Sky Kids Halts Original Commissions As More Consumers Streamline

On the heels of unveiling highlights of its upcoming animation slate, U.K. channel Sky Kids has announced it is transitioning to an all-licensed programming model, calling a stop to commissions for original content. Current productions in the pipeline will continue for the next two years, including 13 announced and unannounced titles.

“Sky Kids has built an extensive library of high-quality and award-winning original programming and third-party content that continues to engage and delight young audiences. With a strong pipeline of new original shows still to come, we now have a rich slate of content that allows us to evolve our strategy,” said Jamie Morris, Executive Director of Content Strategy & Performance.

“In the future Sky Kids will focus on acquiring third party content. While this means reviewing the number of roles required to deliver the next phase of our offer, we remain committed to bringing the very best in children’s entertainment to families across the U.K.”

Sky Kids’ current library includes roughly 150 original programs, including popular animated series Pip and Posy, 123 Number Squad, Happy Town, Ready Eddie Go!, The Very Small Creatures and mixed-media series Funny Talking Animals. Among its licensed offerings are The Pingu Show, Miffy, Simon, Isadora Moon and its upcoming sibling-series Emerald.

On Wednesday, the U.K.-based Children’s Media Foundation (CMF) released a statement on the channel’s decision, describing it as “depressing and short-sighted.” The missive acknowledges the challenges of the children’s content industry in Britain and across the globe, but urges Sky Kids to reconsider a course which will limit children’s entertainment choices with a focus on “high volume, cheaply made content.”

“This is not the time to give up on great U.K. content for UK kids. Just as we are working with government and platforms like YouTube to help children and young people find more personally and socially valuable content on video-sharing platforms, Sky is walking away from its kids’ audience,” said CMF Director Greg Childs. “What’s needed is fresh thinking about deals and partnerships that take their content to where kids are watching, not a knee-jerk cost-cutting spree which will damage their relationship with their customers and certainly diminish the prospects of quality viewing time for children in their country.”

The statement reads:

The Children’s Media Foundation has expressed surprise and deep concern at the announcement that Sky is to cease children’s commissioning in favor of simply acquiring content for the Sky Kids service.

This is a depressing and short-sighted decision, which will leave U.K. children less well-served. Sky Kids content has gained a reputation amongst parents and young people as high value, rich, thoughtful as well as fun.  This is what our children need more than ever in the face of competition for their attention from high volume, cheaply made content that dominates the YouTube offering.

In the Foundation we appreciate that the economics of children’s content are increasingly difficult in the face of competition from YouTube for attention.  But giving up on young people is not the right option. This decision leaves the BBC and Five’s Milkshake! as the only significant commissioners of factual and entertainment content for children in the U.K. — not a position the public service broadcaster wishes to see, and not good for the audience. Healthy competition was provided by Sky, and healthier kids were the outcome of its program offering.

We urge Sky to reconsider its decision and maintain a level of original commissioning which will support the already badly hit children’s media industry and importantly would continue to support U.K. kids to experience their own stories and hear their own voices, as so much of Sky Kids’ content currently provides.

Canal+'s MultiChoice Set To Approach The Tribunal Bench On Thursday, July 17th And Friday, July 18th

The Competition Tribunal will hear the proposed merger between French media giant Canal+ and South Africa’s MultiChoice Group on Thursday and Friday, 17 and 18 July 2025.


Canal+ wants to acquire MultiChoice, which owns DStv, Showmax, SuperSport, and several other media assets, and triggered South Africa’s mandatory offer threshold of 35% ownership in early 2024.


During the hearings, the Tribunal will consider submissions from the Competition Commission, Media Monitoring Africa, Pambili Media, and the merger parties themselves.


South Africa’s Department of Trade, Industry, and Competition will attend the hearings and is also expected to submit inputs.


“The Commission has recommended to the Tribunal that the proposed merger be approved, subject to a package of public interest conditions,” the Tribunal said in a statement.


The proposed merger reached a major milestone in March 2025, when South Africa’s communications regulator published an application to transfer the control of Orbicom’s licences to Canal+.


Orbicom is MultiChoice’s signal distributor, and the move to transfer control of its electronic communication and radio frequency spectrum licences is a crucial step in progressing the takeover.


Orbicom submitted applications to transfer control of its various licences to Canal+ on 28 November 2024.


