E! Africa To Unveil Local Adaptation Of Hit Comedy Dating Series Dating #Nofilter

E! Entertainment Television – the pop culture channel from NBCUniversal International Networks & DTC – today announced the start of production for Dating #NoFilter, a 10x60’ unscripted comedy dating series produced by Brainstorm Entertainment.

Licenced globally by NBCUniversal Formats, the format originally aired on E! in the US and is being adapted for the African audience, with filming in progress at the Mall of Africa in Johannesburg. The show is set to premiere exclusively on E! Africa (DStv channel number 124) later this year.

Dating #NoFilter will follow a group of singles on blind dates whose search for love will be accompanied by commentaries from some of South Africa’s most hilarious celebrities. Amongst the 15 comedic cast are comedian, TV personality and actor Jason Goliath (E!’s Celebrity Game Night, Ses' Top La); actress and radio personality Hope Mhbele; and media personality and content creator Lebogang Tlokana – also known as “The Funny Chef.”

Jason and the other comics will watch the dates unfold, offering unfiltered commentary on each moment – from every awkward interaction to every touching glance. Inevitable dating disasters aside, the hope is that the couples will form genuine connections.

“Building on the success of E! Africa’s local adaptation of Celebrity Game Night, this production underscores our focus on delivering content that resonates with African viewers – in this case, uniquely showcasing some of South Africa’s wittiest personalities,” said Hendrik McDermott, Managing Director, Hayu, EMEA Networks & International Direct-To-Consumer, NBCUniversal.

"Dating #NoFilter is a brilliant format with international appeal. Viewers love watching their favourite comedians offer side-splitting commentary while love seekers navigate the hilarious and unpredictable world of dating. I can’t wait to see South African audiences be swept off their feet by what promises to be a sensational new series,” commented Ana Langenberg, SVP Format Sales & Production, NBCUniversal Formats.

Produced by Brainstorm Entertainment for NBCUniversal International Networks & DTC, Dating #NoFilter is a hilarious take on modern dating. Dating #Nter is disoFiltributed globally by NBCUniversal Formats, which is part of Universal International Studios, a division of Universal Studio Group. The series originally aired on E! in the US, with the African version marking the fourth international adaptation.

Dating #NoFilter is set to premiere on E! Africa (DStv channel number 124) later this year.

News Shorts: A Rebroadcast Of A Passion For Revenge Debuts On Telemundo And Mnakwethu Happily Ever After? Returns For Season 4 On Mzansi Magic

Telemundo hits the snooze button with A Passion For Revenge 

Set in Houston, Texas, the story of the well-raised, humble and hardworking Gallardo brother's quest for vengeance against the wealthy and powerful Del Junco family. When the body of young, beautiful, and pregnant Alma Gallardo is found in the Houston River, her brother's Arturo, Samuel, and Flavio believe the family of her lover Ignacio Del Junco is to blame.

Taking the last name "Rey" to disguise their identity, the brothers begin to work as construction workers at the sprawling Del Junco horse ranch to get closer to their enemy. With Ignacio already dead and learning how their beloved sister was mistreated by Ignacio's family, the brothers set out for revenge against Ignacio's widow, Cayetana, and her daughters SofĂ­a, Irina, and Andrea. 

It airs daily at 19:00 from 13 August.

Mnakwethu Happily Ever After? is back

Mzansi Magic's Mnakwethu Happily Ever After? returns to Mzansi Magic for a brand-new season, promising more drama than ever before. This season, polygamists Dulas and Qondanisa, who were introduced in Season 1, are joined by Ntshangase, bringing his own family challenges to the forefront.

The reality show is a spin-off of the popular series Mnakwethu, where Musa Mseleku (known from Uthando neS’thembu) helps husbands seek permission from their wives to take additional wives. Mnakwethu Happily Ever After? explores life after these decisions and examines how the introduction of new wives impacts existing relationships.

In Season 4, the show delves into whether these families can find harmony amidst the complexities of polygamy. For instance, Qondanisa’s wife Mamchunu is currently separated from him but not divorced and the family wants her back because she was financially providing for the family. And for Ntshangase, Phindile wants to leave him if he continues with the polygamy idea and her family is angry about Ntshangase betraying their daughter and want her to leave the marriage.  Kuningi!

Don't miss the captivating Season 4 premiere of Mnakwethu Happily Ever After? airing on Mzansi Magic, Channel 161, on Wednesday 16 October 20:00.

Discovery Family Undergoes A Major Restructure And Unveils New Rebranded Logo

Not to be mistaken with the factual entertainment channel of the same name on MultiChoice's DStv platform. Discovery Family which is also operated by Warner Bros. Discovery in a joint venture with Hasbro is responsible for the distribution of various kids shows and other educational content. 

