How Openview Is Edging Out DStv Compact?

DStv is a pay-tv platform operated by MultiChoice that offers movies, series, sports, documentaries and kids shows. It is currently Africa's biggest entertainment provider operating in 50 countries which is currently in the process of being acquired by French broadcaster, Canal+.

Earlier in the year, MultiChoice had shuttered both M-Net's Me and 1Magic in an attempt to boost their streamlining endeavors which led to the inclusion of 1Max. Similar to 1Magic, this channel was only applicable to Compact+ and boasted a selection of local content. 

The channel embraces and explores dynamic, authentic African stories with an edge, kicking off with titles such as Tracking Thabo Bester and Red Ink. It also features content from other parts of Africa and the world such as The Real Housewives Of Lagos, Ted and The Good Doctor. 

This was also the channel set up to replace Me but MultiChoice has been reluctant to answer consumers with questions of such regard. Consumers have been moving like headless chickens wondering how they'll able to view The Block and America's Got Talent with the SABC struggling to stay afloat.

Outside of Showmax there's eReality which offers these series alongside other shows already viewed on DStv like Impractical Jokers, Catfish: The TV Show and MasterChef. With dramas like The Walking Dead and Blue Bloods and even sitcoms like The Goldbergs viewable on eSeries.

Although DStv already offers a competitive offering for eSeries with Universal TV and Comedy Central there's no Blue Bloods or The Goldbergs all of which were viewable on Me. While eReality shows some ounce of energy with DStv its mainly reruns to Judge Judy and Keeping Up With Kardashians. 

With DStv consumers actually paying for their content you'd expect MultiChoice to make some effort but that's not the case here. Although MultiChoice can speak highly about this content on Showmax end result is that consumers on Openview are paying a once off fee.

Warner Bros. Discovery Exploring Potential Sale Of Assets To Avoid Breakup

Warner Bros Discovery’s senior management is looking to avoid a break-up of the company as executives race to reverse the Hollywood group’s plunging share price, according to people familiar with the matter. 

Following a fall of almost 70 per cent in its stock price since WBD was formed in 2022, chief executive David Zaslav and chief financial officer Gunnar Wiedenfels have recently evaluated “all options” to arrest the decline, said two people familiar with the matter. 

However, senior executives who carried out a detailed analysis of the consequences of a split have determined that fencing off the group’s declining television channels from its streaming and studio business was not the best option at this time, according to people familiar with the discussions. 

The Financial Times reported last month that WBD — which owns HBO, the Warner Bros studio and CNN — was drafting a break-up plan. 

But while such a split initially looked “compelling on paper, it would create very significant operational challenges: doing sports rights deals, determining what goes on linear [television] or what goes on [direct to consumer streaming] and when”, said a person who was involved in the deliberations.

“In the best-case scenario, you’d be dealing with years of legal challenges”, the person added. 

A company spokesperson declined to comment.

Breaking up the storied Hollywood group would be likely to trigger lawsuits from debt investors, while also complicating the use of Warner’s content across various platforms and networks, said the people familiar with management’s thinking. 

A corporate break-up was viewed as the “nuclear option”, said another person close to WBD’s management, but they cautioned that the situation was fluid and circumstances could change. 

Zaslav and Wiedenfels are instead looking to offload smaller assets. They are considering offers to sell Polish broadcaster TVN or a stake in Warner’s video games business, which holds valuable intellectual property to Harry Potter games, said people familiar with the matter.

WBD’s management hopes investors will remain patient as they work to turn around the company, they said, believing its true market capitalisation should be about $60bn, or $25 a share, well above the $7.88 at which it closed on Monday. WBD’s stock was down another 5 per cent in late-morning trading on Tuesday.

The group was formed in April 2022 out of a merger that was meant to help two legacy media companies, Discovery and WarnerMedia, compete in a brutal streaming battle with Netflix and Disney. 

However, it has struggled to convince Wall Street, which has sliced its valuation and put pressure on WBD’s management, to take action. The company is set to report its quarterly earnings on Wednesday. 

Since the merger, the group has focused on cutting costs and paying off debt, introducing several rounds of lay-offs and selling assets such as All3Media, the UK production company behind Fleabag. 

Its news channel, CNN, last month laid off about 100 employees, or 3 per cent of its staff, as part of a digital turnaround strategy. While WBD’s management has been keen to sell assets, the bar for divesting CNN would be “very, very high” because of its strategic importance as well as the tax implications of a deal, said one person familiar with the matter. 

This person added that WBD considered it unlikely that there would be an offer compelling enough to offset these concerns.

“[Zaslav] has also been very clear that he views CNN as a strategic and reputational asset. It is one of the flagship networks that helps us on the affiliate side,” they said, referring to the payments cable companies make to television networks to run their programming. 

