Op 'n Afgrond, Brand New Series Launches On eVOD

eVOD, a South African based streaming service operated by eMedia Investments will be rolling out a new Afrikaans dubbed Turkish drama called Op 'n Afgrond. Known in Turkey as Siyah Kalp, it will be streaming on eVOD from Wednesday 13 May.

It starred Ece Uslu as Sumru Devresli, Aras Aydın as Nuh Çakırca, Hafsanur Sancaktutan as Melek Çakırca, Burak Tozkoparan as Cihan Şansalan, Leyla Tanlar as Sevilay Günser and Burak Sergen as Samet Şansalan.

Synopsis for Op 'n Afgrond 

The story kicks off with the arrival of twins, Nuh and Melek, in Cappadocia. They are seeking the mother who abandoned them years ago—Sumru.

Sumru has built a new, wealthy life as the matriarch of the Şansalan family, keeping her first children a complete secret from her husband and her current life.

When Nuh and Melek find her, they aren't just looking for a reunion; they are fueled by the pain of abandonment. Their presence threatens to dismantle the "perfect" facade Sumru has carefully constructed.

As the twins infiltrate the Şansalan world, they become entangled with Sumru's other children and business associates. This creates a web of forbidden romances and high-stakes rivalries, particularly involving characters like Cihan and Sevilay.

SA Rugby and Canal+ Sign Rights Renewal Agreement

SA Rugby and the CANAL+ Group, MultiChoice Group’s parent company, have concluded the renewal of their multi-year domestic broadcast rights agreement.

The renewal of the agreement will see SuperSport, Africa’s leading sports broadcaster, continue to be the only official broadcast rights holder for all SARU’s domestic competitions and Springbok women’s and junior age-group matches in Sub-Saharan Africa.

This announcement is the first of its kind with a major local sports federation since CANAL+ joined forces with the MultiChoice Group in September last year, reaffirming CANAL+’s long-term commitment to local sport.

SuperSport has been a proud SA Rugby broadcast partner for more than 30 years.

SARU President Mark Alexander said: “We are very happy to have concluded our first agreement with the MultiChoice Group and CANAL+ Group after a thorough and extensive series of engagements. They have demonstrated a shared understanding of the importance of rugby to the South African public and we trust this is the first of many such agreements.”

CANAL+ Africa CEO David Mignot was delighted with the continuation of the domestic rights agreement, which will make all domestic rugby matches available exclusively on SuperSport.

'PROUD MOMENT'

In South Africa, the SuperSport channels are supplied by Canal + Africa to MultiChoice (Pty) Ltd, which provides the DStv offering to subscribers.

“As promised, we are doubling down on our investment in local content, including the sports content that matters the most to people on the continent. In the South African market, rugby has grown into becoming a part of the national psyche – as evidenced by the national euphoria that erupted each time the Springboks won the Rugby World Cup,” said Mignot.

SA Rugby CEO Rian Oberholzer added: “Broadcasting rights are fundamental to the health and sustainability of sport in South Africa and rugby is no different. SuperSport has been a long-standing and trusted partner to South African rugby, and we are delighted to continue our partnership.

“The world of rugby and broadcasting has changed significantly since we signed our first agreement in the 1990s but it is a testimony to our mutual interests that the partnership continues to endure.”

Rendani Ramovha, CANAL+ Director for Sports Content in English and Portuguese-speaking Africa : “The renewal of the domestic broadcast agreement is not just the strengthening of our long-standing partnership with SA Rugby but a victory for DStv viewers and subscribers, who have come to trust us to bring the best sports content to them in our world-class broadcast quality.

“To be able to continue this promise is a proud moment for us, and it reaffirms our commitment to the sports fan. We’re grateful to our partners at SA Rugby for their collaborative spirit.”

e.tv Is Bringing Two Original Dramas To The Lineup: eGagasini: Waves Of Change And The Four Of Us

e.tv is bringing two new original dramas to its primetime lineup with the upcoming premiere of eGagasini: Waves of Change and The Four of Us. Scheduled to launch on 29 June 2026, the two series will anchor a brand-new primetime power hour, delivering exactly what South African audiences want at the peak of the evening schedule: intense conflict, compelling characters, and high-stakes drama.

