Australian Entertainment Platform Fetch TV Faces Another Shake-Up, With Paramount Set To Remove All Of Its Branded Pay TV Channels In The Region

Effective 1 November 2025, Fetch has informed subscribers that the Ultimate Pack will lose a number of channels, including Nick Jr, Nickelodeon, Nick Music, MTV, MTV Hits, Club MTV, MTV 80s, MTV 90s and MTV 00s.

In a note to users, Fetch explained:

“There will also be changes to the inclusions in the Premium Channel packs as Paramount have made the decision to remove their Pay TV channels from all platforms within Australia.”

The move comes despite both companies reaching “an agreement on a long-term extension of their channel partnership” earlier in 2024, which had secured existing channels and introduced MTV 90s and MTV 00s as part of an expanded deal.

Paramount has gradually wound back its local pay TV offerings over the past two years. MTV left rival Foxtel in August 2023, while Nickelodeon switched from Foxtel to free-to-air Channel 13 around the same time, replacing the similarly programmed 10 Shake channel.

More recently, Comedy Central departed Fetch at the end of March 2025, followed by Paramount’s music channels exiting Foxtel in June. The locally programmed CMT (Country Music Channel) was also confirmed to wind down in Australia from the end of July.

In the coming months, Paramount is looking to a round of layoffs or budget cuts following its acquisition by Skydance Media. This would affect the company's local operations in Africa leading to the potential closures of MTV Base and BET in the region.

In Europe, Paramount is halt several MTV channels including Club MTV, NickMusic, MTV 80s, MTV 90s, MTV 00s by 31 December 2025. Nickelodeon, Nick Jr., Nicktoons, MTV and Comedy Central are expected to remain in the region.

Jagriti, The Life Of A Girl Facing Injustice Is Coming Soon To Zee World

The show explores themes of social injustice, discrimination, courage, and the pursuit of a better future, revolving around the life of Jagriti, a young girl from the marginalized "Chitta" community in the fictional town of Mokshgarh, Jharkhand. The Chitta community is unjustly branded as 'criminal' from birth by the oppressive and powerful landlord Kalikant Thakur. The community is denied basic rights, including education, and is forced into a life of crime and labor.

The story begins with seven-year-old Jagriti, who bravely questions the injustices faced by her people. She refuses to accept the societal branding and the tyrannical rule of Kalikant Thakur. Her relentless quest for dignity and rights for her community often puts her in conflict with the landlord and his authority.

The narrative takes a 17-year leap, with an adult Jagriti. After a traumatic childhood, she has been adopted into a wealthy family and has forgotten her past. She has now dedicated herself to becoming an IPS Officer, aspiring to fight for justice and make a difference in society.

In college, she clashes frequently with Suraj Thakur, the arrogant elder son of powerful landlord Kalikant Thakur. Despite their ongoing rivalry, there's an underlying tension between them. Jagriti, however, falls in love with Akash Thakur, Suraj’s younger brother, and they are set to marry. On the day of the wedding, Sapna, who has loved Akash since childhood, switches places with Jagriti. As a result, Sapna marries Akash, and Jagriti unknowingly marries Suraj.

Shortly after, Akash, enraged by the switch, attempts to force himself on Jagriti, but Suraj intervenes and saves her. This marks a turning point in Jagriti’s perception of Suraj. In the aftermath, as she begins to unravel buried memories, Jagriti gradually rediscovers her true identity and her roots in the Chitta community.

Determined to fight the injustice she was born into, she sets her sights on becoming an IPS officer. Suraj undergoes a dramatic transformation, turning against his corrupt father and becoming Jagriti’s strongest supporter. With his help, she clears the UPSC exam and returns to Mokshgarh as a symbol of justice and reform. Over time, the deep bond formed through shared struggle and trust blossoms into love. Jagriti and Suraj fall for each other only after she becomes an IPS officer. When Jagriti is targeted in a bomb attack, Suraj saves her life, cementing their emotional connection. They soon remarry, this time by choice and mutual love.

Jagriti (also known as Jagriti: Ek Nayi Subah) was produced by Zee TV and was broadcast since 16 September 2024 with Rachana Mistry and Vijayendra Kumeria in leading roles. Since it's inception, Jagriti has accumulated over 360+ episodes.

Netflix Reportedly Interested In Acquiring Warner Bros. Discovery

Back in June, reports emerged that Warner Bros. was planning a restructuring that would see the company split in two- one company would contain its studio and streaming assets (HBO, Max, Warner Bros. Television & Motion Pictures, and DC Studios) and the other company would house its linear/cable networks (CNN, TNT, Discovery, etc.).

The split is targeted for completion by mid-2026.

Shortly thereafter, the newly merged studio Paramount Skydance (backed by Oracle founder Larry Ellison) emerged as a likely candidate for the purchase of WB's studio and streaming assets. On the heels of that news breaking, stock prices for both companies surged. 

Now, it seems there's another contender joining the race, according to Puck- none other than Netflix!

However, fans are somewhat worried about the news, as Netflix is definitely a streaming-first, theatrical release-second kind of film studio, which could lead to DC Studios becoming a streaming-only brand.

The Streaming & Studios side of WBD is estimated to be worth about $65 billion, thanks to IP like the heroes and villains from DC Comics, Harry Potter, The Lord of the Rings, and a host of other smaller franchises.

Backed by Larry Ellison's wealth, Paramount Skydance is expected to put in a full-cash offer, something that reportedly greatly interests WBD CEO David Zaslav.

On the flipside, Netflix has been open about its strategic shift from just having a lot of content to building a library of powerful franchises. Said co-CEO Ted Sarandos previously, "...you need a lot more than just a big hit every once in a while. … It’s not about the single hit. It’s about a steady drumbeat of shows and films – and, soon enough, games – that our members really love and continue to expect from us.”

