaths. Repeat: Next Day 13:25

Paramount Is Going Hostile With New Bid For Warner Bros. Discovery

Paramount Skydance is launching a hostile bid to buy Warner Bros. Discovery after it lost out to Netflix in a months-long bidding war for the legacy assets, the company said Monday.

Paramount will go straight to WBD shareholders with an all-cash, $30-per-share offer. That's the same bid WBD rejected last week, which Paramount Skydance CEO David Ellison said Monday never got a response from Warner Bros. Discovery. The offer is backstopped with equity financing from the Ellison family and the private-equity firm RedBird Capital as well as $54 billion in debt commitments from Bank of America, Citi and Apollo Global Management.

"We're really here to finish what we started," Ellison told CNBC's "Squawk on the Street" Monday. "We put the company in play."

Shares of Paramount were roughly 5% higher in premarket trading Monday. Shares of Warner Bros. Discovery were up about 6%. Shares of Netflix were slightly lower.

On Friday, Netflix announced a deal to acquire WBD's studio and streaming assets for $72 billion. Paramount had been bidding for the entirety of Warner Bros. Discovery, including those assets and the company's TV networks like CNN and TNT Sports.

Comcast also bid for the streaming and studio businesses, CNBC previously reported.

Paramount has repeatedly argued to the WBD board of directors that keeping Warner Bros. Discovery whole was in the best interest of its shareholders.

Paramount executives also plan to argue their deal will have a much shorter regulatory approval process given the company's smaller size and friendly relationship with the Trump administration, according to people familiar with the matter.

"We've had great conversations with the President about this, but I don't want to speak for him," Ellison said Monday.

Netflix's proposed acquisition has already raised antitrust questions, in particular for combining two of the most dominant streaming platforms. CNBC reported Friday that the Trump administration was viewing the deal with "heavy skepticism," and President Donald Trump said Sunday the market share considerations could pose a "problem."

Netflix agreed to pay Warner Bros. Discovery $5.8 billion if the deal is not approved, according to a Securities and Exchange Commission filing Friday. Warner Bros. Discovery said it would pay a $2.8 billion breakup fee if it decides to call off the deal to pursue a different merger.