Both titles join a strong slate of local storytelling on e.tv, stepping into the timeslots held by two of South Africa’s most-loved dramas, Scandal! and House of Zwide. With eGagasini: Waves of Change and The Four of Us, viewers can expect bold narratives rooted in family, ambition, betrayal, and survival - brought to life by two of the country's most respected production houses.

Joining the new 7:30PM slot is eGagasini: Waves of Change, taking over from House of Zwide as a stylish youth music daily drama produced by Stained Glass TV, the award-winning production house behind Durban Gen. Produced by Gugulethu Zuma and Pepsi Pokane, the series delivers a fresh, youthful story set against the vibrant pulse of Durban's fast-rising music scene.

Tshedza Pictures brings a gripping new family drama to the 8PM slot with The Four of Us, marking the acclaimed production company's first-ever production for e.tv and taking over from Scandal!. Produced by celebrated storytelling duo Phathutshedzo Makwarela and Gwydion Beynon, the series promises the kind of captivating, character-driven drama that e.tv audiences know and love.

Speaking on the production, Stained Glass TV executive producer Pepsi Pokane says eGagasini is a story about the dangerous collision between dreams and consequences.

"At its heart, eGagasini explores what young people are willing to sacrifice in pursuit of success. It is vibrant, aspirational, and deeply rooted in music culture, but beneath that is a tense thriller about guilt, fear, and the weight of one life-changing decision. We are excited to bring audiences a story that feels fresh, contemporary, and emotionally charged."

Phathutshedzo Makwarela, Executive Producer at Tshedza Pictures, says the production marks a significant milestone for the company.

"Tshedza Pictures is proud to be debuting a new telenovela on e.tv for the very first time. We are going on a journey with the loyal viewers of e.tv, a journey built on relatable characters and the kind of compelling, edge-of-the-seat storytelling we love delivering to millions of South Africans. The Four of Us is a story worth waiting for."

"Launching two new shows signifies a major expansion in our primetime storytelling at e.tv. We are excited to partner with these renowned, award-winning production houses, whose expertise will help us craft narratives that authentically reflect the complexities of our societies. Our channel is dedicated to delivering content that sparks conversation and cultivates audience engagement and loyalty," said Helga Palmer, Group Head of Content Development and Strategy at eMedia.

Together, eGagasini: Waves of Change and The Four of Us form e.tv's new primetime power hour — a double commission that gives South African viewers two unmissable new reasons to be in front of the screen each night.

DStv Stream Debuts Beaulah: Queens Van Die Kaap Season 2

The queens are back — and according to the cast of Beaulah: Queens van die Kaap, the drama, shade and glamour are bigger than ever.

The SAFTA-nominated reality series returns for a second season on DStv Stream from 12 May 2026, once again taking viewers behind the scenes of Cape Town’s vibrant drag world.

Produced by Pop24, the team behind shows including The Mommy Club, Tollie & Manila and Bae Beyond Borders, the series follows seven drag performers as they navigate friendships, rivalries, performances and personal struggles.

Season Two Promises More Drama and New Alliances

Season one of Beaulah: Queens van die Kaap left audiences with fractured friendships, simmering tensions and plenty of unforgettable moments. Now, season two picks up right where the drama left off.

According to the show’s producers, “the beef and shade are still very much alive,” with viewers set to see shifting loyalties and surprising new dynamics among the Cape Town queens.

The cast includes multi-pageant winner Emogan Moore, Miss Sovereign Western Cape winner Ina Propriette, Miss Cape Town Pride winner Kat Gilardi, television personality Madison Scarr, Miss Gay Western Cape winner Maxine Wild, rival house mothers BB Vahlour and Madison Scarr, and SA’s Got Talent runner-up Manila Von Teez.

BB Vahlour Reflects on Representation and Growth

BB Vahlour, one of the show’s three trans women cast members, said returning for a second season carries both meaning and responsibility.

“Returning for a second season feels like an opportunity to deepen the work we started and to grow alongside the audience and the ‘characters’ we are on the show,” she said.

“It is both an honour and a responsibility to keep the story authentic and true to ourselves, while also showing where our drag is in our lives now, what and who we represent and the importance of uniting all drag queens.”

Expect Bigger Looks, Bigger Personalities and Bigger Fights

Fabian van Schalkwyk, better known as Emogan Moore, teased an explosive new season packed with fashion, friendships and drama.

