More Bad News Might Be Awaiting DStv Consumers As MultiChoice And Warner Bros. Discovery Square Off

According to some new reports, DStv subscribers may have to brace for more bad news aside from Paramount closing MTV Base and 3 other channels. The fight is on in trying to retain Cartoon Network and TNT as well as The White Lotus on M-Net.

Warner Bros. Discovery and MultiChoice had this carriage dispute for sometime regarding the future of these networks and it's content on M-Net. As reported, Netflix had won the bid to acquire the portion that licenses to M-Net.

MultiChoice under its new owners Canal+ seemingly implied that rates to renew such agreement is higher. And as I've mentioned for a while now things about to get messy from insider's reports that things aren't looking good.

It could imply two scenarios

The first DStv consumers will lose all 12 channels meaning no more reruns of Regular Show on Cartoon Network and Holiday Baking Championship on Food Network. Superman, Green Lantern and Harry Potter on M-Net Movies those are gone as well.

From 2026, MultiChoice will lose DStv consumers at an alarmingly rate as seen in Kenya where it lost 85% of its audience. While they promise to replace the affected channels, none of the content from these brands would form part of the lineup anyways.

MultiChoice will find it hard trying to convince consumers across the DStv bouquet to retain their subscription. Even with replacements, there would be no Sister Wives or AEW Dynamite which is what the paying consumer subscribed for.

Various outlets are putting most of their bet on the first scenario and if you've seen what happened in the week was Netflix's possible acquisition of Warner Bros. Lots of websites placed their bid on Paramount winning as the deal would have included the cable networks.

But I'm putting my cards out for the second scenario where MultiChoice and Warner Bros. Discovery are able to finalise an agreement - eventually.

"Things Aren't Looking Good" could imply instead of 12 additional channels joining the 4 existing channels from Paramount to exit DStv. It could as well be between 4-7 channels and I've stated this before MultiChoice doesn't need all these channels.

Travel Channel had been in decline that even MultiChoice Africa no longer offer it to DStv consumers. HGTV similar to BBC Earth wasn't even licensed to consumers in some African markets making it a strong contender to get the axe.

Under previous management, MultiChoice was prioritising on content which led to the exit of a couple of popular brands like Animal Planet and BBC First. Maybe under French hands, they could look to keep channels with massive appeal and remove ones deemed expensive or redundant.

Popular brands within their stable include Discovery, TLC, Cartoon Network and TNT, with expensive or low rated brands like HGTV, Food Network and Discovery Family.

If theres one thing I believe would be a priority is the part that deals with M-Net and Showmax as a loss would lead to viewer erosion. The part in which M-Net contract with has major IPs under their belt and is a contributor to M-Net's success.

The linear part doesn't even appear in South Africa's 20 most watched channels making the content part a liability. 

The second scenario seems probable although they would lose subscribers it wouldn't be severe if this number went up to 16 channels. MultiChoice can do without some of these brands as it would give them time to calm the masses and seek alternatives.

How Netflix's Potential Acquisition Of Warner Bros. Discovery Affects M-Net, DStv And Showmax?

Not long ago, it was reported that Netflix won the bid to acquire Warner Bros. Discovery valuing the deal at $72 billion. This deal would DC Entertainment/Studios, Cartoon Network Studios, HBO, Warner Bros. Pictures/Television and New Line Cinema.

Below is a how this deal is bad news for MultiChoice

M-Net and Showmax

MultiChoice had been licensing Game Of Thrones and Penguins from HBO to M-Net and Showmax. In the event of an acquisition, Netflix had expressed interest to continue these partnerships with local broadcasters but it may not be easy.

If MultiChoice continues to license content from Warner Bros. they could as well look to increase the rates. This is something MultiChoice's new owners Canal+ may not find amusing as they've begun cost cutting due to DStv's shrinking consumer base.

Besides that, the previous owners at MultiChoice had been anti-Netflix for sometime so the general audience had sort of painted a certain image of the company. While free-to-air broadcasters such as SABC and eMedia Investments had been licensing from the streamer.

MultiChoice put up a wall between them and Netflix again this was the previous owners regime as Canal+ does view them as partners. They do have an agreement to bundle their services in francophone markets alongside a content deal through K+.

The reality is while Warner Bros. continues to license content to M-Net and Showmax, Netflix will likely make further productions exclusive to their services. If they do continue licensing, I doubt MultiChoice would want their scraps.

Netflix is already available in the market which further complicates things as M-Net and Showmax are meant to go hand in hand with their content. But then again, MultiChoice is part of StudioCanal's parent company which gives them leverage.

Netflix may offer Stranger Things, Squid Games and Wednesday but with Canal+'s MultiChoice there's Paris Has Fallen, Spinners and iShaka iLembe.

DStv

For this part, I feel there's a lot of exaggeration as Netflix is not acquiring Discovery, TLC or the linear Cartoon Network as that is being spun off into a separate company. Of course, Netflix's bid to be frank sort of dilutes the value of Cartoon Network.

Cartoon Network under Discovery Global will be leaning more toward third party programming such as Lego Ninjago, Dragonball Super and Totally Spies!. While what made Cartoon Network, Nickelodeon and Disney "The Big 3" like Regular Show and Tiny Toons Looniversity goes to Netflix.

It's likely that they will be a licensing agreement for these shows but they'll most definitely be like DreamWorks Channel - reruns. Under a separate company, they're not going to prioritise on these Netflix originals.

If it is deemed expensive these shows could as well get phased out and again that just dilutes Cartoon Network who had been reliant on these IPs.

Turning over the torch to Discovery Global, this is the company that MultiChoice is involved in a carriage dispute with over the future of its 12 channels. These include Discovery Channel, HGTV, TLC and as mentioned the linear Cartoon Network.

Of course, the matter of concern here to me is that as mentioned with Cartoon Network while the Netflix deal makes the company more leaner. There's still another 20 billion worth of debt they need to clean out.

Expecting for content to be reduced, potential sales or closures to operations or channels and lastly massive layoffs particularly for international feeds.

All of this might as well unfold while these channels are no longer on DStv but then again it's likely that MultiChoice could opt to keep a few channels. My guess would be Discovery Channel, TLC, Cartoon Network, Real Time, Cartoonito, ID and CNN.