Not long ago, Discovery Family updated its social platforms to unveil a new on air look with the name shortened to DFC. Basically taking a page of Boomerang and Boing feeds, the channel offers various content from Warner Bros. Animation and Cartoon Network Studios.

As pictured above, these includes shows like Summer Camp Island, Steven Universe,  The Smurfs, Sylvester & Tweety Mysteries and Looney Tunes while as returning the Hasbro portion of the brand with My Little Pony: Friendship Is Magic. 

What's more mind boggling about this is the fact that Warner Bros. Discovery had already been licensing content to Weigel Broadcasting for their own kids channel, MeTV Toons. The financially challenged company is basically creating rivaling amongst their own stables. 

Aside from Warner Bros. and Hanna-Barbera, MeTV Toons is even licensing content from Universal Pictures, Paramount Pictures and MGM. This would make them an even stronger contender against the likes of Boomerang and Nicktoons whose offering has fallen off the scale.

Skydance is currently undergoing a potential takeover of Paramount Global with Warner Bros. Discovery exploring a possible split in assets. If anything, they don't care as much if MeTV Toons is luring consumers from their own channels as its all about money.

The rebrand of Discovery Family or DFC only illustrates the amount of division/dependency Warner Bros. Discovery gives these brands. Take for instance, Cartoon Network that's still runs a 24 hour service in other countries while America minimized this for Adult Swim.

Although Discovery Family runs as a children's channel some other countries operate this as Discovery Kids then Africa offers a channel of the same name with different programming. In short, where is the alignment in all this as you have 2/3 different channels with the same name.

Disney relies on ESPN for sports with factual entertainment on National Geographic while Paramount has reality and animation on MTV and Nickelodeon respectively. Then there's Warner changing the positioning of a TV channel from country to country. 

eMedia Investments Unveiled Annual Performance From 31 March 2024 And Plans Ahead For Their Platforms

eMedia’s financial performance

eMedia presents a satisfactory financial performance for the 2024 financial year given its mitigation against continued loadshedding, which had a negative impact on overall viewership and saw a further decline in television advertising spend of approximately 1%.

The actors and writers’ strike in Hollywood at the beginning of the financial year also had a severe negative impact on one of the subsidiaries in the Group, Media Film Service, which made R31.5 million less in profit after tax when compared to the prior year. The Group also continued its legal battles against Multichoice during the current financial year spending R8.8 million more in the current year when compared to the prior year.

Notwithstanding all the negative impacts to business operations in the macro-economic environment in South Africa, the Group was able to return favourable results and further continues with the declaration of dividends to its shareholders with a dividend of 16 cents per share at the close of the financial year.

Revenue and market share

The Group’s revenue for the fiscal of R3.1 billion is only 2.1% less than the previous year which can be mainly attributed to the decreased revenue earned by Media Film Service as mentioned above. This was further underscored by television advertising revenue ending on R2.165 billion an increase of 3% despite the television advertising cake declining by 1%. This is the highest television advertising revenue earned by the Group in its history.

The Group once again outperformed the market in terms of advertising revenue in the television market. This benefit in advertising revenues can be attributed to the Group maintaining prime-time audience market share at 33.5% in March 2024 from 34.5% in March 2023, a slight decrease year on year.

Further analysis of the Group’s market share reveals an increase in both shoulder and prime time. The share ended at 33.0% and 33.5% respectively, making the Group the biggest broadcaster in audience share in prime time and second to DStv in shoulder time in South Africa.

e.tv

The prime-time market share for e.tv has shown a slight decrease of 0.7% to 20.7% audience share. Of interest, however, is that e.tv is now the biggest channel during both prime time and shoulder time surpassing SABC1. The continued loadshedding saw a change in viewer patterns and this saw an impact on some of the shows. Scandal (19:30 to 20:00) and House of Zwide (19:00 to 19:30) continues to have a demanding market share in their respective timeslots with Scandal, however, coming into some competition with SABC1 moving Skeem Saam from its 18:30 slot to the 19:30 slot.

During the year, e.tv launched new dramas, Smoke and Mirrors at 21:00 to 21:30 and Isitha at 21:30 to 22:00. Both these dramas command the number one position in their timeslots. The 18:30 drama, Nikiwe was withdrawn from the schedule as it was not commanding a satisfactory market share and was replaced by a new drama, Isipetho, which has more than doubled the market share.

e.tv now spends approximately R600 million annually on local drama series and again shows the dedication of the Group to grow the local television industry.

e.tv continues to face the impact of the uncertainty of the imminent analogue switch-off facing the country but the Group is confident that the audience share will be carefully managed. At present the Group is once again engaging with the Department of Communication in relation to the switch-off date regarding e.tv analogue transponders. The Group is firm in the belief that too many ordinary South Africans will remain without TV in a hard switch-off environment.