“There is so much to look forward to this season, with many new and unexpected friendships forming… and way more lashes, wigs, garments, and drama,” he shared.

For veteran queen Kat Gilardi, viewers should prepare for some shocking revelations.

“Of course there are [new dynamics], major ones. You will see how some people reveal who they really are, but it should not come as a shock. They are simply showing you who they have been all along,” she said.

Drag Visibility Matters

Several cast members also reflected on the importance of the series for LGBTQ+ representation, particularly for trans women.

Maxine Wild, who has been doing drag for 13 years, said the show provides a powerful platform for visibility and affirmation.

“Beaulah has been, and continues to be, an incredible platform for us to showcase who we are,” she explained.

“As a trans woman, its importance lies in allowing people who feel the same way about their gender and their journey to see that there are others out there living their truth unapologetically in society.”

Madison Scarr added that she is excited for viewers to witness more of her personal journey.

“I’m excited for the audience to see the evolution in my trans journey and the personal challenges I’ve overcome, as well as the fun, playful moments I’ve had with growing my drag,” she said.

A Show That Changed Lives

For Manila Von Teez, the impact of Beaulah: Queens van die Kaap has been life changing.

“I am a completely different human being, this show has changed me in so many ways and offered me opportunities I could never could dream about,” he said.

Ina Propriette echoed the excitement around drag once again taking centre stage.

“Returning for a second season means drag gets another moment in the culture at the forefront,” he said.

“It’s been a dry spell and I’m just extremely excited to have my artform be a beacon for our community because we seriously missed and needed this.”

Beaulah: Queens van die Kaap Season Two will be available to binge-watch on DStv Stream from Tuesday, 12 May 2026.

Netflix Unveils First Looks At 'Charlie Vs. The Chocolate Factory' Film, Upcoming Anime Slate Including 'The One Piece', And Jason Reitman & Gil Kenan For 'Ghostbusters' Series

What’s New:

• Exclusive sneak peeks for Charlie vs. the Chocolate Factory and THE ONE PIECE as part of the Next on Netflix Animation Showcase

• Anime Studio Focus featuring exclusive sneak peeks at THE ONE PIECE, Sparks of Tomorrow, THE RIBBON HERO, as well as anime-inspired series inspired by Japanese anime like Blue Eye Samurai’s season 2 (logline revealed) and Bass X Machina

• Concept Art for Brad Bird’s Ray Gunn; Aardman’s Peter Lord moderating the conversation with Brad Bird

• New Still & Release Date for Ricky Gervais’ Alley Cats

• Release Year for Ghostbusters Series; Jason Reitman & Gil Kenan attending

• A KPop Demon Hunters outdoor sing-along screening

Netflix returns to the Annecy International Animation Film Festival with a genre-spanning line-up of films and series featuring visionary filmmakers, as well as up-and-coming talent. This follows an unprecedented year for Netflix Animation, with the triumphant KPop Demon Hunters taking home a history-making two Oscars1, 13 Annie Awards wins including three for Love, Death + Robots, and Ultraman: Rising nabbing the Children and Family Emmys for Outstanding Animated Special and Sound Mixing & Sound Editing for an Animated Program.

A full rundown of Netflix’s Annecy activity includes: 

Steps Work-in-Progress session at Salle Pierre Lamy on Tuesday, 23 June with directors Alyce Tzue and John Ripa, art director Dan Casey, and head of character animation Jason Figliozzi, who will share their creative insights on the re-imagining of the classic Cinderella tale, told from the perspective of one of the so-called “evil” step-sisters. 

Also on Tuesday, Netflix will host a dedicated Anime Studio Focus titled “Netflix Anime: Bold Stories, Boundless Worlds” at la Salle de la Volière. As the home for anime with more than 150 million Netflix members around the world choosing to watch it, this session is set to be a must-see showcase of the very best of anime for every taste and mood, whether you’re a hard-core fan, casual viewer or a beginner to the medium. Buckle up for an in-depth look at the upcoming slate led by THE ONE PIECE, Sparks of Tomorrow, THE RIBBON HERO; as well as anime-inspired series Blue Eye Samurai’s season 2 and Bass X Machina.