MultiChoice Is In Trouble As M-Net And Showmax Are Also At Risk Of Losing Content From HBO, TLC And Cartoon Network

A few days ago, it was announced that Netflix had won the bid to acquire Warner Bros. Discovery (excluding it's cable networks). This comes after MultiChoice and the company made it transparent to viewers that their 12 TV channels on DStv could be going dark from next year.

These include Discovery Channel, TLC, Discovery Family, TNT, Real Time, Investigation Discovery, Food Network, HGTV, Travel Channel, Cartoon Network, Cartoonito and CNN. A petition had been going around following news of its possible demise.

According to sources, not only does this deal affect these cable networks but also their licensing deal with M-Net and Showmax for shows like House Of Dragons, The White Lotus and The Gilded Age.

MultiChoice had stated at the time that they were open to replacing these channels and if that's so none of the content from HBO or Warner's cable networks would form part of the lineup. Warner Bros. is one of MultiChoice's biggest clients.

Compared to Disney and Paramount that offer only 6 channels each, they offer a combined figure. Since Disney+ inception, content from the brand had been further reduced on M-Net, DStv and Showmax but that wasn't the case for Warner Bros. Discovery.

For MultiChoice and it's owner Canal+, there is a lot in stake for them should they opt to have these channels removed. In two years, they've lost over 2 million subscribers particularly in Kenya where it lost 85% of its subscribers and this will just accelerate.

Paramount already plans to close CBS Reality, CBS Justice, BET and MTV Base, and although the consumer numbers are expected to decline. It will be more severe as seen in Kenya should consumers miss out on 90 Day Fiance and Craig Of The Creek. 

Insult To Injury. MultiChoice Might Be Reviving Me As A Pop-Up Channel On DStv

Last year, MultiChoice and M-Net decided to do away with Me and 1Magic as part of its streamlining endeavours with further content folded under Showmax. From the looks of things, it appears as if MultiChoice is now pushing to have Universal TV and Bravo to pick up the cracks.

Bravo and Universal TV are owned by NBCUniversal who have a 30% stake in Showmax so the idea of MultiChoice using these brands as replacements doesn't seem far fetched. Canal+ Afrique whose parent company took control of MultiChoice had been distributing them in place of the channels.

For a limited time, MultiChoice had given its Premium and Compact+ consumers an open window to Showmax through 1Max. This is what the company had put in place of 1Magic while those viewing Me got nothing.

Fast forward to 2025, it looks like MultiChoice may be looking to revive Me in a not-so-distant future most likely like how 1Max was set up for 1Magic.

MultiChoice had been experimenting on the channel but this carnation of the brand looks nothing like Me or it's previous forms being M-Net City, M-Net Series Zone and The Series Channel.

Me would boast a variety of international series and films while this version only exists to promote local content from M-Net's stable being Tonight With Trevor Noah, Gomora and The Wedding Bashers. It's kind of like what they did with M-Net Binge and not long ago with 1Max and 1Magic.

M-Net Binge was a catch-up channel for M-Net's programming then was shuttered and revived as an HBO pop-up channel. 1Magic which infused with South African flavour was folded under a Pan-African tailored brand like 1Max.

At least for these incarnates some fragments of the content was retained unlike Me in this regard whose offering is just limited to local content or repeats. Gomora had already been viewed on Mzansi Magic with Vallei Van Sullei on KykNet & Kie why is it being used to hype up a pop-up channel.

The only rash explanation would be the Mzansi Magic 16 pop-up channel the company had launched a few months ago. For the festive holidays, they revived it but now as "The Me Channel" but with KykNet's lineup of content.

Interesting to note, M-Net City which served as Me's previous incarnations was initially suppose to launch as an entertainment channel for South African programming. Before M-Net scrapped plans to launch the channel only for the trademark to be revived as a placemat for M-Net Series Zone.

Spinners,’ The South African Sports Drama From Canal+ And Showmax, Returns For Season 2

“Spinners,” the South African extreme sports action drama, is returning for a second season that brings back the creators, writers and cast of the hit drama set in Cape Town.

Co-produced by African streaming service Showmax and Canal+, season 2 of “Spinners” shot on location in South Africa with showrunner and co-creator Benjamin Hoffman. Back in the director’s chair is Jaco Bouwer, whose credits include the SXSW prizewinning eco-horror movie “Gaia.” Also back are Matthew Jankes and Sean Steinberg who penned season 2.

Joachim Landau is once again producing the gritty crime drama for Federation Middle East Africa & Caribbean, alongside Ramadan Suleman (“Zulu Love Letter”) who is co-producing through his South African full-service company Natives at Large.

Studiocanal, whose sister company Canal+ commissioned the series, is unveiling a first look of season 2 in the run up to Mipcom. The show illustrates creative synergies between the French TV group and Showmax, the streaming service of MultiChoice, the pan-African pay-TV operator that’s now fully owned by Canal+ and operates across 50 countries in sub-Saharan Africa. It will roll out on both Canal+ and MultiChoice platforms, Showmax and DStv.

The first season of “Spinners” make history as the first African show to take part in Canneseries’ main competition in 2023 and went on to win awards at Dakar Series, and the Shanghai TV festival, as well as garnered three nominations at the South African Film and Television Awards (SAFTA).

The first season followed 17-year-old Ethan (Cantona James) seeking a way out of the Southside’s bloody cycle of gang violence through spinning, a South African extreme motorsport that features drivers performing daredevil stunts. Season 2 sees is set two years after Ethan and his friends escaped the violent grip of gang life and have become spinning stars in the big city. “Fame, love, and happiness finally seem within reach—until a brutal ambush, orchestrated by Ethan’s old gang, shatters their peace. Desperate, Ethan turns to the Maseko clan for help but their protection comes at a heavy cost,” the synopsis reads.

Cantona James and Chelsea Thomas reprise their leading roles, along with Brendon Daniels – who starred in “White Lies” opposite Natalie Dormer, and local star Dillon Windvogel (“Blood & Water”). Cameos include Kayla Olifant, a top female spinner who was recently featured in the National Geographic series “David Blaine: Do Not Attempt.”

