The Brand-New Documentary Of Gwyneth vs Terry: The Ski Crash Trial Premieres On TLC South Africa On Sunday, 21 January

On the 26th of February 2016, Gwyneth Paltrow and Terry Sanderson collided on the ski slopes of Utah, USA. In the aftermath, Terry Sanderson sued Gwyneth Paltrow for over $300,000 in damages. It was a case of her word against his: who was at fault for the devastating crash? Battling it out in court, it was a celebrity trial that split public opinion. ‘Essentially the only two people in this world who know the truth are Gwyneth Paltrow and Terry Sanderson,’ as Legal Commentator Terri Austin puts it, ‘determining who was the uphill skier and who was the downhill skier is the $300,000 question in this case’.   

  

Now, the sensational trial of Sanderson vs. Paltrow is laid out to bare in the brand-new documentary Gwyneth vs Terry: The Ski Crash Trial (available on TLC South Africa @ 22:00 CAT on Sunday, 21 January). With unique access to key players in the story, including a juror from the trial and key witnesses, this documentary provides the inside story of one of the most talked about legal cases of 2023. Who caused the fateful collision is then hotly contested and leads to an eight-day trial watched by the world, Oscar-winning actress Gwyneth Paltrow or retired optometrist Terry Sanderson? It’s a rare case of a civilian in a legal battle with a celebrity.  Two compelling polar opposite viewpoints that ask the viewer to decide - who was to blame?  

  

Samantha Imrie, a juror in the trial, recalls the moment she became involved in the case: “At the beginning of 2023, I received an email telling me that I needed to go to jury selection. I was very concerned it was going to be murder or a child abuse case in which I would have had a really challenging time. When I was in jury selection, they said, ‘This is Sanderson vs Paltrow,’ and I didn’t really put together that this was Gwyneth Paltrow.” As the trial began, all became clear: as journalist Daniel Bates describes the scene, “Terry Sanderson’s allegation was that, essentially, his accident was an inflexion point in his life; before he was outgoing, he was sociable. Afterwards, he described it as living a completely different life.” Speaking exclusively in the documentary, Sanderson’s ex-partner Karlene Davidson recalls the day of the fateful crash, where Sanderson wasn’t initially aware of who the other person in the collision was.  “At the time, he didn’t know; I don’t believe he said Gwyneth Paltrow; he didn’t know who it was,” she says. “He just said, ‘I had been hit on the hill. He was definitely hurt more than he was letting on.”   

  

On the other side of the case was renowned actress and entrepreneur Gwyneth Paltrow. “She’s known all over the world. She’s got this massive fortune through GOOP, her luxury wellness brand. It didn’t seem like a fair fight,” Bates suggests. “Terry Sanderson wasn’t able to hire a crack medical malpractice team. Gwyneth Paltrow’s lawyers were absolutely vicious.” Bates also notes Paltrow's advantages over Sanderson, “She knew it was being televised. She’s been in front of a camera before; she understands how it works.” However, as personal injury attorney Ruth Shapiro points out, Paltrow, like any other human being, wouldn’t have been immune to the stresses of facing a potentially career-damaging trial. “It's not a relaxing situation to be in a court before a jury, no matter if you’re a Golden Globe or Academy Award winner, it's still nerve-racking,” she says. Bates also describes how the trial must have taken its toll on Paltrow, as she always aimed to put family first above living in the limelight. “Her priorities have been family, GOOP, and you see that from her posts on Instagram, I think for her it’s more important to be there, be a mum, be around her kids, and not necessarily be a ‘walking the red carpet’ celebrity.”   

  

As the trial began to gain traction on social media, tensions continued to build in the courtroom. As shown in courtroom footage included in the documentary, Paltrow describes her side of events of the accident on the witness stand. “I was skiing, and two skis came between my skis, forcing my legs apart,” she states, “and then there was a body pressing against me.” Reflecting on the courtroom proceedings that she witnessed firsthand, court juror Samantha Imrie argues that Paltrow was sympathetic towards Sanderson despite insisting she wasn’t at fault for the collision. “Gwyneth Paltrow did not seem dismissive to Terry’s injuries or anything caused by the accident; however, she was very clear that this accident was not her fault,” she says.  

  

Indeed, the impact the crash had on Sanderson was life-changing, as his ex-partner Karlene Davidson shares. “He became like an old man; he didn’t want to do anything anymore; he felt like he wasn’t capable or just didn’t feel good about it. His joy was gone,” she says. Not only did the accident alter Sanderson’s outlook on life, but also, ultimately, his relationship, as Davidson adds. “He pulled away and pushed me away to almost save me from having to deal with whatever was going on with him,” she says. “I didn’t want that relationship to end; I could've stayed with the man that I adored.”   