Next on Netflix Animation: from Ghostbusters to Brad Bird’s Ray Gunn returns to Théâtre Bonlieu on Wednesday, 24 June. Executive producers Jason Reitman, Gil Kenan, and showrunners/Executive Producers Ben Hibon and Elliott Kalan will unveil a world exclusive preview of next year’s Ghostbusters series produced in partnership with Sony Pictures Animation. And visionary director Brad Bird will take to the stage and provide a very personal insight into his animated feature Ray Gunn, his 30+ year in the making passion project produced at Skydance Animation; this conversation will be moderated by stop-motion legend, Peter Lord, Co-Founder and Creative Director of Aardman who are also celebrating their 50th anniversary this year. Additionally, the session will feature glimpses at THE ONE PIECE series and the Charlie vs. the Chocolate Factory animated film.

A masterclass with multi-award-winning comedy genius Ricky Gervais at Théâtre Bonlieu follows on Thursday, 25 June. Ricky serves as creator and director on his upcoming adult comedy series Alley Cats and will participate in a moderated conversation. Audiences will also get an early look at two episodes ahead of its debut on Netflix on Friday, 7 August.

THE RIBBON HERO will have its world premiere as part of the festival’s Annecy Presents programming.

To celebrate the first anniversary since KPop Demon Hunters became a global and cultural phenomenon, there will be an outdoor sing-along screening on Wednesday, 24 June by Lake Annecy. 

And finally, Sparks of Tomorrow (Episode 1), Long Story Short (Episode - “Shira Can’t Cook”) and Love, Death + Robots (Episode - “How Zeke Got Religion”) will compete in Annecy’s Official TV Films Competition. 

1 The first non-Disney/Pixar animated film ever to win more than one, and Netflix’s second animated film to win the Oscar in 4 years.

Film:

CHARLIE VS. THE CHOCOLATE FACTORY

Release date: 2027

Synopsis: Willy Wonka (Waititi) has spent the years since the Golden Ticket contest behind bars (not the chocolate kind) for the crime of turning a child into a blueberry. Having served his time, Wonka returns to his factory determined to add a little sweetness to a bitter world. But one thing stands in his way: teenager Charlie Paley (Connor) and his friends. Facing eviction, this next generation of “rotten” kids plot to break into the factory, nab a priceless Wonka Bar, and save their homes. But like many before them who enter the fantastical world of the factory, these kids are in for a bit more than they can chew...

Directors: Jared Stern & Elaine Bogan

Producers: Aron Warner, Timothy Yoo

Executive Producer: Taika Waititi

Cast: Kit Connor and Taika Waititi

Animation Studio: Sony Pictures Imageworks

Asset: First Look Image

RAY GUNN

Release date: 2026

Logline: In Metropia, a gigantic city in an alternate future as seen from 1939, private eye Raymond Gunn is drawn into a case involving aliens, murder and a multimedia star named Venus Nova.  

Director: Brad Bird

Producers: John Lasseter, David Ellison, Dana Goldberg, and Lisa Beroud

Cast: Sam Rockwell, Scarlett Johansson, Tom Waits

Animation Studio: Skydance Animation

Images: First Look Images; Concept Art

STEPS

Release date: 2026

Synopsis: Think you know Cinderella's “evil” stepsisters? Think again! When misunderstood Lilith (Ali Wong) is blamed for hijacking the Royal Ball with a stolen magic wand, she accidentally turns her sister Margot (Stephanie Hsu) into a frog and leaves the kingdom in the hands of a prince-obsessed mean girl. Now Lilith must team up with Cinderella (Amanda Seyfried) (and a surprisingly dreamy troll) to save the kingdom, repair the fractured fairytale, and prove that even so-called villains deserve a shot at happily-ever-after.

Directors: Alyce Tzue & John Ripa 

Produced by: Amy Poehler, Jane Hartwell, Kim Lessing. Poehler and Lessing producing for Paper Kite Productions.

Cast: Ali Wong, Amanda Seyfried, Stephanie Hsu

Animation Studio: Netflix Animation Studios

Images: Images

THE RIBBON HERO

Release date: August, 2026

Director: Yuki Igarashi

Inspired By: “Princess Knight” by Osamu Tezuka

Original Character Design: Kei Mochizuki

Character Design Cooperation: Mai Yoneyama

Animation Character Design: Issei Arakaki

Art Director: Cedric Herole

Production Company: Twin Engine

Animation Studio: Outline

LOGLINE: Yuki Igarashi, regarded as one of the industry’s most versatile animators, directs the film. He first drew wide attention for the sophisticated animation he handled alone as key animator on the ending sequence of Jujutsu Kaisen Season 1. His directorial debut, Star Wars: Visions - Lop & Ochō, received high praise in Japan and abroad for its delicate storytelling and dynamic action scenes. THE RIBBON HERO marks Igarashi’s first time directing a feature-length film.