New cast members are also joining season 2 of “Spinners,” including Clementine Mosimane (“How to Ruin Christmas”), Mondli Makhoba (“Shaka iLembe”) and rising star Luyanda Zwane (“Sibongile and the Dlaminis”) and Aphiwe Mkefe (“Nkuleko”).

The production of “Spinners” season 2 reflects the ambition of Canal+ which aims at ramping up its pipeline of Canal+ original series in Africa to eight shows per year hailing from all over Africa.

Since 2018, Canal+ has produced 35 Canal+ series with African talent in 11 different African countries. These include “Invisibles,” “Agent,” “Cacao,” “Mami Wata,” “Eki,” “Or Blanc,” “Niabla,” “Ewusu” and “Lakantane.”

M-Net's Linear Offering Could Undergo Further Streamlining Once Canal+ Takeover Deal Is Completed

M-Net serves as a division of MultiChoice which comprise of shows like Carte Blanche, Summertide, Battleground and Umkhokha: The Curse. They also offer TV channels viewed across various markets such as Africa Magic, Mzansi Magic, KykNet, Maisha Magic and Pearl Magic.

As some may have heard, Canal+ is looking to complete it's transaction to acquire MultiChoice following its split from Vivendi in 2023. The deal is subjected to various regulatory approvals with both companies giving themselves until April 2025 to complete this transaction.

Should this deal move forward, we anticipate for MultiChoice to lose its license as broadcaster outside of South Africa it's likely that the remainder of MultiChoice could be focused on driving growth to Showmax. As for M-Net, SuperSport and DStv, those will all be under French control.

Despite being a French broadcaster, Canal+ has expanded its operations through Viaplay in Nordic countries, VIU in Asia and as already mentioned MultiChoice in Africa. With this transaction, there has been a lot of fear amongst the media that Canal+ will seek to scale back on content.

Vivendi already abandoned the broadcaster and left the window open for new investments meaning similar to Naspers abandonment of MultiChoice the money is limited. With MultiChoice already facing losses within DStv, cuts are inevitable and Canal+ had hinted on this.

With them already having operations in Francophone Africa, Canal+ could seek to reduce commissions coming to Africa Magic and replace them with imports from Zacu TV. Maybe even look to separate MultiChoice Studios from their cable networks and have cheaper programming filter their schedule.

Worst case scenario is folding Akwaaba Magic under Africa Magic as it minimises exposure and again reduces commissions. That's what happened when MultiChoice decided to axe ITV Choice it was only Coronation Street and Emmerdale that carried it on M-Net.

In the end, most sources are anticipating cuts to await this transaction cause from everyone's understanding Showmax is the main priority for MultiChoice and they can't be spending excessively. With DStv's current performance, it would make sense to shift the goalpost to Showmax and have DStv promote.

MultiChoice Teasing Something Regarding To M-Net 101 And SuperSport For DStv Compact Consumers

As some users had already seen on DStv's social platforms, the pay-tv platform had begun teasing something new for their Compact consumers in November using the hashtag #GetMoreWithDStv. If you look at the teaser below Dune: Prophecy and HBO's Penguin has been spotted alongside SA Cricket.

Kukhulu this November on DStv Compact. 🤩 Stay Connected to #GetMoreWithDStv. 🎁 pic.twitter.com/GaYcvuAyW7

— DStv (@DStv) October 21, 2024

After MultiChoice and M-Net decided to axe/merge both Me and 1Magic to form 1Max consumers on Compact have been left with no alternative options to access the content on DStv. This has led to an onslaught of angry consumers wondering how they'll view content like The Block or Why Women Kill.

With M-Net likely being spotted in this promo, we could only assume that MultiChoice is giving Compact consumers an open window to the channel (if not permanent) as Dune: Prophecy is slated to rollout on the channel in that month. Another would be a possible extension of M-Net's Open Time which takes up half an hour on the platform.

Like we mentioned, MultiChoice had axed Me and I get it all the focus is going to Showmax and Netflix controls how you view TV but DStv still has competition i.e. Openview. Despite offering older seasons to shows like The Voice and 9-1-1, this is currently the only other way DStv consumers without Showmax can access the content.

So why pay for something others can get for free??? All in all this teaser involves M-Net 101

As for SA Cricket, this is something MultiChoice televises on SuperSport Cricket or SuperSport Variety 2 so I can only assume one of the two are going to DStv Compact likely Variety. MultiChoice Africa had merged what we know as Variety 2 onto SuperSport Action during the month.

Then again, SuperSport La Liga is scheduled to air 1 rebroadcast of SA Cricket so I doubt it's that especially with the amount of publicity they're giving this promotion. It would have to be something more meaningful and what better way then the possible extension of Variety 2 to DStv Compact.

Interesting to note, Disney Channel is also said to be undergoing changes in the month of November similar to that of TLC and Nickelodeon. This saw the feed within South Africa divided from MultiChoice's operations in other countries it's what led to a delay in Disney Channel's November highlights in parts of Europe.

Could 1Max Be The Next Channel To Exit DStv And Could It Be Replaced With Another TV Channel?

Canal+ is currently finalizing a new structure after obtaining a 45% stake of MultiChoice making them one of company's largest shareholders. After their initial bid of R29 billion was turned down earlier in the year the French broadcaster had up it's bid to R32 billion with an interim board deeming it "fair and reasonable".

Following their visit to Cape Town, they were interviewed by several journalists regarding the transaction and several things were brought up first there are no plans to fold DStv under the Canal+ trademark considering how strong they are. However, DStv and Showmax may not compliment one another for very long as they deem it as competition.

Aside from NBCUniversal's stake in the streamer, Showmax has been buying up content that isn't viewable on DStv much less 1Max same goes for DStv as there's thing with Zee Zonke and TLNovelas. Look at Disney+, SABC+ and even eVOD their existence is based on their linear portfolio and vice versa at some point this was what Showmax was with DStv but growing competition led them to scale back.

With Canal+ eyeing a takeover on MultiChoice one has to sort of wonder whether the DStv threat could be minimised to a point where some restructure could await 1Max. The French broadcaster is currently trying to navigate the limitations of a foreign company within a local market so it's likely they may never own Mzansi Magic and KykNet and could opt to launch a rivalled offering.

