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Canal+ Group Buys Stake In African TV Production Company Marodi TV

Canal+ Group has acquired a stake in Marodi TV, a Senegalese production company which is a leading purveyor of TV series across ...

Showing posts with label MTV. Show all posts
Showing posts with label MTV. Show all posts

Friday, May 28, 2021

After 2 Years, MTV Music24 Is Swapped For MTV Hits On DStv


2 years after, MultiChoice and ViacomCBS decided to remove the outdated VH1 Classic in favour of a third MTV channel revolving on modern international music, MTV Music 24. The brand is once again undergoing a name change this time MTV Hits.

MTV Hits is said to be the one stop pop shop for only the biggest, hottest, newest, vids out there featuring artists such as Beyoncé, Ariana Grande, Lady Gaga, Ed Sheeran and more.

Shows set to air on the channel include Fresh Vidz, Hot Hits, Hot Vidz and Big Fat Hits.

This change in South Africa comes alongside Central Europe which is set to replace the channel with NickMusic which also has a show on Nicktoons.

MTV Hits is currently available in over 40 markets. It recently launched in Germany and Netherlands which forms part of Europe.



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Friday, April 9, 2021

May 2021 On Comedy Central & MTV Africa | Carbonaro Back-To-Back Episodes | Amy Schumer Presents | Boity: OYT | More


COMEDY CENTRAL:

CARBONARO EFFECT:SEASON 2, 3 & 4
12 MAY AT 21:30 CAT(MONDAY-FRIDAY)
This American hidden camera practical joke reality television series is now headed for channel 122. Michael Carbonaro, an experienced magician, performs illusions and magic tricks on unsuspecting people in everyday situations.

ANOTHER PERIOD: SEASON 2 –
SATURDAY NIGHT ORIGILOLS
15 MAY AT 22:30 CAT (SATURDAYS)
Before others staked a claim, there was one American family who stood for all that was spoiled, shameless and stupid. It's the Bellacourts, and as Rhode Island's first family of the Gilded Age, the insanely ridiculous, debaucherous clan have more servants than relatives, and their days are filled with money, sex, drugs and more money. With nothing of substance to offer their fellow citizens, the Bellacourts are solely concerned with how they look, what parties they attend, and - in the case of sisters Lillian and Beatrice, especially
- becoming super famous.

CORPORATE: SEASON 3
22 MAY AT 22:00 CAT (SATURDAYS)
A dark, edgy look at life as a Junior-Executive-in-Training at your average, soulLess multi-national corporation. Hampton DeVille is a soulless conglomerate that sinks its rapacious claws into everything from arming clandestine wars to exploiting protesters. This is a comedy about working there. Variety magazine called it ‘Deliciously dark and hilariously ruthless, a scathing satire of contemporary office culture that feels long, long overdue.

SAVANNA VIRTUAL COMEDY BAR: SEASON 2
15MAY AT 22:00 CAT (MONDAYS)
Comedy Central presents another new and exciting season of the virtual comedy show, a show like no other! Featuring some of South Africa's best stand up and sketch talent, and a side-serving of animation - all coming to you live from the Savanna Virtual Comedy Bar.

CALL YOUR MOTHER: DOCUMENTARY
09 MAY AT 22:00 CAT (SUNDAY)
It’s May, so there’s no better time to ‘Call Your Mother’. This documentary provides a hilarious ode to moms and the many ways they have shaped the work of comedy’s biggest stars. With stars including Awkwafina, Jimmy Carr and Roy Wood Jnr, this is not tobe missed.

AMY SCHUMER PRESENTS: MARK NORMAND: DON’T BE YOURSELF
16 MAY AT 22:30 CAT (SUNDAY)
Mark Normand has been told the same advice his whole life: DON'T BE YOURSELF, whatever you're thinking about saying, don't. So in his first one hour special, Mark does just that.

AMY SCHUMER PRESENTS: MARK NORMAND: DON’T BE YOURSELF
23 MAY AT 22:30 CAT (SUNDAY)
Sam Morril teams up with Amy Schumer to deliver joke after joke in his first one-hour stand-up special. Mark Normand has been told the same advice his whole life: DON'T BE YOURSELF, whatever you're thinking about saying, don't. So in his first one hour special, Mark does just that.

AMY SCHUMER PRESENTS: RACHEL FEINSTEIN: ONLY WHORES WEAR PURPLE
30 MAY AT 23:30 CAT (SUNDAY)
In Rachel Feinstein's first hour-long special, she brings her blunt humour to a variety of topics, including her love of Christian sleepovers and the purposelessness of dick pics.

