VIU Looking To Become The Third Broadcaster To Rival With eExtra's Kuiertyd

VIU is an Asian based streaming service that is formed as part of a joint venture with PCCW Media Limited and French broadcaster Canal+. Residing in more than 20 countries, VIU is estimated to have reached over 60 million users as the streamer plans to build up on its content slate.

Canal+ which serves as partner is currently in pursuit of Showmax's parent company MultiChoice after garnering stakes is now sitting at 45%. The plan should this acquisition succeed is to create an African powerhouse that can take on giants like Disney and Netflix. 

Another plan on the cards would be introducing international content in local languages particularly Afrikaans. eMedia Investments has been doing this since 2018 and had since then become popular within South Africa literally doubling the viewership of SABC 2's 7de Laan.

KykNET became eMedia Investments' first competitor in such pursuit as this offering was rolled out through KykNET&Kie. Both of which are owned by MultiChoice, with Canal+ looking to acquire this could lead to additional programming as the channel had simplified this offering in May.

Although Showmax had already been producing Afrikaans content for their audiences none of which rival with shows like Doodsondes or Sommerdahl Moorde. But rather the niche part of Kuiertyd with only a variant of these viewers with Bôll And Ôll and Ja, Daddy Kan Lekker Eet.

It will be interesting to see how these shows will do in terms of distribution cause with Canal+ owning KykNET they could use it promote these endeavors. Another scenario would be shopping these series to other broadcasters like the SABC since they are technically insolvent. 

The public broadcaster has been looking at cost cutting measures aside from possibly selling SABC 3 another was reducing budget costs for shows like Muvhango. VIU has been the official distributor to some of their shows like Uzalo and Skeem Saam.


Press statement about the inclusion of dubbed programming 

The demand for foreign content is so great that part of Viu’s strategy for the next year is to dub more and more of these titles into South African languages to make them more accessible.

While K-dramas are geared more towards English speakers, Turkish content is more aligned with Afrikaans audiences. Kelly said part of the growth in demand for Turkish content is due to the gap left by long-running Afrikaans shows like 7de Laan reaching end of life.

For Viu, the dubbing of content in Afrikaans gives the company an opportunity to use internationally sourced content to contribute to the local economy by employing local vocal talent. “The Turks are doing well in TV production, particularly in the long-running dramas. We work with some of the best dubbing providers in the country and we want to make sure we don’t do our audience a disservice in that,” said Kelly.

Showmax And VIU Are Likely To Remain Unscathed In Canal+'s Pursuit Of MultiChoice

VIU is an Asian based streaming service that is formed as part of a joint venture with PCCW Media Limited and French broadcaster Canal+. Residing in more than 20 countries, VIU is estimated to have reached over 60 million users as the streamer plans to build up on its content slate.

Canal+ which serves as partner is currently in pursuit of Showmax's parent company MultiChoice after garnering stakes is now sitting at 45%. The plan should this acquisition succeed is to create an African powerhouse that can take on giants like Disney and Netflix. 

Of course, one of those burning questions is how VIU and Showmax will be able to co-exist seeing as they'll have the same owner - Canal+. Both have been producing content locally and licensing from international studios and the fear here is that this acquisition could reduce that. 

But that may not be the case here exactly although Canal+ is obtaining MultiChoice the only way this deal could move forward would be the assistance of another business. Canal+ is still trying to build its stake in VIU and its very unlikely that they'd pursue full ownership. 

If anything one can only estimate that similar to France, Canal+ is probably trying to do what MultiChoice has with SABC News and eNCA and flex their dominance. VIU and Showmax will most definitely be treated as individual broadcasters in the streaming regime. 

VIU is constrained to Asia, Middle East and South Africa and Showmax extends to other parts of Africa. So content wise, there may not be that much changes of course nothing can be guaranteed here I can imagine select content from M-Net most probably popping up there.

Then there's that whole matter with the SABC, how different will VIU's relationship be by then when its parent company acquires its rival. Do these just fall off the schedule in favor of M-Net's local offering or does this offering remain constraint on separate platforms.