  

As the jury began to sympathise with Sanderson’s position, the case began to swing when Paltrow’s lawyer, Stephen Owens, revealed shocking evidence that suggested Sanderson’s life wasn’t falling away at the seams as he claimed, as court reporter Julia Jenae explains. “Owens has pictures of Terry on trips from all of these different countries, and he was able to show him happy and enjoying himself,” she says. “The picture that was painted, this man that was unable to travel, unable to function, didn’t have friends, yet he’s travelling the world; it didn’t add up.” However, Sanderson’s neurologist Alina Fong later testifies that he travelled on her advice, “that was part of his recovery, to get back to travel and get back to some semblance of an increased quality of life.” His ex-partner, Davidson, believes that it was an unfair trial from the beginning, sensationally claiming that status and politics were at the centre of the trial. Despite the Court’s efforts to screen jurors for bias, she believes that “the jury had to be slanted in their opinions. They were skiers and part of the Deer Valley community. Park City didn’t want to lose their celebrity status of stars coming.”  

  

On the 30th of March 2023, the Jury came to a decision. For Samantha Imrie, the pressure of reaching a fair and just conclusion was intense. “During these eight days, I have never felt such a heavy weight on my shoulders knowing I’d have to go through all this evaluation and determine who was lying and who was telling the truth,” she says.  However, it only took two hours for the jury to reach a conclusion, assigning one hundred percent of the fault to Sanderson. As Imrie describes, with all the evidence taken into consideration, it was an open and shut case. “It was almost black and white at the end, and there was no way the collision could have happened in the way that Terry Sanderson was saying that it had happened.”   

  

Despite the verdict, questions remain as to the level playing field of a celebrity versus civilian civil case, as attorney Bruce Pritchett argues. “One of the factors that weighed into the disparity in the case was that she had more money and resources to litigate the case with,” he says. As the trial came to an end, Jenae recalled the now-iconic moment as the legal parties exited the courtroom, with Paltrow leaning over to Sanderson and whispering to him. It was a clip widely covered on both social media and by the international press. “She walked over past the plaintiff’s table, she leaned over, whispered something in Terry Sanderson’s ear and then she left.” Sanderson later revealed in a post-trial interview that Paltrow said, ‘I wish you well...’   

Reminder: ID Africa Sets Premiere Date For Highly Anticipated Follow-Up Docuseries, The Curious Case Of Natalia Grace: Natalia Speaks, Featuring Exclusive Access To Natalia Barnett

Investigation Discovery, the leading true crime network, has launched a new chapter in the twisted family saga of Natalia Grace Barnett, THE CURIOUS CASE OF NATALIA GRACE: NATALIA SPEAKS, which will premiere in Africa on Sunday, 28 January.

 

Picking up where the shocking finale of THE CURIOUS CASE OF NATALIA GRACE left off, NATALIA SPEAKS dives headfirst into the questions, controversies, and secrets unearthed in the first instalment, but this time, Natalia shares her side of the story. The six-part docuseries will also showcase an extensive, emotional sit-down between Natalia and her adoptive father, Michael Barnett, as they sit face-to-face for the first time and come to terms with the accusations that have been thrown around in both directions. THE CURIOUS CASE OF NATALIA GRACE: NATALIA SPEAKS will premiere two new episodes every Sunday at 21:00 CAT starting on 28 January and continuing through 11 February.

 

“When THE CURIOUS CASE OF NATALIA GRACE premiered in 2023, audiences were insatiably compelled by this twisted, confounding saga, making it one of ID’s most-viewed new series across cable and streaming. This story is far from over, and it’s clear our viewers have many more questions they want answered. NATALIA SPEAKS is our response to that demand and offers Natalia’s perspective to this stranger-than-fiction mystery,” said Jason Sarlanis, President, Turner Networks, ID & HLN, Linear and Streaming Warner Bros. Discovery. 

 

THE CURIOUS CASE OF NATALIA GRACE: NATALIA SPEAKS offers exclusive access to Natalia Grace Barnett as she shares her story and confronts her former adoptive parents, Michael and Kristine Barnett’s accusations head-on. Over the course of six parts, NATALIA SPEAKS retraces her adoption saga and the Barnett’s allegations from Natalia’s perspective, offering insight into what really went on behind closed doors in the Barnett’s home and how much truth there actually is to their claim Natalia was not a 6-year-old Ukrainian orphan with a rare genetic disorder, but rather a homicidal adult intent on harming them and their children.

