NEW CHANNEL ALERT: Novela Magic Coming Soon To DStv?



Novela Magic is an African-focused telenovela channel coming to DStv. It is produced by M-Net as well and might be catered specifically for South Africa.

In an upfront in August, MultiChoice mentioned that they're working on four Pan-African channels. Three will be added for specific regions while one being a lifestyle channel will likely be available across Africa.

Now this channel is unheard of perhaps MultiChoice wanted to surprise customers with this station.

The channel airs old programs from Zambezi Magic and Africa Magic such as Forbidden, Unbroken, Battleground and Zuba.

There's reasons why the channel could be in South Africa. For starters, Mzansi Magic and KykNet have their own repeat channels (KykNet Lekker and Mzansi Wethu) for lower bouquets except for Africa Magic.

So perhaps the idea for this channel was to repeat certain content from the rest of Africa to help fill up its airtime and make it unique perhaps they'll even supply content from Maisha Magic and Pearl Magic.

At the moment, MultiChoice has no details on the channel and in such cases it does imply that they'll be more details in a new month.

Update: Novela Magic launches 27 November At 6pm CAT on DStv channel 165 maybe this is their way of making up for the delay of tvN. The channel is rumoured to also be added onto the Family package it could change.

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Streaming: What Will Happen To NBCUniversal Linear Channels Currently Seen On DStv, Starsat And StarTimes?


NBCUniversal International (in Africa) supplies channels such as Universal TV, Studio Universal, DreamWorks Channel, Telemundo and E!

The restructuring of the TV and streaming business of Comcast's NBCUniversal featured prominently on the company's third-quarter earnings conference call on Thursday.

"In essence, we have done away with the concept of creating a piece of work for a specific network," Comcast chairman and CEO Brian Roberts said.

NBCU recently rejigged and streamlined key parts of its operations to cut costs and update structures for the digital age. A recently launched TV and Streaming unit, which combined those businesses under Mark Lazarus, was part of a restructuring designed to shift resources and investment from linear to streaming, but also causing job cuts. On Thursday, Roberts explained the move this way: "In essence, we have done away with the concept of creating a piece of work for a specific network."

Management showed a slide saying the move would drive “long-term value.” It showed the old structure as being “fragmented, with individual network executive teams” and optimizing "specific networks and brands.” The new structure "optimizes [the] full portfolio of linear and digital outlets" and is "centralized, with small programming executive teams."

NBCU CEO Jeff Shell during the third-quarter earnings conference call said the costs for the restructuring are hitting over the course of about a year, with a third "in this current quarter" and most of it having hit by midyear 2021, which will lead to "a lot less cost" and position the company for future opportunities. "We are kind of through the execution of most of our restructuring," he said, adding that the changing world and industry, including revenue pressures, mean a need for reform to ensure long-term profitability and health.

Comcast CFO Mike Cavanagh on the call detailed restructuring charges taken this year. He said "COVID-related severance and restructuring charges" year-to-date have reached $239 million. "We expect to incur an additional charge that is approximately double this amount in this year’s fourth quarter as we continue to align the cost structure across all of our businesses," he added. That would mean around $478 million in the quarter and around $717 million for the whole year.

Shell also said the advertising upfront ended up being much smaller than in the past, but "much better" than expected for the company, with pricing slightly higher, instead of the expected decline, and ad volume being down slightly.

Cavanagh on Thursday's call also predicted that the theme parks unit, which posted a third-quarter loss just like in the previous quarter, would break even again some time in 2021 no matter what happens to Universal Studios Hollywood. Roberts said the division has seen "the most pressure" from the coronavirus pandemic and it will take some time to recover, but management remains "very bullish" on theme parks longer-term. He also highlighted that excluding theme parks losses, NBCU's earnings before interest, taxes, depreciation and amortization would have grown 9 percent in the third quarter.

The topic of premium VOD and theatrical film releases, which has been a key issue on recent Comcast earnings calls, only came up in passing on Thursday. Cavanagh mentioned that NBCU's film team plans to release The Croods: A New Age in theaters and on PVOD in the fourth quarter, while other movies have been pushed to 2021.

Shell previously addressed Universal Pictures' historic agreement with cinema giant AMC Theatres, which will allow the studio's movies to be made available on premium video-on-demand after just 17 days of play in cinemas, including three weekends. The deal, which initially covers AMC's U.S. locations, shatters the traditional theatrical window of nearly three months before studios can make movies available in the home. AMC, the world's largest theater chain, is expected to share in the revenue from PVOD. "Together we can build a new, more attractive business model for us both," Shell said this summer. He also signaled Universal was expecting to reach similar deals with other exhibitors.