1Max could be that channel in which Canal+ puts all their resources and connect to the SA market as they already cater to these audiences. Other than that, when M-Net decided to close both Me and 1Magic despite this being supplemented by 1Max it's availability had been restricted with the content filtered to favour South Africa. 

Canal+ also manages to maintain a stake in VIU which is eyeing 40% with the option to increase it with 51% and they had been commissioning content such as uBettina Wethu so whose to say this channel wouldn't serve as an open window to those pursuits. I think the question is how the content will be allocated on other packages do these fall under Mzansi Wethu or will this require another TV channel like Magic Showcase.

Does eMovies' Possible Demise And Movie Room's Inclusion Hint At A Possible Restructure On DStv?

Since 2022, eMedia Investments and MultiChoice had been having a carriage dispute regarding e.tv's 4 channels on DStv: eToonz, eMovies, eMovies Extra and eExtra. These channels were ousted on DStv by May of that year and were reinstated due to pending legal matters.

MultiChoice which is currently in the process of being taken over by French giant Canal+ had outlined two reasons for ousting these channels. The first having dealt with repeats viewed on those channels and another transponder constraints which led to several channels exiting DStv. 

Within this year, Movie Room conceived by Newzroom Afrika's co-founders Ngwato Nkosi Group was introduced as a replacement for eMovies. It would curate a mix of locally produced and international movies but similar to the fallen only bolstered the existing offering from DStv.

This is coming from the company that restricted brands like BBC UKTV and Magic Showcase from premium and mid tier subscribers as a way to combat repeats. Only for these channels to be allocated on the mentioned packages despite already having access to the content in question. 

If anything, one had to wonder if Movie Room will perhaps be holding a much bigger position within MultiChoice's bouquet of channels as seen with Moja Love and SABC News. M-Net had closed Me and 1Magic as part of continued efforts to bolster the lineup on Showmax.

This has left consumers of Compact and Family in disarray as those who would need to watch America's Got Talent or Magnum Pi would need to upgrade to Compact+ for 1Max or subscribe to Showmax. Now why would anyone do that if they can get this on Openview with a once off payment. 

Although Universal and E! would retain some of this content, there is that matter of consistency while Chicago Med would be on its ninth season, Universal is still behind by four to six seasons which could take several years same goes with Movie Room which is leaning in the same corner as TNT.

With MultiChoice and M-Net's continued efforts to streamline their offering what could transpire now is the dismantling of M-Net Movies if not the entire movie offering perhaps M-Net Movies 3 and 4. As this offering on DStv has become bloated despite attempts at cutting back on repeats.

Similar to how consumers of Me had to turn to Universal for Magnum Pi and The Equalizer. The same outcome would await M-Net Movies as those viewing those channels can still get plenty of international content on Studio Universal, TNT and Movie Room.

CineMagic could extend its arm to more households as a means to bolster the local offering on these channels especially during Africa Month. Who knows maybe Canal+ will use FilmBox Africa to substitute for part of this offering and merge the two premium movie channels into one.

Could Canal+ Acquisition Of MultiChoice Signal The End Of M-Net As We Know It?

In an era where the competition among media giants continues to intensify, the recent acquisition of MultiChoice by Canal+ has sparked significant debate about the future of M-Net, one of South Africa's most iconic entertainment channels. As Canal+ seeks to expand its footprint across Africa, this strategic move raises critical questions about the potential shifts in programming, audience engagement, and market dynamics that could follow. M-Net has long been a staple in South African households, known for its diverse offerings and local content that resonate with viewers. However, with the influence of Canal+ and its distinct vision for content delivery, many are left wondering: will M-Net be able to maintain its identity, or are we witnessing the dawn of a new era that could redefine the landscape of television in the region? In this post, we will explore the implications of this acquisition, the challenges that lie ahead for M-Net, and what it all means for the future of television in South Africa.

1. Overview of the Canal+ Acquisition of MultiChoice

The recent acquisition of MultiChoice by Canal+ has sent ripples through the media and entertainment landscape in Africa, prompting discussions about the future of major players like M-Net. Canal+, the French multinational media company, is strategically expanding its footprint in the African market with this significant investment in MultiChoice, a leading provider of pay television services across the continent. This acquisition not only represents a shift in ownership but also signals Canal+'s ambition to leverage MultiChoice’s vast subscriber base and content library to enhance its competitive edge in the region.

MultiChoice, known for its flagship DStv platform, has long dominated the African broadcasting space, providing a diverse range of content that caters to a variety of audiences. The acquisition is poised to usher in new opportunities for content creation, distribution, and innovation, as Canal+ looks to integrate its own expertise in content production and global partnerships into MultiChoice's existing operations. This merger comes at a crucial time, as the media landscape is rapidly evolving, with streaming services gaining ground and audience preferences shifting dramatically.

As Canal+ takes the reins, industry stakeholders are left pondering how this acquisition will impact M-Net, a subsidiary of MultiChoice that has played a pivotal role in shaping the African entertainment industry since its inception. Will the new leadership bring about a transformation in M-Net’s programming and strategic direction, or will it maintain the status quo? The acquisition raises critical questions about the future of local content production, the potential rebranding of established channels, and how M-Net will adapt to the growing competition posed by international streaming giants. As Canal+ embarks on this journey with MultiChoice, the implications for M-Net and the broader media landscape in Africa are yet to unfold.

2. The Historical Role of M-Net in South African Television

M-Net has played a pivotal role in shaping the landscape of South African television since its inception in 1986. As the first privately owned subscription television service in the country, M-Net broke new ground by providing viewers with a diverse array of content that was previously unavailable. It introduced a revolutionary model that combined local and international programming, showcasing everything from blockbuster films and popular series to groundbreaking local productions.

At a time when the South African television industry was predominantly dominated by state-run entities, M-Net offered a refreshing alternative that catered to the tastes and preferences of a burgeoning middle class eager for more varied entertainment options. The channel was instrumental in nurturing local talent, commissioning innovative shows that resonated with South African audiences, and even giving rise to iconic series such as "Egoli: Place of Gold" and "The Wild," which became cultural touchstones.