Canal+ had been producing content through StudioCanal and with MultiChoice it plans to increase local investment. Showmax instead of being a platform with content from M-Net, NBC and so forth switches to become some M-Net based streaming service with select international content on VIU.

If there's one thing that was kind of speculated for sometime was Canal+ looking to possibly trim or lessen some of the agreements put in place for content. In place of reduced international offering would be content generated from France and parts of Europe.

Development Alert: TLC Africa Expands To Southern Africa On Channel 125 (Excluding South Africa)

During the day, DStv consumers had spotted the TLC Africa channel on 125 through the electronic programme guide. For those wondering, this isn't a channel MultiChoice is planning to add in South Africa as TLC already exists on channel 135 but like Nickelodeon Africa on 312.

The same channel with slight variations for different countries for starters Dr. Pimple Popper while the one situated in South Africa will air at 19:00, the one in neighboring countries will be telecast an hour early at 18:00 based on timezones and by that time we'd be watching My 600lb Life. 

Another variation may pertain to certain show I Am Jazz which would feature a transgender media mogul. In South Africa and Mozambique for starters, there is no restriction on sexual preferences as seen in Nigeria and Kenya making the series accessible to those countries. 

Unlike Nickelodeon and a few other channels on DStv, TLC's feed for neighboring countries is kind of depressing while several other channels are in tune with premieres some of TLC Africa's premieres can date back to the 2010s as seen with Discovery Family and Real Time.

The only sin the feed on channel 135 committed is promoting Me Or The Menu and Fixer Upper as premieres as those shows are already viewable on Food Network and HGTV. And also Discovery had already curated two channels specifically to leverage from these brands. 

Now consumers in more countries namely Southern African regions like Botswana, Zambia, Zimbabwe and Malawi will now have to burden themselves with decade old repeats while consumers in Southern Africa get the fresher outtakes as seen in some parts of Europe. 

This would led to them losing out on channel 135.

Paramount Television Studios Is Closing Down As Part Of Cost Cutting Procedure With Content Set To Merge With CBS Studios

PTVS’ shutdown will result in the exit of 20-30 employees. All current PTVS series and development projects will be folded into CBS Studios.

“To be clear, this is not a decision based on how PTVS performed. This move is the result of significant changes in the TV and streaming marketplace and the need to streamline our company,” Cheeks said. “Under Nicole’s leadership, this studio consistently punched above its weight in attracting top storytellers and stars to create best-in-class series. I want to thank every PTVS employee for shepherding a slate of shows that helped usher Paramount into the streaming era.”

Headed into the current wave of layoffs that will impact 15% of Paramount Global’s U.S. workforce over the next few months for $500M in savings, there had been chatter about Paramount TV Studios as a potential casualty following a string of downsizing/consolidation moves since CBS Studios and Paramount TV Studios were put together under Cheeks’ purview in the fall of 2022.

Both Cheeks and Clemens tried to assuage fears at the time by assuring PTVS staff that the division would remain independent from the larger CBS Studios as the two combined support operations by centralizing finance, law, production and casting. The same year, Paramount TV Studios absorbed Paramount+’s scripted originals team. (Word is more P+ layoffs may be coming after Labor Day.)

In the most recent round of layoffs in February, PTVS consolidated development and current under Head of Development Jana Helman, with a slew of senior programming executives leaving. It also dissolved/downsized communications, marketing and post-production which are now handled by CBS Studios. Prior to that, Clemens, a well-liked veteran executive, revealed that the studio was no longer going to produce limited series except for third-party buyers.

Also possibly factoring into the decision to shut down PTVS is Paramount Global’s pending merger with Skydance whose television division is very similar in scope and output to PTVS. The two companies have collaborated on such series as Reacher, Tom Clancy’s Jack Ryan and the upcoming Cross.

Other notable series produced by PTVS over the years include 13 Reasons Why, The Alienist, Station Eleven, Time Bandits, and The Spiderwick Chronicles.