MTV:
MTV LIVING THE DREAM S2
WEDNESDAY 5 MAY AT 15:00 CAT 4
4 best mates, ex Love Islanders Michael (Mac) Griffiths, Jordan Hames, Chris Taylor and Danny Williams move into theirdream house in Essex. They're filming everything on their phones, themselves, 24/7 and we get to see right inside their world of bromance, competition, forfeits, pranks and bantz.

TEEN MOM OG S9
FRIDAY 7 MAY 2021 AT 15:00 CAT
A pandemic can't keep amber, catelynn, cheyenne, maci and mackenzie from making major moves in their lives, as the moms continue to share their ups and downs and put their families first.

Catfish S8
WEDNESDAY 26 MAY AT 21:30 CAT
The hosts, Schulman and Joseph, help emotionally entangled people discover whether their online relationship is real or no

Boity: Own Your Throne S1
WEDNESDAY 25 MAY AT 21:30 CAT
In the show, the actress, rapper and TV host gives viewers a front-row seat into her busy life. She’s also opened up about the things that mean the most to her, like her family, her ancestry and her commitment to helping women and girls live their truth with confidence.

Read Also:
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44 projects in development on Paramount+
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80 projects in development on Disney+, some might have aired already
Will Paramount+ lead to the shutdown of several linear channels?
- WarnerMedia might be reviving Cartoonito in the EMEA region
- HBO Max to rollout in 60 countries
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- Will Dizi return to DStv?

Friday, March 19, 2021

Here Are The 44 Developments Coming To Paramount+


Paramount+ will include a library catalogue of 30 000 hours of shows and 50 exclusive and original new series that will debut over the next two years - including a Frasier and Rugrats series revivals and HALO - with 36 of these that will launch in 2021.

In a virtual investors' presentation done from inside a studio on Los Angeles' iconic Paramount lot, adopting the same style and format that Disney for Disney+ and Discovery Inc. used for Discovery+ the past few months, ViacomCBS executives unveiled its new Paramount+ - and with it the glut of content it plans to place on it.

"We know how to make hits. ViacomCBS has been and remains a consistent hitmaker, across genres, across demographics, across formats and across platforms," said Bob Bakish, ViacomCBS president and CEO.

As with HBO Max, Disney+ and Star, Discovery+, as well as peacock, ViacomCBS didn't announce or say anything about a rollout date or timeframe for South Africa - Africa's most developed TV market.

Paramount+ will launch in the United States, Canada and Latin America on 4 March, the Nordics on 25 March and in Australia later in 2021.

ViacomCBS executives did however say that the plan is to aggressively launch Paramount+ globally and wants to have between 65 and 75 million global subscribers by 2024.

That makes it highly likely that Paramount+ will eventually be made available in South Africa where it could also foreseeably be included as a tile on MultiChoice's latest DStv Explora Ultra decoder that already carries Netflix SA and Amazon Prime Video.

Paramount+ will cost $9.99 (R149.28), but a cheaper ad-supported version costing $4.99 (R74.56) will launch later this year.

ViacomCBS said that Paramount+ will cost considerably less outside of America - very likely in order to aggressively compete with Netflix and Disney+ as the two top global subscription video-on-demand (SVOD) services.

"We're leveraging the massive global reach of ViacomCBS to distribute Paramount+. We have a deep history of relationships with multichannel video programming distributors (MVPDs) and telco partners in every major market around the world," the company said. Nicole Clemens, the head of Paramount Television Studios, said that ViacomCBS is harnessing "Paramount's incredible library to create shows that come with a built-in fanbase for Paramount+.

While we have no shortage of source material, we're being very selective and strategic in choosing what IP is best positioned for modern streaming consumers".

From a Grease prequel to a fatal attraction Grease: Rise of the Pink Ladies will be a TV series with both classic and new songs and a diverse cast as serve as a prequel to Grease. It will tell the story of how Frenchy's older sister Jane founded the Pink Ladies.

The film Flashdance is becoming a new drama series and will pick up from where the story left off but will be set in the present day.

The film Love Story is also becoming a series from Josh Schwartz and Stephanie Savage who were responsible for Gossip Girl and The O.C.

Fans of The Italian Job and The Parallax View can also look forward to series based on these iconic films.

Fatal Attraction is also being turned into a TV series for Paramount+, described as "a deep-dive reimagining of the psychosexual thriller" that starred Glenn Close and Michael Douglas.