 

NATALIA SPEAKS also features previously unseen evidence and footage, as well as new theories and testimony from an array of voices, including the retired FBI agents who initially investigated Natalia’s case, genetic experts who helped determine Natalia’s actual age, and the Tippecanoe County Deputy Prosecutor Jackie Starbuck who prosecuted Michael in his October 2022 trial. In addition, the docuseries sheds light on Natalia’s next chapter, offering a portrait of her life with her new adoptive family and exclusive interviews with her adoptive parents, Bishop Antown and Christina Manns.

Rumour: 1Magic (And Possible Me) To Be Replaced/Merged Onto Another TV Channel On DStv

Update: the channels will close 31 March 2024 and for an updated statement: click here 
MultiChoice is set to axe an additional two channels by early February, 1Magic and Me. The pay-tv company remains discrete on further information pertaining to these brands and have gone as far as hiding this news from DStv consumers until later this week.

In ongoing conversations with the pay-tv company, it was revealed that 1Magic will be replaced with another channel unlike Me. Considering that these terminations sort of affect consumers on the Family and Compact bouquet it's likely that this channel will be accessible to them.

Following the cancellation of 1Magic, there had been questions pertaining on how MultiChoice intended to distribute The Real Housewives and retain their black premium subscribers who'd view content like Power Book 4: Force Beat Shazam and 1802: Love Defies Time.

As I hypothesised in early stories, MultiChoice and M-Net are probably looking to substitute 1Magic (and possible Me) with a more robust offering. M-Net is filtered to the audience of SABC 3 and 1Magic was one way they could position themselves to SABC 1 and Mzansi Magic.

If anything, it's likely that this channel will offer the best of Me and 1Magic (which were basically VUZU and M-Net City) in one space. That is if all this turns out to be accurate, as mentioned they are looking to officially update consumers later this week on the fate of these channels.

New Channel Alert: Africa's First Housing Channel Debuts On StarTimes Channel 149, To Launch On DStv By March 2024

During the month, Nigeria’s leading affordable housing advocate, Festus Adebayo had announced the establishment of a first of its kind African home channel, Housing TV Africa. It is set to take on brands like HGTV and The Home Channel with a curated local offering.

According to a press statement, the purpose of establishing Housing TV Africa on StarTimes Channel 149 is basically to bring awareness campaigns down to various homes in Africa.

He further stated that the TV channel was to be extended to DStv before the end of 2023, until it was delayed to March 2024. Minister of Housing and Urban Development, Arc. Ahmed Musa Dangiwa would have marketed the launch on the pay-tv platform had it launched earlier.

Housing TV Africa will have 65% housing related contents, leaving the remaining 35% to contents around educative, political, sports, religion, entertainment, among others. Basically, it will not only be duplicating The Home Channel but Soweto TV as well.

In other developments, MultiChoice will be axing both 1Magic and Me from the DStv platform by early February. They served as M-Net's remaining linear offering to boost an extensive line-up of international content with the latter now folded under existing linear channels and Showmax.

Live-Action Danny Phantom Film Is Reportedly In Development

An iconic animated series may soon be making its way back to our screens in a new form. According to insider Daniel Richtman, a live-action Danny Phantom film is in development at Paramount.

Danny Phantom is an animated series that first premiered on Nickelodeon in 2004, netting fifty-three episodes across three seasons. Created by Butch Hartman (The Fairly OddParents), the series followed the adventures of a teenager named Danny Fenton, who gains various superpowers like flight and invisibility after an accident in his ghost-hunting obsessed parents' laboratory. Despite his initial hesitation, Danny eventually learns to embrace his powers and commits to becoming a superhero to defend his family, friends Tucker Foley and Sam Manson, and hometown from the threat of malevolent ghosts from the Ghost Zone.

The show bears many similarities to Sony's Ghostbusters, including some of the equipment used in the series, as well as Marvel's Spider-Man series, with both protagonists forced to juggle the responsibilities of being a superhero along with the everyday mundanities of being a teenager. This timeless formula proved to be a success as Danny Phantom has retained a solid following since its finale aired well over a decade ago.

Although the series ended in 2007, Danny Phantom has remained in the hearts of fans, and has seen a few comebacks in recent years, including most recently as characters in the Nickelodeon All-Star Brawl franchise as well as a graphic novel, "A Glitch In Time".

Ricthman did not reveal any further information about the film, such as a creative team or potential timeline. It seems the project is still in very early development; it may be some time before any additional news regarding the movie is announced. It remains to be seen if the film will receive a theatrical release or premiere on Paramount+.