Speculation about CBS Studios and Paramount TV Studios combining has actually been around since the 2019 CBS-Viacom merger was announced. Launched by Paramount Pictures’ Brad Grey in 2013, Paramount TV Studios has been the smaller of the two and its volume was impacted when Paramount+ pared down its scripted originals ramp-up plans to stem streaming losses. The studio continued to sell to outside platforms.

In her note to staff, Clemens, who joined PTVS in 2018, reflected on the label’s legacy.

“Over the past 11 years, PTVS has weathered seemingly insurmountable obstacles through a combination of strength, determination, and unwavering commitment,” she said. “We met these challenges with incredible resilience, creativity, and passion for what we do, and I could not be prouder of our team. We’ve also had the privilege to collaborate with some of the most brilliant creative talent in the industry to help tell incredible stories seen around the world, entertaining and shaping culture.”

Here are the two memos:

Note from Nicole Clemens: President, Paramount Television Studios

Dear PTVS Family,

As you’re all aware, Paramount Global has made the difficult decision to close Paramount Television Studios as part of the company’s broader restructuring plans. This has been a challenging and transformative time for the entire industry, and sadly, our studio is not immune.

Over the past 11 years, PTVS has weathered seemingly insurmountable obstacles through a combination of strength, determination, and unwavering commitment. We met these challenges with incredible resilience, creativity, and passion for what we do, and I could not be prouder of our team. We’ve also had the privilege to collaborate with some of the most brilliant creative talent in the industry to help tell incredible stories seen around the world, entertaining and shaping culture.

Although Paramount Television Studios is ending, our ethos will live on in shows that will continue to be enjoyed by global audiences for years to come. We’ve cemented our legacy by shepherding some of the most influential, award-winning, and critically acclaimed shows in the streaming era with series like “13 Reasons Why,” “The Offer,” “Defending Jacob,” “The Alienist,” “The Haunting of Hill House,” “Station Eleven,” “Time Bandits,” and many more. We have broken streaming platform records with “Tom Clancy’s Jack Ryan,” “Reacher,” and “The Spiderwick Chronicles.” Our upcoming shows, “Cross,” “Before,” and “Murderbot,” are sure to join the ranks of those hits.

This has been the most formative chapter in my career, and that is mainly due to the remarkable colleagues I have had the honor to lead and learn from on a daily basis. Thank you for supporting me, inspiring me, and laughing with me for the last six years — I wouldn’t have wanted to be in the trenches with anyone else.

I want to thank George Cheeks for his leadership and support through it all. There will undoubtedly be some tears as we move on, but this business is a marathon, and I am certain that we will cross paths, if not work together, again.

“Often when you think you’re at the end of something, you’re at the beginning of something else.” – Fred Rogers

With heartfelt gratitude,

Nicole

Note from George Cheeks: Co-CEO, Paramount Global and President & CEO, CBS

CBS Team,

As you saw from the email Brian, Chris and I sent earlier, this is a very difficult day at Paramount Global. I’m reaching out to share that today’s news unfortunately impacts CBS, including one of our studios.

A short time ago, we informed the team at Paramount Television Studios (PTVS) that the studio will cease operations at the end of the week. To be clear, this is not a decision based on how PTVS performed. This move is the result of significant changes in the TV and streaming marketplace and the need to streamline our company.

I want to thank PTVS President Nicole Clemens and the talented team she built for the many signature hits they produced. Under Nicole’s leadership, this studio consistently punched above its weight in attracting top storytellers and stars to create best-in-class series. I want to thank every PTVS employee for shepherding a slate of shows that helped usher Paramount into the streaming era.

Going forward, all current PTVS series and development projects will transition to CBS Studios.

In addition to PTVS, there are members of CBS teams who will be leaving the company. These are valued colleagues we admire and respect, whose talents contributed to the leadership position we enjoy today. I want to express my deepest gratitude for their contributions, hard work and dedication.

As we move forward, please keep these co-workers in your thoughts as our HR teams and their teammates help support them through this process.

There is a lot of news to unpack today. I know it’s unsettling. I continue to be impressed and grateful for our teams’ ability to stay focused and stick together during this transitional time.