South Africa’s communications regulator, the Independent Communications Authority of South Africa (Icasa), is evaluating the application based on the following criteria:


• promotion of competition in the ICT sector;

• interests of consumers; and,

• equity ownership by Historically Disadvantaged Persons (HDPs).

The regulator said it noted Orbicom’s submission that HDPs have a 40% shareholding in Groupe Canal+.


Icasa invited all interested parties to lodge written representations of the application within 14 working days of the publication of its announcement.


The regulator published the notice on Tuesday, 18 March 2025, giving interested persons until Monday, 7 April, to submit their written representations.


Canal+ had gradually but steadily bought up MultiChoice shares on the open market since October 2020, hitting the mandatory offer threshold in early 2024.

Why Canal+ And MultiChoice Are Likely To Retain SuperSportBET?

Canal+ has been vocal with the media on MultiChoice's decision to diversify outside of pay-tv which they don't deem a necessity. These include NMIS Insurance Services (Insurance), Moment (finance), Namola (emergency services) and SuperSportBET (gambling).

MultiChoice initially being insolvent had to scale back on these endeavours with Sanlam that acquired a 60% stake in NMIS Insurance Services. Then there was the end of SuperSport United which MultiChoice acquired in 1994 as Pretoria City.

With the deal almost near completion as it awaits final approval from the Competition Tribunal and ICASA. There has been questions about what may become of SuperSportBET as it too is deemed a non core asset.

SuperSportBET which forms part of a joint venture between MultiChoice and Kingmakers had launched in 2021 and still operates at a loss if you were to compare it with existing competitors such as Betway and HollywoodBet.

But then again, it's something Canal+ might retain as they had initially planned to launch betting service in Europe by the 2010s in conjunction with Ladbrokes. Maybe this MultiChoice transaction is what could persuade them to revisit this venture and getting to SuperSport United.

It was a physical fan club which had several expenses tied to it being player's salaries, facilities and management all of which yielded very little income. SuperSportBET being a digital entity has less expenses and with betting seeing a surge in consumption it's likely to become profitable.

Betting had been viewed as a popular marketing tool for sports compared to a fan club which relies on physical media which had been in decline.

August 2025 On The Home Channel | Channel Premiere: Love Your Home And Garden | Rebroadcasts: Open Homes Season 4 | More

* primetime in bold

Tiny Homes Season 1
Monday, 04 August 2025 at 10:00
Mon 10:30 & 19:30 | Tue 14:30 & 22:30 | Wed 11:30 | Thu 18:30 | Fri 23:30 | Sat 10:30 | Sun 09:00

Welcome to Tiny Homes, the series where we explore the fascinating world of small-space living. From cleverly designed tiny houses on wheels to cozy houseboats floating on tranquil waters, and even compact motorhomes that roam the open road, we take you inside the unique spaces people call home.

Each episode reveals the innovative designs, resourceful solutions, and inspiring stories behind these downsized dwellings—proving that sometimes, less truly is more.

Luxury Listings Season 1
Monday, 04 August 2025 at 16:00
Mon 16:00 | Tue 19:00 | Wed 20:00 & 22:30 | Thu 11:00 | Fri 12:00 & 15:00 | Sat 15:00 & 22:00 | Sun 10:30 & 19:00

Luxury Listings is a stylish, high-energy property series hosted by Sibiya that showcases South Africa’s most exclusive homes—from city penthouses to coastal gems.

More than just a tour of beautiful spaces, Luxury Listings offers an allaccess pass into homes most can only dream of. It’s a curated journey through style, scale, and indulgence—where high-end design meets bold personality.

Blending aspirational living with social-savvy flair, Luxury Listings brings its signature energy to The Home Channel and ensures viewers never miss a moment of breathtaking, glamour-soaked luxury.


Love You Home And Garden Season 1
Monday, 11 August 2025 at 15:00
Mon 15:00 & 20:00 | Tue 08:00 | Wed 12:00 & 19:00 | Thu 16:00 & 22:00 | Fri 11:00 | Sat 08:30 | Sun 07:00

For decades, Alan Titchmarsh has tackled some of the toughest backyards in the country to help people achieve their dream of a perfect garden. But in that time, he has recognised that for many people, a stand-alone garden is not enough. They dream of a stunning outdoor space, that works hand in hand with their home.