Moreover, M-Net has consistently been at the forefront of technological advancements in broadcasting. The launch of M-Net's digital satellite platform, DStv, in the late 1990s revolutionized how South Africans consumed media, paving the way for a new era of television viewing characterized by greater choice and convenience. This transition not only expanded M-Net's reach but also established it as a formidable player in the competitive pay-TV market across the continent.

As the dynamics of the media landscape continue to evolve, the historical significance of M-Net cannot be overstated. It has been a beacon of innovation and creativity, fostering the growth of the local entertainment industry and influencing viewing habits across generations. However, with the recent acquisition of MultiChoice by Canal+, questions arise about the future trajectory of M-Net. Will it retain its unique identity and commitment to local content, or will the pressures of corporate consolidation lead to a dilution of its original mission? The answers may very well determine whether M-Net can continue to thrive in the rapidly changing world of television.

3. Potential Changes in Programming and Content Strategy

The acquisition of MultiChoice by Canal+ holds significant implications for programming and content strategy, which could transform the landscape of South Africa’s broadcasting industry. With Canal+ known for its diverse and high-quality offerings, viewers can anticipate a shift toward a more varied and enriched content library. This could mean an infusion of international programming that reflects Canal+’s commitment to delivering premium content, including exclusive films, documentaries, and series that may not have previously been accessible to South African audiences.

Moreover, the acquisition could catalyze a reevaluation of M-Net’s existing programming lineup. As Canal+ takes the helm, we may witness a strategic overhaul that prioritizes content that resonates with a broader demographic—potentially integrating more local productions alongside international hits. This could enrich the viewing experience by not only providing globally recognized content but also fostering homegrown talent through bespoke local productions.

Additionally, the marriage of Canal+’s innovative content strategy with MultiChoice’s established distribution network may lead to the creation of new channels or the revamping of existing ones. Imagine specialized channels that cater to niche audiences or genre-based programming blocks that deliver curated content tailored to viewers’ preferences. This evolution could also usher in more interactive viewing experiences, leveraging technology to engage audiences in new ways, such as through on-demand options or interactive storytelling.

However, these changes could also come with uncertainties. Longtime viewers of M-Net may find themselves adjusting to a different programming philosophy, which might not always align with the legacy content they have come to love. The fate of beloved shows or formats could hang in the balance as Canal+ seeks to establish its voice within the MultiChoice framework, raising questions about which aspects of M-Net’s programming will be preserved and which will be phased out.

In essence, while the Canal+ acquisition of MultiChoice heralds the potential for exciting new programming and content strategies, it also invites speculation about the future direction of M-Net. As the industry watches this unfolding narrative, viewers will undoubtedly be eager to see how their viewing habits might evolve in response to this transformative partnership.

4. Impact on Audience Engagement and Viewer Loyalty

The potential acquisition of MultiChoice by Canal+ could lead to significant changes in audience engagement and viewer loyalty, reshaping the landscape of entertainment in the region. With Canal+’s extensive experience in content creation and distribution, viewers might anticipate a more diverse offering of high-quality programming. This shift could foster greater audience engagement as the new ownership could introduce innovative content strategies, such as localized programming and exclusive series that resonate with specific demographics across Africa.

Moreover, the integration of Canal+’s resources could bolster MultiChoice’s ability to invest in emerging talents and original productions, creating content that speaks directly to the cultural nuances of its audience. As a result, this could lead to enhanced viewer loyalty, as audiences often gravitate towards networks that reflect their stories and experiences.

However, the transition might also pose risks. Existing viewers accustomed to the current M-Net programming might feel alienated if the new content direction strays too far from what they know and love. A delicate balance will need to be struck to maintain the loyalty of long-time subscribers while simultaneously attracting new viewers with fresh, innovative offerings.

In this evolving landscape, it will be crucial for the newly formed entity to prioritize audience feedback and adapt its strategies accordingly. Engaging with viewers through social media platforms, surveys, and community events can help the network stay attuned to its audience's preferences and maintain a loyal viewership. Ultimately, the fate of viewer engagement and loyalty will hinge on how well Canal+ can navigate these changes and deliver on the promise of an enriched viewing experience.

MultiChoice's Diversity At Risk And Canal+ Plans For The Company Might Hurt M-Net

As some readers are aware, Canal+ and MultiChoice are currently finalizing terms of the acquisition as they seek approval from local legislation. With lingering concerns surrounding the fate of MultiChoice's linear offering once Canal+ gains ownership.

In the cases of mergers and acquisitions, Canal+ (the owner) implements cost cutting measures to the acquired company (MultiChoice). Job losses is one with more corporate downsizing awaiting the services of DStv and Namola.

Following Naspers separation from MultiChoice, the pay-tv company built its presence around the world of gambling (SuperSportBET), insurance (DStv Insurance) and security (Namola). Canal+ main interests are that of multimedia brands such as DStv and Showmax.

If anything, the acquisition could see that diversity get scrapped or sold particularly if more losses had been generated from that service.

As for the latter DStv and Showmax, Canal+ seems to be hinting at a restructure for these assets which would see them serve as competitors. Maybe after the acquisition, Canal+ will look into splitting Showmax as a separate entity. 

Remember they were rumours of MultiChoice wanting to be a streaming based company before Canal+ made their attempts at acquiring the company. One instance would be Canal+ killing off whatever remains of M-Net and similar to Me and 1Magic content gets folded under Showmax. 

It was stated by the potential new owners Canal+ that sports lures more traffic than anything else on cable. Although, M-Net remains the only TV channel for the latest international content this has been under siege due to increased competition from Netflix and Disney+.

Another instance is that M-Net receives a similar structuring to its movie offering with the premium lineup was further reduced to match that of other TV channels. Perhaps in place of this would be some content Canal+ had produced in France and parts of Europe. 

Point is on top of a fallen consumer base, Canal+ is basically a competitor to M-Net's linear offering. Similar to how M-Net has co-produced shows with Fremantle, Acorn TV and the BBC even Canal+'s StudioCanal had been involved in similar excursions with MGM Studios and Lionsgate. 

Canal+ wants to turn MultiChoice into an entertainment leader in Africa by producing content to appease the masses and to also distribute in France and Europe. StudioCanal was filming Glen Powell's Huntington film in Cape Town with plans to do more productions in South Africa.