An intriguing series is The Offer as a fictional series, but based on real-life, detailing the mafia-filled drama behind the making of the film The Godfather.

The Star Trek universe is expanding with Strange New Worlds with Anson Mount as Enterprise Captain Pike, while the kids animation series, Star Trek: Prodigy has abruptly moved from Nickelodeon to Paramount+. There will also be a second season of Star Trek: Picard.

The crime procedural Criminal Minds is also revived as a TV drama series and bringing the gang back together with the same showrunner, same breaking down of the criminal psyche and catching the bad guy. "Instead of a new case each week, it will be a single, fascinating case-story told over 10 episodes each season," said Nicole Clemens.

The Real Criminal Minds will be a "true crime" documentary series where a real FBI profiler analyses real cases and real criminal behaviour, illustrated by clips that viewers will remember from the series.

Paramount+ will also do a follow-up to the miniseries Waco as part of an anthology series entitled American Tragedy. Each season of American Tragedy will tackle difficult and complicated conspiracy-riddled moments in history.

The dramedy Younger is also moving to Paramount+ for its 7th and final season. Paramount+ will also have 6666 (working title) as a spinoff from the Yellowstone drama series that will basically tell the story of how cattle ranches started and grew in America.

"Founded when Comanches still ruled West Texas, no ranch in America is more steeped in the history of the West than the 6666."

"The 6666 is where the rule of law and the laws of nature merge in a place where the most dangerous thing one does is the next thing. The 6666 is synonymous with the merciless endeavour to raise the finest horses and livestock in the world, and ultimately where world-class cowboys are born and made".

Yellowstone is also getting a prequel series, Y: 1883. It will follow the Dutton family as they embark on a journey "west through the Great Plains toward the last bastion of untamed America. It is a stark retelling of Western expansion, and an intense study of one family fleeing poverty to seek a better future in America’s promised land — Montana".

Mayor of Kingstown will follow the McLusky family in Kingstown "where the business of incarceration is the only thriving industry. Tackling themes of systemic racism, corruption and inequality, the series provides a stark look at their attempt to bring order and justice to a town that has neither".

Land Man, also set in West Texas is described as "a modern-day tale of fortune-seeking in the world of oil rigs. The series is an upstairs/downstairs story of roughnecks and wildcat billionaires fueling a boom so big, it’s reshaping our climate, our economy and our geopolitics".

"One of the most successful comedy series of all time - Frasier - is coming back," Nicole Clemens said, exclusively to Paramount+." The new series will have everything you love about the original: Coziness, great writing, and of course a cast led by multi-Emmy winner, Kelsey Grammer. It's nostalgic and contemporary all at once."

In a statement released at the same time, Kelsey Grammer said "having spent over 20 years of my creative life on the Paramount lot both producing shows and performing in several, I'd like to congratulate Paramount+ on its streaming world entry. I gleefully anticipate sharing the next chapter in the continuing journey of Frasier Crane".

The science-fiction drama series HALO based on the hugely-popular video game that would have been on Showtime is abruptly shifting to Paramount+ as an exclusive where it will launch in early-2022.

HALO, filmed in Budapest where Netflix's The Witcher also shot, stars Pablo Schreiber in the role of the iconic Master Chief and Natascha McElhone playing both Dr Catherine Halsey, the creator of the Spartans soldiers, and Cortana, the most advanced AI in human history who could save the human race.

"The upcoming HALO series will weave intimate personal stories with incredible action and a lavishly imagined vision of the future," said David Nevins, Showtime Networks CEO.

"HALO has been in production in Hungary and I can tell you it's visually stunning, totally thrilling; and significantly it offers true 4-quadrant general.audience appeal. We all believe that HALO is going to be a defining show for our super-service. We see this as another example of us marshalling the finest resources of the company in service of Paramount+".

Paramount+ is also doing a The Man Who Fell to Earth series that will star Chiwetel Ejiofor based on the iconic science-fiction novel and film. "It tells the story of a man who arrives on Earth and reveals more about human nature than humans ever could," said Nicole Clemens.

Guilty Party is a dark comedy with Kate Beckinsale as a journalist who gets in over her head when she tries to salvage her career by investigating the story of a young woman in jail for murdering her husband.

BET's The Game is revived with a mix of original cast and new players. It will offer an examination of black culture through the prism of American pro-football.

Ray Donovan is returning, this time in a feature-length movie to wrap up the TV series, and possibly setting up a movie franchise.