Overall, WBD “should be worth significantly more. It shouldn’t take another two to three years to get there,” the person said. “But the market is tough right now and a lot of things have to go well”. 

This story was originally published by The Financial Times

Channel Closure: PBS Kids Will Stop Airing On DStv And GOtv Across Africa By 31 August 2024

PBS KIDS is an educational brand for children aged 2 to 8 years offering shows like Arthur, Wild Kratts, Cyberchase and Dinosaur Train. Operated by the Public Broadcasting System (PBS), Africa was the only international market to offer the brand following its closure in Australia in 2023.

Through the electronic programme guide (EPG), it was revealed that the last international feed will stop airing on DStv by the end of August. This would be the 12th TV channel to go dark on the platform in the year alongside People's Weather, Africa Magic Urban and Ginx TV.

We are told that MultiChoice would be extending the reach of existing TV channel likely for their Easyview consumers.

In 2022, PBS KIDS unveiled a new on air look which was designed to build on the equity and strength of the brand for today's digitally focused viewers. The blue was incorporated to acknowledge the main PBS brand with the green from its previous logo targeting younger audiences.

Two years have passed since its introduction, the feed currently seen on MultiChoice's DStv still retained the former PBS KIDS logo and also content received little marketing from PBS Distribution and MultiChoice which led to speculation of its possible demise as seen in Australia. 

Similar to WildEarth, it's likely that PBS Distribution opted to remove their channel from DStv as part of some corporate restructure.

Brand & Rights 360 took over distribution of PBS KIDS with the aim of introducing its shows to broadcasters in new territories, ensuring more children and families worldwide can enjoy enriched content. This partnership comes amid growing demand for premium children’s content across global markets.

In short, PBS KIDS which had very little presence in other countries needed a partner to help it get more exposure in these regions. That's the same story we got with Paramount+ that at some point planned to rollout a standalone service in Africa before bundling with Showmax. 

Corporate at Paramount had mentioned that getting Paramount+ in all regions wasn't that much a priority as long as they had Mission Impossible and NCIS content that generates income. In PBS KIDS case that was very much lacking outside of Arthur hence the demise of the 24 hour feed in Africa.

Canal+ To Take Legal Action Against French Broadcaster TF1 For The Use Of "+" On Its Streaming Service

TF1+ is the new streaming platform that offers a replay experience, but also films, series and shows on almost all media. Appearing on January 8, 2024 to replace the old name “MyTF1”, TF1+ has the same objective as its predecessor, to offer an improved experience of TF1’s original content as well as a streaming-type experience to compete with giants like Netflix, Prime Video or Apple TV+. If this strategy has nothing to be sued, it is the name “TF1+” that poses a problem. Canal+ has just sued the channel because it does not have the right (according to Canal) to use the “+” sign.

TF1+, the new name that created a scandal at the Canal group

In 2019, Disney+ was starting to make a lot of noise in the streaming world. With a launch in the United States, then in France, the Canal group did not look favorably on the fact that the American giant used the acronym “+” in France. The group then tried to oppose Disney+ by appealing to National Institute of Intellectual Property (INPI)After investigation, he concluded that Disney+ did not pose any problem and that the acronym “+” did not belong to Canal+.

Five years after this affair, the Canal+ group still assures that the acronym “+” is not a simple indicator of quality or a more complete catalog, it is an acronym that belongs to it and that does not have to be used by another company in France, at least in the world of streaming!

Today, the Canal group prefers to ignore the final opinion of the National Institute of Intellectual Property (INPI) and take TF1 to court for using the acronym “+”. The Canal group denounces a practice that confuses consumers and is even demanding compensation of… 57 million euros from TF1. This absolutely enormous sum is linked to the importance that Canal+ gives to its brand.

TF1+ began to exist on January 8, 2024 and has always stood out from Canal+ by never referring to its competitor and by offering unique programming focused on its own exclusive and original content, adapted to a wide audience.

This assignment is likely to last several months, but the Canal group does not intend to give up, because the company believes that the acronym “+” belongs to it following the filing of the trademark “Canal+” on November 4, 1982 with the INPI.

SABC Wants To Launch An Openview Competitor, Might Require A TV License

A decade ago, SABC had planned to launch its own DTT platform which would be rivaling with eMedia Investments' Openview platform before seeking comfort with Sentech. This platform would feature SABC 1-3 and their 19 radio stations with e.tv exempted from the lineup. 

There were also plans for SABC to expand its linear offering with 18 additional channels which included SABC 4, SABC 5 and SABC Movies all of which got scrapped with SABC Education and SABC Sport entering fruition. 