In a separate interview, Netflix co-founder Reed Hastings described creating a "competitive moat" of powerful IP and franchises- one that prevents subscribers from leaving for other streaming competitors due to loyalty and infatuation with what Netflix has to offer.

In recent years, Netflix has been somewhat struggling to create such powerful IP with original content, making the theory plausible that the streamer might opt to just buy its major franchise instead of building it.

There's also the question of what happens to the current film and television slate at Warner Bros. after an acquisition, particularly with DC Studios. David Zaslav has given James Gunn and Peter Safran free rein to do as they see fit, but that might all change if Gunn and Safran suddenly find themselves answering to a new boss- especially one that prioritizes streaming over theatrical releases.

ICASA Approves Of The Structure To Be Taken By Canal+ And MultiChoice

The Independent Communications Authority of South Africa (Icasa) has approved the transfer of control of Orbicom’s electronic communications and radio frequency spectrum licences to Canal+.

Orbicom is MultiChoice’s signal distributor, and the approval is an essential step in progressing Canal+’s takeover of the company.

Orbicom submitted the applications to transfer control of its electronic communications service (I-ECS), individual electronic communications network services (I-ECNS), and Radio Frequency Spectrum licences in November 2024.

Icasa subsequently published its application, inviting stakeholders to submit their comments, in March 2025.

The I-ECNS licence authorises holders to roll out and operate electronic communications networks on a provincial or national scale.

In contrast, the I-ECS licence lets holders provide services to customers using their own or somebody else’s network infrastructure.

The Radio Frequency Spectrum licence enables an organisation to use a specific radio frequency band within a defined geographic area.

Icasa revealed that it had approved the transfer via a notice in the Government Gazette, published on Thursday, 18 September 2025. It granted the approval on 28 August 2025.

The regulator said it evaluated the licence control transfer application on the following criteria:

• Promotion of competition in the ICT sector;
• Interests of consumers; and,
• Equity ownership by Historically Disadvantaged Persons (HDPs).

Interested parties had 14 working days to submit their written representations, with the submission date ending on Monday, 7 April.

The transfer of control of Orbicom’s licences to Canal+ forms part of its acquisition of MultiChoice.

The French media giant had gradually brought up Multichoice shares in the open market since October 2020 and hit the mandatory offer threshold of 35% ownership in early 2024.

Canal+ offered MultiChoice R125 per share after some back-and-forth with MultiChoice and a reprimand from the Takeover Regulation Panel (TRP).

The offer valued MultiChoice at over R55 billion. The deal will cost Canal+ R30 billion in cash, and it has continued acquiring MultiChoice shares while the offer is under consideration until May 2024.

The RTP’s latest report on Canal+’s shareholding in MultiChoice was published in May 2024, revealing that Canal+’s ownership had climbed to 45.2%.

Although Canal+ was legally mandated to offer to acquire the DStv owner, the deal was subject to various regulatory hurdles — some of which have been cleared.

These hurdles include securing approvals from bodies like the Financial Surveillance Department, the Johannesburg Stock Exchange, the TRP, and Icasa.

ICT policy legal expert Lisa Thornton previously told the media that the deal’s success will depend on its structure.

MultiChoice and Canal+ had to find a way to limit the latter’s voting rights to 20% — a requirement for broadcasting licences under the Electronic Communications Act.

The deal also had to meet Broad-based Black Economic Empowerment (BBBEE) rules set out by Icasa. The rules stipulate that licencees must be 30% owned by historically disadvantaged groups.

To achieve this, MultiChoice South Africa will be carved out as an independent entity referred to as LicenceCo. It will hold the company’s South African operating licences.

LicenceCo will also contract with MultiChoice’s subscribers in South Africa, and the remainder of the group’s video entertainment assets will remain with the MultiChoice Group.

The MultiChoice Group’s shareholding in LicenceCo will give it a 49% economic interest and a 20% share of voting rights.

“MultiChoice Group will retain its existing 75% direct interest in MultiChoice South Africa, excluding LicenceCo. Phuthuma Nathi will similarly retain its existing 25% interest in MultiChoice South Africa,” the companies said.

“LicenceCo will enter into various commercial agreements with MultiChoice Group subsidiaries in relation to the services currently provided to LicenceCo by other MultiChoice Group entities.”

It added that these relate to providing content, technology, subscriber management and support, among other functions.

Reminder: Krypto Saves The Day! With A Brand New Show On Cartoon Network Across Africa

Cartoon Network will air a four-part series of animated shorts starring Krypto with Krypto Saves the Day!: School Bus Shuffle — debuts September 26. The short is written and directed by Ryan Kramer (Looney Tunes Cartoons, Uncle Grandpa, The Day the Earth Blew Up: A Looney Tunes Movie).

The breakout canine star from DC Studios’ Superman (whose performance was inspired by director James Gunn’s rescue pup, Ozu), the Superman Family’s four-legged companion will stars in his very own original 2D animated shorts, which will debut through the month:

Part 1 – Krypto Saves the Day!: School Bus Scuffle
Part 2 – Krypto Saves the Day!: Halloween Havoc
Part 3 – Krypto Saves the Day!: Package Pandemonium
Part 4 – Krypto Saves the Day!: Coastal Catastrophe
Krypto Saves the Day!:

Synopsis: Look Pup! Fresh off his star-making performance in Superman, Krypto returns in a series of original comedic animated shorts. Produced by Warner Bros. Animation and DC Studios, Krypto Saves the Day! brings the caped canine’s brand of heroic hijinks to everyday life in Metropolis. From school bus rescues to Spring Break cruise ship saves — and even Halloween candy crises — no adventure is too small as Krypto delivers super-powered action, laughs and plenty of mischief for fans of all ages.