Michael C Hall also made a brief appearance during the investors' presentation with the series Dexter that is being revived as a limited series about the serial killer. The revived Dexter will however stay on Showtime.

Tyler Perry is producing All The Queen's Men for the BET+ streaming service - a new drama series revolving around the female owner of a strip club in Atlanta and her group of male strippers.

Trevor Noah working daily - and now weekly South Africa's Trevor Noah hosting The Daily Show on Comedy Central (DStv 122) is expanding his workload and appeared at the investors' presentation to announce that he is doing The Weekly Show With Trevor Noah - an initial 6 episodes that will be available on Paramount+ and that he will also be producing.

In The Weekly Show with Trevor Noah he will talk to people "behind the headlines". Amy Schumer is returning to her original sketch comedy series and will be doing 5 Inside Amy Schumer TV specials for Paramount+. The comedy series Reno: 911! is revived with Reno: 911! The Hunt for QAnon based on the original series.

The MTV animation characters Beavis & Butt-head are coming to Paramount+ in a new and as-yet-untitled feature film, as will a film based on the Comedy Central series Workaholics.

The Nirvana drummer and Foo Fighters frontman Dave Grohl is making a non-scripted series for Paramount+ based on his mother's book with the 6-episode programme that will tell the stories of the special relationship between successful musicians and their mothers.

Paramount+ will also roll out several new MTV Unplugged specials and is also reviving its music documentary series, Behind the Music.

Kids
Meanwhile the original voice cast of the kids animation series Rugrats is returning for a revival series on Paramount+.

"Rugrats is one of the most iconic cartoons recognized by fans around the globe, and this original version is one we are taking great care and pride in creating for a brand-new audience," said Ramsey Naito, president of Nickelodeon Animation.

ViacomCBS is creating Avatar Studios that will be entirely dedicated to creating content based on the animation series Avatar: The Last Airbender and The Legend of Korra with new series and films that will be created telling these stories further.

Get ready for a Dora the Explorer live-action series based on the iconic character and aimed at an older kids audience aged 6 to 11, as well as an iCarly revival series in which the original cast members Miranda Cosgrove, Nathan Kress and Jerry Trainor join new friends for a look at their characters' present-day lives, adventures and comedic mishaps.

Kamp Koral: SpongeBob’s Under Years is the first-ever SpongeBob SquarePants spinoff series with the new series that will take viewers back to when the iconic characters of Bikini Bottom met for the very first time in a summer camp like no other.

The Fairly OddParents is a live-action revival of the long-running Nickelodeon animation series.

Reality
RuPaul’s Drag Race is getting a singing
competition spinoff at Paramount+ entitled Queen of the Universe in which drag queens from all around the world will compete to see who sings the best.

The Real World reality series is also being revived with the original cast and will now be entitled The Real World Homecoming: New York as a " multi-episode docuseries".

The reality series Road Rules is also being revived in which strangers are dropped in a far-flung location, have to live in motorhomes and complete challenges as they drive from location to location.

The Challenge: All Stars will see former contestants of the reality series Real World and Road Rules return to compete again.

The tattoo reality series Ink Master that was cancelled last year is also being revived and will now continue on Paramount+, with the reality dating series Dating Naked that was cancelled in 2017 that is also being brought back for new episodes for the streaming service.

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- The history of Qubo
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Thursday, December 10, 2020

January 2021 On MTV Africa | New Season | CE: ITC | ASS (WT)


The Hills: New Beginnings S2
Tuesday 19 January 2021 – 23 March 2021 At 21:30 CAT
A few television personalities and their socialite friends navigate the glitz and
glamour of Los Angeles while trying to live fulfilling personal lives.

Celeb Ex: In the City
Thursday 7 January 2021 – 11 February 2021 At 21:30 CAT

All Star Shores (WT)
Thursday 28 January – 15 April 2021 At 15:00 CAT

Friday, November 13, 2020

Will These Executives Be Able To Save Comedy Central And MTV On DStv and StarTimes?


Chris McCarthy and Nina Diaz have recently been appointed as president of content and chief creative officer.

McCarthy and Diaz have among the toughest assignments in media as they seek to reinvent a clutch of ViacomCBS channel brands that once defined cable television but have struggled amid the sea changes in media consumption during the past decade.