Could MultiChoice And Possible M-Net's Local Offering Be Under Siege?

As some readers are aware, Canal+ intends to merge their operations alongside MultiChoice which would create an African powerhouse. This would need approval from local legislation including the Competition Commission and ICASA.

Since then, there's been a lot of concern of the implications awaiting this deal should it move forward. Canal+ serving as the new owners of MultiChoice would likely decrease the workforce on top of minimizing production and licensing agreements. 

One of the endeavors that are said to be a subject on this matter is in regards to local IPs from M-Net this includes Mzansi Magic, SuperSport and Africa Magic. Even third party offering curated exclusively by the pay-tv company like Moja Love and ROK.

From what we've outlined through previous stories wherever there is a clash one of the two are likely to go. In Lago's case, the ROK Studios and TV channels could merge into M-Net's Africa Magic while Maisha Magic and ZACU TV could as well remain unaffected by this situation. 

But in SA's case, this is said to be somewhat worrisome as Canal+ broadcasting license is limited to 20%. What this means is that financially the French broadcaster's expenses for brands like Moja Love can't exceed that percentage which is where BEE comes in.

Whoever is going to join Canal+ on this bid will have to burden themselves to the responsibilities of these brands which is where the fear lies. Usually in cases of mergers and acquisitions of big corporations a lot of cost cutting measures are implemented. 

In this case, it can't be guaranteed that this anonymous partner will keep the local aspects of DStv intact for the years to come. This includes brands like eNCA, Moja Love and Newzroom Afrika that could get scrapped or budget reduced.

Taking a page of the StarSat handbook, there's been questions as to whether M-Net and SuperSport could fold under the entities of Canal+ Premiere and Canal+ Sport. Or if similar to Maisha Magic and ZACU TV these entities will mostly likely just co-exist. 

It's not really known what Canal+ and this local partner would manage but if we had guess. Canal+ would manage whatever is left of MultiChoice Africa like Zambezi Magic and Africa Magic while the other manages 80% of Mzansi Magic and SABC News - MultiChoice SA.  

Weird Development. Canal+ Super Sport Logo Bares Similarities To M-Net's SuperSport Logo

During the month, Canal+ Group opted to make some minor adjustment to the Canal+ Sport trademark in Poland. The company opted to separate the trademark with Canal+ retaining its linear presence but now as Canal+ Extra with Sport forming Super Sport.

Speculation going around is that brand name derives from the acquired company MultiChoice who used the trademark since its launch in 1986. Similar to Canal+, MultiChoice at some point had stylised the trademark as two separate words as seen above. 

Notice how the spacing from M-Net's SuperSport resembles that of Canal+ for starters. Both logos "Super" is aligned to the left with different font and styling while "Sport" on the other hand is aligned to the right and both are displayed in bold.

As for the linear lineup, Canal+ is now using a blue background for this revamped offering as opposed to when it was green with Canal+ Sport. Interesting to note, SuperSport's font color is also blue while it's previous logo had a blue background. 

Speaking of M-Net's SuperSport, they'd often had been spotted using the 2D "S" logo with some curious on whether a potential rebrand could be on the cards with the latest one in black and white like Canal+ version. 

It kind of seems a bit coincidental that Canal+ Sport arrangements comes around the time Canal+ is finalizing terms of its acquisition of MultiChoice. What's funny is that MultiChoice once owned the Canal+ Premium channel in Poland when it was FilmNet.

Now Canal+ is basically uniting estranged relatives in the hopes to survive a Netflix dominant world. 

Canal+ Original Series. Shaka Ilembe Now Airing On Canal+ Première In Other African Countries

New CANAL+Original series, Shaka Ilembe is the greatest epic series ever made around Shaka Zulu, the mythical and powerful Zulu king of the 18th century. From his childhood to his rise to his fall, Shaka Ilembe retraces in 12 52-minute episodes a great African destiny to be discovered from July 1 on CANAL +Première.

War, revenge and...love story 

With the series Shaka Ilembe CANAL+ Original takes on one of the most emblematic figures in African history: King Shaka who succeeded in building an empire by uniting more than 100 chiefdoms into one kingdom Zulu. All the same, you should not expect exclusively a series of clan wars ending in bloodshed. 

On the contrary, from the first episode we are caught up in the budding love story between Princess Nandi, daughter of Mbengi, and Senzanghakona, son of King Jama of the Zulus, Shaka's parents. Thanks to the brilliant interpretation of the actors, the natural settings magnified by the direction of photography and the richness of the costumes, we are catapulted to the 18th century, in South Africa, and we want to stay there.

A meeting with History 

The series required 6 years of work and a large behind-the-scenes team of historians, intellectuals, traditional leaders, guardians of oral history, royal advisors and the very descendants of Shaka's family to that the work is as close aspossible to historical reality. The result is astonishingly true and the reconstructions of the villages, rituals and dances are very successful. The Zulu dialogues are subtitled in the original version.

Shaka Ilembe, exclusively on CANAL+ Première, every Monday from July 1 at 8:30 p.m., two new episodes per evening.

For those wondering why it is regarded as Canal+ instead of M-Net it has nothing to do with the pending acquisition of MultiChoice. But rather Canal+ acquired French rights to the show hence "Canal+ Original Series" again nothing shocking about this.

eMedia Investments sources most of eExtra's Kuiertyd content from Turkey with production house Verklank credited for the dubs. Then there's Netflix licensing agreements with Nickelodeon, DreamWorks and Telemundo hence "Netflix Original/Exclusive".

Could M-Net Become A Dumping Ground For Canal+?

As some readers are aware, Canal+ and MultiChoice are currently finalizing terms of the acquisition as they seek approval from local legislation. With lingering concerns surrounding the fate of MultiChoice's linear offering once Canal+ gains ownership.

M-Net is a pay-tv channel curated exclusively from MultiChoice that offers a mix of content international and locally produced. Founded in 1986, it offers original shows like Reyka and Carte Blanche alongside third party shows like House Of Dragons and Euphoria. 

Despite its continued efforts to supply fresh of the cinema releases, M-Net has been struggling to retain audiences and this is due to increased competition from Netflix, Amazon Prime Video and Disney+.