Bringing together a team of highly skilled creators, the film depicts the story of a lone hero who chooses to defy a harsh destiny, set in a delicately crafted world and brought to life through polished action.

Images: Teaser Art

Series:

ALLEY CATS

Release date: August 7, 2026

Synopsis: Alley Cats is a sitcom created by and starring the multi award-winning Ricky Gervais. The adult animation follows the trials and tribulations of a group of feral British cats from all walks of society, who seek companionship while ruminating on everyday life. From the funny to the absurd, the series is packed with Gervais’ signature style of heart and social commentary that audiences have come to expect.

Creator and Director: Ricky Gervais

Co-director: Elliot Dear

Executive Producers: Ricky Gervais, Steven Hamilton Shaw

Production Designer:Tang Heng

Cast: Ricky Gervais, Tom Basden, Andrew Brooke, David Earl, Kerry Godliman, Jo Hartley, Diane Morgan, and also featuring Natalie Cassidy and Tony Way

Animation Studio: Blink Industries

Asset: New Image 

BASS X MACHINA 

Release date: Coming Soon

Synopsis: In a lawless Steampunk West overrun by brutal outlaws, machines, and supernatural terrors, a father is forced to become judge, jury, and executioner—knowing that every act of justice meant to protect his family may ultimately cost him the very people he’s fighting to save.

Executive Producers: Brian Tyree Henry, LeSean Thomas, Jennifer Wiley-Moxley, Chad Handley

Animation Studio: Studio Mir

Images: Images

BLUE EYE SAMURAI - Season 2

Release date: Coming Soon

Logline: In season 2, Mizu’s bloody quest continues in London, where she faces new friends, old foes, and her own demons. In Japan, Akemi and Taigen navigate Edo Castle under a dangerous new Shogun, while Ringo searches for new purpose.

Created by: Amber Noizumi and Michael Green

Executive Producers: Amber Noizumi and Michael Green

Animation Studio: Blue Spirit

Images: Images

Untitled GHOSTBUSTERS Series

Release date: 2027

Logline: Hailing from Netflix and Sony Pictures Animation, the high end animated series based on the beloved Ghostbusters IP will debut exclusively on Netflix in 2027.

Executive Producers: Ben Hibon, Elliott Kalan, Jason Reitman, Gil Kenan, and Amie Karp  

SPARKS OF TOMORROW

Release date: July 5 2026

Synopsis: In an alternate version of the early 20th century where technological progress evolved along a different path shaped by steam power, Kyoto is blanketed in constant smoke. A boy, hardened by the loss of his brother, grows distrustful after their shared dream of an “Age of Electricity” is cut short. A deeply devout girl hides her dreams and regrets for her deceased mother deep within her heart. When the two cross paths, they set about exploring the secrets of the 20th Century Electrical Catalog, a glimpse into the future they long for. Together, they must confront their pasts and carve a path toward the future they once believed in.

Director: Minoru Ota

Animation Studio: Kyoto Animation 

Images: Key Art

THE ONE PIECE 

Release date: February 2027

Original manga by: Eiichiro Oda (Weekly Shonen Jump, Shueisha)

Synopsis: Produced by WIT Studio, THE ONE PIECE is a brand new anime adaptation starting from the very beginning of the original manga’s East Blue saga. Separate from the TV anime series that has charged full speed ahead over the course of more than 25 years, this series taps into the expressive potential of modern technology to offer a familiar yet fresh take on the adventures of Luffy. 