Interestingly, Grey DeLisle (The Loud House), who provided the voice of 'Sam' in Danny Phantom, hinted back in 2016 that Nickelodeon were planning to make a live-action Danny Phantom movie.

The news also comes as Nickelodeon is revisiting many of its iconic properties, including the recently released Zoey 102 and Good Burger 2 movies, as well as revivals of Fairly OddParents and iCarly. Nickelodeon has also rebooted Rugrats and Blue's Clues, and will be launching its rebooted Dora the Explorer series later this year, along with a The Thundermans revival movie. A Henry Danger movie is also in the works, as well as new Avatar: The Last Airbender projects.

It's important to note that, at the time of posting, nothing official has been confirmed so far, so it's worth taking it all with a pinch of salt.

More About M-Net's Me And 1Magic's Closure On DStv

Update: the channels will close 31 March 2024 and for an updated statement: click here 
During the week, we recieved word from various DStv consumers that MultiChoice will be axing both M-Net Essentials (ME) and 1Magic by February 2nd, 2024. In an enquiry, we were able to retrieve confirmation of the terminations which comes weeks before the demise of Emmanuel TV.

Since then, 1Magic has been allocating more airtime to their remaining shows while repeating past programs. Me on the other similar to The River on 1Magic, has been trying to wrap up remaining shows like And Just Like That and Lucky Hank in the form of a double bill.

An official statement from MultiChoice:

This is in line with our strategy to continuously review international and local content line-ups and optimise the suite of channels on offer on DStv. Due to this, we will bid farewell to 1Magic and Me. This is done to ensure we deliver unbeatable content to our consumers and that our services cater for the needs and viewing requirements of our customers.

MultiChoice is looking to produce more channels but it remains to be seen whether any of the content viewed on 1Magic and Me will be accessible on these channels. We presume they could require assistance of Ngwato Nkosi Group as seen with Movie Room and Play Room.

By early February, fans of crime and medical dramas on Me can tune into Universal TV for Chicago PD, Magnum Pi, Transplant and The Equalizer. Sitcoms such as Young Sheldon and Bob Hearts Abishola (both of which are ending) can be viewed on Comedy Central.

As for 1Magic, fans of local dramas can tune into the new series Champions on Mzansi Magic this February while 1802: Love Defies Time is streaming on Showmax. Other productions on the platforms include My Brother's Keeper, Gqeberha: The Empire and uThando Nes'Thembu.

MultiChoice will be revamping the Showmax streaming service in a joint venture with NBCUniversal. Serving as the streaming service made by Africans for Africans will feature content from Universal Pictures, NBC, Peacock, DreamWorks Animation and Telemundo. 

The Real Housewives is an NBC property and as such will fold under the streamer with variants being divided amongst M-Net's linear offering. Same applies to international variants viewed on these channels: Bel-Air, Beat Shazam and Power Book 4: Force.

Reminder: Revamped Showmax Streamer Launches This February And Is Cheaper


Ten months after MultiChoice, Comcast’s NBCUniversal and Sky announced a joint streaming vision for Africa, the new Showmax is here, featuring a refreshed brand and a massive content lineup, all delivered on a powerful new streaming platform.

At the heart of the new offering is the world’s first standalone Premier League plan for mobile, with all 380 games offered live on Showmax Premier League for just R69 a month.

In addition, there are two more Showmax plans available to customers in 44 African countries: Showmax Entertainment on mobile for an unbelievable R39 a month at launch, as well as the Showmax Entertainment plan, where the monthly price falls from R99 to R89 per month.

“There are currently just over 450 million smartphones in the hands of individuals across Africa … and more than 250 million avid football lovers on the continent,” says Marc Jury, CEO of Showmax. “Showmax Premier League is a game-changing product that gives individuals a ticket to the football they love, wherever they are, on the device they always have with them, at a price that’s impossible not to love.”

“Africa is incredibly important to the Premier League and our clubs; 20% of TV audiences on any given matchday come from Africa,” says Richard Masters, Premier League CEO. “We are delighted with this Showmax initiative, which puts the Premier League in your pocket at a new price point so that millions more can enjoy our fantastic competition.”

Core to the success of Showmax’s streaming ambitions in Africa is a new technical platform that is robust and built to scale. With the launch of Showmax, the Peacock streaming platform will be active in more than 70 countries and is continually enhanced by the combined expertise of thousands of engineers. The world-class platform has brought millions of viewers popular events such as Super Bowl LVI, the FIFA World Cup Qatar 2022 final, the Olympics and WrestleMania 39. On 13 January, Peacock’s exclusive AFC Wild Card Game became the biggest live-streamed event in US history, reaching 27.6 million viewers and a record 16.3 million concurrent devices. In 2023, Comcast won a Technology and Engineering Emmy Award for its sports viewing experiences across Peacock, Sky and Xfinity.