George

Development Alert: Blink Kant Bo Make Its Linear Debut On eExtra This September Replacing Chrysalis Season 2

During the week, eExtra debuted another TV show which was previously available on eVOD, Pad Na Die Hart. With Net 20 Minute also looking to air on the channel this leaves eExtra to load up on eVOD leftovers with Blink Kant Bo slated to air on the channel from 25 September.

Sometime ago, I did a story on Annekan Die Swa Kry and its future on e.tv with the second season set to reach its climax in the coming months. eMedia Investments is likely to distance the channel from the family drama and allocate another TV show in its timeslot e.g. Die Agentskap.

Ever since Doodsondes premiered in South Africa, eMedia Investments had often changed the broadcaster for the FOX drama. Lacking consistency, the first two seasons were made available on eExtra with third and fourth on e.tv with the final two season on eVOD.

Now Chrysalis is looking to exit the channel after its second season when Blink Kant Bo premieres and similar to Doodsondes the final season will premiere in 2025 with Elif also slated to conclude by then.

Synopsis for Blink Kant Bo 

Halis Ağa is the owner of a large jewellery empire and the head of the Korhan family. Even though his son Orhan and oldest grandson Fuat run most of the business, he still makes the most important decisions in the company. His younger grandson Ferit, who is the total opposite of his brother Fuat, is a very irresponsible young bachelor who just returned from abroad where he went to study. Halis can’t take anymore of Ferit’s recklessness and he charges his widowed daughter-in- law Ifakat with finding him a nice girl to marry. 

The news that Halis Ağa is looking for a bride for his grandson, comes like a bolt from the blue into Kazım’s mansion in Gaziantep. Kazım’s only hope to get rich are his beautiful daughters, Suna and Seyran. After Ifakat sees Suna and decides she is the right girl for Ferit, the family goes to Gaziantep to ask for Suna’s hand in marriage. But before the ceremony, Ferit and Seyran meet each other without realizing that they are supposed to become brother and sister-in-law, and Ferit is enamored by her. 

The two sisters’ lives change forever when Ferit decides to marry Seyran instead of Suna. While Kazım is glad that he has secured his access to a great fortune, Seyran will be the new bride in a family full of betrayals, lies and secrets. While Suna will start making revenge plans to get back her stolen future, life at the mansion will be even more challenging with the two brothers’ power conflicts.

Should SABC Look Into Renaming The SABC Education Channel Perhaps To SABC Variety 2?

Since 1996, SABC Education had been a trademark the public broadcaster would incorporate on local content geared mainly at the youth aged 2-14 and overtime aged 18-49. It is home to shows like Geleza Nathi, Uzalo, Matric Reloaded, Skeem Saam, Takalani Sesame and TOMZ.

It currently operates as a 24 hour channel on SABC's DTT alongside SABC 1-3, SABC Lehae, SABC Variety, SABC Sport and their 19 radio stations. Other means of accessing the channel or its content is through SABC+ and for those without these option can view its content on SABC 1-3.

This channel was launched amidst covid as a Mindset oriented brand offering various lessons from the Department Of Education on top of the already existing Geleza Nathi and Matric Reloaded. That left little variety for SABC's other shows like Words And Numbers and Hectic Nine-9.

Since then a lot of restructuring was done to incorporate a lot more of the SABC with the inclusion of Skeem Saam and non-educational shows like Restyle My Style and Challenge SOS but then again I get why these are on.

SABC Education is youth oriented and the SABC hadn't really produced much content in this area but the inclusion of Afro Cafe and Speak Out falls out of that spectrum. This was a channel that should be pivoting toward what it is positioned for education yet there's music shows on there.

Often the public broadcaster would rebrand the channel to SABC Festival as if there weren't consumers actually watching the channel and leaving the space occupied by SABC Variety unhinged. Considering there's already content under SABC Education not viewable on the channel like Uzalo.

Yet there's space for current affairs, the public broadcaster should consider restructuring or revamping the channel perhaps into SABC Variety 2. The first channel may as well occupy shows like Uzalo and Giyani: Land Of Blood while the other offers Skeem Saam and Noot Vir Noot.