Director: Masashi Koizuka

Assistant Director: Hideaki Abe

Series Composition: Taku Kishimoto

Character Design & Chief Animation Directors: Kyoji Asano, Takatoshi Honda

Creature Design & Image Boards: Yasuhiro Kajino

Prop Design: Eri Taguchi

Action Animators: Ken Imaizumi, Shuhei Fukuda

Art Director: Tomonori Kuroda

Animation Producer: Ryoma Kawamura

Animation Studio: WIT STUDIO

Images: Concept Art

Clifford The Big Red Dog Is Back With Reimagined Animated Series On PBS KIDS

PBS KIDS announced the production of the newest animated series for kids ages 3-5 based on the beloved Scholastic book series by Norman Bridwell, CLIFFORD THE BIG RED DOG®. The series is inspired by the importance of community and will introduce important foundational social skills, including understanding how to engage in social problem-solving, joining groups, making friends, and including others, as well as modeling how even young children can play a contributing role in their communities. The reimagined buddy comedy centers around Emily Elizabeth, a kid with big-hearted ideas, and her giant best friend Clifford, who turns small problems into gloriously oversized adventures – literally! With 9 Story Media Group (SUPER WHY’S COMIC BOOK ADVENTURES, DANIEL TIGER’S NEIGHBORHOOD) producing and the award-winning studio, Brown Bag Films*, animating, CLIFFORD THE BIG RED DOG is slated to premiere on PBS KIDS in 2027.

“Clifford has been a favorite with children and families for generations, and we can’t wait to reintroduce this Big Red Dog to PBS KIDS audiences across the country,” said Sara DeWitt, Senior Vice President and General Manager, PBS KIDS and Education. “Giving kids the skills, knowledge, and encouragement they need to connect with others and sustain relationships is more vital than ever to prepare them for success in school and life.”

“Since he first filled a page, CLIFFORD THE BIG RED DOG captured the heart of Scholastic and his adventures connected with readers everywhere, creating remarkable, global recognition,” said Iole Lucchese, Scholastic Chief Strategy Officer, President of Scholastic Entertainment and Executive Producer for Clifford. “This new series builds on Clifford’s most endearing traits through fresh storytelling, creating new opportunities for audiences and marking an exciting step in the continued growth of the franchise.”

“With this next chapter, we’re leaning into a more comedic approach that amplifies the scale and playfulness of Clifford, while staying grounded in the warmth and emotional connection audiences have always loved,” said Vince Commisso, President and CEO of 9 Story Media Group and Executive Producer for Clifford. “We’re also proud to once again partner with PBS KIDS, a trusted home for a brand that has resonated with families for generations.”

CLIFFORD THE BIG RED DOG by Norman Bridwell was first published in 1963 by Scholastic and now boasts more than 135 million books in print in 20 languages distributed worldwide. This new series will include 26 new episodes, comprised of two 11-minute stories, and an interactive game designed to extend the fun and social skill development for preschoolers. These additions join the already expansive and award-winning library of Clifford content currently available on PBS KIDS, including episodes from both the 2019 and 2000 animated series, as well as three games. The upcoming reimagined CLIFFORD THE BIG RED DOG series was developed by 9 Story Media Group. Jason Hopley (NANALAN’, BIG AND SMALL, CORN & PEG) is Head Writer and Cory Bobiak (PEG + CAT, XAVIER RIDDLE AND THE SECRET MUSEUM) is Director. 9 Story holds worldwide distribution and consumer products rights. The series was commissioned by PBS KIDS (US), CBC (Canada), and Sky Kids (UK).

*Brown Bag Films Toronto is a business unit of 9 Story Media Group.

SABC Provides An Update On Pimville Production

The South African Broadcasting Corporation (SABC) wishes to provide an update regarding the production of Pimville, currently broadcast on SABC 2.

The SABC wishes to confirm that the broadcaster has duly fulfilled its contractual obligations to Bakwena Productions. The corporation is therefore up to date with payments, underscoring its commitment to the smooth running of productions. It must be noted, that in this case the production company concerned is in breach of the contract with the SABC.

In response to the current situation, the SABC is:

• Actively engaging the production company to remedy the situation.

• Implementing contingency plans to ensure continuity of content on SABC 2

• Exploring alternative production solutions, should this become necessary.

• We have engaged the cast of Pimville today.

The SABC became aware of concerns regarding the production company following the commissioning of Pimville and the contracting of Bakwena Productions. Following this, a set of risk mitigation measures were put in place. While these interventions were intended to safeguard the production and protect the SABC, recent developments indicate that further action is required.

We remain committed to ensuring that all productions adhere to the highest standards of governance, accountability, and fair treatment of all industry professionals.