These endeavors had been delayed with eMedia Investments that forged ahead with its rival offering Openview which extends its reach to more than 3 million households. With the impending demise of analogue transponders SABC is hoping to lure these consumers with its own DTT platform. 

The SABC said it wants to enhance the broadcasting landscape and deliver on its digital transformational journey with an integrated free-to-air Direct to Home (DTH) platform will enable the SABC to be in control of its destiny. They are seeking bidders in the hopes to get this idea of the ground.

Bidders are likely to partner with MultiChoice or Sentech in order to access the satellite space. Although it will be a rival offering to Openview, the unnamed platform will likely require consumers to present a TV license with an option for those without as seen with SABC+.

With the current economic climate, SABC will have a tough road ahead if they want these endeavors to succeed. Firstly more households are opting for streaming, so it would be difficult for them to grow organically in a market where DStv and Openview are dominant.

Inspector Gadget Heads To The Kartoon Channel Alongside Other International Networks

Chinese national broadcaster CCTV 6 and TG4 in Ireland are among the latest networks to pick up the first season (26×30’) of the CG-animated reboot of classic kids’ series Inspector Gadget.

Canela.TV in the US and Latin America, Kanopy Kids in the US, Canada and Singapore, VSTV in Vietnam, and Kartoon Channel in the US, Sub-Saharan Africa, Sri Lanka, Indonesia and Vietnam have also picked up the first season.

In the reboot, Inspector Gadget is brought out of retirement after the evil Dr Claw reactivates his global crime syndicate MAD. Canada’s WildBrain produces and distributes the series and also owns the original library of Inspector Gadget content as well as its IP.

Elsewhere, Blue Entertainment has acquired specials Inspector Gadget’s Biggest Caper Ever (1×60’) and Inspector Gadget’s Last Case (1×90’) for its SVoD service Blue Play in Switzerland and Lichtenstein.

In a partnership that takes Inspector Gadget onto FAST channels in Germany, LG has picked up season one of Inspector Gadget’s Field Trip (26×30’), seasons one and two of the classic Inspector Gadget (86 x 30’) and specials Inspector Gadget Saves Christmas (1×30’) and Inspector Gadget’s Last Case (1×90’).

An Inspector Gadget FAST channel is also available on Amazon Freevee in Germany and Austria.

In the US, MeTV Toons has picked up seasons one and two of the classic Inspector Gadget, along with Inspector Gadget Saves Christmas.

Must Read: Important Notice Dated 2nd August

As some might have already noticed, Google has made some rather bizarre updates to their algorithms which had affected part of my traffic. It's worsened to a point where some of my content struggles to get indexed or picked up through search engines and yes I discovered this has affected various website owners. 

We are currently exploring various options for our platforms in order to continue feeding readers content. It's evident with Google's recent updates that they've become unreliable in shaping the stability of this platform and it sucks honestly as there's websites taking your content and recieve better results with Google. 

Some of these websites block users with ad-blockers, have very thin content which Google mentions from time to time again they can't tolerate. Last thing on our words is to remain on air as we've seen a couple of websites shut down if not abandon their readers due to these changes.

Warner Bros. Discovery Will Be Shutting Down The Boomerang Streaming Service By The End Of September

Warner Bros. Discovery announced today that the standalone video streaming app and website for its Boomerang service, which is dedicated to classic cartoon brands, will be shut down on September 30 of this year. Boomerang content will be added to WBD’s Max platform as the company moves to consolidate its streaming services.

Current Boomerang subscribers will see their accounts automatically converted into Max ad-free plans at their same payment rate. Existing login credentials will also be ported to Max.

Boomerang is the WBD branded home for well-known animated content from the Warner Bros. library, including Hanna-Barbera and Ruby-Spears favorites like Scooby-Doo, The Jetsons and Tom & Jerry as well as the iconic Looney Tunes banner.

The statement from WBD to Boomerang subscribers reads:

Hey folks,

We’re reaching out to let you know that Boomerang will be moving to Max, and as of September 30th, the Boomerang app and website will no longer be available. The exciting news is that your Boomerang subscription will automatically transfer to Max (Ad-Free) with no change to your subscription price until further notice!

Here’s what you need to know:

Logging In: Starting September 30th, you can log in to Max using your Boomerang email and password.

Kids Profile: We’ll have a Kids Profile set up in your account, allowing you to set parental controls and ratings restrictions.

Max Content: On Max, enjoy loads of Boomerang fan-favorites with Scooby, Bugs Bunny, Tom & Jerry and more! While some Boomerang content may not be available, you’ll have access to Max’s full catalog of iconic series, hit movies, fresh originals, breaking news, and family favorites including The Amazing World of Gumball, Teen Titans Go!, LEGO Batman and more.

Billing: Throughout September, Apple will be transitioning your billing from Boomerang to Max.