News Shorts: e.tv Adds New Variety Show Friends Of Amstel: The Challenge, Xolani Khumalo Debuts New TV Show On StarSat And Queen Of The South Season 3 Makes Its Highly Anticipated Debut On Telemundo Africa

Black Tax changes timeslots ahead of new show

Friends of Amstel The Challenge is a fun and thrilling competition that brings together friends and celebrities for a series of exciting challenges. Whether it’s testing your physical abilities, mental acuity, or teamwork skills, this challenge has something for everyone. With Abuti Fill Up, President Ya Straata, and iNkabi uSjava leading their respective crews, you can bet that the competition will be fierce and exciting. Do you have what it takes to come out on top?

The ultimate prize for Friends of Amstel The Challenge is a 5-star, all-inclusive experience to Friends of Amstel. This exclusive event is a must-attend for any music and entertainment lover, so winning this prize is a once-in-a-lifetime opportunity. From enjoying top-notch performances to rubbing elbows with celebrities, this experience is sure to be unforgettable. So, gather your friends, sign up for the challenge, and get ready for the adventure of a lifetime!

The game show airs every Saturday at 18:00 on e.tv starting August 17th. To coincide with the launch season 2 of Black Tax will be moving to a much earlier timeslot 17:30.

St Rise adds new series Slyza Tsotsi

Xolani Khumalo, the former host of the controversial drug-busting show Sizokuthola, is making a return to television with his new show, Slyza Tsotsi. The show, which promises to be another hard-hitting expose on the illicit drug trade, will air on the Rise StarSat DStv channel 120 starting September 7th.

Khumalo also faces charges of malicious damage to property and robbery with aggravating circumstances, raising serious questions about his methods and the legitimacy of his crusade against drug dealers. Despite these controversies, Khumalo’s new show, Slyza Tsotsi, is set to continue his mission to expose and take down drug dealers.

Teresa is back for her final mission to take down the cartel 

The third season of Queen Of The South 3 (La Reina Del Sur 3) will premiere on September 9th on Telemundo Africa replacing The People's Doctor at 22:00 CAT. The final season has premiered in the United States a year ago so its kind of depressing that the channel took this long to acquire it.

After four years in prison in the United States for the deaths of three DEA agents, Teresa Mendoza escapes but will have to face a world full of conspiracy, risking her life in order to clear her name and reunite with her daughter Sofía. The cast includes Kate Del Castllo, Pêpê Rapazote, Antonio Gil, Isabella Sierra.


Canal+ Looking To Buy Another Pay-TV Platform Ahead Of Its Acquisition In MultiChoice

Vivendi’s Canal+ plans to double its stake in MC Vision to become the majority shareholder of the Mauritian-based digital pay-TV company, as the French firm seeks to boost its presence on the continent.

Canal+ will increase its stake to 75% from 37% for an undisclosed amount, pending regulatory approvals, according to a joint statement published in Le Dimanche/L’Hebdo newspaper.

Currimjee Jeewanjee and Co, a family-owned business that started MC Vision with Canal+ more than two decades ago, will cut its stake to 25% from 53% and state-owned Mauritius Broadcasting Corporation will sell its 10% holding.

Canal+ is seeking to expand its presence on the youngest and fastest growing continent
The new structure “will enable MC Vision to continue to meet the expectations of Mauritian households in terms of audiovisual content and services, while benefiting from the support of the Canal+ group”, the companies said.

Canal+ is seeking to expand its presence on the youngest and fastest growing continent to compete with US entertainment giants. In April it made an all-cash formal offer for MultiChoice Group, valuing the South African broadcaster’s shares at R55-billion and said the combined entity will be listed in Europe and Johannesburg.

Evolved

From pioneering digital satellite television in the Indian Ocean island nation in 1999, MC Vision has evolved into a provider of premium and exclusive content.

In the year to December 2022, it recorded revenue of Rs1.25-billion (R490-million) and a Rs1.6-million loss. The shortfall was due to low consumer confidence, a significantly weaker rupee, a rise in piracy and the unprecedented cost of content rights, for live sports in particular, according to Currimjee Jeewanjee’s annual report.