Could Canal+ Look To Discontinue DStv Easyview?

As some people have noticed in the last months, Canal+ has been cleaning house at MultiChoice after completing it's buyout in 2025. This included the discontinuation of Showmax and reduction in costs for its decoders.

Canal+ had mentioned that MultiChoice charges way too much for its services in Anglophone markets compared to them in Francophone Africa. This is what's causing people to flee their offering with plans underway to rectify this error.

MultiChoice currently offers 17 different packages from DStv Premium to Easyview with various Add-ons from Explora Ultra and AddMovies. Not to mention, there is GOtv which we might discuss later 

Canal+ made it clear that this is not what consumers want and this many offerings drives a lot of confusion. They pivoting and looking to offer less brands, more simplicity, cheaper packages and decoders.

DStv Premium in it's current form could be a goner amidst this restructure I don't think it will die down like Compact+ but in terms of pricing and content that's likely to change. Same goes for its lower entry packages such as DStv Family and Easyview.

Canal+ wants to ensure that MultiChoice remains competitive in the long run and view Africa as the next destination to help in those endeavours. This would include trying to make DStv packages attractive for which DStv Easyview is not.

DStv Easyview serves as the cheapest offering amongst MultiChoice's services which carries mainly provincial and news channels with other content in the mix. This would include SABC 1-3, Soweto TV, SABC News, BBC UKTV and Real Time.

In other MultiChoice markets, this offering is known as DStv Lite which has seen more press and enhancements with SuperSport Variety 4, Mzansi Bioskop, Telemundo and BBC Lifestyle. MultiChoice SA has been fallen behind with other markets here.

We don't know what the final DStv product will look like but if Canal+ sees the audience numbers on Easyview are low - they might discontinue it. MultiChoice has never revealed how many people use Easyview as they usually liked grouping figures.

DStv Easyview numbers went hand in hand with Access and Family, and while they didn't divulge numbers it's clear to some that it has the least subscribers amongst packages.

MultiChoice often treats DStv Easyview like it's failed GOtv pay-tv venture in South Africa. They don't really market the offering as much as other countries do with DStv Lite or curate content exclusively for those audiences.

DStv Access consumers got KykNET Lekker and Moja 9.9. which by all means are not carried on other packages while Easyview inherited Magic Showcase which is also seen on Access.

If Canal+ is able to reverse DStv's growth projection, the question would have to be whether they'd still want something like Easyview. It currently competes with Openview which has two sports channels, three Bollywood channels and only lacking in local news.

Companies like MultiChoice or at least the ones I've seen in other African markets or even MultiChoice Africa don't really offer such package. The cheapest package being DStv Lite costs KSh 750 (R97.50) in Kenya while Access is KSh 1,450 (R188.50).

In some MultiChoice markets either one serves as the cheaper alternative.

What Happened To M-Net Movies Pop-Up Channels On DStv?

M-Net Movies pop-up channels was once a staple on DStv for franchises such as Spider-Man, Harry Potter, Fast & Furious and Star Wars. It served as one of those high profile events for DStv Premium and AddMovies subscribers.

Pop-up channels was once a concept that not only MultiChoice but various pay-tv companies around the world had offered at one point. In some cases, this meant giving viewers a glimpse behind the action with documentaries and interviews.

Instead of launching separate channels, M-Net would rather consolidate this offering on existing channels. One example is the Fan Favourites Festival where DStv viewers can pick what broadcasts on the screen.

This reduces the technical cost of running a dedicated extra channel while still offering that "binge-fest" experience. 

MultiChoice had also shifted their priorities for such events to DStv Stream and Catch-Up. Instead of waiting on a movie to broadcast on a pop-up channel, you can now find these movies under a particular tile or folder through these services.

Now under French hands, Canal+ is looking to simplify packages and rationalize on brands. There's no telling what's to become of DStv Premium and AddMovies as MultiChoice had lost millions of its top paying clients since 2016.

We can only imagine that Canal+ will probably look to merge some packages and bring down the prices for others while closing a couple of channels.

For MultiChoice, they have about 10 movie channels and this doesn't include Mzansi Bioskop, CineMagic, Zee Cinema and Africa Magic Epic. There's no telling if under Canal+ they'd continue having this many movie channels as they're in cost cutting mode.