McCarthy’s unit encompasses MTV, VH1, Comedy Central, Paramount Network, TV Land, CMT, Pop TV, Logo and Smithsonian Channel. McCarthy’s star at ViacomCBS has soared in the three years since Bob Bakish took the reins of Viacom in late 2016 after a long period of corporate turmoil. Amid this fast rise, McCarthy has plotted a course that fundamentally shifts the prime focus of the company away from running a suite of linear cable channels to using the division as a giant studio that generates programming for the linear channels and a host of other platforms inside and outside ViacomCBS.

Among his first moves after inheriting oversight of Comedy Central was to establish a relationship with “Daily Show” host Trevor Noah. The two were getting to know each other just as the pandemic lockdown began in March, which provided a good foundation for McCarthy and Noah to work out a bold plan for Noah to host a quarantine edition of “Daily Show” from his home — a move that other hosts soon followed.

“Having our content on other platforms outside of our group, we will really be able to bring out the kind of things that MTV was known for — telling the stories of young adult life that resonated with all of us, whether you were a teen or a grown-up,” she says.

But the obstacles the two face are manifest. The ad-supported basic cable channel business these days is a melting ice cube, something that is inevitably going to shrink as ratings dwindle, advertising dollars go elsewhere and cord cutting takes a steady toll on affiliate fees that flow to ViacomCBS’ bottom line.

Although no one at ViacomCBS is ready to say it publicly, the number of channels in the company’s portfolio will inevitably shrink in the coming years. McCarthy’s studio-focused strategy aims to position the division as an important program supplier that can deliver hits to ViacomCBS’ many in-house platforms, as well as generate advertising and content licensing windfalls from third-party sales.

The new approach was evident earlier this year when McCarthy’s group opted to sell Darren Star’s dramedy series “Emily in Paris” to Netflix rather than have it air on ViacomCBS’ Paramount Network (not available in Africa) as planned. McCarthy recognized that the show would perform much better in a binge-watch streaming environment than it would as a weekly series on linear TV. “Emily in Paris” has ranked as one of Netflix’s most watched series since its Oct. 2 premiere.

For sure, figuring out the right formula for scripted programming for the linear cable networks is one of the big challengers McCarthy has to tackle with his expanded channel portfolio.

Paramount Network, which has enjoyed a sleeper hit with Kevin Costner-starrer “Yellowstone,” has set a new course that will emphasize original telepics with a focus on providing opportunities for emerging directors . Comedy Central, meanwhile, is significantly upping its investment in animated series in the hopes of finding a next-generation “South Park.”

McCarthy and Diaz are also navigating major changes at a time of heightened focus on social justice and anti-harassment concerns as well as industry demands for diversity and inclusivity at all levels. The executives have strained some relationships in the unscripted production community as they moved forcefully on a $250 million initiative to seed a new generation of independent production companies owned by BIPOC producers and showrunners.

On Wall Street and among ViacomCBS’ industry peers, there is skepticism that ViacomCBS can navigate the streaming wars as a content supplier to in-house platforms as well as outside partners.

McCarthy’s content-focused strategy for his universe of channels is seen as a long shot even among those who are rooting for the company. The only certainty is that sticking with the status quo is not an option.

“There are a lot of people who will tell you all the reasons why something can’t happen,” Bakish says. “Chris doesn’t do that. He’s a problem-solver. He comes in and says, ‘Here’s how we’re going to grow.’”

As with all traditional TV networks, the uphill climb of reinvention has only gotten steeper in the environment of a global pandemic and the heightened entertainment industry focus on advancing social justice and combating workplace harassment.

For instance, the goal of McCarthy and Diaz’s BIPOC-producer initiative is admirable, but the process of getting there has been bumpy. Many in the close-knit world of unscripted TV producers are dismayed by the decision to take a number of MTV and VH1 shows away from long-standing production entities.

“I really feel like I want to represent for people coming into the industry that anything is possible,” she says.

McCarthy asserts that the effort by ViacomCBS to add BIPOC production companies is a natural progression for the firm that has been a trailblazer in shining TV lights on underrepresented communities.

“We think of it as three phases. Making sure we had diversity on-screen was the first wave, and getting the right people behind the camera was the second wave.

The third is ownership of their companies,” McCarthy says. NPact, the advocacy organization that represents dozens of independent unscripted production companies, has long sought to protect producers from being forced out of shows that they produce on commission for networks that own the underlying copyright.

“Across the entire NPact membership, not locking production companies to the content they create is the No. 1 deal-making issue for producers, even beyond shrinking budgets and fees,” NP act said in a statement.