“Peacock’s best-in-class technology platform will deliver a world-class streaming experience to Showmax audiences,” said Patrick Miceli, Executive Vice President & Chief Technology Officer, Direct-to-Consumer & International, NBCUniversal. “The Peacock platform was designed from day one to support both live and on-demand content, including the biggest live sporting events, so we look forward to extending that capability and reliability to the new Showmax.”

Alongside the Premier League, the new Showmax also opens the door to a thrilling entertainment universe spanning a wide range of stars and stories across multiple genres. With no fewer than 21 new Showmax Originals launching in February alone, there will be more than 1 300 hours of Showmax Originals produced in the coming year, representing a significant 150% increase in production output compared to the year before.

Complementing this powerful African content slate is an international offering that will give viewers cause for celebration. As a result of MultiChoice’s partnership with Comcast’s NBCUniversal and Sky, Showmax is guaranteed an ongoing supply of the world’s most popular titles from the media giant’s renowned brands, including Universal Pictures, Focus Features, NBC, Peacock, DreamWorks Animation and Telemundo. The stellar content lineup includes films like the latest instalment in the hit Fast franchise, Fast X, and Wes Anderson’s comedy-drama Asteroid City; procedural drama series such as NBC’s The Irrational starring Jesse L. Martin; and Peacock original comedy series Killing It, from the creative team behind Brooklyn Nine-Nine, starring Craig Robinson.

Showmax will also continue to draw from the likes of Paramount, including Mission Impossible: Dead Reckoning and Halo S2 in February, and HBO, with new seasons of House of the Dragon, The Last of Us, True Detective, and The White Lotus on the way.


Showmax’s content offering is further boosted by its focus on the African market and strengthened by the vast creative and commercial presence already established by MultiChoice. “Nobody understands Africa like we do. Showmax is putting the continent first with a powerful streaming service that will revolutionise streaming in Africa in 2024,” says Calvo Mawela, MultiChoice Group CEO.

With the content and platform providing strong foundations for the new Showmax, ease of access for customers is another key business priority. As the first streaming service in Africa to make mobile downloads possible for offline viewing and the first to launch a mobile-only plan, Showmax has now delivered incredibly competitive new price points, with a growing network of payment options available to customers.

This payment ecosystem is facilitated by Moment, another MultiChoice joint venture partner. Working with more than 200 payment partners such as banks, mobile money providers, retailers and payment schemes, Moment is building the broadest pan-African payments network. In addition, DStv customers will continue to have the option of adding Showmax to their DStv bill each month and benefitting from significant discounts. Showmax will be announcing additional partnerships soon that will offer even more value to customers.

The new Showmax app will become available in app stores from 23 January 2024 onward, as part of a staggered migration process across 44 markets. This is an ongoing process that starts next week and will be completed in February this year. Existing Showmax customers will begin receiving communication with information on how to access the new app this week and by 12 February 2024 the new Showmax will be live in all markets.

New Series Alert: Blue Cage And Hicran Also Rumoured To Be Making It's African Debut Soon Likely On Telemundo, Could eExtra's Kuiertyd Or kykNET Perhaps Get It?

Following the recent report that Telemundo will be further distancing themselves from original programming. The channel had acquired various shows from numerous international studios and broadcasters including Colombia's Caracol Televisión and RCN.

In October 2023, Telemundo debuted their first Turkish production across the African continent, Cennet: The Power Of Destiny. It proved to be a popular addition with consumers following the U.S. counterpart that had been sourcing content within the region years prior.

Inter Medya and Telemundo presented two Turkish dramas at MIPCOM within 2023, Blue Cage (Maviye Sürgün, 03 Medya) and Hicran to potential buyers. The two had been capitalising on Turkish dramas for Spanish language audiences and now the latter has folded in Africa.

Considering these two dramas were also co-produced/distributed by Telemundo, would it seem far fetched if the channel were to acquire them for consumers in Africa perhaps when Cennet ends in the coming months?

Synopsis for The Blue Cage:

Oguz has saved a young amnesiac woman, Defne, who he brings into his home. But when Defne recovers her memory, she realizes that she was a con artist who must remain in hiding.

Synopsis for Hicran:

Hicran, who wakes up to the new day with the nightmare she sees every night in which she tries to catch up with her daughter, who is said to have died at birth, is a young woman who is trying to hold on to life and who believes that her daughter is not dead, unlike everyone else.