Shell also said back then that in recent years it has become "increasingly more difficult" to get the same returns on movies over the first two windows, with the AMC deal helping the studio and the exhibitor on that front.

Conclusion: This affects mostly E! since it was the only channel fitting that description while the rest have just been relying on acquisitions and archived shows. Telemundo in the U.S. is not managed by Comcast while NBCUniversal here manages it so my guess would be that E! and Telemundo will merge into a single channel which would be similar to the defunct FOX Life channel:
1. Since NBCUniversal is on a cancelling spree, E! joined Telemundo on a reruns rampage.
2.1. Telemundo lineup gets weaker on a yearly basis as more repeats begin to fill up the channel. They use to provide 4 hours of fresh content now that's dropped by 3 hours with only an hour repeating during the daytime. By next year, they're very likely going to offer 2 hours of fresh content which is okay since it gives viewers time to watch other stations.
2.2. E! will look more like BET, FOX and Comedy Central which can only provide an hour or more of fresh content per week.
3. E! has been heavily reliant on The Kardashians to boost their airtime now that their chapter is coming to an end what's left for the channel besides Botched! which is likely getting canned or moving to streaming services.

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TV Kids Will Host A Global Event


TV Kids will host a three-day virtual event focused on the crucial role of international partnerships for the children’s programming industry in February 2021.

Taking place from February 2 to 4, 2021, the TV Kids Festival will feature keynotes and panels with leading executives and creatives discussing the importance of alliances in producing and distributing top-notch kids’ programming today.

Highlights will include addresses from senior-level executives at kids’ channels, streaming services and distribution companies, as well as creators of hit shows. There will also be panels on windowing and financing models, acquisition strategies and co-productions, as well as a special focus on the French animation sector.

TV Kids Festival will also deliver exclusive premieres of new shows available on the global market, and will present the inaugural TV Kids Pioneer Award to an individual or company that is leading innovation in the children’s programming business. It will be streamed live and available on-demand on World Screen’s brand-new, state-of-the-art events and festivals platform, which launches next month.

“With our print and online magazine, annual guide, daily and weekly newsletters, in-demand reports and more, World Screen has assembled a powerhouse stable of platforms serving the children’s programming community,” says Ricardo Guise, the president and publisher of World Screen. “We’re thrilled to be adding the TV Kids Festival to our offerings in 2021.”

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December 2020 On Da Vinci Kids Africa | New Seasons For The Family | Christmas Stunt


TIMES IN CAT

Kids Programmes – Premiere
Operation Ouch! - Season 8
From December 12th
Saturdays & Sundays 18:30
Identical twin brothers and doctors Chris and Xand van Tulleken experiment on themselves and meet real patients in hospital to explore the fascinating world of medicine and biology.  They show how the body works in normal and extreme situations - from Oh! to Eeeuw!

Adults Programmes – Premiere
Forces of Nature – BRAND NEW
From December 13th  
Sundays 22:00
Shape, motion, elements and colour tell us a lot about Earth. Using the latest technology to bring unique perspectives and understanding of nature’s wonders, this series shows the immense forces that make our world so vibrant and diverse.

Christmas with Da Vinci!
Friday, December 24th from 17:30 to 20:00 and Saturday, December 25th from 08:50 to 10:55

The Treehouse Stories
Airs at 17:25 and repeats at 08:50
The Christmas Feast
The kids hear what happens when a wolf, a fox and a weasel decide to have a Christmas feast with a turkey. The clever turkey teaches them how to have fun and they all have a Christmas to remember.

Thomas Edison's Secret Lab
Airs at 17:35 and repeats at 09:00
Stranger in a Strange Lab & Sturm Und Drag
An old friend of Edison’s visits the lab and asks the Secret Lab Kids to help him with a top-secret project. And, The Secret Lab Kids work on a secret new aircraft for a mysterious character named "Bob".

Thomas Edison's Secret Lab
Airs at 18:00 and repeats at 09:25
All the Heavy Lifting & Twas the Night Before Liftoff
When Von Bolt finds a tiny wrapped present, he comes to the conclusion that Bob is Santa Claus. And, the Edison Kids need to complete their new airship, but are locked out of the impenetrable mountain lab!

Thomas Edison's Secret Lab
Airs at 18:30 and repeats at 09:55
Von Bolt Meets Santa & And to All a Good Flight
The Secret Lab Kids must devise functioning space suits to travel to the moon to rescue Von Bolt and Bob. Later, the Secret Lab Kids are stuck on the moon and only have a few hours left to return to Earth!

Horrible Histories
Airs at 19:00 and repeats at 10:25
Horrible Christmas
Christmas in the past wasn’t always fun, with smelly Saxon gifts, terrible Tudor pudding and crazy Victorian cards. On Christmas Day in 1914, British and German soldiers stopped fighting and played football.