Prior to Canal+ attempts at MultiChoice, the French broadcaster had been gobbling up stakes in the company and also co-produced/licensed several shows for M-Net. This included Blood & Psalms, Spinners, Midnight Sun and Ride Upon A Storm. 

Seeing as Canal+ broadcasting license would be required by law in South Africa to be limited at 20%. It means the only hope they have own investing locally would be growing organically meaning launching their own channel(s) for these endeavors. 

M-Net being one of those TV channels with the most Canal it wouldn't seem far fetched if they started there. While the channel relied on third party content for a vast majority of its lineup these endeavors could see it getting further reduced.

As mentioned, M-Net is struggling to retain its audience in the world dominant by Netflix. In America, this had led to TV channels getting closed if not less original or imported content while others like 1Max promote the bulk of content from Showmax.

Unlike Mzansi Magic, M-Net endeavors wouldn't stem from South Africa entirely as Canal+'s StudioCanal had been filming Huntington in Cape Town which ensembles international stars Glen Powell (Hit Man), Jessica Henwick (The Matrix Resurrection) and Ed Harris.

With Load Shedding No Longer In Effect M-Net's Switch'D On Pop-Up Channels Are Likely To Remain On DStv

Not long ago, it was announced that eMedia Investments would be retiring the Power UP pop-up channel from Openview platforms. This comes after Eskom had managed to minimize the rate in load shedding which saw the viewership plummet for eMedia's linear offering. 

Consumers are advised to tune in to their favourite shows on its respective channels. But as load shedding dimmers one is curious on when or if MultiChoice plan to follow soon with Switch'D On.

Back in 2022, both eMedia Investments and MultiChoice unveiled their respective brands for consumers. This came as Eskom high rates of load shedding led some businesses to close if not lose revenue with these channels built to recover those lost hours.

Since last year, MultiChoice was testing out a possible power bank feature to keep TV sets and DStv decoders on during load shedding. It is currently unknown when this product will be available but from what we assume Switch'D On could remain for the time being. 

MultiChoice Zambia revived the former Zambezi Reloaded as an anti load shedding channel following its closure in Malawi. Both these regions reside in Southern Africa which is where Switch'D On would be applicable in such circumstance.

Maisha Magic Vs. ZACU TV: Who Is Likely To Survive The MultiChoice/Canal+ Merger?

As some readers are aware, Canal+ intends to merge their operations alongside MultiChoice which would create an African powerhouse. This would need approval from local legislation including the Competition Commission and ICASA.

Since then, there's been a lot of concern of the implications awaiting this deal should it move forward. Canal+ serving as the new owners of MultiChoice would likely decrease the workforce on top of minimizing production and licensing agreements. 

One of the topics that up for discussion since the year started was the fate to some of their local offering seen in the market. Although, KykNET and Mzansi Magic don't have a suitor their sister channels in neighboring markets like Kenya and Nigeria do.

In Nigeria, this offering is referred to as Africa Magic which boosts over 3 channels with Canal+ ROK only consisting of 2 channels. All of which could be a subjected to a merger as to not create friction amongst their stable with iROKO being the only reminisce of ROK.

In Kenya or more frankly East Africa, MultiChoice operate the Maisha Magic channels and although Canal+ doesn't have a channel to beef up with most parts of the region they do have for Rwanda, ZACU TV. 

Unlike ROK and Africa Magic, is there a chance these two entities could just co-exist - we believe so. Mzansi Magic already caters to consumers in South Africa with Zambezi Magic catering to other Southern African regions like Zambia, Botswana and Malawi.

We don't envision Maisha Magic dying down but perhaps just reducing their focus to avoid competition. If we had to be honest, there wasn't much competition between these two brands as there was not much Rwanda coming to Maisha Magic to begin with.

Max Originals Likely Dead As ‘Harry Potter,’ ‘It’ Prequel ‘Welcome to Derry’ And Other Warner Bros. Tentpole Series To Be Branded as HBO Originals

To paraphrase a long-running network slogan, “It’s Not Max. It’s HBO.” HBO and Max content CEO Casey Bloys is changing the delineation between what an “HBO show” and a “Max show” is, moving most of Max’s upcoming big-budget, tentpole Warner Bros. IP projects to under the HBO umbrella.

That means the upcoming “Harry Potter” TV show, as well as the “It” prequel series “Welcome to Derry” and the just-announced Green Lantern adaptation “Lanterns” — in other words, major DC franchise and other big-budget titles — will all now be branded as HBO originals.

This is a switch from the most recent decision to place all series based on Warner Bros. IP in the Max bucket, which was first established when Bloys added oversight of Max in 2020.

“We felt like we had to delineate between an HBO show and a Max show,” Bloys said of that initial distinction. “The idea of using Warner Bros. IP as a delineation for Max felt right. At least that gives you a clear lane. But as we started producing those shows, we were using the same methods, the same kind of thinking, as how we would approach HBO shows. In a lot of cases, the same talent that has worked on HBO shows.”

On “Lanterns,” for example, writers include Chris Mundy, who worked on HBO’s “True Detective,” and Damon Lindelof, whose HBO output has included “The Leftovers” and “Watchmen.” Even DC Studios co-head Peter Safran has described “Lanterns” as “a huge HBO-quality event” that is “very much in the vein of ‘True Detective.’”

“What we ended up with is shows at this scope and scale that look great, and great narratives and talent we’ve worked with,” Bloys added. “The idea of the delineation kind of started to feel unnecessary. Like, why are we doing this? Let’s just call them what they are: HBO shows.”

The change officially takes effect with shows launching in 2025. That means “The Penguin” and “Dune: Prophecy,” both of which premiere later this year, are expected to still be called Max originals. Those shows had already been sold overseas with the Max label — and even last week, HBO sent out a “Penguin” teaser that still included the Max branding.

“We will start in 2025, although ‘The Penguin’ would be an obvious fit as an HBO Original,” Bloys said. “Unfortunately, the process of licensing it internationally has already started.”