“Production companies front entire full-time development teams that serve as the networks’ creative incubators. That overhead traditionally was supported by a business model through which producers could recoup their upfront costs in success — the longer term that success, the better.”

Some producers with long tenures at
ViacomCBS channels say the working
environment under McCarthy and Diaz
has been difficult amid budget
tightening and efforts to revamp or
reboot long-running franchises such as
VH1’s “Love & Hip Hop.”

Mona Scott-Young, an executive
producer of “Love & Hip Hop,” says she
admires McCarthy for his tenacity and
his abilities as a strategic thinker. “It
cannot possibly be an easy task to
reimagine a network and be forward-
thinking about transitioning into being a
studio,” she says. But there have been
strains in the relationship around the
production decisions.

“Sometimes in the pursuit of that
growth there are casualties,” Scott-
Young says. “I hope they see the value of
the partnership that has been long-
standing and that this can aid in the
success of what they’re trying to build.”

ViacomCBS CEO Bakish has no doubt that the conglom’s flagship global brands have growth years ahead of them. And he has every confidence in McCarthy and Diaz as key drivers of the company’s transformation as it bets on free ad-supported streaming through its Pluto TV service and the enhanced Paramount Plus subscription service set to debut early next year.

“It’s a different growth model than it was 20 years ago or even five years ago,” Bakish says. “The trick is to use all of our content assets to supply all those platforms with compelling new offerings and library franchises that people know. Nina and Chris are going to be programming a lot of platforms.”

For the foreseeable future, the challenges ahead will include keeping productions up and running around the world in the face of the COVID-19 threat.

“It’s been wildly impressive what our teams have been able to accomplish in such a short time,” Diaz observes. McCarthy adds, “Sometimes you have to run into change or it will run you over.”

The “table stakes” for traditional media amid the streaming transition are extremely high, McCarthy notes. Like Bakish, he is reassured by the fact that the company has a clear vision of where it needs to go. The ability to see the goal is half the battle, as McCarthy realized some 15 years ago in the MTVU credit card activation tent.

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Could these channels occupy channel 304 on DStv?

Tuesday, October 20, 2020

December 2020 On MTV Africa | New Seasons | Award Show

SIESTA KEY SEASON 3
WEDNESDAY 02 DECEMBER –17 FEBRUARY 2021 AT 15:00 CAT
Siesta Keyfollows a group of young adults as they navigate friendships, relationships, careers, breakups and makeups in their beachside hometown in Florida.

CATFISH SEASON 8
WEDNESDAY 30 DECEMBER 2020 – 17 FEBRUARY 2021 AT 21:30 CAT
The hosts, Schulman and Joseph, help emotionally entangled people discover whether their online relationship is real or not.

GEORDIE SHORE OG’S S3
TUESDAY 24 NOVEMBER –12 JANUARY 2021 AT 21:30 CAT
It's been eight years since Geordie Shore exploded on to our screens introducing us to Gaz, Holly, Marnie and Aaron. Now we step into their lives as they face bigger challenges as grown ups.

MTV Movie & TV Awards
The MTV Movie & TV Awards is a film and television awards show presented annually on MTV. The nominees are decided by producers and executives at MTV. Winners are decided online by the general public.

MTV is available on DStv channel 130

Monday, August 24, 2020

October 2020 On MTV Africa | 16 & Recovering | New Seasons & Episodes

TEEN MOM S10
A follow-up to the MTV series `16 and Pregnant', `Teen Mom' chronicles the challenges teenagers face in their first years of motherhood
THURSDAY, 02 OCTOBER 2020- 05 JANUARY 2021 AT 21:30 CAT

16 AND RECOVERING
TBC
WEDNESDAY, 15 OCTOBER – 5 NOVEMBER AT 15:00 CAT

GEORDIE OG’S S3
It's been eight years since Geordie Shore exploded on to our screens introducing us to Gaz, Holly, Marnie and Aaron. Now we step into their lives as they face bigger challenges as grown ups.
FRIDAY, OCTOBER AT 21:30 CAT

Wednesday, January 13, 2016

Ex On The Beach Season Four Premier On MTV this January

Ex On The Beach S4: The hit reality television series Ex On The Beach is back and season 4 promises to be even crazier than the last, as eight new sexy singles head to a holiday heaven in Mexico... or so they think. The new series also promises a few surprise celebrity exes dropping in to make sure that the contestants’ perfect summer romances do not go according to plan.
Programme: Ex On The Beach
Channel: MTV (DStv channel 130)
Broadcast: 26 January
Time: 21:15