For the first time, Alan and his expert team create brand new indoor and outdoor spaces for some truly inspirational people. Top architects, builders and gardeners turn run-of-the-mill homes into jaw-dropping, life changing places to live, for people who truly deserve them in this new three-part series.

Creative Living Season 1 on 04 August at 10:00 (Tue 19:30), Open Homes Season 4 on 04 August at 16:30 (Wed 20:30) Tom Kerridge Sunday Lunch Season 1 on 11 August at 11:00 (Tue 18:00), Freshly Picked with Simon Toohey Season 1 on 18 August at 11:30 (Thu 18:00), Grand Designs New Zealand Season 7 on 18 August at 13:00 (Thu 21:00 & Fri 18:00), Dream Homes Revealed Season 1 on 19 August at 18:30 (Tue 18:30 & 21:30) and Rochelle Humes: Interior Designer In The Making Season 1 on 25 August 2025 at 08:00 (Wed 21:00 & Fri 20:00).

Corus Entertainment Planning To Close Several Kids Channels In Canada By September

Corus is preparing to pull the plug on a handful of children’s services come September 1, Cartt has learned, amid the company’s pursuit to cut down on costs and as the CRTC weighs what to do about such at-risk programming.

Corus has told distributors that Disney XD, Disney Jr., Disney French (La Chaine Disney), Nickelodeon, and ABC Spark will be pulled at the start of the new broadcast year, a source with direct knowledge of the matter told us, which was then confirmed by Corus.

“Corus regularly reviews its portfolio of channels to ensure we are meeting the evolving needs of our audiences and distribution partners,” a Corus spokesperson told us. “Following a comprehensive review we have decided to cease distribution of the ABC Spark, Nickelodeon, Disney French (La Chaine Disney), Disney XD and Disney Jr. channels. These channels will no longer be available as of September 1, 2025 at 12:01 a.m. ET.”

The media company still operates Disney Channel, Teletoon, Nelvana, Boomerang, YTV, Treehouse, and the Cartoon Network.

The news comes on the heels of the upfront period, which gives media companies an opportunity to showcase their programs to advertisers for the next broadcast season.

It also comes after Corus CEO John Gossling said on a quarterly earnings conference call late last month that the company “will do things that will manage the content cost line better as we go forward,” adding the company has been “trying to stabilize things.”

He noted that Corus has been hurt by its reliance on linear, despite having digital options like Stack TV. “We’re absolutely feeling it,” he said. The company, which has been trimming costs, reported lower advertising and subscriber revenues last quarter compared to the same period last year.

The news also comes against the backdrop of a broader conversation about the viability of children’s programming on traditional television as more audiences seek online options. Last spring an MTM survey found that, while traditional TV remains popular among Canadian children, they are more likely to watch video content on other sources such as YouTube and SVOD services like Netflix and Disney+.

In May, broadcasters told the commission that CBC/Radio-Canada could be made to step up on carrying such at-risk programs. The public broadcaster, however, said floating this kind of programming must be a whole-of-system effort.

For nearly two years, Corus has been in a regulatory standstill with Rogers, which has been seeking to remove some of its services, including what it says are underperforming children’s channels. Rogers has maintained that the decline in viewership on children’s programming has significantly outpaced overall television viewership.

Rogers is now in active litigation against the imposition of the standstill rule forcing it to continue to carry some of Corus’s services.

Last month, Corus told the commission during a hearing on the dynamics between programmers and distributors that the regulator must factor in how distributors package their services when determining performance.

“When considering whether there are valid commercial reasons for a request to remove, consider the commercial agreement,” Matt Thompson, Corus’s vice president and associate general counsel, told the regulator at the time.

“Are there mitigants in the commercial agreement for channel performance that the BDU might be able to realize? I think the reality of termination requests for programmers is that loss of carriage … can be very, very harmful, more harmful in fact for the programmer, to our mind, than the continued carriage in the case of BDUs.”

Corus executives did, however, say that it is not in the business of continuing to maintain channels that are underperforming.

Corus isn’t the only children’s programmer that has been feeling the heat. WildBrain said this spring that it had been unable to renegotiate a new carriage agreement with Bell for its Family Channel, Family Jr., WildBrainTV, and Télémagino services after the CRTC ruled that Bell was not unduly disadvantaging those services.

The failure to get that affiliation deal meant it had to renegotiate certain commercial aspects of its previously announced agreement whereby IoM Media Ventures would acquire a majority stake in its TV broadcast business.