Did You Know?
Airs at 19:30 and repeats at 10:55
Making Christmas Special
Christmas is a special time of the year. Get tips on decorating and discover ways of spotting fake money and gifts.

Continuing Shows
Siyaya: Come Wild with Us – NEW EPISODES
Saturdays & Sundays 14:30
Siyaya – Come Wild With Us is an adventurous journey to fascinating places in and around South Africa’s national parks. Young explorers experience unique challenges in every episode as they experience nature at its wildest.

PinCode – NEW EPISODES
Saturdays & Sundays 15:00
Captain Pin and his colourful crew zoom through space, time, volume and dimension in their trusty spacecraft, the Umflier. In each episode they encounter a different problem that can be solved and explained by science.

Disasters Engineered – NEW EPISODES
Thursdays 22:00
Through extensive archive footage and expert interviews this series explores the stories behind mankind’s greatest engineering disasters, looking at how they happened and what we have learnt from them.

Did I Mention Invention? - Season 2 – NEW EPISODES
Saturdays & Sundays 15:30
In each episode, host Alie Ward presents fascinating new inventions, from a robot football player to technology to keep babies safe. She meets with their inventors, learns about their journey from idea to production and presents fun facts on the history of innovation.

How To Do Stuff Good – NEW EPISODES
Fridays 15:55
Hosted by a zany bunch of school-aged kids, each with their own story to tell and lesson to share, this hilarious series demonstrates how to do all manner of amazing things, from arts & crafts to cooking and pranks.

Da Vinci Kids is available on DStv, Starsat (SA) and StarTimes (ROA)

Why SABC Wants Streaming Platforms To Pay TV Licences?


The South African Broadcasting Corporation (SABC) has clarified its requests for new regulations that would require companies like MultiChoice and Netflix to collect TV Licence fees on its behalf.

The public broadcaster recently proposed that the definition of a TV licence be expanded and that pay-TV and streaming companies be engaged to assist in the collection of TV Licence fees.

It added that this would be similar to municipalities collecting traffic fines and motor vehicle licence discs.

Speaking in an interview with MyBroadband, SABC Head of TV Licences Sylvia Tladi confirmed the SABC was looking at improving compliance as well as expanding the definition of the television set to include devices such as smartphones.

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“We are of the view that the regulation is outdated,” Tladi said.

“Bear in mind that the Broadcasting Act was last amended in 1999, whereas the TV licence regulations are 16 years old. In that time, there has been a significant development in the manner in which content is being consumed.”

“We cannot play in the media environment as much as everyone else is doing because the legislation is outdated,” she said.

Looking at obligations for MultiChoice and Netflix
Tladi said that the SABC was considering working with companies like MultiChoice and Netflix to improve compliance in terms of TV licence fees.

“We would like obligations to be placed on companies that sell set-top boxes, decoders, to be able to ensure that when people apply for a subscription, there needs to be a process where it can be validated that they do have a current TV Licence,” Tladi said.

She said that the motivation behind this is that customers do not buy a decoder on its own – they are going to connect it to a TV for which they should have a valid licence.

Tladi added that the SABC is also looking at ensuring TV Licence compliance through streaming services including Netflix.

“With regards to the likes of Netflix, what we are talking about here is streaming services, and what we are looking at is that where streaming services are available in the market and people are able to stream SABC’s content, there needs to be valid or paid-up TV Licence,” she said.

“We are not saying they should physically go out there and collect; we are looking at a process of making sure that there is compliance.”

She noted that the regulations of how this process will unfold will have to be drafted to outline a specific process.

“For example, instead of saying Netflix collect TV Licence fees, there are various ways of doing it. We can negotiate with the streaming service about a percentage of whatever people are streaming that is content which belongs to the SABC,” Tladi said.

She added that the SABC’s main priority in proposing regulation changes is to improve compliance.

“I think a part of that will include tying up loose ends where pay-TV operators are concerned as well as streaming services,” Tladi said.

It is important to note that these proposals by the SABC are currently in very early stages.

These potential changes to regulations must be debated before parliament and concretely defined before they are propagated further towards becoming law.

The SABC issued a statement on 29 October stating that it will make a detailed submission on the Draft White Paper on Audio and Audiovisual Content Services and invited public comments on the proposed changes to local broadcasting regulations.

“In finalising the SABC’s submission, the public broadcaster will take cognisance of the wide range of views expressed on the need for a licence fee or a public broadcasting levy,” the SABC said.

“The SABC calls on the public and all interested parties to also make their comments to the DCDT by 30 November 2020.”

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