Openview and multichannel

The non-linear eMedia channels continue to improve their ratings with eExtra, eMovies Extra and eReality which rank in the top 15 of all satellite channels available in South Africa. A few more channels will be launched on the Openview platform in the new fiscal year.

The rest of the eMedia channels, available on multiple platforms accounted for 26.9% of the advertising revenue amounting to R610.6 million which is up from R501.3 million in the previous year. Profitability in this unit has been maintained with content costs for the fiscal year being pegged at R325.6 million.

The distribution of the four eMedia entertainment channels on Multichoice, which contributed to the Group’s audience and revenue share, is still under investigation by the Competition Commission after non-renewal of the channel carriage agreement. At the time of this report, the channels remain on the Multichoice bouquet, and the court case is set down for August 2024. As mentioned, this has attributed to the year-on-year increase in legal costs.

The set-top box activations for Openview for the year amounted to 377 916 taking the amount of activated set-top boxes to 3 428 523 activated at the end of the period. Technological advancements being the focus of the business will bring in the next upgraded phase of the Openview set-top box, a smarter set-top box which will have memory facilities and Wi-Fi capability.

eNCA

eNCA continues to perform satisfactorily in its targeting of the discerning news viewer. In an attempt to engage the viewer, the channel has changed its positioning from ‘No Fear, No Favour’, to ‘Question, Think, Act’. It also continues to be the leading advertising revenue generator in the news market.

Other subsidiaries

All of the Group’s subsidiaries, with the exception of Media Film Service, have performed exceptionally with Y ending the year on a profit after tax of R16.8 million, an increase of 6% year on year.

Costs

Administrative and other costs were well maintained, increasing by only 2.35% year on year. This increase is mainly due to marketing activities returning back to normal, increases in legal fees as previously discussed and the adverse impact of the rand fluctuation.

Cost of sales, which mainly consists of the cost of content, in the case of e.tv, employee costs in the case of eNCA, and cost of the Openview decoder sales, decreased from R1 629.4 million to R1 584.8 million. A significant portion of the decrease can be attributed to close control of content costs across the channels and the retrenchments to create efficiencies within eNCA.

Profitability

The only asset of the Group is a 67.69% interest in eMedia Investments, the company that owns e.tv, eNCA, Openview, eVOD among other businesses.

eMedia Investments ended the year with a net profit after tax of R353.2 million, compared to a profit of R404.7 million in the prior year. The above profit should be viewed in light of the continued loadshedding and the impact this had on the advertising cake, foreign exchange rate and the impact of diesel usage on the business, as well as the increased legal and marketing costs together with the impact of the actors and writers’ strike in faraway Hollywood.

Earnings before interest, taxes, depreciation and amortisation (EBITDA) for the Group ended on R628.3 million compared to R667.2 million in the prior year.

Conclusion

The Group is forging ahead with numerous technology advances and strategic planning to continue to be the audience share market leader. The investment in Openview provides the Group with the strategic flexibility and is the plan to address the challenges of the transition that digital migration brings with it. The Group also intends to launch a number of digital developments to enhance its revenue generation capabilities and take advantage of our highly in-demand content.

The Group remains focused on its core business of broadcasting, content creation, platform advancements and a granular focus on technology that improves the broadcasting process.

Could e.tv Dump Annekan Die Swa Kry After Three Seasons?

Annekan Die Swa Kry follows four siblings, who are closely tied to each other, lose both their mothers and fathers after a series of unfortunate events. Having lost the people most dear to them, there is nothing they can do except hold on to each other as they no longer have anyone else they can depend on. 

That is until, Akif Atakul, the person who is the reason for all their misfortunes, opens the doors to a college he owns to them, exposing them to a completely new and different life. This new life, where the paths of rich and poor, criminal and victim intersect, turns everyone into a new person.

After wrapping up its fourth and final season in Turkey with eMedia Investments that is likely to wrap up if not acquire the remaining episodes in the 2025/6 season is currently on its third season. With questions amounting to how eMedia Investments plans to distribute the final season. 

For those who've viewed these brands, most of the content to have been distributed by Kuiertyd has often changed broadcasters. Doodsondes' 6 seasons were divided between e.tv, eExtra and eVOD same goes for Roekeloos Dade with Daai Crazy Somer being those few to air entirely. 

Recently, it was announced that Pad Na Die Hart would be replacing season 5 of Doodsondes on eExtra as opposed to eMedia just wrapping up the show as seen with eVOD. What are the chances that Annekan Die Swa Kry won't just get taken off e.tv's schedule in the coming months?

Elif will be ending within the first half of 2025 so it wouldn't come as much of a shocker if Annekan Die Swa Kry were to take up its timeslot with both being family oriented. Or if it arrived much later within that year either on e.tv or eExtra hence the 2025/6 season.