Explaining the timing of the decision to realign the stable of HBO and Max Originals series, Bloys noted that it became even more clearer to him that these big shows should get the HBO label as Max started developing series that are more in the broadcast/traditional TV vein. That includes John Wells’ and R. Scott Gemmill’s upcoming 15-episode medical drama “The Pitt,” starring Noah Wyle, as well as the crime thriller “Duster,” from J.J. Abrams and LaToya Morgan, both of which remain Max series.

“That felt like a much more natural delineation of what we’re trying to do with Max versus HBO,” he said. “What we talked about with John was specifically how you would approach a network show for a streamer. Typically, the production budget allows you to do more episodes. There’s closed-ended storytelling per episode, which is not typically what you would see in an HBO show.

Bloys stops short of giving a budget mandate to the difference between HBO and Max shows, but clearly there is — and one might hover in at around the $15 million per episode threshold. Anything above that would clearly be in HBO territory.

That’s on the drama side. Comedy is a bit trickier, as budgets are different and it’s a little harder to tell the difference between a tentpole HBO laffer and a Max one.

“If I’m using the network analysis, with closed-ended stories, going about something at a certain budget level so that you can tap more stories, trying to be broader… it is definitely harder but we’re trying to do the same thing,” Bloys said. “But definitely, it’s fuzzier there for sure.”

Already, Amy Gravitt oversees comedy for both HBO and Max, so the separation matters a lot less internally anyway. As for the HBO and Max split on the drama side, that does mean that now Sarah Aubrey, who oversees Max’s original dramas, will work with HBO drama chief Francesca Orsi on the shows that will now bear the HBO banner (like “Harry Potter” and “Lanterns”). Beyond that, the structure does not change.

One other tweak: Now that shows like “Harry Potter” and “Lanterns” will be branded for HBO, they’re now guaranteed to run on the linear network in addition to Max. That guarantees a larger volume of programming for the network in 2025 — and Bloys is looking at keeping both Sunday and Thursday as original series nights for the channel.

“I like the idea of having a Sunday and a Thursday,” he said. “But as we schedule for 2025, 2026, 2027 together, we’ll lay that all out and figure out what works best.”

Of course, all of these shows will still stream on Max, so this tweak in branding will likely go unnoticed among most consumers. Indeed, Bloys noted that another reason to make this shift is that the majority of viewers already assume these are HBO shows.

“For a show that feels big and cinematic, they already are going to make the assumption that it feels like an HBO show,” he said. “This is just leaning into that.”

So, why not make all shows HBO shows, and let Max just be the platform that runs series from all of Warner Bros. Discovery brands?

“I do think it is helpful to have a brand that doesn’t put the expectations or the intention of an HBO show,” Bloys said. “If it’s not designed to do that, it shouldn’t have to. I like having that flexibility, that you can experiment with things creatively, format-wise.”

Of course, on the awards side, there already is no delineation. HBO and Max shows are submitted and campaigned in exactly the same way, as “HBO/Max.” And in marketing, most ads promoting HBO series also include a Max logo, since that’s where audiences will stream the show no matter what.

“It’s a confusing time in the business, consumers figuring out streaming and shows that were on linear and streaming and vice versa,” Bloys said. “We’re trying to adapt and figure out what is the best way to approach this in a world where streaming is dominant. So, there is going to be experimentation, there are going to be mistakes. Because this is all still relatively new in the history of television.”

DirecTV Shuttered Audience Network Channel 101 After 21 Years Of Operation, Could This Be What Awaits M-Net Following The Canal+ Takeover?

Audience was an American based TV channel operated and curated exclusively for DirecTV consumers. For those aren't familiar with the channel, it carried a similar structure as M-Net offering a mix of original and acquired series, specials and feature films.

Some of which had already been made available to South Africa include Kingdom, Rogue and even the former e.tv soap, Passions. 

In 2020, the parent company AT&T announced plans to cease transmission of the channel and to merge all its efforts on Max. This was part of AT&T's to streaming endeavors as more consumers continue to opt out of linear television. 

Some insiders are concerned that M-Net could be subjected to a similar fate once Canal+ acquisition of MultiChoice is complete by April 2025. M-Net has been struggling to maintain consumers following increased competition from Netflix and Disney+.

Earlier in the year, M-Net's secondary offering Me and 1Magic were discontinued as the latter merged with Showmax. With M-Net serving as a premium tier, Me catered to low income households by giving consumers a portal to premium entertainment. 

1Magic was M-Net's BET channel which brought local talent like Sindi Dladu against Hollywood stars like Viola Davis.

Now questions amount to what could Canal+ do once this acquisition is complete and its likely M-Net could be kept in its current position. As for brand names, it wouldn't seem far fetched if it were to get the corporate name, CANAL+ PREMIERE.

M-Net and Canal+ have been working on original shows for a while now Spinners, Blood Psalms and Devil's Peak. Eventually you would anticipate that the Canal+ portion would take up the whole chunk of M-Net similar to how Boomerang folded under Cartoonito. 

This endeavors would be reflected on M-Net Movies seeing as it not only license third party films from Disney, NBCUniversal and Paramount but also distribute local content for which memory served were credited as M-Net.

Recap To The Month: MultiChoice Zambia Revives Zambezi Reloaded Pop-Up Channel Following Its Closure In Malawi Last Year

MultiChoice Zambia is excited to announce the launch of Zambezi Magic Reloaded, a new pop-up channel designed to ensure customers don’t miss their favourite shows during loadshedding.

Zambezi Magic Reloaded will feature the most recent episodes of popular local prime-time shows such as “Zuba,” “Mpali,” “Mutale Mwanza Unscripted” and “Chokolo.” This initiative ensures that DStv customers can catch up on their favourite programs even if they miss them on regular scheduling times due to power outages.

Mrs. Leah Kooma, Managing Director of MultiChoice Zambia, shared her thoughts on the new channel: “We understand the frustration our customers face with load-shedding and are committed to providing solutions that add value to their viewing experience. Zambezi Magic Reloaded is our way of ensuring that our customers never miss out on their favourite local shows, regardless of the power situation.”

The new channel goes live on 13th June 2024 on DStv Channel number 165 and GOtv Channel number 57. The initiative reinforces MultiChoice’s hyperlocalisation strategy which champions investing in the industry, creating opportunities for local talent, telling local stories, and adding to the stability of the industry.